Introducing the new handwriting font Ballpoint Marker. Ballpoint Marker is made 100% ballpoint. Still looks fun, cute. make your design looks better. What's Included Inside The Font ? Uppercase Lowercase Numbers Symbols European Multilingual Stylistic Alternates 1 Stylistic Alternates 2 PUA Encoded Thank You, Regards!

Futurino - a new fun display font collection. This is a fun font that is perfect for creating your project, it can be used to create a beautiful inscription for t-shirts, children's books, branding for small business, book covers, stationery, marketing, blog, magazines and more.

Meet my new cute font Golden! For those of you who are needing a touch of elegance and modernity for your designs, this font was created for you! www.instagram.com/youthlettering pinterest.com/dmitriychirkov7 Thanks so much for checking out my shop! All the best, Dmitrii

Say hello to our new display bold serif font "Marcgravia". Marcgravia is an elegant and luxurious serif font. Trendy and stylish, this font will elevate each of your creations. Marcgravia is PUA encoded which means you can access all the glyphs and swashes with ease.

Norman Stencil, is a new Norman. An high contrast, serif and narrow font. 2 styles and 2 weights. Norman Stencil it works perfectly on big texts, logos, headline and others display purposes. Activate your opentype features and you will enjoy all the ligatures and alternates.

Introducing of our new product the name is Cristone Blackletter Font. Cristone inspired by original handlettering blackletter style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Your new favourite handwritten script font. A great display font with a natural flow. All hand-drawn glyphs with custom linked letters for a unique marker pen look. Perfect for magazine titling, logo marks, signatures. Features: • Regular and bold weights • Alternative glyphs • Ligature sets

Hello Everyone, introduce our new product Font QUACKS This Is Rough Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font QUACKS is great for your next creative project such as logos, printed quotes, invitations, cards,

Introducing of our new product the name is Deliosa a Quirky Font. Deliosa inspired by Quirky Handwritten style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions. MadZine font is part of the Face2Face package, together with 7 other fonts from young and unconventional designers.

SchwarzKopf is an 18th Century European "Schwabacher" blackletter which features a distressed edge for creating authentic "antique" documents. Old features the long "s" and other archaic forms. Both Old and New variations feature many additional ligatures such as tz, sch, ss, ff and ck.

Meet our new ah-mazing font duo-Adorn Story. You would fell in love, if you are looking for beautiful, refined serif paired with the voguish script. Serif font is rich with 60 ligatures, script font has beginning uppercase, beginning and ending lowercase swashes.

Introducing of our new product the name is Almeida Girly Script Font. Almeida inspired by modern calligraphy style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Contigo Is our new brushy script for your summer cards and gifts. This script has a lot of contrast created with a lot of pressure and release of the brush pen. The icon set contains tropical elements like leaves, pink flamingos, pineapple and more.

Jungler is a new handwritten consensed typeface, based on the lettering from comic magazines, designed by Gabriele Bellanca in early 2022 for Rumors Foundry. It was created with FontSelf App and the support of Glyphs App. Counts over 270 glyphs in one Regular weight.

Subway Ticker is based on a 5×7 grid, electronic display observed on a New York subway train in February 2005. Also included is a ‘Grid’ variation of the font that is slightly more spaced out and based upon a more precise grid structure.

Introducing of our new product the name is Deckled Rounded Script Font inspired by bouncy script style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Perfume Counter JNL was based on the hand lettered song title found on the 1938 sheet music for "At A Perfume Counter (On the Rue de la Paix)" from Billy Rose's New York revue "Casa Mañana", and is available in both regular and oblique versions.

Introducing Sloke, our new psychedelic-style font. All capital alphabet with a psychedelic style. Consist of 5 weights and tons of ligatures. Sloke will add some fun vibes to your designs. This font is perfect for t-shirt design, book covers, titles and many more.

Aylea a modern and relaxed display font. It embodies playfulness and authenticity and is the perfect choice for any children activity, school project, Christmas, New Year, Birthday and many more. Add this playful font to your designs and notice how it makes them come alive!

Our new stylish and cheeky font is perfect for a variety of youth brands and projects. The letters are intentionally sloppy, but they look great in the context of any size text blocks! We hope our cheeky font will help you develop your cheeky project!

Doodles Too is a new pictogram font from Outside the Line. It features 40 little pictures... odds & ends of this & that. If you liked the font Doodles, Holiday Doodles or Holiday Doodles Too you should love Doodles Too as it is more of the same.

Hello Everyone, introduce our new product Raisin Up is Modern Display Font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. Raisin Up with 2 stlye Raisin Up Regular and Raisin Up Italic Set.

This decorative, headline or logotype geometric font consists entirely of lowercase letters. The glyphs of uppercase are rounder than their lowercase counterparts, allowing playful interaction within words, contrasting round and square shapes. The font is the result of a new identity development for Paragraph.

Merry Fleurons is a bit of fun for Christmas, New Year and the holidays. It's ideal for decorating your own cards, party banners and any sort of Christmas publications. Need Holly? Christmas Trees? Baubles? Candy Canes? Angels? Merry Fleurons is just what you need.

Introducing of our new product the name is Vampire Zone a Bouncy Spooky Font, Vampire Zone inspired by Bouncy horror style with a fun theme very good for horror, scary, spooky and halloween theme design. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

This new brushy script screams Summer! Make any layout look refreshing with Contigo Vintage. Designed with pointed brush and indian ink, this script has a lot of contrast thanks to 'pressure and release' technique. Perfect for food and restauration industry, packaging, illustration, greeting cards...

Introducing of our new product the name is Belgetha a Handwritten Font. Belgetha inspired by signature style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Hello Everyone, introduce our new product Airiest It Is Simple Handwriting Font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design You can activate 11 Ligature glyphs OpenType panel.

Introducing a new typeface. Yes, "Favorite Notification" is a modern and classic style serif font. The combination of regular & italic is very pleasing to the eye. It is suitable for branding designs, invitations, magazines and so on. Features: Uppercase Lowercase Numeral Punctuation Multilingual Ligatures Thanks.

Tropicane - Stylish Typeface refers to a font that possesses a distinct and attractive aesthetic, often characterized by unique design elements, creative flair, and an overall fashionable or contemporary look. Stylish typefaces are crafted to make a visual impact and are frequently chosen for design projects where the typography plays a crucial role in conveying a specific mood, personality, or brand identity. Here's an in-depth explanation of the characteristics and significance of a stylish typeface: - Distinctive Design Elements: Stylish typefaces stand out due to their distinctive design features. This may include unique letterforms, creative ligatures, elegant serifs, or modern sans-serif shapes. The goal is to create a visually appealing and memorable set of characters. - Contemporary Aesthetic: The term "stylish" implies a modern and fashionable design. Stylish typefaces often incorporate contemporary design trends, keeping up with current aesthetics to ensure that they remain visually relevant and appealing. - Versatility: Stylish typefaces are often versatile, suitable for a variety of design applications. Whether used for branding, editorial design, websites, or marketing materials, these typefaces maintain their stylish appeal across different contexts. - Attention to Detail: A stylish typeface is characterized by meticulous attention to detail. Designers pay close attention to the shapes, proportions, and spacing of individual characters to create a harmonious and visually pleasing overall appearance. - Expressive Characters: Stylish typefaces can convey a sense of expressiveness and personality. This expressiveness can be achieved through unique letter shapes, playful elements, or the incorporation of design features that evoke a particular mood or emotion. Applicability to Branding: Brands often use stylish typefaces to create a distinctive visual identity. A stylish font can contribute to the overall brand image, helping to communicate the brand's values, tone, and style to the target audience. - Innovative Typography: Stylish typefaces are often at the forefront of typographic innovation. They may push the boundaries of traditional letterforms, experimenting with new shapes, styles, and arrangements to create a sense of novelty and creativity. - Readability and Functionality: Despite their emphasis on style, these typefaces generally maintain a balance between visual appeal and readability. Clear and legible letterforms are crucial, ensuring that the text remains accessible while still making a stylish statement. - Adaptability to Trends: Stylish typefaces are often designed with an awareness of design trends. This adaptability allows them to stay relevant over time, making them a popular choice for designers who want their projects to reflect a contemporary and stylish aesthetic. - Customization Options: Some stylish typefaces come with additional features, such as alternative characters, ligatures, or stylistic sets, offering designers the flexibility to customize the appearance of the text for specific design needs. In summary, a stylish typeface is a carefully crafted font that goes beyond mere functionality, aiming to enhance the visual appeal and expressiveness of the text.

The Gill Sans® Nova typeface, by Monotype Studio designer George Ryan, expands the much-loved Gill Sans family from 18 to 43 fonts and features a coordinated range of roman and condensed designs. Several new display fonts are available, including a suite of six inline weights, shadowed outline fonts that were never digitized and Gill Sans Nova Deco that was previously withdrawn from the Monotype library. A variety of OpenType® features are supported that make it possible to include experimental characters from different points in Gill Sans’s long history, including pointed diagonals on ‘A’, ‘V’ and ‘W’ and alternatives for ‘b’, ‘d’, ‘p’ and ‘q.’ Proportional figures are also available as an alternative to the tabular designs. The Gill Sans Nova family has a large character set that supports Latin, Greek and Cyrillic languages. The display weights support Latin only. “Gill Sans was fast to strike a chord with people after its initial 1928 release and quickly became popular,” explains Ryan. “It’s been adapted for every publishing technology, from mechanical typesetting to digital imaging – always receiving the best treatment from Monotype in each iteration. This is especially true with all that we’ve added to the new series, while still retaining the familiarity of Gill Sans. My goal was to ensure clarity across digital environments, add missing weights, and bring more personality to the family with new display fonts, as well as Gill-inspired alternate characters.” The Gill Sans Nova typeface family is part of the new Eric Gill Series, drawing on Monotype's heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The Series also brings to life new elements inspired by some of Gill’s unreleased work, recently discovered in Monotype’s archive of original typeface drawings, designer correspondence and documents from the last century.

An open-hearted humanist sans-serif. Playful and friendly. Faible is everybody’s darling. You cannot not like this good-natured humanist typeface. Sure, it’s a typeface for serious work—but all serious work is better when you put a smile on your face and a whistle on your lips. The typeface itself isn’t rooted in calligraphy, but there are quite some details in Faible that reference handwriting and add a friendly, humanist facet to its appearance. Take the bowls of B, P, and R: they are merrily bulged, like balloons about to take off. The curved leg of the R adds to this joyful mood. Faible’s italics are rendered playfully, too: they’re not merely sloped Roman styles. Rather, they were designed independently with an internal dynamic that sets them apart on the page. With its trademark glyphs, the swooshin’ K and k, and its friendly details, Faible will radiate optimism in display sizes, titles, and headlines. That makes it a great choice for book covers, posters, editorial design, branding, corporate design, advertising, and packaging. Nontheless, it’s carefully spaced and equipped with plenty OpenType features—a reliable tool for short texts and body copy, too. The font family consists of six weights (ranging from Thin to Black), each with its corresponding italic style. Faible’s glyph set contains more than 600 characters, allowing you to enhance your layouts with ligatures, different sets of figures, case sensitive forms, arrows, and other necessities for the ambitious typographer. Faible is the typeface that puts “fun” back into “functional”.

Asterism Clean is the smooth lined version of Asterism. It is a calligraphy style font with a moving baseline and lots of shining personality. Also contains a bold and a monoline version. This hand written style font is based on one of Molly’s signature calligraphy styles and pairs beautifully with Frosted, Icing, Saint Agnes.

Upperclass was a font I created back in 1995. I had a brainstorm about the uppercase letter “A”. I noticed that the cross bar for the letter A is always toward the bottom, what if I moved it toward the top. The result is a unique font, a great addition to your font collection.

The Monotype Janson font family is based on types originally cut by the Hungarian punch-cutter, Nicolas Kis circa 1690. Named after Anton Janson, a Dutch printer. The original matrices came into the hands of the Stempel foundry in Germany in 1919. New type was cast and proofs made; these were used as the source for Monotype's version of Janson. The original hand cut Janson types have a number of small design irregularities which give the typeface its unique charm. These have been carefully incorporated into the new version. The overall effect is of even color and an easy readability that makes Monotype Janson most at home in book and publishing work.

“I originally drew the primary characters with a felt tip marker, scanned them and then proceeded to noodle on the computer,” says George Ryan of his new typeface, Koorkin. “Over the years, I’ve designed many original typefaces, but Koorkin has become one of my favorites. I’ve worked on hundreds of highly structured text faces. For the most part, the roots of all of them can be found in the handwritten letterforms we learn as children. I enjoy going back to these shapes whenever the opportunity presents itself. ”The happy result of Ryan‘s felt tip marker sketches and his love of simple letterforms is a new family of upright and italic scripts in medium and bold weights.

Cut by Monotype between 1900 and 1902, the Monotype Modern font family was based on Miller & Richards News 23 and 28; slightly condensed news text types of the 1890s. Monotype Modern is a lively typeface, with long, fine hairlines and well rounded letterforms, representing the best of nineteenth century modern face design. A classic text face, and typical of the moderns that were produced in the United Kingdom at that time, being less extreme in its rendering than some of the models of purer form being produced elsewhere. Monotype Modern is an excellent text face for magazines, newspapers and books, the heavier and more condensed versions are useful in headlines and display.

Opal Bulgarian is a humanistic sans serif typeface of a modern type, inspired by the famous Optima typeface (designed by Hermann Zapf). Opal Bulgarian consists of 2 weights and corresponding italics. Opal Bulgarian is suitable for body texts; for titles; for corporate identity. Opal Bulgarian continues the design of Opal BulgarianCYR, designed in 1992 by Zhivko Stankulov. In compare to Opal BulgarianCYR the new font family Opal Bulgarian has more glyphs and cover more languages. A number of shortcomings in the construction of the glyphs have been eliminated, and the design as a whole has been updated. Opal Bulgarian is available with active support and upgradeability. Licensees will receive all new versions of the font free of charge.

Country Western is a revival of the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh & Wells. This version combines the best of both versions and adds something new. New to this font are the lowercase, italic, swash and script versions plus Greek and Cyrillic character sets. Keeping with the original theme from 1859 Fill fonts are available for the Ornamented and Open faced versions of this font. Greek, Cyrillic, Central and Eastern European characters sets are supported in the Windows TrueType and OpenType formats. The Windows and Mac PostScript Type1 versions of this font, however, do not support Greek, Cyrillic, Central and Eastern European characters sets.