From the title screens and comic books of the Hair Bear Bunch comes the fun and funky Wonderbear typeface. All that 70’s flavor packed into a Caps/Alt Caps typestyle reminiscent of a lovable limited run cartoon show. The Hair Bears miss you as much as you miss them. Relive the laughter.

Mulkshake is messed up pretty good, and was acutually made on a real bad copymachine!

Ataxia was designed to be used in long texts such as books and magazines. The font has the weights regular, bold, italic and bold italic as well as ligatures, small caps, oldstyle numbers and support for many languages (unfortunately not German: ß is missing, lower quotes ‚wrong‘ and „missing“), with more than 500 glyphs.

A very light, elegant, condensed typeface, which must be used very large (at least 100 points).

I happened to come across a facsimile of a sample of text with typeface made by Sweynheim & Pannartz in 1476. I scanned the sample, and redraw all the available glyphs from the sample in RobFog. After that I added the missing characters by copying and pasting the forms of the original characters, and filling in the missing parts.

This cute font with thin style. You must have this font for sure. Do your cute moment. :)

Enjoy this one-of-a-kind custom creation from Chuck Davis. Beautiful curves make it a must have.

Hyperspit is really the CAPS of my other font Family Cat. They are just messed up pretty good!

Check this out! LD Cotton Candy is an adorable handwritten, script font...a must-have for so many lettering needs.

A bold, playful typeface named after my late and much-missed grey cat, Freddie, who was my best buddy for 18 years.

Axplat is the first in a family of grunge, deconstructed, messed-up type faces. It has Euro and almost all the special characters.

Giangu is a typeface that describes strength and a formal impression, this typeface has an analogy about hopes and dreams that must be achieved.

Useful for newspaper and magazine headlines, a must for all kinds of impacting posters. Header includes hybrid glyphs encoded where small caps are normally found.

Maim is one messed up sans serif typeface. Designed to be used as a family by intermixing the letters for more random looking destroyed text.

The Vizille family, inspired by French typography of the 18th Century, is the typeface used as corporate identity by the Musée de la Révolution française.

Our eye is able to join missing parts of worn letters back into undisturbed shapes. We tend to see things better than they really are. Thanks to this ability we ignore faults of those close to us as we can’t accept the fact that every once in a while we convene with an impaired entity. Typography is merely a man’s invention, hence imperfection and transience, albeit overlooked, are its key features. This typeface is based on worn-out letterings on tombstones in the St. Croce basilica in Florence. For hundreds of years, microscopic particles of marble are being taken away on the soles of visitors: the embossed figures become fossilised white clouds, fragments of inscriptions are nearing the limits of legibility. First missing are thin joins and serifs, then the main strokes finally slowly diminish into nothingness over time. Unlike an archaeologist, for whom even completely featureless stele is valuable, the typographer must capture the proper moment of wear, when the type is not too “new” but also not too much decimated. Such typeface is usable for catalogue jackets, invitations and posters. Calligraphy is a natural human trait. To write is to create characters of reasonable beauty and content, according to the nature of the writer. A natural characteristic of architecture is to create an aesthetic message very similar to the alphabet. A doric column, the gabled roof, the circle of the well plan: these are the basic shapes from which all text typeface is derived.

Merendina has a geometric construction with an handwritten touch. This family contains regular and slanted and 6 weights. Do not miss all the alternates and swashes.

Aargh is a deconstructed, twisted mess of what maybe used to be Courier or Typewriter that is maybe a little tight for the genre, but it is effective.

Meet Engrace, a serif font family with elegant & stylish curves. She’s romantic, classy and modern all wrapped into one, and surely can not be missed in your font collection.

Xtoxina. Squint-eyed Pixelfont. Xtoxina is a new member oft the Atoxina family with experimental character. The designer must have a serious view issue! Experience strabismus too, with Xtoxina.

Flixuble is a mess! It was made involving an inky pen and sandpaper! Comes with more than 60 ligatures in order to make the font look more like handmade letters!

Wilko is the carnival barker of typefaces. Bold, impactful yet friendly, with two decorative variants. No frills, no corners, no messing. When you want to say it loud and clear.

DB Pit Stop is a must have for this summer season! These DoodleBats make for great adornments or embellishments on your scrapbook page, or a fun card. The possibilities are endless!

Based on a revival of one of the popular wooden type fonts of the 19th century, suitable for display, lower case missing but not always designed for this type of face.

Amulet evolved after a trip to Dublin, Ireland. It has a Celtic calligraphic influence which must have subconsciously come from looking at ancient manuscripts and the Book of Kells in Trinity College.

Creating the condensed version for the Brandon Text was the missing project to complete the Brandon series. Brandon Text was created as a companion to Brandon Grotesque. When we started to designed Brandon Grotesque Condensed we felt that there should also a condensed counterpart for small sizes; so we made Brandon Text Condensed. While a condensed typeface is not just a squeezed original, we took the Grotesque Condensed as a starting point for the Text Condensed version simultaneously we also kept an eye on Brandon Text to find the perfect missing variables.

Leuthikline Script is a beautiful monoline font, perfect for logo design, branding, clothing design, signage, posters, wedding invitations and so much more! My goal in creating this font was to be an easy-to-read script font that would serve a variety of purposes and help your project to be more perfect and beautiful. Do not miss! Don't Miss Out! Leuthikline Script comes with: Lowercase and Uppercase Stylistic Alternates Numerals & Punctuation Accented characters Format File: OTF Multiple Languages Supported I Hope You Enjoy! Diki Pradipta Tri Atmojo ^ Pradipta Creative & Lettertype Studio

A revival of one of the popular wooden type fonts of the 19th century, a very useful design for display, lowercase missing, very narrow, unusual splayed serifs at top and bottom of strokes.

Introducing a new retro font, Mofista font, Mofista is a modern serif typeface that honors expressive old style serif typography, the Mofista font comes with alternatives that will make your presentation or logo stand out even more! This font will make your project look retro, chic and neat. Its soft, juicy serif gives the typeface just the right amount of warmth and nostalgia. While hinting at classics like Cooper, the reinterpretation features some unconventional letterforms that make for a very dynamic italic romance. suitable for many projects: invitations, postcards, posters, books, advertisements, websites, blog headers, logos, brands, magazines, fashion, photography, etc. This font is a must-have in your collection and is perfect for your next design project. Mofista Features: Mofista(Regular,Italic) Uppercase And Lowercase Numerals & Punctuation alternatif characters Multilingual Support. While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day :)

Geometa Deco is based on Paul Renners Futura Classic. The design is timeless, but I always missed some decorative characters. So I sat down and did some. The type-designer for surprising solutions, Gert Wiescher

Kevlac This unique design you can make as a very beautiful logo font if you mix it with the several alternatives provided, very suitable for a luxurious and elegant look, make sure you don't miss it.

Bunaken looks bold, yet sophisticated and features chunky and extended characters that will look particularly adept when used in logos, branding, packaging design, and much more. This masterfully designed brush script is a true must-have.

Steve Jackaman & Ashley Muir. Our collection was missing a small piece of the jigsaw puzzle until now; a quartz digital LCD font! Overtime LCD contains all the high-end features expected in a quality OpenType Pro font.

Scenders was inked first then digitized for the masses to use. Strong ascenders and descenders embellish the font, so the lowercase characters are quite compelling. Scenders is versatile, but it works very well in all caps headlines.