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  1. 4th and Inches - Unknown license
  2. GauFontMilkChoco - Unknown license
  3. Ghostmeat - Unknown license
  4. Jellybean - Unknown license
  5. Gunship Condensed - Personal use only
  6. Outer Sider BRK - 100% free
  7. College Halo - Personal use only
  8. Sci Fied - 100% free
  9. Knuckle Down - Unknown license
  10. Hyperspeed - 100% free
  11. BubbleBoy2 - Unknown license
  12. Bola - Unknown license
  13. ideoma MIAGUIII - Personal use only
  14. Candy Store BV - Unknown license
  15. Crystalline - Unknown license
  16. Exedore - Personal use only
  17. Sci Fied - 100% free
  18. Funkygraphy - Personal use only
  19. VlaanderenRound - 100% free
  20. DBXLNightfever - Unknown license
  21. Rubberneck - Unknown license
  22. Groovy Fast - Personal use only
  23. Tokyo Honey Chan - Unknown license
  24. REDRING 1969 - Unknown license
  25. Violette01 - Unknown license
  26. Nipple - Unknown license
  27. Langó - Unknown license
  28. WHOA SAUCE PERSONAL USE - Personal use only
  29. LT Bread Medium - 100% free
  30. Scott Room - Personal use only
  31. Bubble Shine - Personal use only
  32. LT Wave - 100% free
  33. Flipahaus - Personal use only
  34. Fear Robot - Personal use only
  35. Cronus - Personal use only
  36. BR Sonoma by Brink, $30.00
    BR Sonoma is a new geometric grotesque built for the 21st century with a finely tuned modern aesthetic. BR Sonoma builds on the foundations laid by the classic Swiss grotesques such as Helvetica and Univers but combines their features with a stronger geometric base usually found in other early classics such as Avant Garde, Futura and Avenir.
  37. id-POPMARU-LightOT - Personal use only
  38. Miso - 100% free
  39. De Fonte Plus by Ingo, $39.00
    A variation of ”Helvetica according to the blur principle.“ The underlying typeface is ”Helvetica“, the only true ”run-of-the-mill“ typeface of the twentieth century. The distortion principle used simulates the photographic effect of halation and/or overexposure. The light weight, »DeFonte Léger«, nearly breaks on the thin points, whereas on those points where the lines meet or cross, dark spots remain. The characters are ”nibbled at“ from the inner and outer brightness. On the normal and semibold typestyles, »DeFonte Normale« and »DeFonte Demi Gras«, the effect is limited almost exclusively to the end strokes and corners, which appears to be strongly rounded off. The bold version »DeFonte Gros« is especially attractive. As a result of ”overexposure“, counters (internal spaces) are closed in, while characters become blurred and turn into spots; new characteristic forms are created which are astoundingly legible. The fat version »DeFonte Gros« is particularly appealing. “Overexposure” leads to drifted counters, letters blur into spots; new characteristic forms emerge, which are surprisingly easy to read.
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