Introducing Agetta Display is a bold vintage-style serif font with strong confidence. bold is inspired by something simple, elegant, usable and versatile. This serif typeface that looks amazing in both large and small settings is perfect for your design needs but still clean and elegant to apply to various other formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging. , fashion, make up, stationery, novel, label or any kind of advertising purposes. Font Features: Agetta Display Feature : Uppercase & Lowercase Alternative Style Standard Ligature Numbers & Punctuation (OpenType Standard) Accents (Multilingual characters) PUA encoded Support Multilingual Language Thank you.

Gallazzi is a fun display typeface with a lovely and attractive appearance. Start using this font in your project since it is smooth, cool, and cute to the eye. Then you’ll have a project that is truly distinctive and cheerful in comparison to others because the harmony and harmony will make your project bolder and bolder and look different. Let’s construct an awesome project using this typeface, and make it one of a kind. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. Start using our fonts for your amazing projects.

Arturico is a high contrast font with classy and classic look with vintage feel, inspired by 60s and 70s signages. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual & alternate PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Mountain Warrior is a monoline script with a touch of retro look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase regular & rough numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Lumina combines a fluid, informal look with an upright, fairly formal character structure. The font is reminiscent of leaded or stained glass, suggesting a trying to-be-solid outline with flowing inner spaces. Characters are softened by the use of staggered heights and slightly irregular widths, creating the impression of hand-crafted, ink-drawn shapes. Lumina is unusual in that it gives a medieval treatment to a modern character outline. The outline has been given an irregular, slightly hand-crafted look that is at variance with its modern character and hints at both the informality of a grunge font and the carefully hand-drawn quality of medieval illuminated scripts (hence its name). It is one of the few informal, compressed fonts that retains a high degree of legibility. Use it when you want your text to be both relaxed and readable, and yet take up very little space on the page. Lumina Regular is not an outline font in the usual sense, since it contains one or more rounded hollows or lacunae within its outline. Use Lumina for: —Ecclesiastical book headings and illustrations —Church posters —Book covers —Greeting card design —Advertisements —The "fine print" The font contains a full 256 character set (upper and lower case, punctuation, diacritical characters, special symbols and numerals), in which all characters have been fully kerned and letter-spaced.

DESCRIPTION With Skill I wanted to create something wild. Something that splashed the letters with life. To do this, I knew I'd have to break the barrier between analog and digital, so I took my best brush and started to play. Throughout the years as a type-designer I've met and become fan of many calligraphers. My belief that only a good calligrapher can make good typography (1) has become even stronger. I'm now absolutely sure that only practice improves the skill, especially in this field. So, with this in mind, I started a font which was a challenge for me because sometimes the gap between paper and screen can be gigantic. Skill is another of my attemps (2) to capture the spirit of the pointed brush, its expressiveness, the passions and fears of the artist. This font is about freedom. Freedom everywhere. Movement, velocity, passion. To achieve this, many alternates and ligatures per glyph were designed. Use it on magazines, posters, book covers, music albums, t-shirts, skates, tattoos. NOTES (1) This is mostly referred to script fonts, though text fonts made by designers with a deep calligraphic background have at least to me, an extra charm. (2) See my fonts Live and Indie. TIPS Thanks to Open-Type, the font gives the user the chance to play and get many wonderful results: In example, using the font with “discretionary ligatures” activated will give more life to the written word. Some letters will jump of the base, while others will ligate or not with the following (typical of gestural calligraphy). Adobe Illustrator is recommended. STYLES Skill is the most complete style. It has all the alternates and ligatures that can be seen in the posters and more! Skill Standard is a variant with no decorative glyphs. It has the basic alphabet and some ligatures for better legibility.

IA Morning Star is a readable universal comic book dialogue font that adorns any book. The family includes Regular, Italic, Bold, and Bold Italic. Added a set of European characters, Cyrillic; auto ligatures to replace repeating characters, and contextual autoreplacing crossbar "I" in words like I, I'm, etc.

Bielik was created for a comic book that I’m working on. Main goal was to achieve random character of texts, so I made three glyphs for every letter, even for diacritics. Firstly I was drawing using brush pen with ink, so thickness of letters was really various. I decided to implement this style into a font. So that is how Bielik came into the world. This is good choice for comic books, children books, display designs and much more. Bielik is a polish word for Haliaeetus albicilla.

Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text. Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.

A legible and very functional comic book font, with a slightly crunchy edge.

This is beautiful script font based in typeface of the Pirkei Avot book.

Eingraviert is based on old books capitals, with a wood type engraving style

Designed with a happy loose feeling. Great for childrens books and fun occasions.

Liam, an oldstyle easy to use typeface, excelent to emulate old printed books...

Grunge, rough, very coarse typeface. Great for posters, book jacket, music ads etc.

This would be a great font for scrap-booking, notes and anything fun.

Spinach - a new fun display font. This is a fun font that is perfect for creating your project, it can be used to create a beautiful inscription for t-shirts, children's books, branding, small business, book covers, stationery, marketing, blog, magazines and more. All characters of this font support PUA encoded.

Joe Kubert's son Adam has a story or two to tell as well; the AdamKubert font, based on Adam's own pen lettering in BATMAN/PREDATOR, was created by Comicraft for Marvel's ULTIMATE X-MEN series. Comicraft fonts are created BY comic book letterers FOR lettering comic books. Accept no substitutes!

Ornate Blackboards is a beautiful collection of ornaments from Intellecta Design, excellent for use in works of art and editorial publications, like book covers, headpieces to sections of books, magazines, packaging works, and many other solutions. Good to use with roman versals, chiseled fonts and many other different kinds of typefaces.

Coming Sans is playful font which puts a smile on your projects and will inspire you to create something fun and memorable like comic or children storybook. It is perfect for comic book, cartoon theme, headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc

Korobok mean "little box" in Russian. Korobok is irregular font with asymmectric serifs and slightly geometric appearance. This font is good for children books, comic books, videogames and package design. Korobok comes in two sub-families - Korobok Soft (with smooth edges) & Korobok Edgy (width straight edges), both includes 4 styles.

Pink Lemonade (formerly called Fresh Paint) is just like cool, tart lemonade on a hot summer’s day...refreshing! With varying widths and irregular sizes of the lowercase letters, Pink Lemonade lends a bouncy rhythm to text. Works very well for scrapbooking, invitations, children’s books, recipe books, titling, display purposes, etc.

Korobok mean "little box" in Russian. Korobok is irregular font with asymmectric serifs and slightly geometric appearance. This font is good for children books, comic books, videogames and package design. Korobok comes in two sub-families - Korobok Soft (with smooth edges) & Korobok Edgy (width straight edges), both includes 4 styles.

Bunny Hop - funny playful bold typeface. Will not leave you indifferent, thanks to its brave forms. It is great for creating your project, it can be used to create beautiful inscriptions on t-shirts, children's books, branding, book covers, stationery, marketing, color, toy branding, a blog, magazines and much more.

The typeface Typewriter 1950 Tech Mono is designed for the Typo Graphic Design font foundry in 2017 by Manuel Viergutz. A display slab serif type for headlines. Based on an old typewriter machine from 1950. Plus state-of-the-art OpenType-features like contextual alternates (calt), decorative ligatures e. g. type the word “LOVE” for ❤ and the word “SMILE” for ☺ and Versal Eszett (German Capital Sharp S). For use in magazines, posters, headlines and advertisement, plus as webfont for decorative headlines. Character Set: Latin Extended (Adobe Latin 3). 1490 glyphs with 5× A–Z, 5× a–z, 5× 0–9 and 290+ extra icons like arrows, dingbats, symbols, geomatric shapes, catchwords and many alternative letters. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! How To Use – OpenType-Features ■ In Adobe Photoshop and Adobe InDesign, font feature controls are within the Character panel sub-menu → OpenType → Discretionary Ligatures … Checked features are applied/on. Unchecked features are off. ■ In Adobe Illustrator, font feature controls are within the OpenType panel. Icons at the bottom of the panel are button controls. Darker ‘pressed’ buttons are applied/on. ■ Additionally in Adobe InDesign and Adobe Illustrator, alternate glyphs can manually be inserted into a text frame by using the glyphs panel. The panel can be opened by selecting Window from the menu bar → Type → Glyphs. Or use sign-overview of your operating system. ■ For a overview of OpenType-Feature compatibility for common applications, follow the myfonts-help http://www.myfonts.com/help/#looks-different ■ Font Name: Typewriter 1950 Tech Mono ■ Font Weights: Regu­lar + Negative + Black + Mono + Icons + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Slab Serif Dis­play for Head­line Size ■ Font For­mat:.otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 1490 glyphs ■ Lan­guage Sup­port: 28+ for Latin Exten­ded (Adobe Latin 3). Afri­kaans, Alba­nian, Cata­lan, Croa­tian, Czech, Danish, Dutch, English, Esto­nian, Fin­nish, French, Ger­man, Hun­ga­rian, Ice­lan­dic, Ita­lian, Lat­vian, Lithua­nian, Mal­tese, Nor­we­gian, Polish, Por­tu­gese, Roma­nian, Slovak, Slove­nian, Spa­nisch, Swe­dish, Tur­kish, Zulu ■ Spe­cials: 290+ deco­ra­tive extras like icons for arrows, ding­bats, emo­jis, sym­bols, geo­me­tric shapes, catch­words + Ger­man Capi­tal Eszett. ■ Open Type Fea­tures: Kerning (kern), Sty­listic Set 1 (ss01) … Sty­listic Set 6 (ss06), Ornaments (ornm), Titling (titl), Loca­li­zed Forms (locl), Sub­script (subs) Super­script (sups), Ordi­nals (ordn), Old­style Figu­res (onum), Lining Figu­res (lnum), Frac­tions (frac), Deno­mi­na­tors (dnom), Nume­ra­tors (numr), Stan­dard Liga­tures (liga), Con­text­ual Alter­na­tes (calt) e. g. Sty­listic Set-Loop and Deco­ra­tive Liga­tures (dlig) e. g. type the word “LOVE” for ❤ or “SMILE” for ☺ ■ Design Date: 2017–2018 ■ Type Desi­gner: Manuel Vier­gutz

After 13 months of hard work, Iza W and Intellecta Design are proud to announce Penabico. This is a free interpretation of the copperplate script styles to be found in the Universal Penman . London, 1741 , the monumental publication of engraved work by George Bickham (along with collaborators Joseph Champion, Wellington Clark, Nathaniel Dove, Gabriel Brooks, William Leckey and many others). This enhanced OpenType version is a complete solution for producing documents and artworks which need this kind of calligraphic script: 100s of stylistic alternates for each letter (upper- and lowercase), accessed with the glyph palette; 250 ornaments and fleurons (mostly in the copperplate roundhand renaissance style) encoded in the dingbats range and accessed with the glyph palette (plus a special set with over 50 of these ornaments accessed with the ornaments feature); an extensive set of ligatures (100s of stylistic and contextual alternates plus discretionary ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; complete, intricate, ready-made calligraphic words; abbreviations (in many languages). The principal font contains the complete Latin alphabet, including Central European, Vietnamese, Baltic and Turkish with all diacritic signs, punctuation marks (including interrobang ). The German ‘ß’ (germandbls, eszett, sharp s) even has over six different alternate forms. And we don't forget to add the unconventional germandbls uppercase. In non-OpenType-savvy applications it works well as an English commercial script style font. Because of its high number of alternate letters and combinations (over 1500 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette. Two last things — we have placed some of the ornaments, catch-words and other material in supplementary fonts, for easier access in non-OpenType-savvy programs. They are: Penabico Words (see the pdf user guide in “Gallery”), Penabico Abbreviations (free font), and Penabico Extras (free font). And, when buying Penabico you get the 'Penabico EPS Bonus Set", a gift pack containing various highly intrincated frames in EPS format, easy and ready to work with your preferred vector design software like Corel or Illustrator (see the pdf in the Gallery). Know too our other superscript font : Van den Velde Script at http://new.myfonts.com/fonts/intellecta/van-den-velde-script/

For anyone who prefers to stand out from the crowd, than to go with the flow! Arpona is a typeface with small wedge serifs and a strong character, ideal for corporate design and all projects characterized by a sense of individualism – for example art, fashion, food, beverage and lifestyle topics. Arpona is inspired by roman letters carved in stone but otherwise difficult to categorize. It is neither a pure serif nor a sans but rather a symbiosis of different design concepts. Because of its display qualities, Arpona is a good choice for packaging, advertising and editorial design and is well readable even in running text on screen. The family has nine weights, ranging from Thin to Black plus corresponding italics. Each style includes 590 glyphs supporting all western-, eastern- and central-european languages including four sets of figures and various currency symbols. For more information visit the microsite: http://floodfonts.com/arpona

Arsinoe is a condensed geometric typeface noted for their unorthodox long ascenders and low x-height. Family consists of five different weights plus two special versions accompanied by their italic version. The Arsinoe type family includes extended Latin characters, ligatures, lining figures, OSF (Old Style Figures), scientific inferiors and many OpenType features. From poster design to editorial layout, Arsinoe is intended for a wide range of uses but use in small sizes are not recommended. Important technical notice: Combining diacritical marks (U+0300, U+0301, U+0303, U+0309, U+0323) are only 'compatibility characters' for codepage 'MS Windows 1258 Vietnamese'. Combining diacritical marks (U+0312, U+0315, U+0326) are only 'compatibility characters' for Czech, Latvian, Romanian and Slovak language. OpenType features 'Mark to Base' and 'Mark to Mark' is not supported. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

The family keeps growing, Ciutadella Slab is the ‘serif’ counterpart of the popular Ciutadella font. The former alternate characters like 'a', 't' and '&' are now the default ones (and the former default characters are now the alternates), giving way for a typeface more suitable for texts. Thus, the new Ciutadella Slab is not only a great headline family, it will also work in texts of intermediate length and size. Especially appropriate for magazines, brochures or branding. This new addition provides even more versatility to the family started with Ciutadella and Ciutadella Rounded. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. As the sans version, the type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF.

Heimat Display is the high contrast sans serif typeface family within the Heimat Collection, also containing Heimat Didone, Heimat Sans, Heimat Mono and Heimat Stencil. Heimat Display is a typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Display’s character set provides different alphabets, the regular one plus alternate designs that comes across as less suspenseful. Heimat Display [873 glyphs] comes in 72 styles and contains extra sets of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

Heimat Didone is the high contrast serif typeface family within the Heimat Collection, also containing Heimat Display, Heimat Sans, Heimat Mono and Heimat Stencil. Heimat Didone is a neo-classical typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Didone’s character set provides two alphabets, the regular one plus an alternate design that comes across as less suspenseful. Heimat Didone [872 glyphs] comes in 72 styles and contains 6 optical weights, extra sets of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

Hello World, Introducing, Julietta Alexart is a beauty script font suitable for your design project needs, such as; wedding themes, social media posts, quotes, overlays on images, tagline logos, posters, print needs, website banners, and more. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual support Some swashes and ligature So Easy to Use Access Swashes by keyboard key bracket left ' [ ' to feature beginning swash 1 key brace left ' { ' to feature beginning swash 2 key parent left ' ( ' to feature beginning swash 3 key plus ' + ' to feature middle swash 1 key equal ' = ' to feature middle swash 2 key bracket right ' ] ' to feature ending swash 1 key brace right ' } ' to feature ending swash 2 key paren right ' ) ' to feature ending swash 3 For Example type (you=me) Thank you a million times for downloading and using this font for your projects. Enjoy this font and happy creating!

Redwater Banker is a Western slab-serif typeface. A historical frontier lettering, this font is rough and eroded, with a tough and confident attitude. Redwater Banker is a serif font with a strong cowboy personality, reminiscent of a bank or saloon in the Old West. Use the parenthesis characters ( ) [ ] { } to make patriotic symbols like eagles and crowns. Redwater Banker comes in three styles: The normal Regular, the slanted Italic, plus the bonus Corner font for a decorative edge. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Chamberí is designed to be Vogue España's bestpoke typeface. An ambitious typographic branding project made for one of the most iconic magazine headers of the world, it defines the Spanish edition’s personality through a blending of the functionality of XIX Century Modern Romans (also known as “Scotch" typefaces) and the gestural expressiveness of typographic Baroque. Chamberí is a peculiar combination of the rational and the delicate, the sturdy and the feminine. The family is organised in a broad spectrum of 56 variants in which the transition from the restrained text version to the flamboyant, elegant display is modulated by contrast. The family is organised in seven weights: from Extra Light to Black, plus four optical sizes : Text, Headline, Display and Superdisplay. All this with its own Italics, Small Caps and Old Style Figures, besides the due refinement to resolve any editorial and communicative requirement.

The typeface Hearts Love Smile (All We Need Is LOVE) is designed in 2018–2021 for the font foundry Typo Graphic Design by Manuel Viergutz. A font-collection from rough hand-printed old wood letters, rubber-stamps and plastic stamps till clean vectors, photos … 302 glyphs of LOVE. Decorative extras like icons, arrows, dingbats, emojis, symbols, decorative ligatures (type the word LOVE for ♥ or SMILE for ☻ as OpenType-Feature dlig). For use in logos, magazines, posters, advertisement and packaging plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Hearts Love Smile ■ Font Styles: 1 Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 302 glyphs / decorative extras like arrows, dingbats, emojis, symbols ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Ergonomique is a humanist sans serif typeface that has been designed to be efficient and comfortable to use across all applications. Ergonomique’s personality is defined by its spurless lowercase glyphs – the stems are truncated and blend into their adjoining arcs, as can be seen in the a/b/d/m/n/p/q/r/u characters. Ergonomique is ideal for branding and display purposes, but also performs well as body copy if you’re seeking a unique style for your text. With its nine weights and complementing italics, Ergonomique is highly versatile, especially when you consider that there are small caps and old style figures included, along with a Latin Extended character set. Key Features: • 18 font family – 9 weights in Roman and Italic • Small Caps, Ligatures, with Proportional, Old Style, and Small Cap figures, plus Fractions, Numerators, Denominators, Superiors, and Inferiors • Full European character set (Latin Extended) • 800+ glyphs per font.

Whiteblack is a slab serif with a soft touch, designed for contemporary typography and comes up with 6 weights for positive and negative settings plus handslanted obliques. In dark backgrounds, especially for signage and on screen, negative settings glow and appear heavier than positive settings. To avoid the „glow-effect“ the typeface contains special weights for an optimal balance between white and black. A large x-height and open apertures not only creates space for smaller sizes, but also lends Whiteblack a solid balanced and generous character for print and screen. Many OpenType features including 324 ligatures, contextuel alternates, and stylistic set built into all cuts. The font contains 1.076 glyphs with a wide range of flexibility for Latin language support for every typographical needs. Whiteblack brings elegance and a certain warmth wherever a contemporary slab serif typeface is needed, special for signage, brands, magazines and corporate design.

Archimedes is a wood type design sometimes known as Mansard. This particular version was brought back to life as a wood type font by Virgin Wood Type. The variation with screw heads in the design was first seen in 1879 by the William H. Page Co. This new digital version is a simultaneous release with Virgin Wood Type and features a variety of styles including the standard screw head option—plus a Phillips head, Hex/Allen Wrench head, and even the vexing Apple® pentalobe tamper reistant star screw. The result is a sturdy and industrial font that has a certain “joie de vivre” and “bling” attitude. Not for every designer, but you know this is for YOU! As a bonus, the screwheads themselves are accessible via a glyph palette, so you can put the screws to Comic Sans, or any other font, if you so desire.

My son’s name is Ata Caner Yüksel. After building this character, I wanted to honor him by using his name for this font. I think it fully reflects the character I created in my mind. Ata Rounded, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family, with eight weights plus matching italics, was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding, and signage, as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-sensitive forms, classes and features, small caps from letter cases, fractions, superior, inferior, denominator, numerator, old-style figures, stylistic alternates; just one touch easy In all graphic programs. You can enjoy using it.

Introducing Roman Lover Elegant typeface + Bonus Boho Illustrations The Roman Lover Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Roman Lover Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Roman Lover Serif Elegant typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Roman Lover Serif Elegant typeface contains 573 glyphs with many unique and interesting alternative options. Plus, there's a cool serif font family for header and description text from Thin to Heavy. In the poster preview all the letters are in the Roman Lover Serif Elegant typeface.