Free money is an organic-looking display font. It was inspired by gig poster art, alternative comics and b-grade movies.

Rough and ready artisanal lettering for your fair trade coffee shop, whiskey microbrewery or Victorian bill-poster — or, alternatively, distressed type for the cover of a hard-hitting novel set in a war zone. Fairtrade uses opentype technology to cycle through three versions of each character, giving an authentically uneven time-worn appearance.

The July 26, 1934 of the movie industry trade paper The Film Daily contained an ad for Paramount promoting its most recent releases. Hand lettered in an ultra bold Art Deco sans serif style, it was the working model for Self Promotion JNL, which is available in both regular and oblique versions.

A 1926 trade ad for the silent comedy “The Nut-Cracker” starring Edward Everett Horton has the film’s title hand lettered in a decorative bold sans serif design complete with highlight lines and accent dots. This festive type face is now available digitally as Movie Matinee JNL in both regular and oblique versions.

City Tour This theme font is very beautiful when used as wall hangings or as your trade product, make logos, symbols, and several other design works, there are several families that you can choose and adjust to your design, make sure this will change the way you see the font design more modern

These charming little cartoon figures, known in the trade as "midgets", added a little extra oomph to everything from business cards to matchbook covers from the 1920s to the 1950s. Each font contains 52 different cuts, ready and waiting to spice up your layouts, and each carefully hand drawn from authentic historical sources.

An Oct. 7, 1931 advertisement in a British trade paper for the film industry carried the unusual title “The Bioscope Peaks of National Approval”. Just as unusual was the hand lettering for this ad – a quirky, casual bit of novelty typography that inspired Film Preview JNL; available in both regular and oblique versions.

Vendor JNL is Jeff Levine's take on the popular ribbon font of the Victorian Era, but using a vertical type (Trade Journal JNL) rather than skewed letters. End caps for the ribbon can be found on the left and right parenthesis, and a blank panel is on the hyphen key. Limited character set.

Your grade school teacher would be proud of this smooth flowing handwriting font. Perfect for any formal invitation, newsletter, scrapbook layout, etc.

Free interpretation of the classic Gothic Tuscan 1, by William Hamilton Page.

As the most classic and traditional style pack of the Fonts Café, the Ottanio family take a place of honor in the list of the Fonts Café handmade Vintage style fonts. Clearly born for being noticed, the boldness and the almost imperceptible, but present to the eyes of subconscious mind, irregularities of the Ottanio Family has been well balanced to create a set of handmade Serif fonts that can be used as “jack of all trades” where traditions, origins and a touch of Vintage style are required. From the integrity of the Ottanio Regular, the stronger style of the Shaded version and the scraped look of the Stamp option, the whole Ottanio Pack will be the perpetual solution always useful to have on hand!

The idea behind Geotica was to build a font out of -more or less- simple geometrical line elements. The open wire frame could then be left open or (partially) filled. Geotica comes in four different grades or line thicknesses (One, Two, Three and Four) so it's suitable for a broad use. Each grade has four styles and is loaded with swashes, final forms, lots of ligatures and ornaments.

Breesh font is a dancing handwriting, quickly trace with a pointed brush. The inspiration come from both asian calligraphy, italic and copperplate alphabets.

A heavy unnamed Gothic typeface from the 1890 William H. Page Foundry woodtype specimen book provided the template for this bold, brash, no-nonsense face. It's designed to set tight, so your headlines will definitely get noticed. Named for a town in West Central Texas which is noted for being the home of the Buffalo Soliders in the late 1800s. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

What would a typeface look like that used a gothic arch, a feature of medieval architecture, as its motif? I decided to find out and the result was not beautiful but frightful. GothicHorror uses a pointed arch almost everywhere that it can be used and is unlike anything else. It is ugly, but for some uses that ugliness is a virtue.

Hellebore is a font inspired by the logo and the game Mortal Shell itself. The font conveys the medieval era, the spirit of cutting weapons and dark fantasy. It is sinister, dark, dark, Gothic, rough and sharp. Perfect for logos, headlines, posters, banners. The font is named after the plant of the same name. The name conveys the font's mood.

Floro is a typographic family with 3 members designed by Carlos Fabian Camargo. Its idea combines medieval ideas, grotesque, stencil and grunge for T-shirts, stickers, advertising material design. More specifically the concept of Floro join several DNAís coordinating X height, ascendant, descendant and wide, in which proportions and adaptive optics were determined to inject great visual impact when composing titles. Its forms and counter forms have imperfections controlled with vitality and consistency. Floro is useful for ranking words and phrases with corroded edges and creases between the lines of his letters. In that vein, Floro refers to improvised design, deletion and copying. For that reason, its determinants seem stencil patterns that attract the attention of the reader. Its inaccurate decisions were planned that way, in which the type of contrast seems made with a flat tip and the amount of contrast between thick and thin is medium. Its sizes, regular and italic shine by their systematic wear and terminations sometimes in pointed forms resembling medieval darkness. In short, we can say that Floro comes from the miscegenation of Gothic calligraphy texture, foundational calligraphy and some refinements of gothic writings with italic sans-serif ideas of late 19th century. Even with the blur appearance, floro has ideal proportions to pile for horizontal and vertical areas when composing titles with striking looks and robust. And finally, floro dingbats are related shields and stamps, to accompany the written resulting useful at the level of visual support and hierarchical.

Linotype Aroma No.2 appears straightforward in form, completely sans serif, yet with a trace of humanistic features that gives it that extra edge.

Franklin Ave. is a condensed sans serif in the style of the classics Franklin Gothic and News Gothic. Nostalgic and gives a great vintage feel. It's bold and comes in two styles: Regular and Oblique. Franklin Ave. is best used in headlines and large formats or in logos or branding.

Rue is an organic, casually ornamental, narrow-faced sans serif. It is a display type structured with random traces of calligraphic tendencies. It does not begin with any noble ideals, other than to mediate between the muse of imagination and the act of realization. The spirited and exploratory design is the materialization of a feeling about fonts as a family of organisms taking on a life of its own, in work and play. Rue is the epitome of vanity and indulgence which seems to purpose itself well in aesthetics, wellness and botanicals. Its whimsical quality also suggests applications in the form of gifts and ornamentation. In retrospect, Rue was conceived as a typeface, used as an image and discovered as an ornament. It comes in 5 weights of light, regular, medium, semibold and bold, and their matching italics. Rue Display was published in 2010 by TypeTogether. http://www.behance.net/gallery/Rue/373854

Hermit was born like a modern and personal reinterpretation of Gothic-style alphabets, where improvisation and personal taste have led the design towards a new aesthetic mix between gothic and modern typefaces, creating new glyphs with tweaked strokes to achieve a good level of legibility. Hermit is a modern gothic font designed for brave designers and for epic designs, available in three weights and variable fonts. It is good to use for Branding and Editorial projects with texts not too small, Advertising, Packaging, Labeling, and Book or Magazine titles.

Yonkers a classic gothic face a very legible face. Very suitable for various applications.

A mild grunge, a simple distressed gothic with just enough roughness to be cool.

Introducing “Avilusia”, a captivating semi-gothic typeface that seamlessly blends tradition with a modern twist. With its unique character and versatile design, “Avilusia” is poised to make a bold statement in a variety of design projects. The design concept behind “Avilusia” revolves around merging the timeless charm of semi-gothic typography with contemporary design sensibilities. The goal was to create a typeface that reflects the rich historical roots of gothic letterforms while infusing it with a fresh and modern edge. “Avilusia” aims to be a versatile tool that empowers designers to explore new creative territories while honoring the legacy of classic typography. While “Avilusia” draws inspiration from the semi-gothic tradition, it is not based on any specific historical design. Instead, it pays homage to the stylistic traits of semi-gothic typefaces while embracing the demands of contemporary aesthetics. This approach results in a typeface that is both captivating and adaptable, suitable for a wide range of design applications. “Avilusia” is a captivating semi-gothic typeface that seamlessly blends tradition with a modern twist. Its distinctive design, versatile nature, and extensive character set make it an excellent choice for creating visually engaging designs. Whether you're working on branding, editorial layouts, or display graphics, “Avilusia”'s unconventional elegance will leave a lasting impression on your projects.