Espíritu is the first font illustrated and designed by talented Graphic Designer, lettering artist, illustrator and musician Agustín Pizarro Maire. For this entirely made-by-hand project, Agustín pushed his limits forward, significantly improving his notions in the type field, by applying his expertise and experience as an illustrator and letterer. With Type Direction and design assist by Guille Vizzari, both joined forces to face this voyage together. The result is a peculiar font family that seeks for a free spirit, one that is imperfect and unpretentious. With its soul deeply rooted in wanderlust, just enjoying the journey, like an endless road trip. Espíritu is a type family guided by the impulse of the hand, getting lost in the details of infinite drawn letters and icons, that perfectly fit meticulous designs, achieving also great impact when needed. Espíritu consists of five styles that complement each other to get different voice tones for each kind of design piece. Espíritu Regular, the heaviest one and most versatile; Espíritu Condensed, for tall and compact compositions; Espíritu Expanded, a wide serif style that’s great for billboards and short messages; Espíritu Script, a mono-weight cursive to add softness to the family; and finally a huge set of illustrations, symbols, badges and more in Espíritu Dingbats. Each of the alphabetical fonts offer an overflowing amount of alternates, swashes, and ligatures to maximize their capabilities. To all the wild spirits out there, meet Espíritu, join the ride.

Delagio Script is a calligraphic font that combines cursive elegance with a funky, innovative edge. This retro-inspired font is both creative and heavy, making it perfect for designs that require a unique and playful touch. Delagio Script is ideal for projects that seek to convey a sense of fun, humor, and originality. The creation of Delagio Script traces back to a lucky discovery of a vintage magicians' promotional posters. The unique blend of whimsy and elegance in Delagio's lettering were captivating enough to form the base of a typeface that embodied the distinctive charm of entertaining calligraphy strokes. Thus, Delagio Script was born, encapsulating the spirit of serendipity and the magic of a forgotten world. Use underscores _ to make swashes under words. Example: Magician_ The Delagio Script font family features four styles that cater to a wide range of design needs: Thin, Regular, Bold, and their respective Italics. These distinct options allow you to create eye-catching compositions that capture the essence of innovation while remaining rooted in vintage aesthetics. Equipped with advanced OpenType functionality, Delagio Script ensures top-notch quality and provides you with full control and customizability. The font includes stylistic alternates, ligatures, and other features to make your designs truly unique and engaging. Offering extensive lingual support, Delagio Script covers all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia, and includes all the characters and symbols required for your creative projects, such as punctuation and numbers.

Besture Regular is a captivating handwriting font that effortlessly blends modern simplicity with a touch of artistic flair. Crafted with meticulous attention to detail, each letter in Besture Regular reflects the natural flow and spontaneity of authentic handwriting. Its smooth and well-balanced strokes create a seamless rhythm, making it not only visually appealing but also exceptionally legible. Key Features: Elegance in Simplicity: Besture Regular embodies an understated elegance, making it suitable for a myriad of design applications, from invitations to branding projects. Authentic Handwritten Feel: With its organic strokes and fluid connections between letters, Besture Regular brings the charm of genuine handwriting to digital and print materials. Versatile Usage: Whether used for personal projects, business communications, or creative endeavors, Besture Regular adds a personalized touch, enhancing the overall aesthetic. Ligatures for Fluidity: Besture Regular includes thoughtfully designed ligatures, enhancing the natural flow of the script and ensuring a smooth and cohesive appearance. Readability: Despite its stylish cursive nature, Besture Regular prioritizes readability, ensuring that your message is communicated with clarity and grace. Besture Regular is the perfect choice for those seeking a handwritten font that strikes the ideal balance between elegance and readability. From wedding invitations to logo designs, and everything in between, this font adds a distinctive and personal touch to your creative projects. Discover the enchantment of Besture Regular by acquiring it today. Don't miss this opportunity to elevate your designs and make a statement with Besture Regular! Purchase Now

Isabella Script is handwritten stylish copperplate calligraphy fonts, combines from copperplate to contemporary typeface with a dancing baseline, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Isabella Script features 420+ glyphs and 169 alternate characters. Including OpenType Stylistic alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Isabella Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app.

Unlike its predecessor, Andes Neue contains a larger character set of 759 glyphs which support 219 Latin-based languages from 212 countries. The font comes in 4 variants that provide a wide stylistic range. Andes Neue is the most similar to the original Andes design. The Alt1 character set bears some similarity to the old Andes's (yet cleaner); Alt2 uses the alternates in the font as default glyphs; and Alt3 is a mixture of the other three variants that offers a balanced set of characters. Andes Neue also includes new accents and glyphs for a wider language support, and a set of small caps (in each variant). All of these features give the font a strong personality that helps make text look more appealing. Andes Neue varied weights work well with both short and mid-length text sections, providing a wide range of choices for any design project.

While DIN Display seems to retain DIN’s basic characteristics, it shines with its sharper corners and contemporary look. Completed in 2002, it was first released and published in Parachute’s award-winning 2003 catalog and immediately was a hit. It has been used successfully in magazines, corporate applications and packaging in fields such as music, fashion, technology, visual arts. The ‘Pro’ series has been enhanced with more weights, multilingual support and opentype features in all different styles. Specifically, this superfamily supports simultaneously Latin, Greek and Cyrillic, while each one of its 15 weights contains 1197 glyphs and 20 opentype features. Additionally, every font in this superfamily has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations. This is a set of very useful daily symbols for packaging, branding and advertising. Symbols for public areas, environment, transportation, computers, fabric care and urban life.

Larisch is a hand-lettered design by the Austrian calligrapher and teacher, Rudolf von Larisch. The original was used for the title page of the 1903 edition of Beispiele Kunstlerischer Schrift (Examples of Artistic Writing). Larisch is an attractive, casual set of caps of even strokes with rounded terminals. Except for the terminals, it is similar in style to Kunstler Grotesk. The numerals are lining or ranging figures, meaning they line up with the baseline, unlike old-style text figures. All are of equal width for setting up columns of numbers. The letters are well formed and easy to read, as you would expect from a writing master. Ligatures includes CH (123), CK (125), FT (135), LA (137), LO (167), OO (172), CO (177) and TT (181. An alternative O with underscore is provided at position 111. Friendly, but not fancy -- a very useful all-cap font.

Ico Weather is a set of 115 symbols depicting weather, temperature, weather forecast and astronomy. To name a few, there are sun, clouds, rain, snow, thermometers, wind socks, tornados, volcanoes, weather warnings as well as symbol for raining fish. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect sollution for LCD style typography. Ico Weather is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

Ico Time is a set of 115 symbols depicting time, clocks, watches and rhythm. To name a few, there are alarm clocks, binary watch, moon phases, calendars, 7-segments digits, hourglasses, sun dial as well as infinity symbol. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect solution for LCD style typography. Ico Time is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

**Clubeight Font** This pair was inspired by the Retro poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. **Opentype features** Clubeight font has 199 character set included Clubeight Font is very good looking in logo, labels, product packaging, invitations, advertising and others. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

A special category of typefaces, combining together principles of both serif and sans-serif, is sometimes described as Linear-Antiqua by German typographers. This concept catches the eye wherever it appears and this is also the case of Tabac Glam — a highly contrasting display typeface, expanding the wide expressive spectrum of our Tabac super-family through a new characteristic hue. Tabac Glam is naturally a great complement to the serif Tabac. It’s however only in conjunction with other styles of the superfamily — Sans, Slab and Mono, that you’ll be able to unleash the enormous potential of the wide range of combinations, and the family’s 112 styles will certainly satisfy all needs of both elegant and technical typesetting. Tabac Glam will best stand out in huge grades, on the covers of thick magazines under glossy layers of UV coating, or on snow-white surfaces of displays.

Sonoxa Font was inspired by lettering poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Sonoxa font has 191 character set included Sonoxa Font is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. What includes * Multilingual support (Western European characters). This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu.

Laekar Font This pair was inspired by the kids poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Laekar font has 203 character set included 169 Laekar Font is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. * Multilingual support (Western European characters). This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Embu, English, Estonian, Filipino, Finnish, Friulian, Galician, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Meru, Morisyen, North Ndebele, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu.\

The February 19, 1923 issue of The Film Daily contained an ad for Mack Sennett's new Ben Turpin comedy entitled "The Shriek of Araby". No doubt this was a spoof of the popular Rudolph Valentino film "The Sheik". The ad tries to emulate Mideastern or Arabic typography via a standard Western alphabet. It somewhat captures the flavor, but its free-form hand lettering comes off as more of a novelty-type style. This is now available digitally as Desert Sands JNL in both regular and oblique versions.

French type designer Xavier Dupré created this sans FontFont in 2005. The family has 11 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Megano provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Biennale is a geometric typeface with a strong character and a large x-height which make it an excellent choice for a wide range of applications, such as headlines or branding. Although common in style, Biennale distinctive details and color on the page allow users to create really unique designs. The font comes in 11 weights, from Hair to Heavy, and includes matching italics. As you would expect from Latinotype, this typeface comes with a standard set of 417 characters that support over 200 Latin-based languages.

The design process of this font was rudely interrupted on August 11th, 2015, when my first child, Hazel, was born. Thinking up names for fonts can be tricky, as can thinking up names for babies, so when the font was finally finished, it seemed like a good idea to kill two birds with one stone, and here it is: Hazel Script. Hazel Script is a finely crafted, elegant, connecting script. I wanted to make something unique, and to this end, the contrast in the face is not based on any ductal logic, or the writing of some imagined tool. The thick parts of glyphs are purely aesthetic devices, placed to give the otherwise monoline font an interesting rhythm. The over-sized upper case letters follow a mid-century lettering skeleton, and swash forms can be used judiciously to add spice to the text. Hazel Script works "out of the box" but to really get the best out of it, use OpenType-savvy programs to unlock a world of swashes, alternates, ligatures and the like. In detail, the features are as follows: Swash - alternate forms for many glyphs Stylistic Sets - 1: script r, 2: alternate s, 3: script z, 4 and 5: more swash options, 4,5,6 and 7: access to alternate ampersands (the font boasts six to choose from!), 8: connecting forms for K, L, R, X and Z. Localised forms - ij digraphs for Dutch, and a script lslash for Polish. Standard ligatures - a mixture of ligatures, including the 'percent off' (just type "% off") and a heart that connects to the ends of words (type "<3") Automatic fractions Ordinals - a and o for Spanish etc. but also s,t,r,d,h and n for English 1st 2nd and 3rd etc. Contextual alternates - automatically places special start and end glyphs where necessary. Hazel Script would look great in glossy magazines set large, or would make a slightly unorthodox choice for wedding stationery, birth announcements, letterheads...

The x factor How do you make a font like FS Albert unique, distinctive? “When designing a font I try to question every letter,” says Jason Smith, “but all you need is a few that have an x factor. With FS Albert, they’re the lowercase ‘a’ and ‘g’ and the uppercase ‘I’ and ‘J’. “I remember a friend saying, ‘Why on earth have you designed the ‘a’ like that? Isn’t it too friendly for this kind of font?’ And, in a way, that’s what I wanted – honesty and warmth, because a lot of big brands at the time really needed to show a more human side.” Range of weights and styles FS Albert is a charismatic type: a warm, friendly sans serif face with a big personality. Open, strong and amenable, and available in a wide range of weights and styles, FS Albert suits almost every task you put it to. Fontsmith has crafted five finely-tuned upright Roman weights and four italic weights, as well as a special Narrow version to provide the best coverage and give headlines and text an easy-going character. The chunky kid “FS Albert was inspired by – and named after – my son, who was a bit of a chunky kid,” says Jason Smith. “I designed an extra bold weight because I always felt that the really big font heavy weights had the most personality. “I recently told Albert this story. He laughed, and forgave me for thinking he was a fat baby. He liked the big personality bit, though.” 1000s of glyphs Not content with a character set that covered Europe and the whole of the Western world, the studio decided to go further afield. There are now FS Albert character sets that cover western and eastern European languages, including those of Russia, as well as Cyrillic, Arabic and Greek scripts. In fact, the font now covers more than 100 languages, making it ideal for bringing a consistent typographic style to the communications of global brands.

Introducing Zalderdash! The wackiest, most uproarious font on the farm. This isn’t your average typeface—oh no, this is a zany slab-serif, and it’s so thick you could milk it. Our font farmers have been hard at work breeding this baby to make sure it’s as silly as can be. Zalderdash isn’t just any old font, it’s a campy Clarendon that’s sure to make all your graphic design dreams come true! With its automatic character substitution, your text will jump off the page like a herd of wild cows! You’ll be mooooved by the boisterous and bouncy impression it makes! And don’t worry about perfect alignment because Zalderdash loves to get cockeyed! It’ll take your design from boring to barn-raising in no time. So, whether you’re designing a farm-fresh logo or a hilarious invitation to your next hoedown, Zalderdash is the font for you. It’s fun, it’s goofy, and it’s the freshest thing to hit the typography scene since sliced hay! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

You want a typeface that’s gonna command attention? You want a typeface that’s gonna make your message scream out, “Hey, look at me!”? Then you need Walken. This slab serif is built like a brick house, with sturdy letterforms and robust serifs that mean business. And don’t think you’re gonna get some plain vanilla lettering here. Oh no. Walken’s got some tricks up its sleeve. We’re talking custom letter pairs, baby. OpenType ligatures that’ll swap out some letter combinations and create a unique, unpredictable look. You’ll get a mix of stencil and non-stencil characters that’s gonna give your message a personality all its own. Now, if you’re not satisfied with just one tough look, Walken’s got you covered. We’ve got three, count ’em, three forceful options: Clean, Crisp, and Hard. So whether you’re aiming for a sleek, professional image or a rough-and-tumble vibe, we’ve got you covered. So what are you waiting for? You want a typeface that’s gonna make you stand out from the crowd? You want Walken. But be warned: this typeface means business. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The x factor How do you make a font like FS Albert unique, distinctive? “When designing a font I try to question every letter,” says Jason Smith, “but all you need is a few that have an x factor. With FS Albert, they’re the lowercase ‘a’ and ‘g’ and the uppercase ‘I’ and ‘J’. “I remember a friend saying, ‘Why on earth have you designed the ‘a’ like that? Isn’t it too friendly for this kind of font?’ And, in a way, that’s what I wanted – honesty and warmth, because a lot of big brands at the time really needed to show a more human side.” Range of weights and styles FS Albert is a charismatic type: a warm, friendly sans serif face with a big personality. Open, strong and amenable, and available in a wide range of weights and styles, FS Albert suits almost every task you put it to. Fontsmith has crafted five finely-tuned upright Roman weights and four italic weights, as well as a special Narrow version to provide the best coverage and give headlines and text an easy-going character. The chunky kid “FS Albert was inspired by – and named after – my son, who was a bit of a chunky kid,” says Jason Smith. “I designed an extra bold weight because I always felt that the really big font heavy weights had the most personality. “I recently told Albert this story. He laughed, and forgave me for thinking he was a fat baby. He liked the big personality bit, though.” 1000s of glyphs Not content with a character set that covered Europe and the whole of the Western world, the studio decided to go further afield. There are now FS Albert character sets that cover western and eastern European languages, including those of Russia, as well as Cyrillic, Arabic and Greek scripts. In fact, the font now covers more than 100 languages, making it ideal for bringing a consistent typographic style to the communications of global brands.

Makeba Retro Funky Groovy Font is a fun and funky display font that brings back the spirit of the 70s. Its bold, rounded letters feature groovy curves and playful embellishments that exude a retro vibe. This font is perfect for creating eye-catching titles and headlines for posters, album covers, and other retro-inspired designs. The font’s energetic and upbeat personality is sure to make any project stand out.

Porker was an experiment in making a barely readable but very simple and very bold typeface with no curves. It is caps only with some of the letters on the lower-case keys giving alternate versions. Include are three variants, a tall version, a striped version, and a randomized version. The striped version can be placed in a layer above the regular version to give two-colored letters.

Introduced by Timurtype Studio! Classic Fairy is a Monoline Handwriting Font This font showcases the art of monoline handwritten fonts – a symphony of elegance and charm. Let charming threads weave a tale of elegance in your designs, where every curve whispers sophistication and timeless appeal Classic Fairy Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

The strokes of the Cerkiymo font dance gracefully across the page, exuding an air of elegance and freshness. With its delicate curves and refined lines, the Cerkiymo font lends an elegant touch to any design, breathing a fresh sense of sophistication into each word. Perfect for logos, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular italic hollow icon kerning multilingual support

Tannen is an interpretation of the Emil Meyer’s Tannenberg, the result is a fun and cool blackletter display built without curves and casual look with a lot of personality and expressivity. It has 3 independent styles (regular, inline and shadow) that can be combined with each other, plus a stencil style. Tannen counts with 3 weights per style, OpenType features (ligatures, alternates, fractions and more) and supports dozens of latin languages.

ITC Minska is the work of Carl Crossgrove, who used a combination of upper and lower case shapes together to create new letter forms. Crossgrove created unconventional yet immediately recognizable variations in two different alphabets, which cannot quite be classifed as upper and lower case in themselves. With opulant curves and sharp angles, ITC Minska projects an unorthodox energy which is ideal for unusual effects and display settings.

Introduced by Timurtype Studio! Realistic Harvest is a Handwritten Script Font this font Captivates with elegance Handwritten font, where every curve reveals a story of elegance and every detail is a brushstroke of luxury. A visual symphony for those who appreciate the art of beauty. Realistic Harvest Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts Thank You

Introducing Reggy A unique and attractive display font that consists of 5 weights from thin to black and variable format. Sharp corners combined with rounded dynamic curves create a fun and happy impression. Reggy is suitable for packaging design, logos, header text and branding, creative, entertaining design themes to instantly grab the audience's attention. The stylistic alternates allow various shapes to give your lettering idea a well-looking look.

Singo Sans is a valiant font family and extraordinary sans serif. Singo itself literally means Lion in Indonesia, which is the the strong and gallant animal just like this typeface. It has proportion of hard lines and smooth curves. Singo works great in any branding, logos, magazines, films, posters, websites, etc. Singo features: A full set of uppercase characters Numbers & punctuation Multilingual language support PUA Encoded Characters 2360 Total glyphs

Fisterra Morte and Fisterra Fora: one typeface, two perspectives. The duality between the calm and the intensity with which we can face with each situation. Informal, serif and display in two flavors: Morte has the softness and the humanism of its voluptuous curves; Fora, the precision and accuracy of its sharp angles. They share a single skeleton of condensed uppercase letters, with expanded nuances in some alternate characters and ligatures.

blastand is a display font created by combining sharp edges and curves for a unique shape. This font also adopts a handwritten shape at the end of the letter to present a bold writing yet still creates a classy and friendly impression. This font is also created in italic style and has open types such as ligature, stylistic alternate, etc. to provide options for designers to create awesome work.

Blooming Valerian is a thin handwritten calligraphy font with beautiful curves, the slightly wide spacing makes this font look very elegant. Blooming Valerian is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Hello, Start good day for new font! present to you, Morgana! A unique modern & classic ligature font that is a mix of old and new. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. Equipped with epic ligature, great in layout design for quotes or body copy, and will be unique to the use of the logo design. And also multilingual support.

Tecna is a modern sans typeface with straight cuts, rounded angles and curved thinnings at the endings that make the letter shapes fresher. The rounded characters are squarish giving to the layout a very structural appearance. Its wide proportions give big impact to the texts. It has a tall x-height that enhances its legibility in smaller sizes. Its character set has coverage for Western and Central European languages.

Migoan Serif is a display typeface with dynamic curve ,very suitable as to make a design choice for Headline, Movie Title, packaging, branding and more other creative project. Migoan's also has alternative characters such as Stylistic Alternates, Stylistic Set, and Swash variant. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. and more

Angars Runes is a Middle Age style rune typeface. With engraved letterforms and gothic curves, this font is the perfect addition to a medieval project. The font was drawn and created by Måns Grebäck in 2019. Use the symbols plus + period . multiply × colon : for decorative separators. Angars Runes contains all characters you will ever need, as well as numerals and alternate letters. This is a font with multilingual support.

Introducing The Rufly, a retro-inspired font that evokes 1950s to 90s nostalgia. This font is perfect for creating vintage-themed designs and giving it a touch of nostalgia and personality. The Rufly features a soft, solid design with curved corners and a unique letter shape. This font also includes a variety of alternative characters and ligatures, allowing you to create many different looks with the same font.

Buroek is a display font that is not just letters, but also a spirit of courage that is expressed in every line and curve. Created in a stunning superhero style, Buroek is the perfect choice for projects that require a visual punch. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Introducing Peacy – Psychedelic Font Playful and Vibrant Typography Peacy Psychedelic Font, the ultimate psychedelic font, radiates fun and cheerfulness with its lively shapes and vibrant colors. Each letter dances with its unique personality, creating a dynamic visual experience. Reggae-Inspired Vibes Infused with the spirit of reggae music, Peacy captures freedom and positivity. Its flowing curves and wavy lines mirror the rhythmic melodies and laid-back vibes of reggae culture.