Say hello to “Limitless” – A versatile, modern, condensed font family, perfect for creating powerful, beautiful text. This all caps typeface contains 10 individual styles, making "Limitless" super versatile and fun to experiment with. Limitless includes 10 all caps weights: Limitless ExtraLight – Nearly weightless and very delicate Limitless Light – Beautiful and elegant Limitless Regular – A great midground between lights and bolds Limitless Bold – Big, bold and beautiful Limitless ExtraBold – Visually strong and authoritative 5x Limitless Italic (ExtraLight Italic, Light Italic, Regular Italic, Bold Italic, ExtraBold Italic) With its many weights and limitless possibilities, this typeface looks amazing in magazines, on posters, logos, for branding and headlines.

The Threepoints Series is the result of several years of work that bases three different sans serif type designs on one “shell”. Designed for optimal readability North, with its squarish shapes and rigidity are suggestive of an upright Swiss or Inserat typeface. The East variant takes on the look of another popular condensed grotesk with a softer, more rounded basic shape whilst maintaining the purpose of the original design. With minimal adjustments West leans towards more contemporary European designs. Although these are primarily display typefaces they function extremely well in text sizes in either upper or lowercase composition. Excellent for signage. Each variant comes with matched italic at no additional cost.

Slovak type designer Peter Biľak created this sans FontFont between 2000 and 2001. The family has 20 weights, ranging from Light to Black in Condensed and Normal (including italics) and is ideally suited for book text and editorial and publishing. FF Eureka Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka and FF Eureka Mono.

Get to know Norman, elegant and fashion forward. This new condensed and high contrast serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display. Norman Family contains 2 styles, Regular and Italic, both fonts have another version a bit heavier called Regular 2 and Italic 2.

The name of this robust typeface is adopted quite literally from the slice taken out of certain characters. The same sliced angle is also applied to many of the terminals, creating a clean-cut styling throughout the family. Tilted versions emphasise the descriptive name further, with an implied cutting stance. Wider versions go even further still, taking on a more thrusting, squat dynamic compared to the condensed styles. The standard Sliced family is complemented by Sliced Open, a lighter, more open set which extends the versatility and design flexibility of the typeface and comprises a total of 14 font styles, all with extended European character sets.

Rama Slab is an antique slab serif designed inspired by 1800s-style wood type. All glyphs have been designed carefully to be retro-looking to fill the viewer with nostalgia. This condensed font family with 18 styles is a great solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, -r- has its alternative glyph that can be used with OpenType salt feature. Be sure to check out the sans serif style of this Rama series named Rama Gothic.

Punkaholic started out as a loopy, all caps display font with a semi condensed feel. Before completion some of the letters such as A and W were given a more traditional look and were penciled in for alternates. In the end, however, they were added as uppercase characters instead. For this reason most words in lowercase vary in appearance from their uppercase counterparts. This dichotomy between straight lined capitals and rounded ones makes for some interesting contrasts. Punkaholic works best in less formal settings such as café menus, t-shirts, or children’s publications. It comes in 3 styles and contains Latin, extended Latin, punctuation, and kerning.

Sanford Region is a condensed slab serif typeface with strong look and feel. This font is a variable font with 8 weight style you can choose from. Perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Variable font with 8 weight style uppercase & lowercase numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The Flinscher family contains twenty display typefaces, in weights that vary from light to black, and widths that extend from condensed to expanded. The family’s design inspiration traces its roots to the early portion of the twentieth century. In essence, it is a calligraphic script typeface family with blackletter influences. The letter forms are decorative and distinctive, yet clear and easy to read, and in use set up a regular rhythm that leads the eye from character to character. The Flinscher typefaces are well suited to design work that needs to combine formality with fun. Just the thing for a certificate or a book cover!

Ecliptica is an extended family of five very condensed typefaces in a single bold weight. The creation of Australian designer Robert Bell. Ecliptica has a Sans, a Semi-Serif, a Serif and a single Cursive that can be used with any of the other three styles. As an added bonus, Robert also designed a modern Blackletter companion. The Ecliptica family is an unusual layout of styles and all work equally well with one another. The OpenType versions of the Ecliptica fonts support an extended Latin character set that includes a full array of fractions as well as additional ligatures. The Sans and Cursive fonts contain some cap and lowercase alternates.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

The Threepoints Series is the result of several years of work that bases three different sans serif type designs on one “shell”. Designed for optimal readability North, with its squarish shapes and rigidity are suggestive of an upright Swiss or Inserat typeface. The East variant takes on the look of another popular condensed grotesk with a softer, more rounded basic shape whilst maintaining the purpose of the original design. With minimal adjustments West leans towards more contemporary European designs. Although these are primarily display typefaces they function extremely well in text sizes in either upper or lowercase composition. Excellent for signage. Each variant comes with matched italic at no additional cost.

Ornamental initials superimposed on elaborate drawings of men and women in scenes from 20th Century German country life, with flowers, cottages, churches, and towns in the background. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters.

Display Ardent is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Ardent has the lowercase alphabet only, there is no uppercase alphabet. For convenience, the lowercase alphabet characters were repeated in the shift set.

Please welcome, KEHLIN!, a time machine font for you to get back to those magnificent era for the sake of old retro and vintage stuff. An implementation from the old store sign and vintage advertising. Perfectly fit for your headline content, logo, branding, posters, anytime - anything, oldsport :)

The font is designed inspired by the pieces. While it is being designed, it is aimed to give a sharp feeling and look balanced rather than being legible. So on logos, T-shirts, and all things printed, this font can be used if the content is appropriate.

Bollent is a luxurious, elegant and modern typeface which is suitable for wedding, fashion, beauty, packaging, logo, branding content and muc more. Bollent also includes ligatures and alternates which makes it easy for you to create a logo for your personal branding and your business beautifully.

Redshine is a neat and bold script font. It has swash glyphs and alternate characters which will give you convenience when choosing a character for each design project. This font is PUA encoded which means you can access all of the glyphs and swashes with ease.

Helvetian Times is an unusual typeface. It clearly thinks it's a standard text font, but the offbeat letter shapes and inconsistent serifs combine to form something that defies conventional categorization. Helvetian Times works well at any size, but generally evokes the impression that something's not quite right.

Tannhaeuser is the work of British designer Alan Meeks, a sans serif typeface with conventional capitals letter complemented by an unusual lowercase alphabet. It looks best when close letter spaced, especially the lowercase, whose lower right extensions are designed to overlap or join in a script fashion.