Ptoxina. Pixels join Circles. Ptoxina is a new member oft the Atoxina family with experimental character. In this experimental hypnotic font pixels join circles.

When teaching font-making at the Art Institute of Tucson, I give my students plenty of lab time to come up with design ideas. I designed Pucky while one class created their fonts. It came about through an idea for a capital A: sort of a triangle with two round sides and a crossbar formed by a circle falling out. (You can see it here.) In drawing that, I hit upon the idea of making the tops of the alphabet sharp and square and the bottoms rounded. (See the whole alphabet here.) Pucky suggests both circus and psychedelia. Hmmmm, does anybody have an “in” at Cirque du Soleil?

A vintage look to the future of type, this funky typestyle with circular cut outs was stylish for its day, and a true novelty for today. Blackhole PB began as a digitization of a film typeface known as Circue Solid by LetterGraphics. This typestyle has such funkadelic appeal to it that it just makes me smile. Definitely not for broad uses, but full of novel flair. This font is the bees knees for anyone with a circle fetish. They are like hidden mickeys in this typestyle, building up curves and counters all over the place. Take it for a spin and have a flashback to wilder times.

Huet is a continuation of the work started with Versteeg. Where Versteeg was separated into individual circles, Huet connects these circles and adds a smooth geometric style.

Inspired by E.C. Matthew's, circa 1940's.

Niemi is a continuation of the work started with Versteeg. Where Versteeg was separated into individual circles, Huet connects these circles and adds a sharp geometric style. This creates a nice juxtaposition between the rounded ends, and sharp corners.

Digitally engineered by Steve Jackaman. Ludlow, circa 1939.

Based on the Albert Kapr design, circa 1959.

Based on the Albert Auspurg design, circa 1921-27.

Carnifun horror circus display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Carnifun horror circus display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Carnifun horror circus display font. Cheers, Maulana Creative

Based on the original typeface from Face, London, circa 1972.

Based on the typeface Vesta by Albert Augspurg, circa 1926.

R.H. Middleton for Ludlow, circa 1956. Digitally engineered by Steve Jackaman.

Based on the William T. Sniffin design for ATF, circa 1928.

Based on the S. H. de Roos design, Amsterdam Foundry circa 1923.

Modern text font based on a Hansen Type Foundry font (circa 1872).

An original design based on Progreso from the Gans foundry circa 1923.

Based on ‘Players,’ a typeface from English designer Adrian Williams, circa 1976.

Based on Iberica by Carlos Winkow for the Spanish foundry, Nacional, circa 1942.

Designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman.

Designed by R.H. Middleton for Ludlow, circa 1937. Digitally engineered by Steve Jackaman.

Based on Nacional by Carlos Winkow from the Spanish foundry, Nacional, circa 1941.

Bertram Plain is the perfect font for setting titles in comic strips and similar designs. UK designer Martin Wait created this font 1991, after he was inspired by the casual style of circus graphics. In fact, this jolly and lighthearted font was even named after one circus in particular: the Bertram Mills Circus. Bertram Plain is an all-caps font, with capital letters placed on both the upper and lowercase keyboard strokes. Additionally, Bertram Plain letters sport a 3D-like drop shadow, a distinctive feature when comparing this to many other display fonts.

Designed by R.H. Middleton for Ludlow, circa 1929-30. Digitally engineered by Steve Jackaman.

A simple sans-serif font made from straight line segments and true circles and arcs.

Based on the Deberny & Peignot, circa 1925. Originally the inline was a capitals only font.

Marcu San is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest. Designer Markus McCallion designed his sans serif font with unusual forms based on circles and circle fragments. Legibility is thus decreased for the sake of a unique look and a variety of design possibilities.

This was put together by Dan X. Solo to provide a quick way to set headings for a circus brochure. The name was given in recognition of the Baraboo Circus Museum. The end pieces are in pairs on the uppercase keys A-B, C-D, etc. The alphabet itself is in the lowercase position.

Based on proofs of an early Remington typewriter font from the Keystone Type Foundry, circa 1905.

Fyra is a family of fonts ideal for diagrams and signage. Included in the family are versions with uppercase letters in circles and squares, as well as numbers 0-99 in circles and squares. The characters themselves were designed to be very neutral, so they should pair well with whatever other typefaces you are using on your project.

Zirkle is a monoline font in which the upper-case letters were designed from circles or bits of circles, with interior straight lines. It was the first font I designed in Fontographer when Fontographer was still in version 2 and the most advanced Macintosh was the Macintosh II. I have heard from people who like it, but it was designed not to meet some need but to play with the geometry of circle-based letters. ZirkStressed is a “squared” version that was the result of playing with a font distortion program, which in this case produced a result that seemed interesting.

The typeface LED pixel is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz.The font system (sans-serif, slab serif, small caps & unicase) of the display typeface is inspired in the past and present. 60 + 1 (icons) font-styles (Circle, Circle Outline, Cross, Hex, Hex Outline, Line, Square, Square Cross, Square Half 1, Square Half 2, Square Outline, Square Circle, Square Star, Star, Triangle × 4) with 903 glyphs (Adobe Latin 3) incl. 300+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤️ or #SMILE for

Symmetry is best suited for display use, inspired by circle shape and lines and curves, also space.

Designed by R.H. Middleton. Digitally engineered by Steve Jackaman. Based on the original Ludlow drawings, circa 1938.