This frivolous 6-font typeface was inspired by playing with my food one evening. I began to wonder what it would be like to draw a typeface with a pipette and liquid... the result is Fluid. A key feature are the contextual alternates that substitute an alternate second glyph when typing double letters, this gives a more natural feel to the resulting text. It’s a fun typeface from my back catalogue that was originally released in June 2018. Enjoy playing!

An older typeface belonging to a family of sans serif fonts known as Grotesque (or Grotesk in the classic spelling) has been re-drawn by Jeff Levine and released as Album Cover JNL. The font's name is derived from the fact that this typeface was found on many long-playing record jackets during the 1950s and 1960s. To add a look closer to that of hand-set type, there are minute variants in some of the heights of the characters.

Crassula is a versatile display font. Like the plant of the same name (Crassula, jade tree, money plant), which has thick juicy leaves, the font is distinguished by rounded contours and smoothed out forms of elements. Stylistic Alternates offer more traditional letter shapes and make Crassula more readable in long texts. Six weights allow a broad range of applications - from informal book and magazine headlines to emotional marketing ads. The font was designed by Natalia Vasilyeva and released by ParaType in 2018.

Effortless, personal, nonchalant. So Lovely just slides into the room, without a care in the world, flowing from one letter to the next. This simple typeface has a secret—behind that nonchalant attitude is a ton of Stylistic, Swash, and Titling Alternates. It even contains 44 special ligature combinations to insure you have the smoothest entrance possible. So Lovely is the third release of the Positype Relaxed Script Collection of typefaces—all focused on fluid, effortless script fonts for simple use.

Since the release of Wood Bonnet Grotesque No.4 the font became popular for packaging and adverts. But the font styles were limited to one worn and one clean font in a medium weight only. Bonnet Grotesque Nr [Narrow] will fill this gap. It’s based on Wood Bonnet Grotesque No.4 but slightly modernized with sharp corners. Some letters need more space now – so tracking is not the same. The Medium family style shares the same weight as the wood font version.

Fox Grotesque is another member of the Fox Family and stylistically finds itself between Fox TRF (with some extreme curly lowercase letters), and Fox Sans (a cold geometric sans-serif). While the typeface is intended for use in display sizes, it is also quite legible in text and is well suited for editorials. Fox Grotesque is released in OpenType format with extended support for most Latin languages and includes some opentype features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions.

Decima Nova Pro is a geometric sans serif typeface family, built in eight styles. The typeface is ideal for use in display sizes, but also is quite legible in text and is well suited for editorial and brand design. Features include extended language support, small caps, multiple numeral styles, slashed zero, ligatures... Decima Nova Pro is released as font family in OpenType format with a Latin Western 1252, Eastern European 1250, Baltic 1257, Turkish 1254 and Cyrillic 1251 character set.

Eleganta is a beautiful calligraphic script typeface. It was drawn and created by Misti Hammers and Måns Grebäck in 2019. As the name implies, it is first and foremost an elegant letter style, but with its handcrafted shapes reserved, it is still down-to-earth and affectionate. Use it in romantic or celebratory contexts, for an invitation or anywhere you want to transmit a personal message. The font supports all Latin-based European languages, contains numbers and all symbols you'll ever need.

Matura font was designed by the Hungarian wood engraver and type designer Imre Reiner in 1938 and released by the Monotype Corporation. Matura font is a bold upright script that looks as if it were written with a broad-edged pen. A set of vibrant near-flourished capitals, called scriptorial capitals, broadens the usual range of script faces. Matura's distinctive lines make it appropriate for advertising uses as well as text headings, and for informal work like cards, invitations, and announcements.

This seriously styling family of typefaces is based on Dolmen and Zierdolmen, designed by Max Salzmann for the J. G. Schelter & Giesecke foundry of Leipzig in 1922 and 1923. Unlike previous revivals, these fonts remain true to Salzmann’s original designs. The plain version also features all of the standard German ligatures, accessible through the hlig feature, included in the original release. Both versions feature the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Lithuanian, Moldovan and Romanian.

Le Griffe is the work of French designer Andre-Michel Lubac. A superb calligraphic script, Le Griffe includes two fonts of separate alternates and swash characters. In contrast to its more reserved lowercase, Le Griffe's capitals are quite lively- especially those with swashes and flourishes. With Le Griffe, Lubac has imitated the skilled penmanship of free-flowing calligraphy in digital form. Now, instead of writing out beautiful text by hand, you can set it quickly and easily with this masterful type!

An informal decorative sans serif was designed by Gennady Fridman and released by ParaType in 2004. Based on informal lettering. In Russian 'Zubilo' means 'Cold cutter' or 'Chisel'. Colorful letterforms seems to be cut by an amateurish but strong hand used to operate with rough metal tools, not with pen or pencil. The face is good for use in advertisements, posters and headlines, especally for comic editions and youth press. Decorative styles were added in 2011 by the same author.

Inovasi Sans "Inovasi Sans is the youngest brother of Clinto Geometric sans font family by Faldykudo, released a few months ago. Inovasi is constructed based on geometric principles, emphasizing simplicity and modernity. The font comes with comprehensive multilingual support, offering more than 300 languages. Notably, Inovasi Sans features a distinctive characteristic in its lowercase 'a', offering 8 alternate characters. Additionally, each lowercase letter from 'a' to 'z' has stylistic alternates, providing a unique look and feel for a modern and futuristic impression."

Bombarda is a big gun, and surely a font named like that must have specific dimensions in order to make the text sound loud and powerful. Due to extreme thickness of basic strokes and of maximum possible serifs it will look great on the cover of a comic book, colorful splash screens of computer games as well as other applications where the title should have particular weight. The font was designed by Alexander Lubovenko and released by ParaType in 2016.

Encorpada classic brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is a elegant choice for your type library. The Encorpada family began in 2011 with the release of Encorpada Black. After that instant success, in 2012, dooType brought to us Encorpada PRO. Encorpada Classic retains the main look and feel of his predecessors, but is designed with more functional considerations. With 14 styles, Encorpada Classic is a fine choice.

Artscript was Sol Hess's "attempt to convert into rigid metal the graceful penmanship of the ancient scribe". This type of script is more common in digital from but when originally released in 1948, it required special handling to avoid breakage. Extensive alternates were added based on original Hess drawings and additional sources. Both versions are combined into the Opentype version along with an expanded Central European character set as well as ligatures, Swash/Alternates, fractions, superior/inferior numerals and ornaments.

Linotype Matthia is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Dieter Kurz designed Matthia as a slender, flowing brush font. Its characters are in a handwritten style yet stand almost straight, making Matthia a mixture of reserved and lively, of static and dynamic. The font is reminiscent of advertisement typefaces popular in the 1950s and extremely versatile, suitable for short texts in small point size or headlines on posters.

The font was developed as a part of a corporate identity project for a pillow shop on the base of existing logo. It’s an attempt to reflect the space of a dream -- virtual reality where objects don’t have solid shapes, but present just hardly noticed disappearing contours. This idea determines the design of letters that resemble illustrations rather then alphabetical symbols and are based on ultra thin stems. The font was designed by Elena Kolesnikova and released by ParaType in 2009.

A thin Roman typeface with slab serifs shown in various editions of the American Type Founders’ Specimen Book as either Lining Antique or Lining Central Antique was the model for Specimen Book JNL which is available in both regular and oblique versions. This is the 1700th design released by Jeff Levine Fonts since its inception in January, 2006 and was named Specimen Book JNL to celebrate the era when metal type and letterpress were the modern technology of their time.

The capitals of Register share a similar construction to Morris Fuller Benton’s 1930 Bank Gothic for American Type Founders, but iron out the broader curves and add ‘ink traps’ to emphasise the machine aesthetic. Register also provides the lower case missing from Bank Gothic. Available in two main widths, each in five weights plus reweighted italics with cursively-derived letterforms, plus a bold condensed, Register has been used for the Sochi Winter Olympics, Source magazine and releases from Transient Records.

An interpretation of the lettering of contemporary illustrator Amanda Duffy. Each font contains four glyphs for each character (including all numbers, punctuation, and symbols), which OpenType coding sets in “random” order for a subtle, natural effect. Use a curved path to further accentuate the bounced quality of the letters. Try out different combinations of glyphs by inserting the cursor in front of your headline and hitting the space bar repeatedly: each time,the text will be represented by a different sequence of glyphs.

Raw and uncut, this sharp square sans is ready to rip. Originally released in October 2017, VTF Redzone Classic is the first published typeface by CJ Zilligen. It’s raw and uncut — built with sharp terminals and spur serifs that give off an aggressive appearance. VTF Redzone Classic was refreshed in May 2020 to include nearly 200 new characters, extensive language support, and a sleek and long-anticipated Oblique version. This titlecase display typeface is tooled to give any project a competitive edge.

The Peacher perfectly represents crafted stuff of vintage script. This project was inspired by beautiful old labels. The product includes 4 styles (regular, rounded, rough and textured). This matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, quotes and more custom design. Peacher includes : 4 style typefaces (regular, rounded, rough and textured) Uppercase, lowercase, numeral, punctuation and symbol 7 sets of alternates and swashes 25 ligatures Multilingual PUA Encoded Thank you for your support and choosing us.

A font face with cyber, spacial, and aerial connotations that offers a decisive futuristic and techno spirit. Available in two stylish versions, clear and rusty. With one alternate for lowercase /a/ and more diacritics and ligatures and extended range glyphs and more new stylish alternates, Cygnus can be used in titles and display text that require a futuristic and dynamic style. Recommended for games, presentations, or any graphic design pieces that reveal and need futuristic, techno, spacial, aerial and/or Sci-fi style.

Mariken van Nieumeghen is a late medieval Dutch text from the early 16th century. The protagonist of the play (a young maid called Mariken) spends seven years with the devil (called Moenen), after which she is miraculously released. Mariken is a handmade font, which was based on the works of Robert Granjon (1545-1588), a French type designer and printer. Use it for product packaging, books and posters. Comes in 3 weights (with italics) and a hellish amount of diacritics.

Nagbuloe is a offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, and others.So Nagbuloe come with 4 style Regular,Italic,Outline and Shadow. Nagbuloe Come with Opentype feature with a lot of alternates, its help you to make great lettering. Nagbuloe is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

Saga is a rather narrow typeface designed for a typeface competition arranged by a Scandinavian graphic arts magazine. It had to be based on ancient runic characters, that's the reason of some peculiar angular shapes. Saga is not att all a new runic typeface, but a usable one when the columns are narrow. The name is taken, of course, from the Nordic mythology. But saga" in the meaning of "story" contributed to the decision about the name. Saga was released in 1992.

ITC Clover is the work of California designer Jill Bell. ITC Clover's design is even, rounded, and friendly. It has the look of the loopy cursive writing taught in grade school, although its shapes are much more controlled. Capitals are decorated with generous loops and curlicues, which combine with a lowercase alphabet that is only reserved in relation to the capitals. The letters almost dance across the page even when they are static, and they bring their own dynamism to any animation.

In October 2010 I released a font called “Zanoix” It was based upon a an old horror movie poster. I looked through and old folder, and found the font that served as a base for this the grungy font. Zonaix is opposite to Zanoix, because it is super clean, pointy and is made entirely of straight lines! With the sharp pointed serifs and whacky lines, it is a good choice for a legible seriffed font - not necessarily for anything scary!

Blizka is a legible sans-serif with much characteristics! Inspired by calligraphic strokes, it features straight cuts in unexpected details. Great care is taken to make sure all letters flow harmoniously with each other for a superb reading experience for small texts. Blizka is subtle and functional in small sizes but perverse and full of personality when large! • Support over 200 languages with full coverage of western & central European Latin. • Beautiful Italics • SmallCaps • Proportional, tabular, oldstyle figures, fractions, you name it.

Stem Text is a workhorse typeface, a geometric sans-serif with a semi-closed aperture and a large x-height. The design of Stem Text allows to use it in body text sizes as well as in headlines. Stem Text is fully compatible with Stem , so the styles of Stem can be used as display styles together with Stem Text in text setting. Design -- Alexandra Korolkova with the assistance of Maria Selezeneva and Isabella Chaeva. Released by ParaType in 2015.

COLÓN is a Slab Serif type family of three weights with matching italics. The typeface design was influenced by the nostalgia for the aesthetic of a typewriter. Colón extended family consists of two sub-families: Colón Mono with monospaced glyphs sets, and Colón (proportional glyphs sets) which is presented in these specimen pages. Colón is released in OpenType format with extended support for most Latin languages, and includes some opentype features – such as proportional/tabular figures, slashed zero, ligatures, fractions, etc.

The Retroica perfectly represents vintage aesthetics display typeface. This project inspired by beautiful lettering in old label. Some letter contains beautiful alternates characters (ss01 - ss04) and some ligatures The Retroica matches applies in some designs such as the logotype, poster, packaging, branding, quotes, badge and more custom design. The features uppercase, lowercase, numeral, punctuation & symbol, ligatures, alternates, multilingual support, PUA encoded (fully accessible without additional design software). How to get access alternate glyphs with designing software to open type fonts, klik here.

Tudor Perpendicular is Greater Albion's seasonal Black letter release (not that we rule out the possibility of non-seasonal ones...) for 2012. As the name suggests, it is a design which emphasises, and yes, exaggerates for effect, the perpendicular up and down nature of Black Letter typefaces. There's no particular historical basis for this one - straight out of our own minds, just as a lot of Black letter 'revivals' have been over the years. Come and visit 'Ye Olde' world today...

Open Case JNL is the distant cousin to the 2009 release by Jeff Levine Fonts called Cold Case JNL, as both were based on sets of lettering stencils designed and manufactured by the Huntington Oil Cured Stencil Company (originally of Huntington, New York and later of Delray Beach, Florida). While sharing similar design traits, there are enough differences to have both type designs work well together in a complimentary setting. Open Case JNL is available in regular and oblique styles.

Micheliya has a font script that is provided with great tenderness to be presented with a variety of stunning character models. Micheliya combines a new design that features free, warm, modern features. taste. The diversity of weights provides a variety of choices that will help you find the best design colors for your project. Lighter weights are perfect for heavier body text ideal for high impact headers. Alternative styles available provide different characters that give your logo or business card a unique display.

Promethium is an elegant vintage-style condensed font with lots of ornate detailing. Ideal for western, cowboy and rodeo graphics, as well as circus & carnival themes. Additionally, Promethium can trace some of its design roots to the well established Argentine graphic style known as Fileteado, as well as to Victorian poster and book arts. The stacking & layering of the 4 different versions of the font can yield a great range of eye-catching diverse looks and color schemes that can fit many purposes.

Taking inspiration from an attempt to marry art with industry of Bauhaus (1919), Brueul Grotesk is classic and straightforward, cutting back superfluous elements. A Sans Serif type, it’s like a design from the Machine Age. It comes in A and B sets to offer end variations—choose the bulbous terminals set if you need a less stern impression. It is then suitable for diverse demands. Brueul Grotesk has A and B sets with 16 weights each, giving you an all-purpose usage typeface.

Easytype is the first font family released by Vitalik B. Old. Yet simple, handwritten type feels in title as good as in a middle size paragraph. Both italic and italic bold styles got 999 characters in a set, including Latin, Cyrillic and Greek symbols. Full set of Basic, Additional, Extended and Advanced Latin symbols [452]; Full set of Basic and Extended characters in Cyrillic script [256]; Basic Greek character set [73] Font family was designed by y/y behance.net/youryourich

The Mefista font is a masterpiece crafted from a rigorous and lengthy process. This font was written with care so as to produce a unique and diverse work by adding alternatives and some ligatures. This font can be used for print designs such as writing on invitation cards, magazine covers, greeting cards and so on. and can be used for company or logo taglines Features : Uppercase and Lowercase Ligatures and Alternates Numeral and Punctuations Thankyou for purchasing this fonts. Regards, Grontype