Comicraft's latest joint has us swollen with pride! This one caps 'em all! Yes, it may look a little bony and stick out at right angles to our shins, but we reckon we'll win the a whole bunch of contests with this one... if we get up off our haunches and hobble up on stage. Trust your knee jerk reaction and download KnobblyKnees now, they look good on Kate and Angelina, they'll look good on you too! Features: Five fonts (Regular, Bold, Light, Broken & Open) with upper and lower case characters.

HYPOP is a strong and condensed sans serif font family with a nostalgic vibe. Combining retro and minimalist elements resulted in an elegant design. The different weights give you a lot of options when it comes to choosing the right typographic color for your project. 5 Weights (Thin, Light, Regular, Medium, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Le Blanc is a strong and condensed sans serif font family with a retro vibe. Combining vintage and minimalist elements resulted in an elegant design. The different weights give you a lot of options when it comes to choosing the right typographic color for your project. 5 Weights (Thin, Light, Regular, Medium, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Tupã is a Brazilian indigienous god of thunder. This typeface is a geometric Sans Serif based on vertical and diagonal strokes. The heavy weights are great for impact layouts and the light weights are perfect to make sutil and strong messages. Tupã has a wide character set, including Cyrillic, with Small Caps, Ligatures, regular and tabular numbers and a lot of alternates. This Font is great for tight leading, including when diacritics are involved, there are alternates and case sensitives symbols to make all blocked. And yes!, there's a Variable Font too.

Savoye was created by Alan Meeks in 1992. The spirit of the Jugendstil lies behind the design of this font. Graceful upright letters combine to create delicate, flowing word figures. The light stroke contrast and slant to the right emphasize the liveliness of Savoye. Generous capitals contrast with small, demure lower case letters whose distinguishing characteristic is their high ascenders. This contrasts beautifully with the relatively reserved descenders. The capitals can also be used as initials combined with other alphabets. Savoye is the perfect font for invitations, greeting cards and other personal correspondence.

Nothing is hidden in the simplistic forms and overt aesthetic of Anya Danilova’s Rezak font family. Rezak is not a type family directly from the digital world, but was inspired by the stout presence of cutting letters out of tangible material: paper, stone, and wood. With only a few cuts, the shapes remain dark and simple. With more cuts, the shapes become lighter and more defined, resulting in a dynamic type family not stuck within one specific category. The Black and medium weights began as one approach before separating into display and text categories. The four text weights were created through pendulum swings in design direction that experimented with contrast, angles, tangent redirections, and the amount of anomalies allowed. The text weights are vocal when set larger than ten points and subtle at smaller sizes. The tech-heavy Incised display style came last, employing a surprising range of trigonometric functions to make it behave exactly as desired. Its look can result in something distinctive and emotional or completely over-the-top. Most normal typefaces change only in thickness; Rezak changes in intention, highlighting the relationship between dark and light, presence and absence, what’s removed and what remains. Rezak’s Black and Incised display styles are like a shaft of light in reverse and are perfect in situations of impact: websites, headlines and large text, gaming, call-outs, posters, and packaging. The tone works for something from youthful or craft-oriented to organic and natural products. Try these two in logotypes, complex print layering, branding, and words-as-pattern for greater experimentation. The text styles are bold, energetic, well informed, and round out the family with four weights (Regular, Semibold, Bold, Extrabold) and matching italics for a family grand total of ten. These jaunty styles work well in children’s books, call-outs, movie titles, and subheads for myriad subjects such as architecture, coffee, nature, cooking, and other rough-and-tumble purposes. Rezak’s crunchy letters are meant to expose rough, daring, or dramatic text. A further benefit is that this family is not sequestered within one specific genre or script, so it can be easily interpreted for other scripts, such as its current Latin and extended Cyrillic which supports such neglected languages as Abkhaz, Itelmen, and Koryak. Rezak’s push toward creativity and innovation, with an eye on typography’s rich history, reinforces our foundry’s mission to publish invigorating forms at the highest function and widest applicability.

VISIA Pro - Our flagship Geometric Sans-Serif typeface, a perfect blend of elegant, minimal and premium design aesthetics at it's level best. A perfect typeface for logotypes, headlines, branding, marketing graphics, corporate identities, all web & print purposes. This pack comes with a total of 14 fonts: 7 Weights (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) 7 Weights of Italic versions (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) Each weight includes extended language support including Western European & Central European sets. A total of 258 glyphs are included.

Designed by Morice Kastoun Inspired by one of my childhood heroes, Squiggle is a characterful display typeface based on a linear form. Each character has been carefully crafted for maximum legibility.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display typeface. First released as a Roman, and later a contemporary and stylish sans.

A whimsical font with robust curlicues. Designed for display lines on show programs, posters, print ads etc. Many—but not all—of the letters are based on rounded Lombardic medieval forms.

Vallerine - Display Font is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, Vallerine has a unique style with stylistic, alternates, ligatures and supports multilingual languages.

The Modernique font has an Art Deco flair. Contrast between thick and thin strokes is extreme, making this font only suitable for display. The Lowercase f, i and j are unusual.

A brush display font, Dark Mood. For stationery, logos, t-shirts, paper, print design, website headers, picture frames, flyers, album covers, posters, image sliders, and other things, this typeface is ideal.

Dagota is a cool, brushed display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Nought is another slab serif typeface, It is a display font with vintage and condensed look that perfect for branding projects, advertisements, product packaging, product designs, label, header, and any projects.

Introduction Kebo handwritten font, funny style, and playful hand draw display typeface and perfect for many design projects! Kebo font includes uppercase, lowercase, numbers, punctuations, ligatures, swash, and has multilingual support.

Crypto is a narrow, sans serif, geometric, display font with two weights. It works well for modern, contemporary projects, logotypes, films, posters, billboards, press advertisements, websites, packaging. It provides multilingual support.

Be Bold is an incredibly unique display font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level!

Solid Serif JNL adds tiny serifs to the letter forms of Parkitecture JNL and changes the look and feel into an Art Deco Roman face for display, titling and period pieces.

Weely Honey is a funny, bold and cute display font with a unique twist. Get inspired by its unique feel, and turn to add a lovely charm to any crafts project

The typeface was designed for ParaType (ParaGraph) in 1994 by Oleg Karpinsky basing on his original artwork. A decorative face in Op-Art style. For use in advertising and display typography.

Arco Perpetuo Pro is a sans serif typeface with subtle rounded corners for the display stability on screen. Arco Perpetuo Pro may be used as small text or as big headlines.

Svelte is condensed serif family. Its consist of upright styles from Regular to ExtraBold. Fit for display, short text, and stacked typesetting. Its contain 394 glyphs with broad latin language coverage.

Originally designed by DeLittle of York of England, this face conveys a casual quality with contrasting strokes, rounded forms, and serifs with a brush-like quality. A lovely decorative display font.

Based on a revival of one of the popular wooden type fonts of the 19th century, suitable for display, lower case missing but not always designed for this type of face.

Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display typeface. First released as a Roman, and later a contemporary and stylish sans.

A linear slab serif design consisting of fifteen styles. The design has a large x-height with short descenders and ascenders. Antique Central requires subjective text and display kerning and compensation.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

Handshake is a striking display font. It is perfectly suited for stationery, logos, t-shirt, paper, print designs, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

The Filmmaker is a wide, slab serif, display font with four varieties. It works well for modern, dynamic projects, logotypes, films, posters, billboards, press advertisements, websites, packaging. It provides multilingual support.

A modern all caps font with alternative characters. Looks best in large display text, but also legible in small sizes. Ideal for rock bands, graphic novels, action films and video games.

Apogee 013 is a contemporary yet futuristic typeface with a Sci-Fi aesthetic which contains subtle asymmetrical cues, this display font is ideal for illustrative work, logos, headlines and digital art.

Retro futuristic design. Inspired in old concept futuristic designs and in pixels. This display font is great for logo design, posters and to make a "look forward" statement in your designs.

psCampen is a contemporary font with a medieval experience. The font can be used as a display variant in addition to the font psKampen. It is also useful for short texts.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

A tall, warm and friendly handwritten typeface with a simple structure and low contrast. Works well for both display and body text. It has a serif version as well - Liniga Serif.

Quibble Rough is a quirky, individual, original font with a rough, chiselled quality. It makes a bold design statement at display sizes and also works well in short blocks of text.

Hyperbole is a condensed futuristic display typeface, suitable for writing headlines and drawing posters. This font is strict, cosmic, bewitching. It contains alternative styles for latin letters and extended latin letters.