Retro Starstruck is a dingbat typestyle that captures in a single typeface those retro starbursts and other styles you've seen used all over.

19th Century Retro is a re-design of an official German font style (called ‘Fraktur’) which was used in official documents in the 19th and early 20th century.

More treasures from the heyday of letterpress printing are found in Letterpress Retro JNL, with plenty of great cartoons, catch words, embellishments and more.

Make your own retro design with Synchro Typeface!Synchro is a exquisite bold script typeface inspired by the retro design from 70-80-ish. You can make a retro design with ease. Combined with hundreds of stylistic alternates and elegant swashes, it will make your design into another level! This retro typeface is really perfect for logotype, t-shirt, vintage badge, retro quotes, branding, packaging, quote etc.Synchro features:A full set of upper & lowercase charactersNumbers & punctuationMultilingual language supportPUA Encoded Characters400 GlyphUp to 150 Stylistic Alternates with Swashes!OpenType FeaturesSynchro includes:Synchro.otfFor more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4YFeel free to give me a message if you have a problem or question.Thank you!

Inline Retro JNL is Art Deco in style, featuring condensed characters and its namesake inline.

A vintage rubber stamp alphabet and star printing set had a package header with Art Deco-inspired lettering describing the product.

Specta Typeface Inspired by Retro style and combination with Hand Lettering style. I'm made with personality touch every single curve. I hope this can make inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Techno Retro JNL looks like a design straight out of the 1980s, but it actually appeared as hand lettering on a sheet music cover for the circa-1940s edition of the song "To You Sweetheart, Aloha", proving the old saying that "everything old is new again".

Retro Frames 2 was published by Baobaby Studio. Retro Frames 2 contains 1 style.

Because of the large influx of Irish immigrants during the late 1800s and early 1900s, it was not unusual for songwriters of the day to craft songs around Irish themes, offering a nostalgic link to their homeland.

Retro Resort JNL contains twenty-six Deco-style hotels signs for recreating the flavor of the 1940s.

The Metro Office family is designed after the model of the original sans serif family – Metro No.1 – produced by W.A. Dwiggins and Mergenthaler Linotype’s design studio during the late 1920s and 1930s. A distinctly new interpretation of the sans serif idea, Metro was a thoroughly “American” sans serif when it was released. However, over the ensuing decades, it became a favorite the world over. Moreover, it is one of the first “humanist” sans serif typefaces designed.

Deco Metro is a 1920s and 30s inspired display family, ideal for posters, banners, book covers and other promotional work. Two weights, regular (with an incised centre line) and bold (without the centre line) are offered. The family has an extensive range of features including discretionary ligatures, old-style numerals, Swash Letter and numeral forms, small capitals, Roman numerals and fractions.

Nothing is more iconic of Paris than its antique Metro signs, which are the inspiration for this typeface. The signs vary from station to station, some featuring plain block capitals, others the most exquisite Art Nouveau. This example falls somewhere in between. and should inject a strong gallic flavour into any design or publishing project.

Full of life Hispanic Didot in 2 optical sizesRetiro is a daring interpretation of Spanish typography. Severe, austere and yet, full of life, Retiro is a vernacular version of Castilian and Andalusian in a typical Didot. Named after a lovely park in Madrid, Retiro started life as a a bespoke typeface designed to give a unique voice to the magazine Madriz. In 2006, the founder of Madriz was looking for a Didot for his new magazine. The Didot is the archetypal typeface used in high-end magazines. Retiro is a synthesis of these high contrast styles mixed with an Hispanic mind. Result is then, after 2-3 years of work, a typeface with countless variations to establish typographic shades adapted to different sections and pages of the Madriz.In 2014, it was necessary to further revise the typeface before its launch at Typofonderie. In order to keep its originality, the unique weight was retained, but complemented with optical size variants to set highly contrasted headlines into various sizes, visually balanced.How to use Retiro optical sizes?Each font provided in Retiro family is named according to the scale of body size: 24 pt and 64 pt. Of course, these names are referring to the body sizes used in typographic design. In the “glorious old days,” the letterpress period, it was customary to cut punches directly to the size at which typefaces would be used. The punchcutter had to visually adapt his design to the engraving size. The aim was to optimize the best contrast and general weight, but also to respect both design’s and reader’s needs. In Retiro’s case, intended for large titling sizes, it’s an adaptation of this ancient practice for our contemporary uses.Although each font is named by a typographic point size, do not feel obliged to use this font at this precise size, but why not, in larger or smaller. It’s rather the concept of gradients that must be preserved in layouts, rather than strictly size numbers. It’s up to the designer to select the right font size for his own designs.Granshan Awards 2012Creative Review Type Annual 2011Designpreis 2011Club des directeurs artistiques, 41e palmarèsType Directors Club 2010 Certificate of Type design Excellence

An up-beat gothic with that trendy retro look.

Metro Nova comprises seven weights, from ultra thin to extra black in regular proportions, and six weights as condensed designs. Each has an italic counterpart for a total of 26 fonts.

Composed of two typefaces, Regular and Fat, Metro Gothic is a modern rendition of Eurostile letterforms. MG's wide unicase characters were designed on a geometric grid while incorporating only two polygonal forms: the rectangle and quarter circle. The actual appearance of the characters aside from their metrics lends its influence to Art Deco, Bauhaus and Seventies design standards.

MetroBots is a fun loving, non-traditional but very functional family of 6 fonts made of big city skies, the long tropical morning shadows of ancient ziggurats and entire pueblo villages, nestled into the steep cliff-sides of sage-topped mesas in south western deserts.This is a good solid, but kind of whacky looking display type family borrowing from the heft of good old-fashioned children’s wooden building blocks and the look and feel of both modern and ancient pueblo architecture. With a bit of the not-so-subtle expressiveness of a comical robot on a WD-40 high on the side.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990.

A common creation: (to pass from one hand to the other): For the first time, various hand-signs from diverse sources are unified into one single visual style. This compendium is the result of 15 years of incubation and 7 years of creation. In his travels throughout the world, graphic designer Jean-Benoit Levy, principal of the visual studio AND, has collected pictures of multiple hand signage. Uncertain what to do with those signs, he kept them year after year until the idea came to unify almost 200 handsigns into one single family. In accordance with this entire collection, the name of the typeface is a mix: "h-and-s".

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990.

A new gothic; great for books and magazines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

LHF Retro Ricky transports you right into the groovy retro past. These 60’s-era Doohickies set includes over 85 panels and dingbats to enhance your designs. Save time recreating vintage logos and designs. Goes perfect with the LHF Retro Ricky Fonts, only available at Letterhead Fonts.

CONCEPT/ CHARACTERISTICS A serif type­face with modern and fancy hand­made hap­tics. Take the 3 lay­ers for uni­que designs and create many dif­fe­rent varia­ti­ons. From light and warm out­line (take the regu­lar style), about heavy and pithy fil­ling (take the bold style) till fancy and modern 3d shadows (take the 3d style). The com­bi­na­tion of all 3 font styles = bulky design free­dom. Game with it! Han­dem­ade sket­ched for dis­play size.

Rospi Clean and Retro Family is two-element font inspired by the weekly "Tygodnik Ilustrowany” from the 1933.