Designed by Alfonso García and Latinotype Team. Rawson is inspired by early humanist sans-serif English typefaces. We have added a bit of Johnston, a bit of Gill and a lot of Latinotype to the font. Rawson is an elegant font—but definitely not a black tie one—with the strength of a geometric sans but as friendly as a humanist typeface. This mixture, though not capricious, gives the font a ‘classic’ personality and a modern look at the same time. Rawson is a typeface with a large x-height, open counterforms and classical ductus. The font is well-suited for branding, signage, packaging and short text. Rawson has a 778-character set that supports 219 languages and includes alternative characters, discretionary ligatures, small caps, a variety of figures and fractions—a wide range of typographic tools to meet different design needs.

Fateya is a handcrafted script font amazing typeface that we created in freestyle for those of you doing work and crafts. This font has a total of 777 Glyphs to make it easier for you to choose a character according to your needs. It's perfect for all kinds of work you do with multiple purposes like logos, wedding invitations, titles, t-shirts, letterheads, signage, labels, news, posters, badges, etc.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

The Republic Gothic series was among the last original wood type designs manufactured by Hamilton Manufacturing Co. It was first shown in Hamilton's New Gothic Faces in Wood Type (c. 1920). The design features a sans-serif style reminiscent of brush-formed letters popular with sign painters of the era. Originally issued in 6 different widths and in both outline and solid versions, this digital release features the "Extended" width known as Hamilton Republic Gothic series 775 & 776. The pair of outline and solid is designed as 'chromatics' that can be printed one over the other to achieve multiple color effects or individually as stylistic alternatives. This release features the first ever digitization of Republic Gothic. The two fonts are carefully aligned and kerned to allow for multicolor overlayment in any digital design program. It features a full Western and Central European Character set.

Humanist sans serif typeface.

Rococo Titling is a set of ornate titling caps based on work done by Jacques-Francois Rosart (1714-1777) and Pierre Simon Fournier (1712-1768) during the middle decades of the 18th century.

Vardena, clean sans serif with a retro, humanist and elegant touch.. Specially designed for simple, clean, humanist projects. The font is perfectly suitable for creating elegant, clean, retro design such as logo, packaging, social media, and more.

A crisp and elegant Neo-Humanistic font.

Harietta - a semi-geometric, clean sans serif with a retro, humanist and elegant touch.. Specially designed for simple, clean, humanist projects. The font is perfectly suitable for creating elegant, clean, retro design such as logo, packaging, social media, and more.

Oshawa is a signature font with a natural and professional style, ideal for creating handwritten style logos, wedding stationery, photographer watermark logos, modern websites, and more. Oshawa is equipped with 177 handwritten ligatures that add a natural angle.

A humanist sans serif ideal for advertising and design.

A humanist design typeface incorporating elements from the more rationally constructed grotesque typefaces. Its characteristics are relatively large x-height and open apertures. The overall effect suggests approachability without the sentimentality carried by some of the more authentic humanist designs – contemporary and precise.

Xero is an intentionally loose creation of a humanist font, given a Russian flair! Played rougher than its counterparts Helvetica and Arial, Xero works well for those who want to go that route but don't want the sharply defined lines of others in the humanist family.

Atomic Alice was designed by Yuri Gordon in 2018. This typeface is simple and clear, with strong character. Gives wide opportunity to create expressive texts with 877 glyphs. Atomic Alice has has some OpenType features including small caps, stylistic alternates and huge amount of ligatures.

This design is based on DelargoDT, the popular humanist sans from DTP Types Limited.

Botanique - a hand-drawn humanist sans with rough, cute, organic features. This font is specially designed for organic, humanist, elegant projects. Botanique is perfectly suitable for creating a clean design with a touch of rough and rustic. You can use it for logos, packaging, and social media... The possibilities are endless with this font.

‘Ted’ is a geometric typeface. It is a synthesis of the geometric and the humanistic. It has both mathematical straightforwardness, and humanistic refinement. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. It's tall shape, high middle line and form gives ‘Ted’ neo art-deco look and feel.

The original Headhunter shareware font was created in ©1992 by the famous D. Rakowski. It consisted of 63 unique skeletal Glyphs, including Capital A-Z, and a few bone symbols, but lacked lowercase and numerals. He has since abandoned his fonts to pursue other things. (You can download it from FontSquirrel for free.) I've always enjoyed this limited Halloween font, but its incompleteness had to be rectified; thus I took it upon myself to delve slightly into the world of typography, resulting in the birth of HeadhunterTwo. I've slightly reworked his original contribution and "fleshed out" more of the font than necessary. As of this writing, it consists of 777+ Glyphs and passes Underware's compatibility test for Latin Plus (Supporting 219 Latin based languages, which are spoken in 212 countries.)

Flexo is a geometric sans typeface, with humanistic warmth. It is a synthesis of the geometric and the humanistic. It has both mathematical straightforwardness, and humanistic refinement. Flexo has a squarish design, making it stand out in many uses. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. Flexo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. Free demo font available. Flexo in use: 1 2 3 4 5 6 7 8 9 10 11 12 13. For more information about Flexo, download the PDF Specimen Manual.

Lisboa Hebrew is humanist sans-serif typeface base on the same design as the original Lisboa (2005). The main structure is more close to the Sephardic proportions, where the letterforms contains reverse contrast and the terminals following the same calligraphic approach (Humanist). There are some characters and figures designed as small caps which have the same proportions from Hebrew. Latin transliteration characters were also included.

Canapa it a simple humanistic sans serif font family. Canapa's 10 styles are good for friendly oriented package design layouts. Try!

Montio is a simple Humanist sans serif typeface with rounded corners. It’s a family of 4 fonts: 2 weights and their italics.

Linotype Aroma No.2 appears straightforward in form, completely sans serif, yet with a trace of humanistic features that gives it that extra edge.

Rabona is a typeface for designers; easy to implement, clean and utilisable. A quintessentially modern geometric san-serif, filtered through a gently humanist lens.

Opium — a humanist display typeface with futuristic flared lines inspired by the anatomy of opium flowers. Designed using the herbarium specimens of Papaver somniferum.