Makeads, a typeface exuding subtle authority, brings a touch of seriousness to the creative palette. Rooted in the foundations of Bauhaus aesthetics, this font effortlessly balances boldness and sophistication. The supertight kerning and unique texture contrast strike an air of balance between formal and casual, making it an ideal choice for projects that demand a touch of gravitas. Makeads is the silent powerhouse that commands attention without raising its voice.

Dive into a realm where retro meets mystique with the Mystice Times font. Channeling the enchanting ambiance of 80s thriller movies, this serif typeface echoes tales of mystery wrapped in professionalism. Its characters, though rooted in the cinematic charm of yesteryears, are tinged with an unpredictable, slightly eccentric flair. Yet, there's an undeniable allure in its design - a suave nod to 70s funk, blending seamlessly with 80s charisma.

A modern sports font with classic roots. Jawbreak's three distinct styles and alternate cuts makes it incredibly versatile and perfect for logotypes, sports branding, posters, apparel design, magazine headlines, labels and so much more. Jawbreak features a full Adobe Latin 1 character set, with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

With Dreadnought I go back to my roots: one of my very first fonts was a scary brush typeface called Face Your Fears - a very popular typeface with horror lovers, thrill seekers and gangsta rappers. Dreadnought was created using a stiff brush and some very high quality paint on textured paper. The result is a lively, scary and very legible font. Use it for your movie, book or album: you won't be disappointed!

Mestiza is a type family with a living past, which combines its ancient roots with the handmade and the contemporary in a spirited mix that evokes elegance and strength. Thanks to its sharp terminals and high contrast, Mestiza acquires a unique personality. It is ideal for headlines and branding projects. Mestiza has 12 variants, six Roman plus Italics including Small Caps, Old-Style numbers, Superiors, Inferiors, Contextual and Discretionary ligatures, Symbols, and some Alternates.

Grand Central JNL is named for the most luxurious train depot in the nation—Grand Central Station in New York City. This multi-line Art Deco font is reminiscent of all of the glitz and glamour associated with Manhattan in the 1930s and 1940s. Modeled from Jeff Levine's Parkitecture JNL, its roots go back to the popular typeface best known as Eagle—a lettering design most associated with the NRA posters of the Depression era.

Typeface Wesna was created as a reflection of the current state of design whose starting point is rooted in the letterings from the Slovenian posters from the interwar period. Bold strokes, condensed letterforms, sharp stroke joints and unique features are combined in the typeface. Wesna preserves the Slovenian typography heritage and establishes the connection between the past and the present through new digital formation. Available in 3 weights, italics in Latin & Cyrillic.

Castagna is a contemporary calligraphic font with classical roots. It is carefully designed, with a special emphasis on the connection of the letters, with high ascenders to give rise to the ornaments of the different letters. There is a special search for high readability. Castagna includes a wide selection of stylistic sets, contextual and stylistic alternates, initial forms, swashes, and ligatures to preserve the qualities of handwriting, in order to accommodate various design aesthetics.

Finally, a serious alternative to that other comic font. After years of mocking the font that shall not be named, I decided to create an alternative. I wanted to keep the fun feel and the comic book roots, but have a more polished look. The result? JollyGood, a complete font family, with great language support, a big range of weights and styles, and a friendly look. Check out the other members of the JollyGood family

Loophole is a visually striking display typeface in 3 weights (Light, Regular & Bold), its DNA firmly rooted in the Cyclic Sans family which makes the perfect foil to this somewhat decorative font styling. The Loophole name is quite simply based on the ubiquitous hole motif, which is strategically deployed on each character across the 3 font styles. Each font contains an extended Latin character set covering Western & Central Europe, the Baltic States & Turkey.

Rooted Rooted in 1960s Brit modernism and infused with a fresh, contemporary spirit, FS Elliot is a future-proof, workhorse sans serif, well-suited to any assignment. Open and harmonious, its clear, fluid shapes lend words a distinctive and optimistic bounce. Britishness FS Elliot came out of a desire to create something squarely in the British modernist tradition, drawing on influences such as Design Research Unit’s portfolio of type for famous British brands and products, and Margaret Calvert and Jock Kinneir’s work on the British road sign system. Nick Job took the openness and simplicity of that style and injected warmth and wide appeal, coming up with a highly practical, multi-purpose family of faces. Enduring appeal “The great thing about having an eye on the future,” says designer Nick Job, “is that most of it is unknown. It’s what encourages us to take risks. And it leaves an uncertainty which, I believe, gives the best work its enduring appeal.” FS Elliot is available in a Pro version with full language support and a full range of Roman, Cyrillic and Greek weights.

Rooted Rooted in 1960s Brit modernism and infused with a fresh, contemporary spirit, FS Elliot is a future-proof, workhorse sans serif, well-suited to any assignment. Open and harmonious, its clear, fluid shapes lend words a distinctive and optimistic bounce. Britishness FS Elliot came out of a desire to create something squarely in the British modernist tradition, drawing on influences such as Design Research Unit’s portfolio of type for famous British brands and products, and Margaret Calvert and Jock Kinneir’s work on the British road sign system. Nick Job took the openness and simplicity of that style and injected warmth and wide appeal, coming up with a highly practical, multi-purpose family of faces. Enduring appeal “The great thing about having an eye on the future,” says designer Nick Job, “is that most of it is unknown. It’s what encourages us to take risks. And it leaves an uncertainty which, I believe, gives the best work its enduring appeal.” FS Elliot is available in a Pro version with full language support and a full range of Roman, Cyrillic and Greek weights.

Balburdia is a font based in the street art letters of Brazil. Inspired by "pixação" from the brazilian cities of Rio de Janeiro and São Paulo, Balburdia can translate the street culture and add a little extra to your designs. Balburdia can be used for art, branding or fashion itens that contain this theme.

Sheet music for a song featured in "East to West", a film starring Mexican bombshell Dolores Del Rio, had the movie's name lettered in a bold sans style with early Art Deco influences. East to West JNL preserves not only the name, but all of the characteristics of this wonderful bit of typographic nostalgia.

Malibu was designed for ITC by Alan Meeks in 1992 and is a font with distinctive calligraphic roots. Pronounced stroke contrast and a marked leaning to the right give the font its energetic, lively image. The letters look almost as though cut from paper, their outer contours angular and pointed against a background. Flowing and demure, Malibu works well for both short texts and headlines. For best results, the lower case letters should be set close together.

Designed as a companion to its roman namesake, Aragon Sans is a novel approach to the humanist sans serif. Using the underlying blueprint of true and trusted 16th century forms, its humanism is deeply rooted in fine typographic tradition. By also using the same idea as its roman counterpart, where the stems gradually thicken as they go higher, it becomes a unique breed of sans serif, conservative, and legible in small text, and attractively modern in titling setting.

Utilize the elegance of Art Nouveau in modern form with Lotus Grove. Lotus Grove is a high-contrast serif typeface with deep roots in Art Nouveau aesthetics. In contrast to its archetypal models, Lotus Grove boasts a clean-cut and smooth design, perfectly suited for modern requirements. It is a fancy typeface that suits any kind of display use. Lotus Grove is equipped with Stylistic Alternates for letters G, E, K, R, S, T and ampersand.

Chank created Zsazsa Galore as a fresh alternative to Mister Frisky, another jerky, hypercaffeinated interpretation of the traditional roman alphabet. The difference this time is that the new font has no descenders. Every letter comes to rest hard on the baseline. It sits there firmly rooted with branches wiggling around in the air. It was released as the Chank Font of the Month in October 1999 and it was named after Zsa Zsa Gabor because she is beautiful.

The roots of Rockport BF run deep. 19th century woodtypes, display gothics of the 40s and 50s, are inspiration for this distinctive font style. Its OpenType programming features automatic fractions, stylistic sets and alternates for a, b, q, r, t, u, y, M, N, U, Y, and dollar symbol. Tempered by somewhat humanistic elements, these condensed, geometrically-structured letterforms bring a strong but friendly presence to posters, logos, bookjackets, signage headlines, and many other typographic environments.

Sportage is a sports font family from thin to extra bold. The Italic styles bring another vibe of speed. This family is built for people who are enthusiasts with racing, workouts, and other athletic activities. Its shape is rooted in the the competitive sports spirit. The Idea is to bring the dynamic shape mixed with weight , elevating athletic performance through progressive innovation of font, so whenever people see the font they think of hard work and sports.

Baseball is a bold and sturdy script with its roots deep in the 1940s and 1950s Americana. Baseball is great for for sports team or bar logos, beer labels or anything where you need a bulky script with a lot of character. Baseball is equipped with several OpenType features: Standard Ligatures and Contextual Alternates for smooth connections. Try Swash, Stylistic or Titling Alternates when working with customized headlines. and combine with the Baseball Swoosh to complete your designs.

Rock Star is a original sans serif family with a distinct personality. The family has 36 font styles, ranging from ExtraLight to UltraBlack in normal and narrow styles (including italics). A wide range of weights and widths offering tremendous typographic flexibility. Rock Star is a contemporary typeface with roots in the past. It based on the sans-serifs of the late 19th and early 20th century. It would look great for corporate branding, in books and magazines.

"TSUBAME" means swallow in Japanese. These fonts are based on the shape of Tsubame. The relationship between humans and swallows is as deep-rooted. Japanese swallows have adapted to nesting in and around human habitation from ancient time. So in Japan, they prohibited people from catching or killing swallows because of their beneficial role as insect eaters. Since the relationship between humans and swallows is close, this font's letter spacing is designed to be very tight.

JP2 has some special roots being inspired by the actual handwriting of Pope John Paul II. Franciszek Otto took this source material and transformed it into a high quality font. The result is a rough, but intelligent, design with letters that slightly bounce along the baseline to mimic typical writing. Their short x-height, long extenders, and unique capital letters make this a very beautiful and distinctive typeface. Try it out for greetings, invitations, or posters!

Get back to your roots this Halloween with the font that makes your clients scream. Grim Creeper is the perfect font for your macabre movie, comic, or horror projects! It’s the typeface that your favorite 80’s horror movies were made of, used by indie comic book creators, and perfect for anything that calls for a gritty situation. Grim Creeper was made for Halloween designs and decor, zines, movie titles, cards and invitations, apparel, posters, social media, music, comics, and more!

Agile Sans is a contemporary humanist font family with classicist roots. Hence its name, Agile Sans suits many occasions from branding to publications, web and applications. From formal to casual, bold to refined, this font covers it all. Agile Sans comes with nine weights with corresponding true-italics. Built-in small capitals and several numeral styles are included as well. If you’re seeking for an alternative to more common humanist sans serifs, look no further and grab a future classic.

Shedaytia is a handwritten typeface with classic root. a beautiful formal script and elegant touch. It works perfect in the world of weddings, logos, greeting cards, branding, print ads, quotes, signage, magazines etc. Shedaytia features 312+ glyphs and 147 alternate characters, including initial and terminal letters, alternates, swashes, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

Energize is a sports font family with 3 weight (thin, regular, bold) & various styles of outline - extrude. The Italic styles bring another vibe of speed. This font family is built to bring active looks, racing, workouts, and other athletic activities. Its shape is rooted in the the competitive sports spirit. The Idea is to bring the dynamic shape mixed with weight , elevating athletic performance through progressive innovation of font, so whenever people see the font they think of hard work and sports.

MB Empire is a font that like MB vintage has its roots in early 20th century design, It has a distinctly english feel with its style references to the classic Gill Sans. It has a very traditional look whilst still maintaining its own modernist individuality. It comes in six weights with italics and has extended language support. With many opentype features including oldstlye & lining figures, automatic fractions and more its a font family that will work for almost any application.

Made from a simple font incantation, the Invocation typeface was born. Inspired by an old Atari game called Necromancer where trees uprooted and came after the wizard, or something like that. The end result, a thematic typeface spawning roots. On darkened night, the moon eclipsed, a cryptic verse does pass my lips, from ancient parchment, edges worn, this Invoctation font is born... Sometimes we need an evil look for our designs, so why not summon this typeface into your hands today!

The BD Roylac typeface has its roots in some lowercase glyphs drawn by Jacques Loison in 1972. Some of these characters are included in the use of stylistic alternates. Filed under a retro-futuristic design the font separates two filled shapes by a thin and curvy line; sometimes following to the path leaning readability and sometimes interfere with it. The font is dedicated to the BD fanboy Monsieur «Eric de Broche des Combes» aka «Roy La Combe» to his fiftieth anniversary.

In a career spanning the early 1900s through 1940, George M. Cohan wrote and produced over 50 plays, 300 songs and was also an actor, singer and dancer. Many of his works honored his Irish roots, and the cover of one piece of sheet music called “The Irish American” (1905) had its title hand lettered in a condensed Art Nouveau type design with tiny spurred serifs. This is now available digitally as Dress Rehearsal JNL, in both regular and oblique versions.

Heirloom grew from an interest of soft and friendly forms from the 1970s, with respect to the time's chill vibes and natural earthy roots. Its refined approachable characteristics allow it to be very readable carry a modern relaxed attitude. Available in 3 weights: Light, Regular and Bold. Any weight can be used as a display type, logotype and/or headlines, and lighter weights would work in bodies of text. The font pairs well with natural, historical or vintage graphic elements.

Promethium is an elegant vintage-style condensed font with lots of ornate detailing. Ideal for western, cowboy and rodeo graphics, as well as circus & carnival themes. Additionally, Promethium can trace some of its design roots to the well established Argentine graphic style known as Fileteado, as well as to Victorian poster and book arts. The stacking & layering of the 4 different versions of the font can yield a great range of eye-catching diverse looks and color schemes that can fit many purposes.

Linotype Cethubala is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by the Portuguese artist Patricia Carvalho, it is a playful and unusual font. Its roots lie in the characters of runes and old alphabets and the font is, in the words of the designer, ’an attempt to interpret and carry the knowledge of the magic world.’ Linotype Cethubala is intended exclusively for headlines in large point sizes.

Wieldy crafted character Wieldy is a prime quality typeface rooted in the tradition of good craftsmanship, full of character and reach in details. Extended serifs, connected with dots, are just some design features this artisanal font can offer. Wieldy is based on the ahistoric forms developed by Central European Arts and Crafts movement. It is suitable for visual identities, packaging or book headings. The typeface’s x-height is around 72% of its capitals. The font is endowed with details, ligatures and special characters.

Fun, footloose and fancy free, Castaway is a font family that knows no boundaries: equally at home in Naples and Nairobi, Rimini and Rio, Tijuana and Timbuktu. It was inspired by those ‘far away places with strange sounding names’, and will bring a touch of the exotic to tourist and travel promotions, and a breath of fresh air to any graphics project.

Unleash a nostalgic vibe with 'Pixel Engine', a font that pays homage to the golden era of gaming. This pixel-inspired typeface effortlessly blends the charm of retro aesthetics with a touch of modern design. Ideal for gaming logos, pixel art, or any project that craves a vintage arcade feel, 'Pixel Enginel' brings a playful nod to the past while staying firmly rooted in the present. Features: - Uppercase & Lowercase - Numeral & Punctuation - PUA Encoded - Multilingual support - Simple Installation - Work both on Mac and Windows Thank you very much :)

KREIS is a modular typeface created by Ukrainian designer Kateryna Korolevtseva. KREIS has a modern sharp character inspired by the shape of an old-school CD disk. It consists of three simple modules with the roots in square and circle shapes. Letterforms create a geometric typographic pattern, but at the same time, it remains readable. KREIS works best in headings, logos, and strong messages. If you want to look strong — use KREIS. If you want to protest — use KREIS. If you want to be heard — use KREIS.

Asta, named after the adorable pup in the “Thin Man” movies from the 1930‘s and early ‘40‘s, is an Art Deco / Streamline Moderne all-caps display font. Inspired by forms from the iconic machinery of the day like trains and autos, Asta has a heavy and masculine proportion, a cut-in “grille” effect and a slight slant which emphasizes its moderne roots. Fantastic for illustration or retro applications like antique product “logos,” signs and vintage packaging, or for a fun & funky ‘70‘s Disco look.