Goldplay is based on Isidora Sans design yet features rounded shapes. Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style as well as its classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv. One of its key features is a large x-height which make it look elegant and classy. Goldplay comes in 2 versions—each in 7 weights, from Thin to Black, and matching italics, resulting in a total of 28 fonts. The standard sans serif version—fresh, clean and contemporary—is a perfect choice for editorial and corporate design, headlines, books, magazines or any other piece of graphic design. The Alt semi-serif display version—more expressive and modern—is ideal for logotypes, branding, packaging, and use on web and Tv. Goldplay contains a set of 540 characters that support over 200 Latin-based languages.

Plastic Waist is just a wordplay - a wordplay that hopefully sets your mind to the huge amount of plastic waste we're experiencing these days. Be aware of how much plastic you use, recycle and don't throw your plastic in nature.

What excactly is a snacky plop? To be honest, I don't know!!! The name comes out of a wordplay! :) But what I know is that this font is playful, unpredictable and fun to look at and use! I have added 5 different versions of each letter, and they automatically changes as you type!

You may already found out that "Simple Mints" is a wordplay. The font itself is playful as well - the 5 different versions of each letter makes sure that your text is lively and playful! Inspiration comes from both grafitti and comics...and my usual kind of sloppy handwriting - a mix that makes a great impression! :)

A fun, informal font, drawn with a mouse, Chalk emulates the spontaneity of handwriting, but with a thick, bold flair reminiscent of a school chalk board. This was the designer's first attempt at an unstructured font design and has proved to be popular enough that followups, such as Pumpkin Pie and Wordplay soon followed.

The name Grape Feud is obviously a wordplay, and is derived of the, sometimes, mistaken of the orange and the (often) purple fruits. But Grape Feud is also a playful and charming no-nonsense comic style font. The x-height is quite unpredictable, and I've added ligature for the most common double letter combinations.

Kitchen Disaster is a wordplay, and not really a disaster! I deliberately made the lines a bit off here and there, to mimic bad poster design. In order to make your text even more natural, I added 5 different versions of each letter - and they automatically cycle as you type! Besides that, Kitchen Disaster comes with multilingual support!

What exactly is an exit punch? I have no clue! :) I named the font after a wordplay with random words, and somehow I found the name suited the font perfect. The letters are awkward and unpredictable in a legible but playful manner. I've added ligatures for the most common double letters, such as bb, cc, dd etc.

The 1920s were part of an era in songwriting where snappy wordplay and clever (if not long) titles prevailed. The lettering on one such piece of sheet music with the song title "In A Shady Nook by A Babbling Brook" offered up a bold, condensed sans serif design which is now available digitally as Brookside JNL. Available in both regular and oblique versions.

Zappaloosa is a wordplay, and the name came to me while listening to the radio while making this font. At a point I must have misheard something, but the name Zappaloosa popped up in my mind. The letters of Zappaloosa are playful and easy to use for serious or more loose use. I've added 3 different versions of each lowercase letter and multilingual support

Just like a nice breakfast, Kitchen Stink is a great way to start the day! :) You may already have guessed that the fontname is the result of a wordplay. Sometimes it's funny how a single letter can completely change the meaning of a word. In this case! With this font, you are dealing with a gentle mixture of a basic handwritten font, a comic font and oldschool grafitti! The result is this steady, sometimes a bit off, but legible crunchy handwritten font!

Dress Quote is obviously a wordplay - and I did my best to be funny, coming up with that name. I also did my best to do a funny font. I'll let you be the judge of my success - but personally I am satisfied with my performance in both cases! :) The Regular version is a set of steady, yet kind of rugged letters, while the Outline version is ... well, the same kind og rugged letters in an outlined version! :) Multilingual support is included!

The name Dash Wisher is a wordplay. The letters of the font are also quite playful - you never know what comes next, when typing. There is no exact x-heigh, the baseline is jumpy, the descender and ascender are messed up...there are no real rules for Dash Wisher! But with all that in mind, it comes out surprisingly legible, which means it does have a wide range of use. Let your fantasy and imagination break the boundaries and Dash Wisher do the rest - or maybe the other way around! :) I've added both ligatures to substitute double letters and a set of alternate letters as well.

The typewriter font Olympia was developed by Hell Design Studio and is available in one weight. A typical characteristic of a typewriter face is that it is monospaced, meaning all characters take up the same amount of space, whether a relatively wide m or a relatively narrow i. Typewriters have all but disappeared from the workplace and such faces have lost their original, practical use, but their style and effect has kept them alive and well, especially in advertisements.

Not all our font releases come with an emergency full stop triggered by a BIG RED BUTTON. And not all font releases come with a Caution: NEVER TOUCH THAT SWITCH! Even if you really want to. You're going to touch it, aren't you? Be advised: even an untrained user with impaired executive function can operate KILLSWITCH, so we've hidden the BIG RED BUTTON where it can NEVER BE FOUND. This Comicraft mechanism may cause injury or death; please study all literature regarding the safe handling of Comicraft fonts posted in your workplace or adjacent cyberspace. KillSwitch

Flexion developed out of design philosophy and ambigramatic artwork of John Langdon. Based on the contents in John’s book Wordplay, author Dan Brown hired John to create ambigrams for his forthcoming novel Angels & Demons. Mr. Brown was so impressed with his work he even named the main character Robert Langdon after John. After the success of Angels & Demons, Dan Brown wrote The Da Vinci Code. When the movie adaptation of that book was in the works, Dan suggested that John create titles for the movie based on ambigrams. John contacted Hal Taylor to create a font based on the lettering treatment to be used for the credits at the end of the movie. Unfortunately, it was decided that the film was running long and the original title concept was scrapped. By this time, Hal was well into developing a full type family, including small caps, alternate characters, lining and ranging figures. John was impressed with the way the design was turning out and decided that it had enough merit to be released as Flexion.

Is your character vibrating slightly or feeling shuddering feverishly, as if from fear or excitement? Is he or she a warm-blooded animal experiencing the early onset hypothermia? Is your protagonist experiencing a pleasurable sensation of anticipation or maybe he/she has a fragment or splinter of glass or stone in the tip of his/her finger. Any which way, Comicraft now has the font for you to effectively convey the way your characters are feeling to comic book readers everywhere... It'll be just like they're listening to a track by Coldplay while trying to shake off the flu in a haunted house. See the families related to Shiver: Shake.

Introducing “Backover Typeface” – Unleash the Power of Words with a Heroic Twist! 🔥 Immerse yourself in the epic realm of typography with our latest creation, the “Backover Typeface.” Inspired by the valor of superheroes and the chivalry of knights, this font is a visual journey into the heart of heroic tales. 🗡️ Strike with Power: Channel the strength of legendary warriors as each letter in “Backover Typeface” is meticulously crafted to embody the essence of a hero’s decisive strike. The sharp angles and bold lines evoke the precision of a superhero’s punch or a knight’s swordplay. 🛡️ Defend with Style: The font doesn’t just pack a punch; it defends with flair! Each curve and contour replicate the resilience of a shield, offering a typographic fortress that stands strong against the ordinary. Let your words be the armor that shields your message with distinction. 👤 Unleash Your Inner Hero: “Backover Typeface” isn’t just a font; it’s a transformation. Feel the power surge as you type words that resonate with the bravery of classic heroes. This font empowers your message to become a beacon of courage, ready to take on any adventure. ⚔️ Warrior’s Arsenal: Immerse your audience in the visual feast of classic warrior illustrations included with “Backover Typeface.” Swords clash, shields protect, and helmets gleam with the promise of valor. These meticulously designed elements seamlessly integrate into your typography, allowing you to create a visual narrative that echoes the grandeur of heroism. 🎮** Level Up Your Designs:** Whether you’re working on a superhero movie poster, a knight-themed game interface, or any project that demands a touch of legendary charm, “Backover Typeface” is your ultimate companion. Elevate your designs, captivate your audience, and let the font be the hero of your creative journey. 🌟 Key Features: Heroic Typography Superhero and Knight Theme Sword, Shield, and Helmet Illustrations Perfect for Movie Posters, Game Graphics, and more 🚀 Elevate your design game with “Backover Typeface” – where every word becomes a heroic adventure! Download now and embark on a typographic journey like never before. Unleash the hero within your words! ⚡️