Introducing TOMO Atlas, a typeface that redefines modern typography. This linear and geometric sans-serif family is a testament to contemporary minimalist design. Crafted for versatility and readability, Atlas excels in both digital and print media. Its clean, open characters are not only web-optimized but also print-friendly, ensuring legibility across various platforms. The neutral yet professional demeanor of Atlas makes it perfect for branding, heading, and text applications. It embodies the Swiss design ethos with its elegant, subtle, and distinctly modern appeal. Whether bold statements or casual contexts, Atlas remains adaptable and scalable, maintaining clarity at any size. Atlas legible and clean appearance, combined with its accessibility features, makes it an ideal choice for designers looking to create a sophisticated and contemporary visual language. It’s an epitome of modern type design, balancing style with functionality to meet the diverse needs of today’s typography enthusiasts.

Basenji is a flowing headline typeface influenced by the modular geometric design trend of the 1970s. Herbert Bayer published his highly influential Universal Alphabet in 1924, which was based on circles and straight lines and had a modern, industrial appearance. Jan Tschischold’s typography popularized this simple, unconventional style but by the late 1950s, it had fallen by the wayside. Type designers Joe Taylor and Herb Lubalin inaugurated the 1970s with fresh takes on an old concept. These new typefaces were more practical than the original, and their blend of futuristic curves and funky curls fit the zeitgeist. The popularity of these types spawned a flood of similar designs like Pink Mouse, Bauhaus, Pump, and Harry. These typefaces were popular throughout the decade then fell out of favor by the mid-1980s, making a comeback in the year 2000. Many contemporary font designs have drawn inspiration from the beginnings of the Universal Alphabet, but Basenji is unique. This typeface amplifies of the 1970s elements of Rondo, Pump, Bauhaus and Blippo, and packs them into a practical, versatile design toolset. Basenji comes in nine weights and italics. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

FeggoliteMono is a decorative, monospaced typeface family with a small x-height and long descenders. Two styles (plain and bold but renamed in 2020 as light and regular) were created in 1994 and revised in 2010. In 2020 a bolder bold was added along with italics versions for each of the three weights. The design was an attempt to create a decorative typewriter font.

King Tut is a restoration and expansion of the original Egyptian Expanded, a single bold face cut in 1850 by Miller & Richard, the famous Edinburgh founders. This aesthetic, though originally issued to help drive simple print advertising of those days, is perhaps the longest lasting genre of typeface. This aesthetic flourished in the later part of the 19th century, helped by the surge of similar faces from England (such as Figgins' Antique 6 and Expanded Antique), and became the defining index of the old American wild west that continues to this very day. King Tut serves up its impact through a balance between the wide, compact letterforms and elegant curvature that manages to come through even in confined areas. The family's weight variety allows for more options in counterspace use as well as precision in the amount of curve definition and contrast needed by the typographer. The lighter weights completely oppose that 19th century boldness and expose the alphabet's skeleton in a strive for simplicity that fits modern applications. With generous language support to boot, King Tut's diverse offerings make it an essential addition to today's designer repertoire.

Artisoul is a handwritten signature script with a classy & natural flow. This collection of script characters is perfect for personal branding. Artisoul works well for many applications. Everything from personal branding and wedding invitations to advertising could benefit from this signature font such as photographers signature, cosmetics, watermark, liquor labels, signage, and any type of signature-styled logo. Artisoul Signature is a must-have script that has a diverse set of alternates that will surely be used many times in various projects in the future. Thanks and happy design.

Cira is a superfamily with 7 weights and italics under two main styles: sans and serif. The original concept was created for Katachi Media as a corporate font for text and experimentation in an iPad magazine. It has a diversity of outlines with straight angles which create unusual shapes and counterforms. Its middle weights are suitable for text and can be combined with extreme weights at display sizes. Cira is a versatile superfamily with an original and modern feeling and it’s a great option for giving identity to your designs.

Inspired by the first Swiss banknotes, Fiducia is a four weight display typeface. Linked through a common theme, this family is a collection of four styles of typography, Serif, Modern, Slab and Sans. Connected through common vertical proportions, the styles can be combined and mixed to create diverse layouts. These four styles include a range of Opentype features, they all share a range of numerals and each weight equally features its own additional option, for example adding a titling style in the Serif weight or Small capitals in the Sans.

Burgs - Multistyle Font is a versatile typeface that starts as a modern sans-serif font and expands into a diverse collection of eight alternative font styles. These variations include slab, stencil, display, sport, classic, serif, and decorative, offering a wide range of design options. Each font style can be combined with others or used individually, making it adaptable for a multitude of design purposes. Whether it's for logos, posters, packaging, branding, business names, stickers, headlines, or any creative endeavor, Burgs provides a wealth of options for your projects.

Deposta handwriting fonts are a charming collection of typefaces that encapsulate the authenticity and organic flow of handwritten script. Each font within the Deposta family is carefully crafted to evoke a sense of elegance, yet maintain a casual and natural appearance. With varying styles and weights, these fonts exhibit fluid strokes, graceful curves, and nuanced detailing, capturing the essence of handwritten text while offering versatility for diverse design projects. Whether used for invitations, branding, or creative endeavors, Deposta handwriting fonts bring a delightful touch of personal expression and sophistication to any typographic composition.

MultiType Glitch, an all caps typeface focused in display purposes. 9 styles with a glitchy look. This is the third release of an expanding multiverse of mixable fonts. The whole family of typefaces has been designed to work at big sizes and display purposes such as branding, headlines, thumbnails, posters and animations. You can swap between the three additional alternate sets through all the styles to add diversity to your composition, even in Cyrillic. MultiType Glitch is inspired glitch effects, errors and hacks. Have fun mixing all the styles in your projects.

Cira is a superfamily with 7 weights and italics under two main styles: sans and serif. The original concept was created for Katachi Media as a corporate font for text and experimentation in an iPad magazine. It has a diversity of outlines with straight angles which create unusual shapes and counterforms. Its middle weights are suitable for text and can be combined with extreme weights at display sizes. Cira is a versatile superfamily with an original and modern feeling and it’s a great option for giving identity to your designs.

Efrida is a sanserif font family with a sporty and maco feel. Naturally, this typeface will make your diverse projects look attractive, distinct, and flawless. because we created it with great care so that you can use it for a variety of purposes in your amazing project of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

MultiType Rows, an all caps typeface focused in display purposes. 36 styles with retro gaming vibes. This is the sixth release of an expanding multiverse of mixable fonts. The whole family of typefaces has been designed to work at big sizes and display purposes such as branding, headlines, thumbnails, posters and animations. You can swap between the three additional alternate sets through all the styles to add diversity to your composition, even in Cyrillic. MultiType Rows is inspired by video games and arcades. Have fun mixing all the styles in your projects.

Gorilazy is playful handful font, this font has a cute and unique shape and it's perfect for playful design like beautiful contrasting typography for a diversity of design projects, including; logos & branding, packaging design, social media posts, advertisements & product designs, poster, presentation, children's movie title, quotes, youtube title, novel cover, comic book design, and etc. This font also supports multi-languages and Cyrillic font type. Gorilazy font containing uppercase only characters, numerals, and a large range of punctuation. Creates a perfect pairing of beautiful contrast with Gorilazy fonts.

MultiType Brick, an all caps typeface focused in display purposes. 6 styles with retro gaming vibes. This is the fifth release of an expanding multiverse of mixable fonts. The whole family of typefaces has been designed to work at big sizes and display purposes such as branding, headlines, thumbnails, posters and animations. You can swap between the three additional alternate sets through all the styles to add diversity to your composition, even in Cyrillic. MultiType Brick is inspired by video games, arcades and block patterns. Have fun mixing all the styles in your projects.

Pursue Your Passion presents a sophisticated handwritten font meticulously crafted to infuse your designs with a touch of artistic elegance. Its natural flow and unique style make it a versatile choice for a diverse range of projects, from branding to editorial design. This font transcends conventional boundaries, inviting creativity to soar without limitations. Its innate charm adds a layer of refinement to your visual narratives, while the impeccable attention to detail ensures seamless integration into your design arsenal. Unleash your creative potential with Pursue Your Passion, where imagination knows no bounds.

Insigne Fleurons offers a wide range of diverse text ornaments to enhance your designs. These 52 ornaments can be used as components of a logo, background patterns or elements, border patterns or to add flourishes and refinement to your designs. Insigne Fleurons can be resized and rotated easily without any loss of quality and can easily be converted to outlines and modified. Combine them to form unique compositions or insert them into text to draw attention. Please see the sample .pdf to see all 52 ornaments in action.

Bembo is a script typeface with noble and vintage looks. It has serifs at the beginnings of the strokes, swash capitals and formal design. Bembo has lots of alternate characters, swashes and ligatures. It has also a bunch of tails with different shapes and widths to give the vintage logotype or sports look to your design. These alternates makes Bembo very versatile. You can design beautiful, elegant and diverse typographic elements with it. It’s well suited for logos, lettering artwork, t-shirt designs, editorial illustrations to name a few.

About Magnify Pro Magnify Pro Geometric sans 2 Style in 1. Magnify PRO Geometric sans is the latest version of "Magnify" by. Faldykudo. Comes up with more complete language support and features, including ink-trap and reverse contrast will add more different taste & style to the art of modern typography. Magnify PRO has two style in one font, normal & inverse contrast. If you are like normal: just type with regular letters, if you are like reverse contrast: just access your opentype features to find the alternate letters. Thank You.

MultiType Lines, an all caps typeface focused in display purposes. 36 styles with retro gaming vibes. This is the septh release of an expanding multiverse of mixable fonts. The whole family of typefaces has been designed to work at big sizes and display purposes such as branding, headlines, thumbnails, posters and animations. You can swap between the three additional alternate sets through all the styles to add diversity to your composition, even in Cyrillic. MultiType Lines is inspired by video games and arcades. Have fun mixing all the styles in your projects.

Leronda is an awesome font that can look austere and classic or vintage and softer and more pliable thanks to alternatives. They will add charisma, diversity to your project and emphasize your brave decision. Also lowercase ligatures are included in this font, use them and it will also show your personality. This font is quite heavy weight and is perfect for creating logos, headlines, advertising, branding, book covers and magazines, and much more. Use it in headings and text to highlight important information. This font is easy to use and has OpenType features.

Kecumik, a stunning Glamour Serif typeface, seamlessly blends elegance with modern sophistication. Its graceful letterforms exhibit a harmonious balance of curves and serifs, exuding a timeless allure that captivates the eye. Kecumik’s intricate details and refined strokes contribute to its distinctive personality, making it an ideal choice for projects that demand a touch of glamour and a nod to classical aesthetics. Whether used in editorial design, branding, or luxury packaging, Kecumik’s versatile charm elevates any visual composition, embodying a sense of refined beauty that resonates across diverse design applications.

MultiType Maze, an all caps typeface focused in display purposes. 9 styles with an intricate look. This is the fourth release of an expanding multiverse of mixable fonts. The whole family of typefaces has been designed to work at big sizes and display purposes such as branding, headlines, thumbnails, posters and animations. You can swap between the three additional alternate sets through all the styles to add diversity to your composition, even in Cyrillic. MultiType Maze is inspired in labyrinths and geometric patterns. Have fun mixing all the styles in your projects.

Efrida is a sanserif font family with a sporty and maco feel. Naturally, this typeface will make your diverse projects look attractive, distinct, and flawless. because we created it with great care so that you can use it for a variety of purposes in your amazing project of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Gliny was created by mixing different styles of handwriting fonts that derived from various tools such as pen, markers, drafting pens, painting brushes, writing brush and etc. In order to develop a new and diverse font styles. We also keep incomplete details and uneven textures that resulted from a writing process. We provide various font styles to help you mix and match them to suit your creative work harmoniously. Gliny comes with different font families such as brush, slab serif, heavy, handmade script for making your amazing work !!

French Kiss is an expressive brush font that was drawn by hand on paper to ensure that it captured an intimate and personal quality. The texture of the brush has been left in, and can be seen when displayed at large sizes. French Kiss contains 28 alternates and ligatures for enhanced diversity and legibility. Unfortunately, the MyFonts display engine does not show the contextual alternates. Additionally, the entire font has been meticulously kerned, letter by letter to ensure a smooth flow, in spite of the expressiveness of the letters.

Acello – Geometric Sans Serif Font Modern Simplicity Acello, the Geometric Sans- serif font, effortlessly infuses modern simplicity into your display designs. Clean lines and a sleek aesthetic captivate your audience, ensuring a contemporary appeal. Versatile Elegance Crafted for diverse display purposes, Acello seamlessly adapts, adding a touch of versatile elegance to logos, headlines, and more. Its adaptability ensures a refined look for any visual project. Readability Redefined Prioritizing clarity, Acello’s balanced proportions enhance readability. Each character is meticulously crafted for optimal legibility, ensuring your message is clear and accessible to all.

Awardos is a complete solution for awards, badges and all kind of certificates. This font allows to mix various borders, laurels and icons to create a very unique badges. To quickly create an unique badge, type any number, any uppercase character and any lowercase character, for example 0Aa, 5Gk, 9Kl, 7Fr etc. To add starfield, start with a symbol (!"#$%&'()*+,). Glyphs included: 12x starfields - characters: ! " # $ % & ' ( ) * + , 16x borders - characters: 0 1 2 3 4 5 6 7 8 9 : ; < = > ? 36x laurels and outer elements - characters: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z À Á Â Ã Ã Ä Å Ç È É Ê   12x crown icons - characters: a b c d e f g h i j k l 12x cup icons - characters: m n o p q r s t u v w x 12x number one digits - characters: y z à á â ã ã ä å ç è é ê It is not required to use a symbol from every category. For example only laurel with crown icon can be used, or only starfield with the cup icon. Awardos Inverse is an inversed version. The outline borders are still included, used symbols are: [ \ ] ^ _ { | } ~ ¢ £ ¤ ¥ ¦ § €

Bague Inline Pro is the inline version of Bague Universal a contemporary geometric typeface family which blends distinct minimalist characteristics with mainstream details. Despite its inspiration from Herbert Bayer’s drawings of the 1920s, it diverts from the constructivist rigidity and display structure of early geometric typefaces by incorporating humanist characteristics as well as classic letterform shapes which balance out the extremity of the minimal shapes. Bague Inline is a typeface that stays true to its urban nature and heritage. A very interesting feature of Bague Inline is its vast array of uppercase alternates and ligatures which truly shine when set at display sizes. Make your selection from 4 groups of alternates as well as a rich set of discretionary ligatures and watch it transform into a flexible, charming and stylish typeface with strong modern aesthetics. This typeface offers enormous possibilities and variations for editorial design and branding. Bague Inline is the only commercially available inline typeface that comes in 4 weights for uppercase and lowercase letters. Each style consists of 775 glyphs with more that 128 alternates and ligatures and an extended set of characters which supports simultaneously Latin, Cyrillic and Greek. PDF Specimen Bague Inline on Behance

Originally intended for TV captions, this is a flattened style of font for horizontal typesetting. Although it can be used in vertical typesetting, this universal-design font maximizes legibility by directing the eye naturally along the line of text. 元々TVのテロップを想定した、ヨコ組用の平体デザインのフォントです。タテ組でも使用可能ですが、ヨコ組時に文字を追う視線がスムーズに進むよう考慮した横ラインの揃えと和欧混合文における英数字の視認性を高めたユニバーサルフォントです。エッジを丸みを持たせて、タテ画は太く、ヨコ画は細い明朝体のリズムを取り入れることでデジタルゴシック体特有の堅さや強さを軽減。デジタルフォントでも活字体のような目に優しく読みやすい文字を目指しました。

The only Persian Arabic font featured on Behance [Graphic Design / Typography] Published in multiple books including New Illustration With Type and DesignAndDesign Vol. II Carefully and meticulously designed by selecting, choosing, vectorizing and editing so many different Persian and Arabic calligraphic scripts and old typefaces glyphs forms to create this one of a type [pun intended!] font. And if it's not enough, it's got patterns, textures, artistic elements, ornaments, in a grunge and dirty style. But it not over yet! Persian Grunge [Dirty] font has two styles: Dirty and Neat. Not only the Neat style is cleaner, but also a lot of same glyphs are different from the Dirty style. This Arabic grunge font is a great choice for all graphic designers, typographers and visual artists. Your posters, banners, artistic typographic projects are gonna be awesome with these fonts! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Strings vibrating against wood. Counterpoints. Strong beated rhythms and smooth flexible melodies. Repetitive sequences and syncopations. Sweeps and slides. Folk and tradition. That's how Dobro sounds. Inspired by the spirit of bluegrass music and the aesthetic of its wood type gig posters,this typeface explores certain concepts of rhythm and seeks to translate a piece of this universe into writing. Meant to be used in large sizes, Dobro is a 6-font set designed to work nicely together. It comes in 4 different weights, one color font with miscellaneous and connectors, plus frames and borders that pay tribute to vintage wood type catalogues. As an old company motto used to say: "Dobro means good in any language!" ––––––––––––––––––– IMPORTANT INFO ––––––––––––––––––– When you license Dobro you will download a pack with OpenType fonts but also a Color Font version of Dobro Drunk. (To use color fonts Photoshop CC 2017 /2018, Illustrator CC 2018 or QuarkXpress 2018 is required). If you create outlines in illustrator you can also modify the colors! Dobro Drunk BW OTF font (works like any font but is black & white.) Web files are only black and white until browsers support color fonts.

This Arabic typeface is one of Parachute’s most involved text typefaces. For the first time -back in 2010- a contemporary Arabic equivalent to a comprehensive DIN series of fonts was available. In fact, this set of fonts contains the most complete and powerful array of Arabic features commercially today. It comes in eight weights and includes Latin. Based on the DIN Text Pro superfamily, Parachute® released -in collaboration with designer Hasan Abu Afash- 2 new versions. DIN Text Arabic is the basic Arabic version which includes Latin and supports all variations of the Arabic script such as Persian, Urdu and Pashto. The second version DIN Text Universal is the most advanced DIN superfamily ever. It combines the powerful DIN Text Pro with DIN Text Arabic bringing the number of glyphs to 3320 per font. It is also enhanced with 30 advanced opentype features and kerning for all languages. Altogether it supports hundreds of languages, proving to be an essential tool for corporations which operate internationally. The whole family consists of eight weights from extra black to hairline. DIN Text Arabic is featured in the recent book Arabesque 2 by Gestalten.

Katastrofe is danish for … well, catastrophe - you may have guessed that! This font was almost a catastrophe to make! I cut out all the letters in a cardboard, and went outside to spray the letters with a spraycan. Everything went smooth as planned, but suddenly the wind started to blow and the papers started to fly away! Luckily I found some stones I used to make the papers stay in place. Lucky for me - otherwise it would have been a catastrophe! Seconds after finishing this font project, it started to rain…I just avoided a catastrophe! But is this font really a catastrophe, or does it just mimic punk/spray/grunge/riot? Make your own statements using Katastrofe, or perhaps your very own punk sayings like “Punk is not dead”, “Anarchy Rebel” or what suits you the best. Whatever you choose to write, you will definitely get that real punk look! Perhaps you could even do a t-shirt print that says “Katastrofe” :) Comes with different upper and lowercase letters along with alternate versions of each letter - and of course a lot of foreign letters, because punk is not dead and punk is universal!

Some scribbles on a bar napkin, a note from a cute girl passed in history class, what is there to say but why not a typeface? Actually it's that late night, �let's get this typeface done� madness that causes these flights of fancy. Anything to relieve the boredom of doing all those kerning pairs. Or maybe it's sunspots? Ms Kitty is all uppercase letterforms so there are two versions of each letter, one in the cap position, another in the lowercase position. Besides the regular weight and bold, there�s a bolder and much bolder in the works. And perhaps there will be a "too bold to be believed" version. Depends on the sunspots.

Masteria Script is a retro script typeface. An optimistic calligraphy lettering to bring you back to the golden age of hand-drawn advertisements, Masteria is a professional quality handwriting font family. Drawn and created by Mans Greback in 2022, it is perfect for a vintage restaurant headline or nostalgic logotype design. Use underscore _ to make a swash. Example: Mast_eria Use multiple underscores to make a longer swash. Example: Super___human (Download required.) Masteria Script is provided in six diverse styles, such as Thin, Bold, Black, Italic and combinations to compliment each other and maximise your options and design experience. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Masteria Wide is a retro script typeface. An optimistic calligraphy lettering to bring you back to the golden age of hand-drawn advertisements, Masteria Wide is a professional quality handwriting font family. Drawn and created by Mans Greback in 2022, it is perfect for a vintage restaurant headline or nostalgic logotype design. Use underscore _ to make a swash. Example: Mast_eria Use multiple underscores to make a longer swash. Example: Super___human (Download required.) Masteria Wide is provided in eight diverse styles, such as Thin, Bold, Black, Italic and combinations to compliment each other and maximise your options and design experience. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

HS Safa, an elegant Arabic display typeface carefully crafted for book titles, creative graphic projects, and modern logos. Categorized under "titles," it draws inspiration from the rules of Fatmic Kufi calligraphy, infusing a beautiful idea and special dimensions that preserve the allure of the Arabic font and its fixed rates. HS Safa is built upon the foundation of HS Sama font, but with a fresh and stunning molding (ornament) for the vertical strokes, adding a new dimension to its charm. This intricate detail enhances the overall visual appeal, making HS Safa a captivating choice for any design project. With comprehensive support for Arabic, Persian, and English languages, this typeface is versatile and accommodating. Available in two weights, Regular and Bold, it effortlessly integrates into the collection of contemporary Arabic Kufic fonts, catering to diverse design preferences. Whether seeking a modern Arabic font with a touch of uniqueness, HS Safa is a perfect addition to elevate any creative endeavor.

Introducing Playsign a vibrant and dynamic sign painting display typeface that infuses creativity into every character stroke. With its meticulously crafted uppercase and lowercase letters, punctuations, numbers, symbols, and thoughtful ligatures, Playsign stands as a versatile typographic tool with boundless possibilities. Its seamless multi-language support ensures a global reach for your creative endeavors. Designed to ignite visual impact, Playsign is a perfect choice for diverse applications, elevating designs across logos, posters, product designs, print and digital advertising, branding, and beyond. Whether aiming for a bold statement or a subtle nuance, this font injects charisma into every project, embodying a harmonious blend of classic aesthetics and contemporary flair. Unleash your imagination with Playsign and watch your designs resonate with vibrancy and distinction." Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Swashes and Ligature Type j_1 until j_10 to features swash, ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software.