Proudly Presenting, Silentclaire A Monoline Handwritten Font Silentclaire is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Silentclaire also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Hand-crafted by Richard Starkings in the classic style of Will Eisner's The Spirit, this free and easy font made its debut in the pages of...The Spirit! Never let it be said that those awfully nice chaps at Comicraft don't think about what they're doing!

Proudly PresentingTinna Bell, a Bold Script Font. Tinna Bell is perfect on any tittle, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Rolasand is a Modern Handwritten Font. Rolasand is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Rolasand also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

This is a simplified Tuscan, free from excessive ruffles and flourishes. Types of this general design began to appear in profusion in the 1830, and continued as a popular form until the end of the nineteenth century. We added the lowercase to this one for increased usefulness.

Magic Clause is a Modern Handbrushed Font. Magic Clause is a cute and friendly handwritten font. Get creative with its childlike playfulness, and use it to Magic Clause also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Grub is a bold, playful and fun typeface, it is ideal for branding, logo, title, headlines, poster and many other projects that needs an attention grabber. Use it on your projects to give that free spirit and bold look. Also include opentype features: ligature and alternate

The sheet music for "Good Night Angel" from the 1937 motion picture "Radio City Revels", had the movie's title hand lettered in a free form Art Deco sans serif design. This has been recreated digitally as Reveler JNL, which is available in both regular and oblique versions.

Hi this is Brotusse our new handwritten font, maybe this playful font theme can suits your upcoming event, party, or your personal project. This font is free for personal use, If you need an extended license or corporate license you can contact me at gasforberas@gmail.com.

Proudly Presenting, Malpicamoln A Monoline Handwritten Font Malpicamoln is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Malpicamoln also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Street Art is a free-style font that has the characteristics of street art that shows freedom and is filled with unique characters. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligatures • Alternates There it is! I really hope you enjoy it.

The opening title sequence for the 1958 film “The Long, Hot Summer” was hand lettered in a free-form style as if painted with loose paintbrush strokes. This served as the model and inspiration for Summertime Breeze JNL, which is available in both regular and oblique versions.

Neko Neco is a cute and naturally styled comic balloon display font suitable for logos, branding, greetings, social media themes, and birthday invitation designs. The font is suitable for children and cheerful events. If you have any questions please feel free to contact me! Thank You,

AutopromPro is a modern sans serif display font with a geometric touch contains 24 styles. It comes in 6 weights and its matching rounded and italics. The Thin weight and Black Rounded Italic is a free of charge, so you can use them to your projects.

Street Power is a free style font that has the characteristics of street art that shows freedom. It is filled with unique characters. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligatures • Alternates There it is! I really hope you enjoy it.

The Overcook is a free style font that has the characteristics of street art that shows freedom and is filled with unique characters Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is! I really hope you enjoy it

Juxta Sans Mono is an experimental monospace sans, an extension of the Juxta superfamily. During the creation of the Juxta script, I felt that the aesthetics and the main idea of the font had promising potential and I started thinking about a pair for it. So the idea of Juxta Sans Mono was formulated. Juxta has several style-forming elements: 45° beveled or cross out bowls, squared m and w arcs and other unobvious letter structures. Despite its unusual and sometimes odd (f, g, m) letterforms, Juxta Sans is fairly easy to read due to its monospace font nature and wide spacing. Juxta Sans Mono offers great customization potential. It has two sets of stylistic alternates — [salt] makes a letter underscored, but keep it in line, [ss01] replaces some of the glyphs with different letterforms. The [case] function automatically adjusts the height of the punctuation marks to the neighbor letter and [onum] is a set of old style numbers. Juxta Sans Mono also has subscript and superscript features, but they are utilized a bit unconventionally — if you want to customize your logo or headline, you can make a glyph superscript and the one next to it subscript and they automatically kern into one letter width. You can see examples of using these features in the presentation. Juxta Sans Mono is available in 8 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold and Black. It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic.

Xylo Sans letterforms are based on a typeface from Miller & Richard type foundry, from circa 1911. They are presented here with a rough wood texture, in two xylographic flavors.

Multicolored Fonts Many years ago, when Xerox Corporation still had its own font department, I came to Los Angeles in 1985 to train the IKARUS program. One day Bill Kienzel, head of the Xerox font department at the time, said we should go to the Hollywood Hills together; he knew people there who were experimenting with multicolored fonts. After a little wandering through the winding streets of the many hills, we reached a somewhat overgrown, simple family house standing under trees. A group of very inspired designers were waiting for us there. They immediately showed us the works they created using photomechanical tricks. They were fascinating. The American colors and the whole look seemed noble and enchanting. The problem was that this process was very difficult to implement and required a lot of effort on individual letters. They dreamed of a colored font that could be used for normal typesetting. We thought back and forth about how to save the individually colored letters in a common font, but soon gave up because we didn't see a technical option. So this idea and the memory of the time in Hollywood lay dormant in the back of my mind for many years, until at the beginning of this year 2023 I received an order to produce an outline typeface and the story came back to me. Suddenly I knew how to solve the problem from back then: if only the areas that should have the same color in all letters were saved in their own separate fonts, they could be colored independently of each other and later placed on top of each other. I implemented this in the 5 fonts that are now available with the 3 variants “Outside”, “Middle” and “Inside”. Together with the background, 4 colors can be combined with each other. This method works in text programs such as Word or InDesign. In Photoshop or Illustrator, the individual surfaces can also be colored by converting them into paths if the additional “Complete” variants (which contain all 3 contours) are used. There is also a “Basic” variant that can be used to achieve special effects such as overlay, bleed, etc. The first 5 fonts in this series are all based on the principle of contouring. Anyone who claims that you don't need any special fonts because they can be created automatically from any font using common programs is wrong or is only telling only half the truth. Anyone who has ever dealt with this knows that many individual adjustments to the design are necessary after contouring. This has happened in the 5 fonts that are now available and have very different styles. The dream from back then has come true. The user can set any text, long or short, in multiple colors, freely design the color scheme and apply all the usual typographic settings. Volker Schnebel, November 2023

Mistery Brush is a captivating script font that exudes an air of intrigue and enigma. Designed in large letters with a thick weight, this typeface commands attention and makes a powerful statement. Each letter is meticulously crafted with brush-like strokes, adding a touch of handcrafted artistry to the font. The brush details in Mystery Brush lend the font an organic and dynamic feel, as if the letters were painted with the strokes of an enigmatic artist. These artistic details add depth and character, making every word a work of art. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Mistery Brush fits in headlines, logos, movie posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Graziella Script is a calligraphy script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Graziella Script Manuscript is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very readable, because of its many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . . Graziella Script has 436+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph. I really hope you enjoy it! I can't wait to see what you do with the Graziella Script! Feel free to use the #Black Studio tag and the #Graziella Script font to show what you've been up to.

Palmilla 2.0 is a continuation of palmilla which added more glyphs such as Alphabets, Cyrillic was added like Greek, in addition to Alternatives such as Ligatures, more Ligatures were also added in Latin to play more with the title, in total there are six special weights for informal and creative titles.

Oksana is a Ukrainian female name. As a true native Ukrainian, this semi-serif type family has a strong structure, but soft and friendly nature. In six weights from thin to heavy it is perfect for titles and short texts lines. Look how people use it: http://use.type.org.ua/tagged/oksana

That Stuff JNL is a collection of twenty-six images ranging from a stop sign to a peace sign... from a daisy to some 35 mm slides... from smiley and unhappy faces to a rubber stamp and a prize ribbon... A little bit of this and that for the creative designer.

Ethem is a semi-geometric typeface, ideal for posters and flyers. Provides three weights: light, regular, and bold without leaving out the italics of each. The Ethem font family provides six typefaces. If you need a strong, prominent or dominant typeface in your project, Ethem font is the ideal typeface.

Boardley Script is a script-style display font in two layers, Boardley Script was the result of an exploration of mid-century American and European bold script lettering for advertising. is an attractive contemporary typeface drawn from scratch with brand-new, more vigorous detailing — and layerable variations for chromatic use.

Designed in six styles from Regular to Bold including Italics and Obliques, Pedigree covers a large range of editorial and advertising applications. Suggesting it’s usage is really up to the designers’ expertise whether it be used for web or print media. Try using the MyFonts “Preview Pedigree as a webfont”.

Dutch type designer Max Kisman created this display FontFont in 1990. The font is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Cutout provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

WigWag Bold and Wigwag Deluxe are bold, informal lettering styles inspired by mid-20th century Showcard Lettering. Especially by the work of Speedball lettering artist Ross George, and also the work of Cecil Wade and Samuel Welo. Designed around 2001 by Jim Parkinson, Wigwag has recently been refreshed and re-released.

Gold Fever is a revival of the old classic Caxtonian font originaly designed in the mid to late 1800s. Along with the original engraved shadow version new styles have been created making this decorative font set more complete. The new styles include a solid black, open faced, condensed and fill versions.

Hoosier Daddy is based on Foundry Type samples from various mid-19th century specimen books. This shaded slab serif was made by conforming several different cuts of the styles, filling out the character set, and adding a few contemporary touches for freshness. This is a display face. Use it big.

Type that preserves the over- and under-inked textures of true old-fashioned wood faces, now available without ink on your fingers straight from your keyboard. Based on samples taken from early and mid Nineteenth century Clarendons, the font carefully preserves all the battered idiosyncracies of vintage print shop type.

Jvne77 Studio presents: Cittá Novela is an upright typeface family inspired by vintage architecture from the mid 20's to the 60's. A classy and didonesque streamlined sans which will perfectly set in a poor line space for Titling and text. Multilingual, diacritics, ligatures and alternates for near 570 glyphes.

A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the lighter weights can be used for text. Conveys an approachable, light touch with style and finesse.

Crème de la Rue is an urban-art-influenced stencil font. Cut outs and spraying or painting in huge sizes are possible as well as display use for headlines or short paragraphs in mid and large scale. The Stencil cut is available with 246 glyphs, numbers, accents, arrows and ligatures.

Alfrere Banner is a 1950s inspired masthead typeface, designed to complement our ‘Alfrere Sans’ typeface family. These two Banner faces, offered in regular and incised forms, emphasise horizontal lines and have a distinct ’streamline-era’ feel to them.

Just in case you need something crispy for your next project - this could be it! Handmade, multilingual and with contextual alternates - 4 different versions of each letter, and these cycle automatically as you write, for a random look.