Inspired by the lettering on Koloman Moser’s poster design for Fromme’s Calendar (circa 1912), Nouveau Calendar JNL is available in both regular and oblique versions. According to Wikipedia: “Koloman Moser (30 March 1868 – 18 October 1918) was an Austrian artist who exerted considerable influence on twentieth-century graphic art and one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte. Moser designed a wide array of art works, including books and graphic works from postage stamps to magazine vignettes; fashion; stained glass windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furniture.”

Most of the lettering on a piece of sheet music for a song from the 1921 George M. Cohan musical comedy entitled “The O’Brien Girl” was hand lettered in a playful, casual Art Nouveau design with rounded ends. The characters on that page took on a look reminiscent of cartoon or comic strip wording, and the result is a digital typeface named Cartoon Nouveau JNL, which is available in both regular and oblique versions.

Sheet music at the beginning of the 20th Century reflects both the musical and artistic tastes of the times in often colorful ways. It seemed to be a favorite thing amongst songwriters of that era to come up with very wordy song titles. The cover of the sheet music for 1907’s “Every Little Bit Added to What You’ve Got Makes Just A Little Bit More” checks in at fourteen words, but the hand lettered title (done in an Art Nouveau style) made it worthy of transposition into a digital type face. Nouveau Years JNL is available in both regular and oblique versions.

Noveu is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

ART NOUVECO is a cross between art nouveau and art deco fonts, this font will become a new and interesting trend to explore in a design, elegant art nouveau is made a little more masculine due to the influence of art deco, resulting in a slightly elegant but elegant font. Fonts that still match the art deco style but have a slight touch of grace, will be suitable for classic but elegant designs. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

“One Hundred Alphabets for the Show Card Writer” was published in 1919 to afford sign artists the ability to create signs and show cards in then-contemporary lettering styles. One such alphabet was big, bold and representative of the Art Nouveau stylings popular in the early part of the 20th Century. Most likely it was applied to store sales and public events that were casual and informal, for its letter forms are free of any constraints. This design is now available as Fun Time Nouveau JNL in both regular and oblique versions.

TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.

The 1914 sign lettering instruction book “Art Alphabets and Lettering” by J. M. Bergling showcased many hand lettered alphabets as an inspiration to both up-and-coming and established sign painters. One page in particular featured a classic free-form Art Nouveau style with rounded shapes. This style of lettering was emulated in the 1960s by designers of rock concert posters, so the style is reminiscent of the Art Nouveau period as well as the 1960s. Old Time Nouveau JNL is available in both regular and oblique versions.

This is a set of ornaments inspired by the art nouveau style. Frames, corners, rules and flowers are included.

Popular music of the early 1900s included a genre called two step; round dances utilizing a sliding step with a tempo in either march or polka time. 1911's "Daughters of the American Revolution" was one such march/two step. The cover of the sheet music had the title hand lettered in a slightly rounded sans serif type design in the Art Nouveau style popular during that era. It is now available as Two Step Nouveau JNL, in both regular and oblique versions.

Nouveau To Go JNL is the digital version of the hand lettered title found on the 1915 sheet music for the song "Don't Bite the Hand That's Feeding You", and is available in both regular and oblique versions.

Bay Area Nouveau JNL is an ultra bold, Art Nouveau headline font inspired by hand lettering on the cover of a piece of 1911 sheet music entitled "The Only Pal I Ever Had Came from 'Frisco Town'".

The cover on the sheet music for the 1922 song "If She Comes from Dixie" had the title hand-lettered in an Art Nouveau style with a semi-stencil effect. It's now available as Nouveau Semi Stencil JNL in both regular and oblique versions. The typeface is not considered a "pure" stencil because many of the letters were made solid; lacking the classic stencil "breaks" at key points found in more traditional stencil designs.

Early 1900s songwriters had a penchant for devising lengthy titles for their compositions. A perfect example from 1909, "It Is Hard to Kiss Your Sweetheart When the Last Kiss Means 'Good Bye'" is a whopping fourteen words long. The sheet music for this piece has a hand lettered, Art Nouveau sans serif design which became the working model for La Vie Nouveau JNL [which translates to "the new life"], and is available in both regular and oblique versions.

A 1902 publication entitled "Lettering for Schools & Colleges" had an example of an ornate, hand drawn stencil alphabet in the Art Nouveau style. This is now available digitally as Nouveau Stencil Ornate JNL, in both regular and oblique versions.

This is an original font designed in the Art Nouveau style.

Niveau Serif - the companion of Niveau Grotesk - is a type family of six weights plus matching italics & small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth century engravers faces, the fonts are based on geometric forms. Niveau Serif has a contemporary feel and combines the clearness of a Sans with the elegance of a typeface with serifs. Niveau Serif is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Nouvelle Vague is a display script typeface of a distinguished look defined by a steady rhythm, only broken by its offbeat, dynamic uppercase initials. It's directly inspired by french advertising scripts from the fifties, particularly by Roger Excoffon's Mistral. In order to accentuate this influences and to reproduce their graphic impact, simply structured connections between letters are preferred over OpenType fanciness.

Niveau Grotesk—the companion of Niveau Serif —is a type family of six weights plus matching italics and small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth-century faces, the fonts are based on geometric forms. Because of its straight architecture, Niveau Grotesk has a “punch” in big sizes but is very legible in smaller sizes and longer texts—in print or on screen. Niveau Grotesk is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Olivera has Stylistic standard, Stylistic Initial, Stylistic Teminal and ligatures and includes uppercase and lowercase letters, numbers and punctuation marks. Multilingual Support OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. A total of 462 Glyphs: Ligatures: Ju Ct ff Cl all gh of ck tt ut nt ak ll pp il rt it ot st at rr om mm ar ss as or ox ow on tt ut ut Ct st at ot rt it Cl Swashes access: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 7 alternative sets access: a b c d e f g h i j k l m n o p q r s t u v w x y z

an art nouveau experiment

Capires - Art Deco Font is a captivating fusion of two iconic art movements, Art Deco and Art Nouveau, blended into a contemporary typeface that pays homage to the rich artistic heritage of both styles. This font beautifully combines the geometric precision of Art Deco with the intricate, organic motifs of Art Nouveau, resulting in a harmonious masterpiece of design. Capires is the perfect choice for projects that demand a unique and mesmerizing synthesis of these two influential art movements. Whether you're working on branding, packaging, or editorial design, Capires brings a sense of timeless elegance and artistic richness to your work. With Capires, your designs seamlessly bridge the gap between past and present, making it an exceptional choice for projects that seek to capture the essence of both Art Deco's geometric refinement and Art Nouveau's flowing, ornamental beauty. This font transforms your creations into an elegant and visually captivating experience, where tradition meets modernity in a harmonious embrace.

A great script typeface of Art Nouveau

digitization of a classic art nouveau era font

Rosemont is a playful new font which hovers on the bordeline between Arts and Crafts style and Art Nouveau style. It has the narrowness of Art Nouveau fonts like Adresack, Spoonbill and Coloma, with the curls and unique character forms of Art Nouveau fonts like Beauvoir or Acadian. The result is an interesting looking font which could be at home in either design environment. Rosemont features two sets of upper case characters, one with more decoration and one which is more plain.

Baked Milk is a display font family with nostalgic motives. The font is created in a groovy retro style. Baked Milk includes Regular and Symbol Styles. The font is suitable for retro summer posters, menu and social media design, branding, event design etc. Baked Milk has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish. Baked Milk font contains ligatures: aa, dd, ff, ft, hh, jj, kk, ll, mm, nn, oo, pp, rf, rr, rt, ss, tt, uu, Ti.

Orlando is a quirky display face inspired by Art Nouveau metal types.

Another Art Nouveau font revived from the treasure drove of the past.

Pavane is based on the calligraphy of Art Nouveau designer Rudolph Koch.

Rudolfo is based on the calligraphy of Art Nouveau designer Rudolph Koch.