6,956 search results (0.013 seconds)
  1. Harri - Unknown license
  2. Harri by Blancoletters, $39.00
    Harri –“stone” in Basque language– is a display font based on the peculiar letter forms used in signs and fascias all over the Basque Country. This idiosyncratic lettering style, very often used as an identity signifier, evolved from ancient inscriptions carved on gravestones which can still be found in the French part of the Basque Country (Behe Nafarroa, Lapurdi and Zuberoa).Harri takes some of its more significant features from those engraved letter forms, but also from the current overemphasized shapes derived from them, while keeping in sight their antecessors: the Romanesque inscriptions and ultimately the Roman Capitals. Gerard Unger once said “the black version of a font is a caricature of the regular”. This may explain how the odd heavy shapes in use in the Basque Country today might have evolved from their engraved roots, which are already an interpretation of Romanesque and Roman letter forms. This evolution is echoed in Harri through its weights, from the clean formal Roman-inspired light to the extreme expressive Basque-style extra bold.
  3. Fat Kitty Kat by Hanoded, $20.00
    Fat Kitty Kat is a hand made, rather bouncy and happy font. It was thought up, drawn and vectorized during an unusually long rainy period in a small Porto hotel room. Kitty Kat's glyphs are rather rough, but legible and fun to use. The font comes with extensive language support and a full range of alternates for the lower case letters.
  4. LHF Fat Cat by Letterhead Fonts, $35.00
    Inspired by Alf Becker's Rounded Block letterstyle. Nice 30's/40's era appeal.
  5. Fat - Personal use only
  6. Garris by Locomotype, $17.00
    Garris is a monoline script font with awesome opentype features such as ligatures, stylistic alternates, swashes, stylistic set, initial and terminal form as well as multilingual support with 360+ glyphs. This monoline script font comes with multiple alternates that will make your words look like a custom lettering. Available in light and regular versions as an option for your typographic design creations.
  7. Hardiness by Beary, $14.00
    Hardiness is an amazing hand lettered font. Every single letter have been carefully crafted to make your text looks beautiful. This font is suitable for invitations, branding, advertising, classic design, poster design, and more. This font is PUA encoded so you can access extras from character map in most design software.
  8. Barry by Juraj Chrastina, $29.00
    The Barry family combines two opposite weights. This display face has a great effect if the two fonts are used together. If you want to make your design ordinary, Barry is not the right choice.
  9. Harry P - Personal use only
  10. Harry Potter - Unknown license
  11. BM harry - Unknown license
  12. Will-Harris - Unknown license
  13. Harry Pro by Red Rooster Collection, $60.00
    This revival of Harry is based on the original design by Marty Goldstein (and C.B. Smith). Goldstein, born in Chicago in 1939, was the co-founder of the groundbreaking Creative Black Book. He graduated from the Pratt Institute in 1960. Harry, first published by VGC in 1966, was named for his father. ITF has added four new weights to the original six.
  14. ATC Harris by Avondale Type Co., $20.00
    ATC Harris is a a workhorse monospaced geometric font with a focus on simplicity and legibility. Font contains 580+ glyphs, full alphabet, ligatures, numerals, accents and punctuation. ATC Harris was released in 2016.
  15. Harry sunday by Attype Studio, $15.00
    Harry sunday is a delicate and incredibly distinct handwritten font with 3 stylistic set. Fall in love with its incredibly versatile style and use it to create spectacular designs! What's Included : - ligatures - Beginning & Ending Swash - Multilingual Support --- Hope you enjoy with our font! Attype Studio
  16. LD Harry by Illustration Ink, $3.00
    This fun font has a lightning bolt on many of the uppercase letters. It's magical!
  17. Harry Plotter by ParaType, $25.00
    An original typeface designed for ParaType in 2003 by Zakhar Yaschin. Extravagant letterforms were inspired by the style of books about young wizard on the one hand, and purblind regiments of scripts from Halloween cards on the other hand. Its classical nature is successfully hidden behind the giant triangular serifs. For use in advertising and display typography.
  18. Harri Text by Blancoletters, $39.00
    Harri Text is more than an extension of Harri. It shares its origin, a certain flavour and a great deal of its idiosyncrasies, but while Harri is an uppercase-only typeface intended for display uses, Harri Text is conceived as a text type family, including a new extra-light weight, italics, small caps and other additions that make it suitable for editorial purposes. As its predecessor Harri Text addresses several concerns regarding the dualism neutrality vs. idiosyncrasy, or in other words, how local features meet global design in the context of a modern society (as is the case in the Basque Country in recent times). The origin of Harri Text —vernacular Basque lettering for the most part— is full of idiosyncrasies and peculiarities that, while giving them its special character, may hinder readability in some cases. The default set in Harri Text tones its essence down a little bit. It is still present, although less obstrusive. Stylistic sets 1, 2 and 3 are a chance to recover gradually this essence modifying some characters —specially the characteristic design of letter A– for those who seek a more local flavour. Stylistic set 4, on the other hand, does the opposite job, this is, removes asymmetrical serifs and other small details in order to create a more neutral atmosphere. Any traces to its origin are this way diluted resulting in a crisp and clean incise variant. Stylistic set 6 is available in the italic styles. It provides a more fluid and cursive flavour to some letters in case a calligraphic mood is desired. Harri Text comes with 1054 glyphs in its character set (1078 in the italics) with support for more than 220 languages.
  19. Do not eat this Fat - Unknown license
  20. Signerica Fat - Personal use only
  21. Fat Legs - Unknown license
  22. Konfuciuz Fat - Unknown license
  23. Fat Lefty - Unknown license
  24. Fat Free - Unknown license
  25. fat marker - Unknown license
  26. aaaiight! fat - Unknown license
  27. Grow Fat - Unknown license
  28. Conman fat - Unknown license
  29. Fat Pixels - Unknown license
  30. Fat Pleasure by JAF 34, $9.90
    Fat Pleasure is extremely wide serif typeface inspired by the modern consume society and is suitable for posters, magazines, massive headlines (also for a web presentation) and so on. For dynamic of ultra hairy and massive fat strokes is not suitable for comprehensive text. Fat Pleasure is also inspired and constructed in the sense of modern type design. Even though Fat Pleasure is pure and clean serif font is very catchy a fresh.
  31. Fat Times by Wiescher Design, $39.50
    FatTimes is an extension to my HardTimes family. Times are too hard for boring typefaces, so try the fat one one for a change. Your hardworking typedesigner - Gert Wiescher
  32. Fat Sally by Autographis, $39.50
    FatSally is written with a broad felt-tip marker, scanned and finished by hand on screen, taking care to emphasize the typical "marker" feeling.
  33. Fat Rhino by Pink Broccoli, $14.00
    A heavyweight playful typeface with a children's comic feel.
  34. Real Fat by vanAllerlei, $30.00
    RealFat is a typeface that has been started with the intention to create a very squared bold font with a futuristic look and feel. The squared shapes also refer to the architecture of big city buildings with small windows. This font fits perfect on modern posters, flyers and other artwork or pixel based work. Most characters have the same width and height and are perfect 'building-blocks' for typographic compositions.
  35. Cuckoo Fat by Very Good Fonts, $19.00
    Cuckoo Fat was first seen in 1988 when I painted it on a record shop's window. Since then this hand lettered font has been there and done that. Cuckoo Fat is a loud and proud, classic and informal display font designed to work well on any job.
  36. Fat Ink by High Peak, $20.00
    This handwritten font is as juicy as the strokes from a fat marker! Unpredictable but harmonious, the lines and shapes give this font a fun, funky vibe. Perfect for creating logos, charts, pricing, and more. Full uppercase and lowercase, it supports several languages, lots of discretionary ligatures, and alternatives that combine with each other. Have fun! High Peak
  37. Norman Fat by Resistenza, $49.00
    Get to know Norman Fat a new version of our best seller Norman, elegant and fashion forward. This new condensed high contrast and heavy weight serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman Fat is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.
  38. Fat Freddie by CastleType, $59.00
    A bold, playful typeface named after my late and much-missed grey cat, Freddie, who was my best buddy for 18 years.
  39. Fat Marker by Kraken, $10.00
    A rough and ready typeface created from a series of doodles that comes in uppercase only.
  40. Fat Inker by Hanoded, $10.00
    For once the name of this font corresponds with the way it looks: Fat Inker is a fat, inky font. I made it with a Chinese brush and ink, Fat Inker is a nice poster font and it comes with extensive language support and some cool discretionary ligatures for double letter combinations.
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