Dear and Fans is all class. A stylish modern font that is a mix of serif and sans serif. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. With a contrasting light italic, Dear and Fans works great in layout design for quotes or body copy. The Elegant curves also make for a unique logo or masthead. Dear and Fans comes with multilingual support also. Full upper/lower case, numbers, punctuation and multilingual support. Full italic style included also.

P22 Casual Script Pro is a flexible OpenType font based on mid-20th Century hand drawn advertising lettering scripts. As an alternate to thicker casual script styles, this free-flowing thin brush style is evocative of vintage product advertisements and packaging lettering and is highly suitable for a retro flavor. The Pro font includes over 500 glyphs with at least 2 of all upper and lower case characters with OpenType scripting and ligatures for a more natural and random effect. There is also a unique feature not found in other script fonts: Small Caps! While it may seem unnatural for a script font to have small caps, these work well as an authentic variation of brush script lettering for advertising. Also included in the Pro version is a full Central European character set, swash characters and more. OpenType features include: Small Caps, ligatures, discretionary ligatures, swashes, contextual alternates, stylistic alternates, Old Style/Lining Figures

Gradus is a multi-purpose typeface designed to properly mix elegance and rhythm. The balance between modern and sophisticated touches and styles can achieve the effect of harmonizing well with any device and channel. The hardness of the rigid stem of the grotesque typeface is transformed into a soft touch that organically matches words and sentences. Langages. Basic Latin. Western European, Central European, South Eastern European, South American, Oceanian, Basic Cyrillic, Ukrainian OpenTypeFeatures. Standard Ligatures : fi, ff, ffi. Discretionary Ligatures : ai, ia, il, ill, illi, ma, md, mi, mu, na, nd, ni, nu. Fractions, ss01, ss02, and more.

A decorative, maze-like multi-line typeface in two weights. Lower case is narrow, upper case is wide, the two can be mixed to give a variety of bold, dynamic effects.

Both edgy and elegant, LD Genevieve—with its decorative plumes—adds unique flair to your scrapbook layouts, handmade greeting cards and other creative projects. Pair Lowercase and Uppercase to mix cases.

The On Hangers family is a collection of fonts consisting of font-bats on hangers. Upper-case are on hangers and lower-case are not. Mix and match and have fun.

Brigitta is the complementary joining script that can be mixed with Annabella. Also written with a Japanese brush on rough paper, first scanned and then carefully finished by hand on screen.

Heretic surrounds itself with an atmosphere of evil, carnival freakshow and no-nonsense thuggery. Mix the black and condensed weights of this octagonal blackletter together for more interesting, yet disconcerting results.

This all new hand drawn font comes as a serif and a script version. Mix and match to bring your designs whimsy and playfulness. Suitable for headlines, posters and call outs.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. TessieBugs contains shapes that resemble insects such as moths, ants, butterflies, and weevils. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

Casual Style This is an excellent font family that includes ( script, bold script, sans serif and outline sans serif). These are multi-purpose fonts and they are suitable for all kinds of design, from modern fashion projects to vintage logos, editorial designsand, headlines, advertising and much more. This font is easy to use and has OpenType features.

Best collection of display fonts, don't miss it: The Gramorel font is vintage elegant, these typefaces are truly made for one another. They work very well to give you the perfect design label you have designed. It's perfect for Logo, Advertising, Apparel Design, Label, Signage, Etc. Don't hesitate to contact me if you need anything. Enjoy!

Enjoy this exclusive set of line vector icons font pack including 3700 icons with a cheat sheet. They are pixel perfect and infinitely scalable. You can use these icons to design websites, apps, blogs prints. Created with taste and passion! Please Send a message to info@howcolour.com with your order code to get a link to Cheatsheets file.

Inspired by handlettering used on many WPA posters of the 1930s, this monocase display font has stylish lines and graceful curves that will add period charm to any project they grace. Available and normal and bold weights. The Opentype versions of these fonts support Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Ovidius is a formal script with solid structure. Characters present a look and feel of an ancient pen to very rough paper. The Ovidius family designed by Thaddeus Szumilas is now part of GroupType, a foundry specializing in period and revival typeface designs. These designs have not only important historical design roots, they possess great contemporary appeal.

On the Ground is a picture font made from drawings of found objects. These object were found on the ground while walking around different cities in the United States. The font uses varying drawing styles (from detailed to pictographic) but they all have a similar irregularity, unifying the characters. Perfect for animations, signs, greeting cards, posters, etc.

Holiday Doodles includes a set of numbers plus 50 seasonal year-long holiday doodles. Great for a newsletter, monthly price list, or invitations. These illustrations have more detail, so they are great used at large point sizes as small illustrations. This font is designed to work well with the hand-lettering fonts offered by Outside the Line.

Introducing Monsante, a modern Art Deco-style font. Inspired by typography from the 1920s, it exudes elegance, luxury, and a touch of modernism. Carefully crafted with distinctive geometric elements and crisp letterforms, this font creates a sense of luxury and sophistication. Monsante is available in two styles: Regular and Inline. These styles are ideal for displays, headlines, film titles, awards, certificates, books, weddings, cards, signage, menus, and more. It also includes special characters that you can mix and match to add characteristics and beauty to your designs. Fonts featured : Uppercase Lowercase Numbers & punctuations Symbols Stylistic alternates Custom ligatures. Transform your projects with Monsante, the font that effortlessly combines timeless charm with a contemporary flair.

Super fresh paintbrush style lettering with a definite graffiti slant. Reverse italic and highly detailed these hand-made letters, splats, swipes, numbers and symbols give an energetic human feel to your custom text. This font is an all-caps style with no real lowercase letters however the single font actually contains 3 full alphabets (78 individual letters) so you can mix and match to create endless unique letter combinations. Fresh Paint also includes several highly detailed paint splatters, brush strokes and swipes to use along with your custom lettering. All glyphs are created from hand made, painted letters, all splatters and strokes are made from real specimens & have sufficient detail to work even at very large sizes.

MB Vinatage is a 6 weight font family with italics that has its roots based firmly in the type and font design of the early 20th Century. With some art deco touches in the standard caps like the N and the low bars on the E, F & H, by using the stylistic alternates these can be changed to give the font a more contemporary look. The same applies to the lower case letters, with an alternate a and g and a stylistic lowercase t. The family works great as a display font using the thin and heavy weights and just as well for smaller & bulk text. Stay traditional or go contemporary or mix it up.

Hot Salsa is a calligraphic script font inspired by the classic, fairly well-made brush letters from the casual sign painting style, mixed with the fast and gestural tags you can find on walls all around the world. This is a fresh font that allows you to play with its numerous swashes, alternates and ligatures to make it feel more sober or a little flirty depending on your needs. Hot Salsa started with a brush pen and a lot of paper. These were later re-traced onto many layers of tracing paper with the intention of maintaining the brush pen and handmade feeling while making the structure consistent to ensure its readability and performance.

A set of self-adhesive poster board letters once made by the E-Z Letter Stencil Company and sold under the name "Quik Stik" was the model for School Project JNL. Ironically, the line was discontinued because they did not stick very well - the weight of the cardboard caused the letters (which used a rubber cement type of glue) to pull away from the surface they were mounted to. Unlike vinyl self-adhesive letters (which were formulated for indoor or outdoor use) these cardboard sets were relegated to indoors only; further restricting their usability.

Beriot is a sans serif whose basics are condensed in Regular (Normal) weight, getting a lot of form inspiration from the topic also known as Steile Futura which is a letterform that Paul Renner himself explored in the mid-1950s, where shapes are constructed with little stress on modular squares but there are changes in certain parts so they become less modular. The Beriot family is available in 42 weights with matching slanted cuts, divided into 3 subfamilies: Condensed, Normal and Expanded. Each has been designed for a range of text sizes each, and already variable, allowing you to choose and make your own type of weight you like. OpenType Features are available in each of these font styles, including alternative characters, different numbers set and case-sensitive and there are additional symbols that make it the perfect choice for professional types of branding, digital design and editorial.

Lopsickles is a family in which the letters are based on lopsided, distorted ellipses. The family has four sets of letters that are combined in six different ways, yielding six fonts. Four of these fonts (styles AB, Ad, Bc, and cd) use the OpenType feature Contextual Alternatives (calt) to alternate letter sets so that top-heavy characters alternate with bottom-heavy characters. The spacing in these fonts is designed for alternating characters and will result in overlap if the characters do not alternate. The other two styles (Ac and Bd) are spaced normally. Style Ac contains the two character sets that are top heavy and style Bd has the two character sets that are bottom heavy. The Ac and Bd fonts have italics and backslanted styles that may be useful to suggest speed. Each of these ten fonts has an inset style designed to be used in a layer above the base font. This layering can be used to give the effect of hollow letters or to add a colored interior. Lopsickles joins several other alternating-characters families in the IngrimayneType library including Snuggels, CloseTogether, and Caltic, but is visually very different from them. It is a strange, unusual family that will get noticed.

A creative design with modern styling. Available in plain or swash style. Great for Invitations, Fashion, Decorative Designs and much more. Just mix and match some swash characters for a little flare.

The idea was to mix liberty lettering with 70’s psychedelic posters and dedicate a font to Groupies. Check out the alternative glyphs and icons included. Have fun and be a Groupie

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. TessieMoreStuff contains mostly Escher-like tessellations with no clear organizing principle. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. TessieMoreStuff contains mostly Escher-like tessellations with no clear organizing principle. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. Most of the shapes contained in TessieMiscellaneous are Escher-like tessellations. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane. Simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains many Escher-like tessellations that resemble animals including horses, goats, rabbits, fish, frogs, and other vertebrates. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains many Escher-like tessellations that resemble flying birds. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

Introducing vintage label font named Casinova. The font is inspired by vintage signs from the mid-20th century, as well as neon casino signs. This font has a multilingual support (check out all available characters on previews). The font family has two styles: Regular and Color. Also the font has six layer effect styles you can see them on preview. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

A neogrotesque with a distinct mid-century feel. Shapiro’s multi-axis Variable Font comprises of 8 text weights, from Light to Black. Three additional sizes, “Headline”, “Display” and “Max” supply another 8 weights that are spaced for larger applications. To top off the package, 8 Wide styles are ready for that extra punch. Choose Shapiro for any job that calls for a restrained but confident voice. Give your design that professional look in the blink of an eye.

Soul Drifter is a handwritten font collection of 6 fonts that were designed to go together nicely. All six fonts were drawn using the same brush pen, so that their weight and design are consistent, and you can mix and match them easily. Soul Drifter includes: - a brush script font in regular and slant versions, with over 100 ligatures - a matching set of swashes to ornament your texts and designs - a cute sans font in two weights, regular and bold (true bold, drawn separately) - a tall serif font in all caps, with two sets of caps All you need for beautiful and easy designs with a hand-lettered feel, such as postcards and notes, creating logotypes, social media posts, branding and packaging, etc.

Would you hire one of the top hand lettering artists that worked for companies like Max Factor for your designs? Of course you would! Chas Bluemlein passed away many years back, and you couldn't have afforded his services anyway, but his lettering prowess which graced many advertisements, primarily cosmetic ads, has been pulled together from numerous samples to make this font. Bender Script comes with BONUS Swash alternates to mix up the flavor a bit, and exudes passion and confidence! Now you can own not only a piece of his lettering legacy, but you can also put it to work for you! This beauty is a sure fit into any font collection, so what are you waiting for, buy it today!

Mixcase font family is suitable for creating logos, wordmarks, titles, taglines. The properties of uppercase letters, numbers, punctuation and extra characters in Mixcase Mixed font are the same as those of lowercase letters, which allows to combine letters of both cases in different ways. All characters in Mixcase Unmixed font have normal ratios, so it can be used as typesetting font. The combination of both fonts provides additional use cases in the form of small caps and mixed small caps. For any questions about the font please contact: arbuzzu@gmail.com

Gliny was created by mixing different styles of handwriting fonts that derived from various tools such as pen, markers, drafting pens, painting brushes, writing brush and etc. In order to develop a new and diverse font styles. We also keep incomplete details and uneven textures that resulted from a writing process. We provide various font styles to help you mix and match them to suit your creative work harmoniously. Gliny comes with different font families such as brush, slab serif, heavy, handmade script for making your amazing work !!

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Monako Stoned was inspired by the Apple system font Monaco, and is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype. Branczyk designed 16 of these himself."