Made in collaboration with my 14-year-old daughter, this font embodies her desire for people to rise up and resist injustice in this world. The font is neat, legible, and yet slightly playful.

Zedou was inspired by old Art Deco flavoured signage from the former French colony of Madagascar. It has a mechanical yet organic feel to it, and consists of four display weights covering Latin Pro.

The good old days of rock and roll... Kids hanging out under the streetlights singing four-part harmony... Relive those days with Doowop JNL - a fun and playful font with a decidely 50s flair!

Inspired by lettering from a series of old detergent ads, Schnitzle is a stylish and playful typeface. Easy to read, fun to look at, a perfect typeface for childrens' books, advertisements, and playful designs!

This vintage typeface named "Classic Heritage" has a steampunk look and was inspired by old-school lettering styles. The 13 stylistic alternate letters can help you to create a unique and interesting text composition.

Create old style initials, evoking traditional printers' marks for stylish business or personal stationery. Includes 37 borders, each accessed by a single keystroke, which will automatically line up with the letters in the monogram.

Coldfield JNL is the revival of an old wood type font from Jeff Levine. Clean and easily readable at different point sizes, it is an excellent companion to Twelve Oaks JNL and Ingomar JNL.

This is a font with a pretty vintage look You can express your design looks old-fashioned but has a modern feel, with several options that you can use and develop your work perfectly

Potenciarte is an all-caps display typeface inspired by the facade of old buildings from the era of Nederlandsch-Indie (1900’s) in Surabaya, where Art Deco & Art Nouveau typographic styles were widely used.

An awesome premium quality set of 26 layered badges. It’s a very versatile, “old timey” look, vintage and that can be used as logos, member badges, company badges, stamps, price reductions and much more.

Wood Factory is a western styled typeface created by Kustomtype. Wood Factory is an old Wood Type favorite. It was designed specifically for display, headlines and titles where a wanted poster look is desired.

Bomber was inspired by the lettering used on the vehicles of the U.S. military. This font works great as an old-school style of athletic lettering. Also included is a fifteen character dingbat set.

Inspired by the idea of found paper objects, this font centers around a strict grid. Combining dot-matrix printers with subtle serifs, it combines old and new. Recommended usage is as a display font.

The DUALIS, aka the serif-detesting Garamond, combines specifics of 2 typeclasses: Sans Serif & Antiqua. When the Garamond is too old fashioned and the Optima is worn out, the Dualis will fit the gap.

Western Railway JNL was inspired by sample lettering found in an old sign painter's reference book published during the early part of the 20th Century and modified for today's digital applications by Jeff Levine.

The design of this font was created by a 13-year-old girl. The digitisation is faithful to the original drawings and keeps all of the wonderful special details which make this font absolutely unique.

To design a font Blezja, I was inspired by an old metal tin from 1907 from Potsdam, which was used to store earplugs. From a few letters I created whole typeface - lower and uppercase characters.

Crisp contemporary Sans-serif family useful for clear, clean corporates, stylish branding letterforms or friendly, casual messaging too, with use of its capital and lower case ligatures, swash capitals, old style numerals and many ornaments.

Squint is a unique typeface, created with just 2 basic forms: a rectangle and a line. Squint is ideal for use in (futuristic) posters, designs and ads. It comes with old fashioned extensive language support.

A unique display font based on the research in vintage and old fonts from the beginning of the 20th century. Perfectly work for headlines in print or can be a spice to any other design.

Lost Hills JNL is a split-serif Western font based on Jeff Levine's Brogado JNL. Named for an actual location in California, this font has all the basic characteristics of a traditional Old West design.

Ridiculously wide, mathematical and angular, and yet, looks good in vast blocks of text. Comtype is a cross and exaggeration between vintage computer text and old-school typewriter text. Five weights for your typesetting pleasure.

Rouge Gorge is a Serif Font (Regular, Italic, Semi-Condensed, Condensed and Variable) The font also has 7 OpenType features : (All access Alternative (aalt) - Fraction (frac) - Numerator (numr) - Denominator (dnom) - Old Style (onum) - Kerning (kern)

Hookshot is a quirky serif font font with a retro touch, inspired by an old Canon Word-mark. Hookshot works great for headlines, callouts, and illustrations. It is perfect for short words and even sentences!

One of the most famous modern Old Face fonts, designer Francois Ganeua developed Vendome with the special features and extravagance typical of such forms. Strong and lively, such details give Vendome its unmistakeable, unique appearance.

This font contains images in two variants, that is: tiles (seamless, endless) and dingbats showing plants, leaves, blooms, frogs, butterflies and ants. Note: Please be aware that you may need to prepare those patterns in order to work with them in CAD-CAM or if you intend them for bolt cutter etc.

26 Mythical or mysterious Creatures. A highly decorative font where each creature form the letters A to Z. The upper case letters have detailed creatures/letters while the lower case hold silhouettes of the same creatures. The creatures were originally drawn 2016 during the 36 days of type project (http://www.36daysoftype.com/)

Imagine a hot summer day with a cool breeze, watching the sun set over the beach, ice cold lemonade in your hand and some of your favorite music playing in the background. A perfect postcard moment! Use Barbary Pirates to make awesome type designs for logos, posters, album covers, packaging, Instagram posts...

Proudly introducing the Headliner font family. 12 display fonts specially designed to grab and hold attention. This loud and proud family will make a powerful addition to your existing arsenal of design assets. Featuring Opentype kerning and multilingual support, this family is ready to command & conquer your projects right from the offset.

Paint Store JNL is the third in Jeff Levine's series of display fonts modeled from actual water-applied decals that were manufactured by the Duro Decal Company of Chicago (now Duro Art Industries). Duro Decals were sold in paint, hardware, variety and art supply stores, and even [in some cases] print shops.

Laricio is the italian name of the larch tree. This typeface has naturalist and renaissance connotations. The design of the stems is organic. The general feeling is slightly prickling like the foliage of conifers. In french, the word "fût" qualifies the "stem" (of a letter) and also the "bole" (of a tree).

Mixed Drinks JNL derives its look from a set of gold foil self-adhesive letters made by a company called Cameo for the Schenley distilling company circa the late 1950s or early 1960s. The letters were used to personalize bottles of whiskey for your own bar or to give as a unique gift.

Not inspired by any one thing, Candy Randy came about as an attempt to capture the feel of hours spent aimlessly perusing childrens' advertising and packaging from the early 1960s. It always reminds me a bit of Christmas and was named after an imaginary character in tales told to my youngest sister.

The Vale Press was a contemporary of Willam Morris's Kelmscott Press. The types used by the Vale Press were designed by artist Charles Ricketts, who also supervised the design and printing of Vale Press books. The main type used, Vale, was based on the Jenson 15th century roman type style. The King's Fount was an experimental semi-uncial font based on the Vale type. The King's Fount was designed in 1903 for the Vale edition of the 15h century poem "The Kingis Quair". This semi-uncial font evokes old English and Anglo-Saxon lettering. P22 Vale Pro combines the two fonts P22 Vale Roman and P22 Vale King's Fount into one "Pro" font. This pro font also includes a Central European character set, old style figures, fractions, ornaments and a special faux "Middle English" feature to make "anee text appeer Olde." This feature is not known to exist in any other font.

Quill-formed roman/gothic with an olde-worlde flavor. Some background in the designer's own words: "A series of fonts came to mind which would be rooted in the medieval era -for me, a period of intense interest. Prior to Gutenberg's development of commercial printing with type on paper in the mid-1400s, books were still being written out by hand, on vellum. At that time, a Bible cost more than a common workman could hope to earn in his entire lifetime. Men like William Tyndale devoted their energies to translating the Scriptures for the benefit of ordinary people in their own language, and were burned to death at the stake for doing so. Those in authority correctly recognized a terminal threat to the fabric of feudal society, which revolved around the church. "This religious metamorphosis was reflected in letterforms: which, like buildings, reflect the mood of the period in which they take shape. The medieval era produced the Gothic cathedrals; their strong vertical emphasis was expressive of the vertical relationship then existing between man and God. The rich tracery to be seen in the interstices and vaulted ceilings typified the complex social dynamics of feudalism. Parallels could be clearly seen in Gothic type, with its vertical strokes and decorated capitals. Taken as a whole, Gothicism represented a mystical approach to life, filled with symbolism and imagery. To the common man, letters and words were like other sacred icons: too high for his own understanding, but belonging to God, and worthy of respect. "Roman type, soon adopted in preference to Gothic by contemporary printer-publishers (whose primary market was the scholarly class) represented a more democratic, urbane approach to life, where the words were merely the vehicle for the idea, and letters merely a necessary convenience for making words. The common man could read, consider and debate what was printed, without having the least reverence for the image. In fact, the less the medium interfered with the message, the better. The most successful typefaces were like the Roman legions of old; machine-like in their ordered functionality and anonymity. Meanwhile, Gutenberg's Gothic letterform, in which the greatest technological revolution of history had first been clothed, soon became relegated to a Germanic anachronism, limited to a declining sphere of influence. "An interesting Bible in my possession dating from 1610 perfectly illustrates this duality of function and form. The text is set in Gothic black-letter type, while the side-notes appear in Roman. Thus the complex pattern of the text retains the mystical, sacred quality of the hand-scripted manuscript (often rendered in Latin, which a cleric would read aloud to others), while the clear, open side-notes are designed to supplement a personal Bible study. "Tyndale is one of a series of fonts in process which explore the transition between Gothic and Roman forms. The hybrid letters have more of the idiosyncrasies of the pen (and thus, the human hand) about them, rather than the anonymity imbued by the engraving machine. They are an attempt to achieve the mystery and wonder of the Gothic era while retaining the legibility and clarity best revealed in the Roman form. "Reformers such as Tyndale were consumed with a passion to make the gospel available and understood to the masses of pilgrims who, in search of a religious experience, thronged into the soaring, gilded cathedrals. Centuries later, our need for communion with God remains the same, in spite of all our technology and sophistication. How can our finite minds, our human logic, comprehend the transcendent mystery of God's great sacrifice, his love beyond understanding? Tyndale suffered martyrdom that the Bible, through the medium of printing, might be brought to our hands, our hearts and our minds. It is a privilege for me to dedicate my typeface in his memory."

Nokian11 is a font inspired by an old Nokia phone display. It was created in 2001 and named Nokian. Nokian11 is a new, improved version with full set of glyphs and covers most of European languages.

You need traditional christmas symbols to illustrate your text? How about using these historic designs that had been used in good old typography. xmas is not too far and always comes in winter time. Happy Xmas.

The Art nouveau era sheet music "Goodbye Sweet Old Manhattan Isle" (1905) offers up a classic hand lettered sans reflective of that era. It is available digitally as Trolley JNL in both regular and oblique versions.

An old set of brass stencils spotted for sale on eBay were the inspiration for this font from Jeff Levine. Redrawn completely from scratch, Jeff retained the narrow "M" and angled corners found in the original.