A very contemporary design can be used in any application from headlines to text. Angular serifs give this design a strong base.

A handwritten but very clean and organized font that's a little bold and a little slanted. Soon to be followed by its evil twin: irregularJoe.

Franciszek Otto of Poland designed Linotype Notec in 1999. Linotype Notec is a low-tech" (or even "no tech!") typeface. By embracing handwriting's spontaneity, it has gotten as far away from technology as it can. Classified as an "inky"-style script face, for lack of a better term, Linotype Notec's informal design seems immediately artful and full of expression. Its irregularity and unexpectedness enlivens any composition, similar to how jazz or modern dance animate a room. Quite full of "ink," Linotype Notec's "strokes" are written in a sort of short-note-handwriting-style, which a slow-writing, thoughtful humanist might theoretically scribble to himself late at night. Yet Linotype Notec's character still maintains a jolt of energy; try Linotype Notec in small applications, in any size from 12-point on up."

Banjax Notched is a dynamically restyled version of the original Banjax humanist sans serif typeface. Banjax Notched is intended for use in titles, headlines, branding and logo designs, whether that be for a book cover, film poster, advertising campaign or sporting events, these fonts will add an extra dimension to your designs. Naturally, Banjax Notched perfectly complements the original Banjax fonts so that you can launch a fully integrated campaign. Key features: • 7 weights in Roman and Italic • Small Caps, Petite Caps and 3 Alternates • Latin Extended and Basic Greek glyphs • 1100 glyphs per font. See more detailed examples at the Banjax Notched microsite.

Rigular Script has inspirated from retro style and funky designs like signs and old poster. This font comes with an extra extrude to make the font look more retro/unique and save your time on making it. Font has an opentype features that allow you to modify it as you like as needed. Andala perfect for poster, logo, book covers, tshirt designs, packaging and more. Features : Uppercase Lowercase Number Punctuation Ligature Multilingual Language PUA encode Opentype Features Just enjoy with our product! Thank you

Rotosh BKL Regular Font is a modern Arabic and English font designed to meet the needs of a wide variety of users. It contains many characters, signs and languages, including the splintered languages derived from Arabic and English . The font is distinguished by its unique drawing and shape, making it a truly versatile font. The font is also easy to read and legible, making it the perfect choice for any project. With Rotosh BKL Regular, you can be sure that your designs will be truly unique and stand out from the rest.

Medium slab serif

In 2007-8, Carolyn Puzzovio developed this OpenType typeface: Lagoon which is based on an Armenian model from the Mechitarist monastery, Venice, 1810. This project was supported by a grant from the AHRC (Arts & Humanities Research Council, UK) and won a first prize in the Granshan 08 type design competition. Oſten, Armenian digital types are designed to match the forms of Latin type characters and ‘Latinized’, by uprighting the forms; truncating ascenders and descenders and raising the x-height – but in this case the Latin characters in the OpenType font have been designed to blend in with the traditional Armenian proportions which are based on cursive forms – also incorporating some of the quirky shapes from the original model. Faithfully following the original created difficulties of ‘clashing’ characters, particularly those with long descenders, so the font contains over 100 alternative characters in the Armenian part, which will normally substitute automatically where necessary. The sloping lower case characters and upright capitals are traditional in Armenian – capitals are used less in the Armenian language. Three new characters for the Armenian unicode range are included: the Armenian dram (currency) symbol; the eternity symbol; and the index number symbol. This font which will be one of the first OpenType fonts to incorporate these newly unicoded characters.

A sans serif with splayed ends, descenders of the lower case dropping below the baseline, very tall x-height. The expanded version.

Medium weight, sans serif.

Classic Girl is a signature Font with a handwritten and script style making this font look elegant, natural, stylish and perfect for any extraordinary project that requires a distinctive taste. Classic Girl would be perfect for photography, watermarks, social media posts, advertising, logos & branding, invitations, product designs, labels, stationery, wedding designs, product packaging, special events, or anything else that needs a distinctive taste.

Play like a child with letter forms, fill the gaps of a stencil with a ballpoint pen and work this to generate a digital type. Régua (Ruler, in Portuguese) is the result of a typographical joke with the upper cases made by Buggy, a Brazilian typographer, in 1998.

Basquiat Irregular is a font inspired by graffitti and children's writing. Contains 3 alternative characters for each letter, multilanguage support including cyryllic. It's perfect for creating artistic publications, writing quotes and many other designs. The family also has two fonts with frames, lines and ornaments. Its apperance is rough, hand painted and casual. Perfect for music and street art designs. Frames and lines are created by typing uppercase letters for starting or ending frame or creating an arrow and lowercase letters for typing lines.

Dias Irregulares is a font inspired by ignorant tattoo style. Contains 2 alternative characters for each letter and 4 cute illustrations. It's perfect for artistic publications, clothing and many other things. All made by hand, such as my tattoo work.

Austrian type designer Markus Hanzer created this display FontFont in 1994. The family has 6 weights, ranging from Light to Black (including italics) and is ideally suited for editorial and publishing and poster and billboards. FF Irregular provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Angular is all angular. This font has no curves! Dingbat symbols & icons replace a handful of the generally unused alternate characters, to make this font extra fun & useful. Angular is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Introducing Angular Alchemy, a font that pushes the boundaries of modern design and brings a touch of enchantment to your projects. This unique geometric typeface is a true alchemy of creativity and precision, combining sharp angles and clean lines to create a visually striking composition. With its contemporary appeal and captivating charm, Angular Alchemy captures attention and leaves a lasting impression. Whether you're crafting sleek logos, engaging headlines, or cutting-edge branding materials, this font adds a touch of sophistication and allure. Elevate your designs with the magic of Angular Alchemy and witness the transformation as it infuses your work with a sense of modernity and intrigue.

This unusual font was designed by Alessio Leonardi, who plays with the difference between content and impression. At first glance the font looks almost like a row of pictograms or Asiatic characters. The forms become Arabic letters when the characters are set together to form words. HaManga Irregular is a good font to use when the reader is supposed to contemplate not only the text but the form of what he or she sees.

Ano Angular was originally designed for a fashion company. It was to be used as a headline type, half way between the logo we had designed — made up of straight lines only — and our circle-based Ano typeface, which was to be used for text. Its design is based on the idea of mixing circles with triangles into letter shapes in a modular, constructed way. The effect is digital, mathematical, remeniscent of the typography of 1980s arcade games such as Asteroids.

A wrecked, monospaced font containing 278 ligatures and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

“Queen Kelly’s Sword” - new elegant luxury bold serif from Julia Visht. Classical font serif with stylish decorative elements! Romantic and elegant, “Queen Kelly’s Sword” – is a luxury bold serif with both modern and vintage curves. “Queen Kelly’s Sword” is a must-have for your collection of fonts. Main features: Ligatures. Set of OpenType ligatures allows to make your design truly unique. Alternates. Set of stylistic alternates allows you to create even more authentic custom-feel text. OpenType Style Set. Open Type Style Sets allow to create many perfect styles of your text. Multyfunctionality. It's perfect for: elegant modern branding, web-design, posters, headers, advertising, wedding stationery, book cover designs, classy packaging, album covers, greeting cards, wall art, websites, photos, and so much more. Multylangual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic, Indonesian, Irish, Swiss German, Portuguese. Stylish font for your stylish projects! Happy creating! Designers: Julia Kruk Publisher: Julia Visht

"Vandal Blow" is a 3D layered graffiti font that includes solid, shadow, and inner shadow styles, providing the tools to create a three-dimensional appearance in your text. Fonts with layered styles like this are commonly employed in graffiti art, street art, posters, and other designs where a dynamic and eye-catching 3D effect is desired. By utilizing the solid, shadow, and inner shadow layers in "Vandal Blow," you can enhance the visual impact of your text, creating a sense of depth and dimension. This font is particularly suitable for projects where you want to infuse a graffiti-style aesthetic with a three-dimensional twist, making your text stand out and grab attention.

Coral Candy is a bold font with fun and playful looks. This type of font perfectly made to be applied especially in cartoon or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.