Introducing the Silver Pen script, a font that is very fresh and unique style handmade. Silver Pen script is perfectly suited to logos, signature, stationery, posters, apparel, branding, wedding invitations, cards, tagline, layout design, and much more.

"Curly Valentine" is a beautiful and unique curly display font. Equipped with uppercase letters, lowercase letters, numerals, punctuation, and multilingual support. Very suitable for posters, banners, valentines, weddings, gifts, invitations, branding, stickers, Christmas, spring, winter, and others.

Nothing is hidden in the simplistic forms and overt aesthetic of Anya Danilova’s Rezak font family. Rezak is not a type family directly from the digital world, but was inspired by the stout presence of cutting letters out of tangible material: paper, stone, and wood. With only a few cuts, the shapes remain dark and simple. With more cuts, the shapes become lighter and more defined, resulting in a dynamic type family not stuck within one specific category. The Black and medium weights began as one approach before separating into display and text categories. The four text weights were created through pendulum swings in design direction that experimented with contrast, angles, tangent redirections, and the amount of anomalies allowed. The text weights are vocal when set larger than ten points and subtle at smaller sizes. The tech-heavy Incised display style came last, employing a surprising range of trigonometric functions to make it behave exactly as desired. Its look can result in something distinctive and emotional or completely over-the-top. Most normal typefaces change only in thickness; Rezak changes in intention, highlighting the relationship between dark and light, presence and absence, what’s removed and what remains. Rezak’s Black and Incised display styles are like a shaft of light in reverse and are perfect in situations of impact: websites, headlines and large text, gaming, call-outs, posters, and packaging. The tone works for something from youthful or craft-oriented to organic and natural products. Try these two in logotypes, complex print layering, branding, and words-as-pattern for greater experimentation. The text styles are bold, energetic, well informed, and round out the family with four weights (Regular, Semibold, Bold, Extrabold) and matching italics for a family grand total of ten. These jaunty styles work well in children’s books, call-outs, movie titles, and subheads for myriad subjects such as architecture, coffee, nature, cooking, and other rough-and-tumble purposes. Rezak’s crunchy letters are meant to expose rough, daring, or dramatic text. A further benefit is that this family is not sequestered within one specific genre or script, so it can be easily interpreted for other scripts, such as its current Latin and extended Cyrillic which supports such neglected languages as Abkhaz, Itelmen, and Koryak. Rezak’s push toward creativity and innovation, with an eye on typography’s rich history, reinforces our foundry’s mission to publish invigorating forms at the highest function and widest applicability.

Hey! See Reina Neue in action here! INTRODUCTION When I designed the first Reina¹ circa 2010, I was at the dawn of my career as a type designer. The S{o}TA, short for the Society of Typographic Aficionados, described it as complex display typeface incorporating hairline flourishes to a nicely heavy romantic letterform². And it was like that; that’s what I was pursuing at that time since I was very passionate about ornaments and accolades of Calligraphy. Why? I felt that Typography, in general, needed more of them. These subtle flourishes could breathe life into letters. Maybe, I thought it was the only way I could propose something new into the field of type. However, after some years, I came across a very interesting quote: –Beautiful things don’t ask for attention– Wow! What did this mean? How could something be attractive if it’s not actually showing it. Could this be applied to my work? Sure. I think every type-designer goes through this process (aka crisis) regarding his or her career. At the beginning we love everything. We are kind of blind, we only see the big picture of a project. And that’s not because we are lazy. We actually can’t see the small mistakes nor the subtleties that make something simpler beautiful. We are not able. But, the small subtleties… They are actually everything: With experience, one puts more attention into the details and learns that every single decision in type has to be first meticulously planned. Here I am now, introducing a new Reina, because I felt there was a lot of it that could be improved, also the novelty of Variable Fonts caught my attention and I had to take that to my type library. THE FONT A thing of beauty is a joy forever Now, a decade later, I’m presenting Reina Neue. This font is not just an update of its predecessor: –A thing of beauty is a joy forever– is the first line of the poem ‘Endymion’ by John Keats, and despite the meaning of “beauty” may vary from person to person, and even from time to time (as read in the last paragraph), with Reina I always wanted to bring joy to the eye. In 2010, and now, in 2020. I believe the font is today much better in every aspect. It was entirely re-designed: Its shapes and morphology in general are much more clean and pure. The range of uses for it is now wider: While the old Reina consisted in just one weight, Reina Neue was converted into a big family of many weights, even with italics, smallcaps and layered styles. The idea behind the font, this kind of enveloping atmosphere made out of flourishes, is still here in the new Reina. This time easier to get amazing results due to the big amount of available alternates per glyph and also more loyal from a systemic point of view. However, and as read in the introduction -Beautiful things don’t ask for attention-, if none of the flourishes are activated the font will look very attractive anyway. Reina Neue is ready to be used in book covers, magazines, wedding cards, dazzling posters, storefronts, clothing, perfumes, wine labels and logos of all kind. Like it happened with the previous Reina, I hope this new font satisfies every design project around the world if used, and can be a joy forever. SOME INSTRUCTIONS Before choosing the right style for your project, hear my advice: -Reina Neue Display was meant to be used at big sizes. If you plan to print the font smaller than 72pt, I suggest using Reina Neue, not Display. Otherwise, if the font will be BIG or used on a digital platform, Reina Neue Display should be your choice. For even smaller sizes, use Reina Neue Small. This style was tested and printed in 12pt with nice results. (Note for variable fonts: Print them in outlines) -Reina Italic is not a slanted version of the roman, and this means some flourishes are different between each other. The Italic version has other kind of swirls. More conservative, in general. -All the styles of Reina Capitals have Small Capitals inside. -Reina Capitals Shine should be used/paired ONLY with Reina Capitals Black. The engraved feeling can be achieved if Reina Capitals Black and Reina Capitals Shine are used as layers, with the same word. Variable fonts instructions: -For more playful versions, choose Reina Neue VF, Reina Neue Italic VF or Reina Neue Capitals VF: With them you can adjust between 3 axes: Weight (will change the weight of the font) – Optic Size (will thicken/lighten the thin strokes and open/close the tracking) – Accolades (will modify the weight of the active flourishes). SOME VIDEOS OF REINA NEUE VF https://youtu.be/8cImmT5bpQM https://youtu.be/1icWfPmKAkg https://youtu.be/YC9GkJDL1a8 NOTES 1. The original Reina, from a decade ago: https://www.myfonts.com/fonts/argentina-lian-types/reina/ 2. In 2011, Reina received an honourable mention by S{o}TA. “Great skill is shown in the detailing, and an excellent feel for the correct flow of curves and displacement of stroke weight.” https://www.typesociety.org/catalyst/2011/ Reina was featured in the “Most Popular Fonts of the year” in MyFonts in 2011 https://www.myfonts.com/newsletters/sp/201201.html In 2012, the font was also selected in Tipos Latinos, the most prestigious competition of type in Latinoamerica. https://www.tiposlatinos.com/bienales/quinta-bienal-tl2012/resultados Also, chose as a “Favorite font of the year” in Typographica. https://typographica.org/typeface-reviews/reina/

Cataline Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more. Cataline Script including alternate glyph and beautiful swirl in a font including stylistic sets, Ligatures etc. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). by using Windows Character Map with Adobe Photoshop (PS) https://www.youtube.com/watch?v=BScPsiubM1k by using Adobe Illustrator (AI) https://www.youtube.com/watch?v=y5XTaWYwWA4 How to access all alternative characters: http://youtu.be/iptSFA7feQ0nn http://cuttingforbusiness.com/2016/01/28/how-to-use-opentype-fonts-in-silhouette-studio-or-cricut- design-space/ https://www.youtube.com/watch?v=Go9vacoYmBw If you have any question, don't hesitate to contact me by Gmail: Cooldesignlab@gmail.com. Thanks and happy designing :-)

JUST Sans is a highly versatile sans serif typeface with endearing, modernist warmth, geometric legibility, and a distinctive friendly bite. Designed as a professional modern geometric sans serif, JUST Sans is both serious and friendly, neutral but warmly expressive, technical but not overt, and familiar but unique enough to stand on its own. With open-airy characters and a generous width, JUST Sans has an elegant contemporary feel, with sharp angled terminals that give it grip and make it so expressively endearing. With a clean, simple, and minimal aesthetic, JUST Sans is a functional workhorse with 7 weights, complete Latin extended language support, precise hand-adjusted kerning, and a variable version for maximum versatility. JUST Sans includes hand-hinted web fonts optimized for clear, legible text on screens making JUST Sans perfect for the web as well as logos, branding, headlines, paragraph text, UI, signage, packaging, posters, and industries rooted in technology, new media, architecture, fashion & design. With its universal functionality & characteristic bite, the JUST Sans family is an essential addition to your type arsenal, even if just for those beautiful stylistic numbers. For lovers of modern sans serif fonts who are looking for something a tad more warm, open & expressive, JUST Sans is for you.

Bovary is an elegant, stylized and expressive script font inspired by those beautiful calligraphies of yesteryear, but in a modern point of view. Bovary is full of personality! When I designed it, I started from the Clauques Script. Therefore, Bovary can be perfectly combined with Clauques Sans. Bovary includes almost 900 glyphs with many stylistic variations, swashes, ending and initial forms, catchwords and ligatures for both uppercase and lowercase, assuring almost infinite combination possibilities. In addition, the font includes a set of very useful ornaments to combine and give an ornamental aspect to the calligraphic text. All our fonts are carefully controlled and tested in both aspects: readability and technical aspects. We deal with the kerning pairs, optimization of hinting information to avoid pixel grid, and the precise programming of the OpenType features; as well as drawing smooth curves points and the final touch of each glyph. Remember that to access to all additional characters, you must use software that is truly compatible with OpenType, such as Adobe CS applications, or we recommend using the Glyphs palette.
 This family font is perfect for logos, magazines and book covers, fashion, headlines and short phrases, cards, posters, websites, and packaging. Bovary is the brand new modern script, designed by Carine de Wandeleer and published by Eurotypo.

Introducing "Layla," a stunning new display serif font that combines the luxury serif of the display cover with an elegant typeface style. With a lot of alternates character, you have a plethora of options to create unique and striking display lettering. Layla comes with open type features, including a vast selection of alternates and end swashes, allowing you to create stunning lettering designs. Additionally, Layla supports multi-language use, making it ideal for global designs. Layla is best used for various purposes, including Logotype, heading, cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards, and many more. Its versatility makes it a valuable addition to any designer's toolkit. In the zip package, you will receive Layla in otf, ttf, and woff formats, with features that include uppercase and lowercase letters, opentype alternates and ligatures, numbers, punctuation, symbols, and multilanguage support. To access Layla's alternate glyphs, you will need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe InDesign, and Corel Draw. Overall, Layla is an excellent font choice for anyone looking to add a touch of luxury and elegance to their designs. Its stunning design and high-quality features make it an ideal font for all your design needs, including print and digital media.

Introducing Gadion – Psychedelic Typeface A Mesmerizing Display Font Gadion – Psychedelic Typeface is your gateway to a captivating and unconventional display typography experience. With its trippy and psychedelic vibes, it breaks free from the mundane and ensures your designs remain endlessly fascinating. A Splash of Psychedelic Creativity Gadion unleashes a burst of psychedelic creativity that’s perfect for making your displays truly captivating. Its unconventional design immediately draws attention, infusing an element of excitement into your projects. Endless Visual Delights Furthermore, with Gadion, every character is a visual delight. Its swirling, hypnotic patterns and vibrant colors ensure that your message stands out in a way that’s both engaging and unforgettable. Versatile Display Possibilities Moreover, Gadion’s versatility extends beyond traditional bounds. It’s not just a font; it’s an experience. Whether it’s event posters, album covers, or promotional materials, this typeface takes your display to a whole new dimension, offering a multitude of creative options. In Conclusion Gadion – Psychedelic Typeface offers a unique and visually stimulating journey for your display needs. Say goodbye to dull and ordinary, and embrace the extraordinary with this font. Let Gadion infuse your designs with psychedelic magic that captivates and mesmerizes your audience, ensuring they stay immersed in the trippy world you create.

Nuit, a delightfully handwritten family font with strong character designed by Carine de Wandeleer. Its slight bounce and intentional irregularity, gives your words a wonderful flow. The fatness and thinness of their strokes give an impressive harmony. This new font family includes Regular, Italic, Bold and Bold Italic. It has OpenType features such as Stylistics alternates, Swashes, Ligatures, up to four Stylistic sets by letter, initial and terminal forms in upper and lower, ornaments that allow you to mix and match pairs of letters and a Central European language support to fit your design. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. This will help your creativity and make it easier to make expressive and elegant your typographic work. Also with Nuit it is possible to write all in capitals. Nuit looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, business-cards and is perfect for using in ink or watercolor based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds! Nuit was made to make your project more beautiful and attractive.

Helostar Script is a modern calligraphy font that features a varying baseline, smooth lines, a classic and elegant touch. Can be used for various purposes such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, labels, news, posters, badges etc. Helostar Script features 400+ glyphs characters. Including 150+ ligatures, alternates and multiple language support. It has OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Helostar Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you have any question, don't hesitate to contact me by email : megatype04@gmail.com Thanks so much for looking and enjoy it!

Introducing our new Font named Seatyio This font is designed with a script model that is suitable for writing for outdoor and indoor events, such as traveling or for the title of any particular event. and to be sure this font is not only limited to that purpose but also very special for every need of your project, be it a formal or non-formal project, this font is still beautiful and elegant. start creating awesome designs with this font! This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. ================================================== This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

Gramers is an elegant and modern minimalist font family, a new roman sans serif font carefully crafted, These font ideas come from various references, from vintage, classic, art deco, to the modern era. Carefully drawn with high contrast between the strokes bold and thin with the aim of making even the simplest sans serif letters look sensual, elegant, and warm. The feeling of versatility and luxury you get in Gramers. As you can see in the display of our creations such as Branding, Header, Logotype, Posters, Magazines, Packaging, Art deco wedding invitations, and others. This shows that Gramers can accommodate various design styles. The flat lines cover five styles (each light, regular, medium, semi thick, Thick), each of which includes nearly 293 glyphs. OpenType features include 103 standard ligatures and a small number of character variants, and multilingual support (including multiple currency symbols). Features: • 5 Font weight • uppercase • Alternative & Ligature Styles • Numbers & Punctuation • Characters with accents • Supports Multiple Languages This type of family has become the work of real love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you make with Gramers! Feel free to use the #Dora Typefoundry and #Gramersfont tags to show what you've done!

Refillia Calligraphy is a stylish calligraphy font that features a varying baseline, smooth line, modern and with a depth love. For those of you who are need a touch of love and modernity for your designs or branding, it can be used for various purposes such as headings, wedding, invitation, signature, logos, branding, t-shirt, letterhead, signage, label, news, posters, badges etc. Just imagine that your customers love to see something beautiful, elegant, and warm, right? You don’t need to get confused to find an interesting font to attract their attention. We have a special font namely Refillia. The font design looks simple without losing its elegance and warmness. The function of the font is to show that you have a modern spirit to serve high-quality products and services. We design this font with OpenType features to give an artistic touch on it. This font is also applicable for numbers, punctuation, and other languages. It is also a multifunction font where you can use for a business logo, branding, wedding invitation, and anything you want. We'll have more great and artistic fonts. Just check our font collection by visiting Our Profile. Then, pick your most favorite font and use it to reach your goals.

She did not live to experience her breakthrough as a poet, but today she is considered one of the pioneers of literary modernity – the American lyricist Emily Dickinson (1830–1886). She left behind a life’s work of manuscripts on scraps of paper, note pads and letters – and a last wish, that these were to be burned. Emily’s younger sister Lavinia did not fulfill her wish – and thus preserved the ingenious manuscript-objects for posterity. For Julia Sysmäläinen, designer of the award winning Kafka type family FF Mister K, Dickinson’s manuscripts were an inspiration and a source for creating her new typeface “Emily In White”. Emily In White – named after Emily Dickinson’s preference for white clothes – captures the most filigree letterforms of the poet’s multifaceted writing style. With hundreds of alternates and ligatures and a complex OpenType feature code it manages to revive the lively sequence of single and connected glyphs of a delicate handwriting which has been described as “breezing” and “reminding of bird tracks”. Emily in White is available in three weights designated I, II and III. For each weight, there is an associated Swashes font. See the PDF in the Gallery section for details. Language support Western and Central European, over 1800 glyphs.

Modular Matrix «Calligraffiti» Robotic Letterform Typeface! New Edition. Redesigned with Obliques and OT Features! This Typeface was inspired by Graffiti Calligraphic Broad Markers and Underground Lettering Technic and Style, grid based by squares perpendiculars and Diagonals… Is Part of a juxtaposed “Type-Game” based on inversions and rotations… Type cool legible digital manuscript Aesthetics body text, scripts, lyrics, articles; Plus, Create Fancy Display’s Branding designs, Packaging, Publishing, Advertisement, Posters, Art Support, Motion, Games, tastes good to text on everything! Experiment Automatic and Responsive OpenType Features, like Fractions, Ordinals, Nominators, Denominators, Scientific Inferiors, Numerators, Localized forms and Kerning. Previous Released by MMC-Typo* 2020. Post Released by MMC-TypEngine 2022. Tip 1: Combine styles into infinite possibilities of Digital Monochromatic or Color Typesetting, by ‘central pasting’ or you may dislocate layers for improvisations! TIP 2: *BLIND BLOCKS ‘FREE-STYLES’ Use Block «Free Styles» 1 & 2 also to add 3D, change 3D directions by switching Block 1 to Block 2, that way you can Zig-Zag words and lines. *Also shift the block layer up to bottom limit, it makes the 3D direction turn upside down. *All Styles have 917 Glyphs. Follow the Groove!! & Power to The Pixel!! Greetings !! André, MMC-TypEngine.

Yoshieka Script is a modern calligraphy font. Here you will get a beautiful script font. This font is available some modern swirl that can make your work look elegant, sweet and perfect. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, labels, news, posters, badges, and more. Yoshieka Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Yoshieka Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you have any question, don't hesitate to contact me by email : megatype04@gmail.com Thanks so much for looking and Enjoy it!

Love Bird Script is a stylish calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Can be used for various purposes such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, labels, news, posters, badges etc. Love Bird Script features 213 + glyphs and 143 alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to Access Alternate Characters in Photoshop CC. https://www.youtube.com/watch?v=xFlMwARHusY How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs https://www.youtube.com/watch?v=NVJlZQ3EZU0 There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Need help? If you need help or advice, please contact me by e-mail "balstudio2018@gmail.com" Thank you for your purchase!

Hello! This font is a challenge from my future wife. Ningsih Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Ningsih Script come with 520 glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ Ningsih Script : Uppercase & Lowercase International Languange & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set 1-21 Character Variant Contextual. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map Windows). If you have any question, don't hesitate to contact me by email bexxtype@gmail.com Thanks and happy designing :-) Thank You for purchase!

-INTRODUCING- Angel Paradise Script is a modern calligraphy font. Here you will get a beautiful script font. This font is available some modern swirl that can make your work look elegant, sweet and perfect. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Angel Paradise Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Angel Paradise Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you have any question, don't hesitate to contact me. Thanks so much for looking and Enjoy it!

Magistoe script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more. Magistoe script come with 274+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Alternates Set. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). For use in office word, you all can read the following article to access alternate glyphs: http://www.magpiepaperworks.com/blog/using-opentype-fonts-in-microsoft-word/ If you have any question, don't hesitate to contact me by email masinong.studio@gmail.com Thanks and happy designing :-) Thank You for purchase!

BF Konkret Grotesk Pro, designed by Guido Schneider, is a contemporary grotesque with a straightforward style – but a very individual touch. Inspired by classic grotesque typefaces, Konkret Grotesk Pro impresses with its unique character and rhythm: It’s elegant and edgy, flexible and forceful. The Pro family supports up to 220 Latin-based languages. Each of the 16 fonts contains more than 1500 glyphs, including small caps, 7 figure sets, fractions, many ligatures, currency symbols, alternates, special characters and other useful symbols. 11 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. BF Konkret Grotesk Pro is a typeface family that can adapt to many requirements without losing its character and expression. The range of 8 weights provides all possibilities. Due to the lovingly designed details, Konkret Grotesk Pro works both in small sizes as well as in display applications. Thus, Konkret Grotesk Pro is ideally suited for contemporary and demanding typographic tasks, both in the fields of editorial design, branding, posters and advertising. (The new Pro edition is the extended and optimized version of the previous BF Konkret Grotesk.)

Introducing the "Northnoh Metal Modern Typeface" – where the raw power of brutalism meets the modern edge of dead metal aesthetics. Unleash the untamed spirit of your designs with this bold and brave font that boasts a prickly character, exuding strength and attitude. Designed for those who dare to be different, this typeface is a true representation of fearless creativity. With 862 meticulously crafted glyphs, the "Northnoh Metal Modern Typeface" ensures a comprehensive arsenal for your typographic adventures. Explore a world of possibilities with included ligatures and alternatives, allowing you to customize and enhance your text with a touch of unique flair. The font's distinctive personality is perfect for projects that demand an unconventional and daring approach. Whether you're working on album covers, posters, branding, or any other design where a fierce statement is required, the "Northnoh Metal Modern Typeface" rises to the occasion. Embrace the rebellious spirit of dead metal while enjoying the ease of use and versatility this typeface offers. Its multilingual support broadens the horizons of your creativity, making it a global tool for expression. Unleash the brutal beauty of "Northnoh Metal Modern Typeface" and let your designs scream with individuality. Elevate your projects to new heights with a font that challenges the norm and breaks free from the conventional boundaries of typography.

Thalweg Poetica is a revival font that comes with a story created in 1993 by the Bulgarian artist Ivan Kyosev. It is a sequel to the Thalweg font family completed in 2020. The construction of characters combines the upright character of the Thalweg font and the handwritten character of Thalweg Italic. The font partners perfectly with the Talweg font family and gives designers a new opportunity for expression. Thalweg Poetica contains 4 widths / Normal, Semi Condensed, Condensed & Extra Condensed / and 8 weights ranging from Thin to Black with small caps versions, each style containing more than 1100 glyphs. The font comes with extended coverage of the Latin, Cyrillic, and Greek Scripts. All of the weights are specifically equipped for complex, professional typography with Open Type Features. These features include Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols, and fraction. The Thalweg Poetica family is ideally suited for small text, books and magazines, branding, posters, as well as web and screen design, headlines, and more. The Regular and Medium weights are perfect for body text and they give an interesting texture to the text. The range of styles gives good flexibility to this family.

-INTRODUCE- Syakila Script is a modern calligraphy font. Here you will find beautiful script fonts. This font is available with several modern swirls that can make your work look elegant, sweet and flawless. It can be used for various purposes such as headings, signatures, logos, wedding invitations, t-shirts, letterheads, signage, labels, news, posters, badges etc. Syakila Script features alternatives to OpenType styles, binders, and International support for most of the included Western Languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Syakila Script is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy additional characters for pasting into your favorite text editor / application. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you have any questions, feel free to contact me. Thank you very much for viewing and Enjoying it!

Say hello to new serif font, Holy Cream! Holy Cream is a font that takes you back to the trendy retro era. With a classic display serif style but with a modern feel, Holy Cream emphasizes the uniqueness and elegance of each letter. The bold, contoured serif design provides a strong vintage touch, while stylish and quirky alternatives add a charming creative dimension. When using Holy Cream, you will feel a touch of fun nostalgia, but also explore ongoing design trends at the same time. Whether you want to feature your headline in a print ad, poster, or other graphic design, Holy Cream delivers a trendy, retro vibe that grabs attention with its ability to adapt to a variety of visual styles. So, with Holy Cream, make your design speak in a stylish and unique retro style, captivate the audience and make an unforgettable impression. Here's what you get: Holy Cream Regular and Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu)

Say hello to new serif font, Retro Monkey! Retro Monkey is a display serif font that delivers a classic retro feel with strength and boldness. Characterized by striking bold letters, Retro Monkey exudes elegance and uniqueness in every detail. Its retro-inspired design evokes nostalgia and conveys a strong and charming style. Retro Monkey's lettering proportions are audacious in their clarity and legibility. With bold lines and strong contours, each letter looks tough while retaining the elegance of a retro aesthetic. Consistent letter thickness provides an appealing visual appeal and is easily recognizable. Retro Monkey is suitable for use in various design projects that want a strong retro classic impression. This font makes a perfect choice for headlines, titles, posters, merchandise designs, and more. In any context, Retro Monkey carries an impressive presence, inviting the audience to feel nostalgia for a different era. Here's what you get: Retro Monkey Regular, Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Thank you!

Say hello to new serif font, Enigmatic Pandora! Enigmatic Pandora is a serif font that combines a psychedelic uniqueness with bold boldness in each letter. With its eye-catching psychedelic characteristics, Enigmatic Pandora exudes an aura of mystery and magic that is hard to describe. Enigmatic Pandora offers a great typography experience with bold bold characters. Its bold and striking design makes each letter a centerpiece in the design. Combining stunning psychedelic elements with strong, compelling contours, this font provides a unique and compelling visual dimension. Enigmatic Pandora is suitable for use in design projects that want to express visual uniqueness and tension. This font is ideal for titles, posters, illustrations, album designs, and other creative projects that need an extraordinary and bold look. Here's what you get: Enigmatic Pandora Regular All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

“Nasser” is a Kufic modern Arabic typeface. It is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. It is very distinctive when used in black and white printout. It decorates colored pages and makes artworks more attractive. This font comes in three different weights. My father’s name is “Nasser”. Consequently, “Nasser” Typeface was designed for eternizing the memory of my late father. He was the person who taught me how to like arts, literature, and languages. Besides, my first cute child is named also “Nasser.” The main characteristic of “Nasser” Typeface is in its modern non-descender style for some of its Arabic characters such as “Sad”, “Seen”, “Sheen”, “Qaf” and others. The shape of the characters' “dot”, “dots”, and “point” is innovative; a triangle with a semi-circle shape. “Nasser” Typeface is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. Its characters' modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitions' signboards and external or internal walls of malls or metro’s exits and entrances. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.

Go out into the wilderness. Cut down a tree. Stop and smell the roses. And then treat yourself with this unplugged, hand-lettered typeface. LiebeGerda is an effortless-but-refined, spontaneous-but-elegant brush font. She is ready for your next project, and she wants to add that little crafty something that makes the difference. Her natural breath of fresh air lets you escape those same old monotonous script fonts you’ve been using. After our successful first brush font, LiebeDoris, and our first interconnected script, LiebeLotte, we’re combining both genres and taking them to the next level: an interconnected brush script. OpenType magic varies LiebeGerda’s letterforms: Most characters have no less than three different variations that are automatically shuffled and inserted as you type. Plus, the “All-Caps” OpenType feature exchanges uppercase letters with less-swashy variants. Now you know why every one of the four styles contains more than 1,200 characters! Ulrike of LiebeFonts painted LiebeGerda’s four styles individually from scratch and carefully adjusted every detail by hand. Rather than being one typeface with different weights, LiebeGerda is a package of four individual fonts that go together really well. Ulrike’s high level of type-nerdy craftsmanship shows. When you use LiebeGerda, your designs will easily convince your audience that they’re looking at a hand-crafted piece of lettering. Feel free to add a few of the stacked ligatures like “the”, “for”, and “new” to round off the illusion. Last but not least, LiebeGerda has a lot more detail than most other brush fonts. That means there’s no ugly, lazy bézier artifacts in the brush traces. You can print words at billboard size, and people will still believe they smell the paint from your brush!

Jana Nikolic was finishing her degree program at the Faculty of Applied Arts, in Belgrade, with a final project that would combine her two majors: type and book design. Three stories from William Saroyan's My Name Is Aram would provide the text for the book, to be set in a typeface that Nikolic would design. Nikolic knew something special was happening the moment she put pen to paper. The letters just emerged," she recalls. "I started to explore a few new pens and found one I loved. I was able to make its tip bend with pressure." Like the family Saroyan writes about, the design flowing from Nikolic's pen would be simple but a little quirky. "When there were a whole bunch of little black letters around me," continues Nikolic, "I saw that this was going to be a very interesting typeface family." Nikolic drew Latin and Cyrillic letters, lowercase and capital letters, wide letters and narrow letters. She was surprised at how quickly and easily the design came. "There were no badly written letters," she says. "I hardly had to rework them and they fit together remarkably well." ITC Aram's standard character complement consists of one set of lowercase letters and two sets of capitals: one narrow and the other wide. The wide caps can be used with the standard lowercase, or mixed with the narrow caps for a variation on "cap and small cap" copy. The ITC Aram create the opportunity to mix and combine the letters into playful typographic expressions. Words and sentences that twinkle; text that seems light and alive - one runs the risk of creating work that is both delightful and charming when setting copy in ITC Aram."

Macaroni Sans evolved from our search for an extended font family consisting of a range of weights in both uprights and obliques, with a contemporary appeal. The desired character was to be sympathetic with a range of high-tech consumer products so a friendly, soft approach was called for. The resulting mix of geometric shape, rounded terminals, subtle italic angle of just six degrees and a few quirky stroke endings met with an enthusiastic response. As its subject product line exhibits brilliant color and imagery, a style was called for that conveyed contemporary appeal and readability but would not compete with the savvy products. We arrived at a clean, modern, sociable look that would suit a broad subject field in either text, semi display or signage. Its simple lines and monoline strokes fit well with logo usage or screaming posters, enhancing letterheads or websites, for foodstuffs to autos, insurance to swimming pools, lawfirms to babyfood. Macaroni Sans is the perfect typeface for branding, logotypes, may even flatter challenging viewing conditions. Rounded types have been around (pardon the pun) for centuries; numerous examples can be seen on old wood type posters, which in a small way prompted the name: in fashion Macaroni was a term used in mid-eighteenth century Europe to describe a dandy, a chap who displayed flamboyance in dress and hairstyle and spoke outlandishly or in an effeminate manner. Hence the term macaronic verse.

Compatil is the first comprehensive type system which enables all typographical elements to be used to full effect in order to reproduce the message conveyed by text information. Four different type styles with a total of 16 weights including italics have been merged into a unique typographical network. There are now no limits to the font user's creativity. The system is a product of technical innovation and constitutes a new design approach which meets the highest aesthetic standards. For almost two years, a team of experts from Linotype has been working with initiator Professor Olaf Leu under the direction of Silja Bilz, Erik Faulhaber and Reinhard Haus to create the Compatil type system. Despite the Internet and TV, it is essential today to be able to absorb information quickly by being able to read it with ease. A fact that is becoming increasingly important both on-screen and on paper. It is the role of the font to increase legibility and to ensure typographically perfect results for text design work. The new Compatil type system meets all these needs. The Compatil is a part of the Platinum Collection. The following four different styles are available: Compatil Exquisit, Compatil Fact, Compatil Letter and Compatil Text. Compatil is available in various font formats: 16 separate OT Pro fonts including the small caps and Adobe Central European character set for OpenType-supporting applications like Adobe InDesign, or as 32 separate OpenType Com fonts for office communication, with the following special features: 1. Optimized display capabilities for computer screens eXcellent Screen Fonts (XSF-quality). 2. An extended, international character set, which supports 48 different languages for Microsoft Office applications like MS Word or as 64 PostScript fonts, which can be used in non-OpenType-supporting applications like Quark XPress.

Compatil is the first comprehensive type system which enables all typographical elements to be used to full effect in order to reproduce the message conveyed by text information. Four different type styles with a total of 16 weights including italics have been merged into a unique typographical network. There are now no limits to the font user's creativity. The system is a product of technical innovation and constitutes a new design approach which meets the highest aesthetic standards. For almost two years, a team of experts from Linotype has been working with initiator Professor Olaf Leu under the direction of Silja Bilz, Erik Faulhaber and Reinhard Haus to create the Compatil type system. Despite the Internet and TV, it is essential today to be able to absorb information quickly by being able to read it with ease. A fact that is becoming increasingly important both on-screen and on paper. It is the role of the font to increase legibility and to ensure typographically perfect results for text design work. The new Compatil type system meets all these needs. The Compatil is a part of the Platinum Collection. The following four different styles are available: Compatil Exquisit, Compatil Fact, Compatil Letter and Compatil Text. Compatil is available in various font formats: 16 separate OT Pro fonts including the small caps and Adobe Central European character set for OpenType-supporting applications like Adobe InDesign, or as 32 separate OpenType Com fonts for office communication, with the following special features: 1. Optimized display capabilities for computer screens eXcellent Screen Fonts (XSF-quality). 2. An extended, international character set, which supports 48 different languages for Microsoft Office applications like MS Word or as 64 PostScript fonts, which can be used in non-OpenType-supporting applications like Quark XPress.

Compatil is the first comprehensive type system which enables all typographical elements to be used to full effect in order to reproduce the message conveyed by text information. Four different type styles with a total of 16 weights including italics have been merged into a unique typographical network. There are now no limits to the font user's creativity. The system is a product of technical innovation and constitutes a new design approach which meets the highest aesthetic standards. For almost two years, a team of experts from Linotype has been working with initiator Professor Olaf Leu under the direction of Silja Bilz, Erik Faulhaber and Reinhard Haus to create the Compatil type system. Despite the Internet and TV, it is essential today to be able to absorb information quickly by being able to read it with ease. A fact that is becoming increasingly important both on-screen and on paper. It is the role of the font to increase legibility and to ensure typographically perfect results for text design work. The new Compatil type system meets all these needs. The Compatil is a part of the Platinum Collection. The following four different styles are available: Compatil Exquisit, Compatil Fact, Compatil Letter and Compatil Text. Compatil is available in various font formats: 16 separate OT Pro fonts including the small caps and Adobe Central European character set for OpenType-supporting applications like Adobe InDesign, or as 32 separate OpenType Com fonts for office communication, with the following special features: 1. Optimized display capabilities for computer screens eXcellent Screen Fonts (XSF-quality). 2. An extended, international character set, which supports 48 different languages for Microsoft Office applications like MS Word or as 64 PostScript fonts, which can be used in non-OpenType-supporting applications like Quark XPress.

Compatil is the first comprehensive type system which enables all typographical elements to be used to full effect in order to reproduce the message conveyed by text information. Four different type styles with a total of 16 weights including italics have been merged into a unique typographical network. There are now no limits to the font user's creativity. The system is a product of technical innovation and constitutes a new design approach which meets the highest aesthetic standards. For almost two years, a team of experts from Linotype has been working with initiator Professor Olaf Leu under the direction of Silja Bilz, Erik Faulhaber and Reinhard Haus to create the Compatil type system. Despite the Internet and TV, it is essential today to be able to absorb information quickly by being able to read it with ease. A fact that is becoming increasingly important both on-screen and on paper. It is the role of the font to increase legibility and to ensure typographically perfect results for text design work. The new Compatil type system meets all these needs. The Compatil is a part of the Platinum Collection. The following four different styles are available: Compatil Exquisit, Compatil Fact, Compatil Letter and Compatil Text. Compatil is available in various font formats: 16 separate OT Pro fonts including the small caps and Adobe Central European character set for OpenType-supporting applications like Adobe InDesign, or as 32 separate OpenType Com fonts for office communication, with the following special features: 1. Optimized display capabilities for computer screens eXcellent Screen Fonts (XSF-quality). 2. An extended, international character set, which supports 48 different languages for Microsoft Office applications like MS Word or as 64 PostScript fonts, which can be used in non-OpenType-supporting applications like Quark XPress.

Life’s always more fun when you reverse the stress. The same goes for the new member of the Cabrito family. Cabrito itself is a recently developed slab serif made for the kid’s book The Clothes Letters Wear. Cabrito proved to be more popular than I thought, and I promised I would create an inverted style for this new addition to the font world--a variant that would pair well with the original or even stand well on its own. And so now, here it is. Cabrito Inverto, which features the reversed stress of the strokes from a font’s “normal” traits. Inverted stress fonts are most often associated with cowboys and the Old West. The inverted stress gives it a happy-go-lucky appearance, not to be taken too seriously. It’s a pleasantly rounded, not-so-strictly geometric typeface with handwriting-inspired forms. Whew, that’s a mouthful! Inverto’s bundle of alternates is accessible in any OpenType-enabled program. It contains a workforce of alternates, swashes, and alternate titling caps to embellish the font. Also bundled are swash alternates, aged design and style figures, and compact caps. Peruse the PDF brochure to examine out these solutions in action. OpenType-enabled purposes such as Adobe suite or Quark will allow ligatures and alternates. This font family also includes the glyphs for 72 different languages. Cabrito Inverto does pair well with Cabrito. There is even an extra font weight, Black, for when you want to punch it up a bit. Jeremy Dooley designed Inverto to be a welcoming, day-to-day font family. Use it to express friendliness on just about anything, from candy to food to children’s toys. Cabrito Inverto’s one-of-a-kind visual appearance brings a bundle of fun to the party. Buy Cabrito Inverto to give a boost to your designs every day of the week.

Decorative vintage font with few beer theme sign glyphs.