Sincelo Ornaments is a well crafted display font with over 200 gliphs to create intrincate and soft artworks.

City Streetwear is a sophisticated signature collection that includes four script weights and plenty of ligatures. City Streetwear scripts includes 102 ligatures and 6 alternates. Ligature programming has been added to the fonts to give the scripts a more handwritten and luxurious appeal. Try the City Streetwear free font for fashion marketing and social media. It is a great starting point for finding appealing modern catchwords. Use City Streetwear for sophisticated designing. Fonts and posters designed by Cindy Kinash. See font details below. SCRIPT FEATURES: Signature style OpenType Common ff fi fl ffi ffl ligatures  Available in Extended Latin Pro (Standard) or American (US) version. 102 ligatures and 6 alternates. Programmed ligature feature for optimization. Every time you type specific pairs, ligatures are programmed to pop up to avoid letter pair collisions. Programming ligatures gives the script a more sophisticated flow. Make sure to turn on the feature in your preferred program that supports ligatures. FREE WORDS FEATURES: 68 free words useful for fashion, marketing and social media promoting. Keyword examples include fashion, exclusive, and style. Intended use for fashion, apparel, beauty, marketing, social media, websites, magazines, sales, film and packaging.  VERSIONS: American (US) and Extended Latin Pro (Standard) AMERICAN (US) Shorter version  102 ligatures and 6 alternates  Common ff fi fl ffi ffl ligatures  OpenType Includes the common alphabet, numbers, American symbols and punctuation. EXTENDED LATIN PRO (Standard) Extended version of the American (US) version.  102 ligatures and 6 alternate Common ff fi fl ffi ffl ligatures  OpenType Includes characters for Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Feroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh. TIPS: Try the OpenType ligatures by turning on the feature in your preferred program that supports ligatures. DISPLAY- The City Streetwear fonts work best as large headline text for optimization. FONT USE- Use City Streetwear for fashion, apparel, beauty, marketing, social media, websites, magazines, sales, film and packaging.

This is the kind of letters I drew in school back in the 1980ies. I would never have guessed that I would do the same thing like 40 years later! I remember making a simple space game for my VIC-20 computer, and I needed some "data letters" (as I called it) - as far as I can remember, this is close to what I made 40-like years ago. Also, I was inspired by the well known series "Stranger Things" - you know, all that 80ies theme stuff took me down memory lane! :) Anyway, all the letters are handdrawn, using a squared paper as guide - at it may look simple, but it took me quite some time to finish this font (hence the name!)

Brrrrr is supposed to represent snow-covered letters, though it could also be letters covered with frosting. The lower case letters are identical to the upper-case letters. Buried in the font is another set of letters on Christmas tree ornaments. (They are on unicode characters in the 2400 block, circled digits and letters. See here.) The OpenType Stylistic Sets feature makes accessing these letters easier than using unicode, and another font, InsideLetters-Christmas, develops them further. The Brrrrr-Icing style can be used in a layer over Brrrrr to give the snowcap any color, not just the background color.

Oktah Round Overview: 1600+ characters per font 16 static fonts 1 variable fonts Extensive OpenType features Support for 220+ Languages (Latin & Cyrillic) Special Symbols, Alternate Sets, and Features Free Trial Fonts Available Oktah Round is a rounded version of Oktah Neue. Oktah Round is soft and friendly, modern and warm. It's a typeface that combines human touch with high functionality. Oktah Round comes equipped with 1600+ characters per font and is available in 16 styles (from Thin to Black), and as a variable font that allows you to change weight and slant angle. Oktah Round supports more than 200 Latin languages and has amazing support for Cyrillic languages like Bulgarian, Serbian, Ukrainian, Macedonian, Russian, and others. Relying heavily on the geometric forms and proportions first introduced in Oktah, this rounded version does more than just smooth out a few corners. To make curves sharper and more uniform, some terminals were modified. Other visual features (like curving tails in 'l' and 't') were dropped to create more clear cut look. Oktah Round is perfectly balanced and finely tuned to be the font you'd want to use again and again. The variety or styles and availability of a variable font give Oktah Round a potential to be used across multiple mediums. Oktah Round supports most Latin based languages, it also has support for Extended Cyrillic. The remainder of the extensive 1600+ glyph character set is reserved for punctuation, numbers, special symbols, and all sorts of additional symbols like squared numbers, geometric shapes, etc. All characters are evenly spaced and carefully kerned, so that there are no overlaps or glaring gaps in any language. OpenType features include Legible Alternates, Case Sensitive Punctuation, Fractions, Sub- and Superscript, Black and White Circled Figures, Ligatures, Oldstyle Figures, Tabular Figures and many others. The variable font incorporates both axes (Weight and Slant) and can be used for web and graphic design alike. 16 static font styles can be purchased separately or as part of Oktah Round family. Two fonts can be downloaded free of charge.

Motor Mouth provides racy type, oozing of high octane gasoline and selfconfidence. Designer Martin Fredrikson CORE, graffiti artist turned typeface designer and car paint expert, combines his sense of speed with raw power lettering. Sloped and cocky, Motor Mouth is an original design in the great tradition of Nascar and Indy 500 and makes you think of roaring muscle cars and hot asphalt. Swedish type foundry T4 premiere new fonts every month. Motor Mouth is our fourth introduction.

With smooth curves and a deliciously bold personality, InstaLove Smooth leaves good vibes wherever it goes. The InstaLove Smooth Brush font is loaded with opentype features including character alternates and a large selection of natural looking ligatures. Scroll through the previews to get a good feel for what it can do. Included in the glyphs are 8 super handy swashes , and a few extra doodles, to add some extra punch to your designs. Perfect for making a bold statement, and getting second glances - InstaLove won’t let you down.

Xanthine… is a purine base found in most human body tissues. Yes, you can forget that. I don’t even know what it means, but I suddenly realised that I was running low on fonts with an ‘x’ in the name. Xanthine font is a messy brush: it is all caps, but upper and lower case mingle freely. It comes with a whole bunch of diacritics and some interesting ligatures as well. I have included a very handy shapez pack and a truckload of arrows - anything to make you happy…

Here comes Rambuk! (Well ... it's Danish for rambuck) Rambuk is not a silent font! It’s big and noisy! The font is designed to be used in magazines, as an expressive poster font, for book covers, logotypes and much more! This font is bold, and it fits your style! The font is also handy when it comes to having big letters to fill with art or pictures. Rambuk comes with specific numerals for its small and big letter as well as carefully designed superior and inferior numerals. Make your design count — knock in some doors!

Autobats is a set of over 100 different car and truck icons, minimal silhouettes that can be adapted to whatever context your design flings at them. The mystery of why this font has been so popular was solved when one of our customers said, “I always use this thing, because the name starts with A, so it’s one of the first fonts I see in my slap-a-logo collection”. To see all the icons available, a glyph palette would be come in handy while using the font. Honk if you like convenience. Beep beep!

Jongleur is a multifaceted hand-drawn display typeface based on a Maury Nemoy lettering from 1957. Packed with handy OpenType features, the font makes automatic substitutions when you turn on the contextual alternates, creating an interesting hand-lettered feel. If you're in a messy mood, use the stylistic alternates instead! The font also brings an extra set of alternate letterforms you can pick by hand to spice up your compositions. Great choice for titles and small amounts of text, perfect for posters, book covers and a wide range of applications.

Cooks call thinly cut - like matchsticks - vegetables "Julienne". I found that was a fitting name for this very narrow typeface. Julienne Slim is the extreme cut of the two. Personally I do not use narrow typefaces very often, but from time to time they come in handy if there is much text to be crammed into little space. I could make a typeface that was even narrower, but I will not do it. This is as narrow as my typefaces get. Enjoy what I cut for you, Gert Wiescher.

This font was made during testing of a neat little application, that traced hand-written letters on the fly. That application was later abandoned, and the font, named Simpel for it's obvious casual simplicity, was finished separately. This story goes up to the year 1998, and recently the font was returned from the archives. SImpel was completly remastered and some useful ligatures were added. It is nice, clean and really, quite simple. Which often comes very handy. It will work well in comic books, magazines and party flyers, for instance.

Dirty Baker’s Dozen, was released in 1998 and has since become the gold standard in raunchy stencil fonts. This version of Dirty Baker’s Dozen is pants-full of handy symbols, fractions, accents and what not. Need numeric ordinals? Probably not, but if you do, Dirty Baker’s Dozen will be there with boots on and numeric ordinals a-blazing. Two new styles were introduced in 2009: Scorch & Spraypaint. When you're using Scorch or Spraypaint styles in an OpenType savvy application, common letter pairs will be automatically replaced by custom pairs for a more realistic, filthy effect.

Compagnon is a friend, a partner. This handmade display font will come in super handy when you are working on that book cover, or the packaging of a product. It will shine on posters and websites and it will keep you warm at night. I guess that last bit is an exaggeration… Compagnon comes in three distinct styles: a ‘regular’ version, which is a bit rough around the edges, a ‘dirty’ version, with a juicy eroded look and a polka dot version. All three have their accompanying italics.

Smashing is a stout typeface, with a twist. It’s a massive all-caps font with bouncing glyphs, positively bold yet quite good-humored. Its upper and lower case slots stores different lettershapes, providing handy options to choose from. When working with OpenType savvy applications you can turn on the contextual alternates feature to instantly get alternating glyphs, which add spontaneity to your artwork and prevent neighbor double letters from using the same glyph. Also try the discretionary ligatures feature to get some cool interlocking pairs. A smashing font for truly smashing designs!

La famille Millenium est composée de modèles dont le poids varie progressivement. Elle est très étendue. Elle va de "Super Thin" à "Extra Black". Unique au monde, sa finesse permet de concevoir un style très léger même pour l'impression d'affiches et d'autres grands formats. Conçu dès l'origine comme un caractère variable, le Millenium offre une gamme de 900 variations possibles et une infinité de créations...

“Kindah” is a Yemeni ancient tribe with evidence of its existence going back to the second century B.C.E. The kings of Kindah exercised an influence over a number of associated tribes more by personal prestige than by coercive settled authority. The Kindites were polytheistic until the 6th century CE, with evidence of rituals dedicated to the gods Athtar and Kahil found in their ancient capital in south-central Arabia. It is not clear whether they converted to Judaism or remained pagan, but there is a strong archaeological evidence that they were among the tribes in Dhu Nuwas' forces during the Jewish king’s attempt to suppress Christianity in Yemen. They converted to Islam in the mid-7th century CE and played a crucial role during the Muslims' conquests of their surroundings. Among the most famous figures from Kindah known as Kindites are Imru' al-Qays (526-565?), al-Ash'ath ibn Qays (599-661), Hujr ibn 'Adi al-Kindi (?-660), al-Miqdad Ibn Aswad al-Kindi (589-653), and Abu Yusuf Yaíqub ibn Ishaq as-Sabbah al-Kindi (805-873) known as the Philosopher of the Arabs. "Kindah" font is a modern Kufic font comes in three weights (i.e., bold, regular, and thin) which is mainly designed to be used as a display Arabic font. The main feature of this typeface is the mixture of curves and rectangular shapes used in the designed Arabic characters. Kindah font was inspired by the design of the Yemeni modern windows of houses in which only top part of the arc is used for building such windows which reflects the originality of the architecture preserved in this part of the world. "Kindah" font is extremely outstanding when used in printed materials with big sizes especially for headline, titles, signs, and names of brands. Hence, it is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. It has also a Latin character set and it also supports several Arabic character sets which makes it proper for composing alphabetical and numerical words in Arabic, Urdu, and Persian.

ITC Black Tulip was designed by Dudley Rees and inspired by the modular simplicity of the Greek fret band, an ancient repeating pattern formed by tracing a line at right angles between two horizontal rules to form an interlocking motif. Rees admired the discipline of the motif, I saw how that simple rigid rectangular network suggested an alphabet that would need little or no kerning," he says. He describes ITC Black Tulip as a "dramatic headline face"."