M Bei HK is a handwritten style Traditional Chinese typeface. Handwritten font designs are derived directly from hand-drawn lettering or handwriting using analogue tools. Handwritten style Traditional Chinese fonts can include typefaces that reference or reinterpret traditional calligraphy, using classical exemplars by calligraphic masters.

M Yuppy PRC is a handwritten style Simplified Chinese typeface. Handwritten font designs are derived directly from hand-drawn lettering or handwriting using analogue tools. Handwritten style Simplified Chinese fonts can include typefaces that reference or reinterpret traditional calligraphy, using classical exemplars by calligraphic masters.

M Kai 2 HK is a handwritten style Traditional Chinese typeface. Handwritten font designs are derived directly from hand-drawn lettering or handwriting using analogue tools. Handwritten style Traditional Chinese fonts can include typefaces that reference or reinterpret traditional calligraphy, using classical exemplars by calligraphic masters.

M Kai 2 PRC is a handwritten style Simplified Chinese typeface. Handwritten font designs are derived directly from hand-drawn lettering or handwriting using analogue tools. Handwritten style Simplified Chinese fonts can include typefaces that reference or reinterpret traditional calligraphy, using classical exemplars by calligraphic masters.

Hiragino Sans Traditional Chinese is a traditional Chinese font that inherits design characteristics from the Hiragino Sans (Kaku Gothic). The font satisfies the rising demand for a high-quality Big 5 embedded font for multilingual products, allowing it to be utilized in a wide range of applications.

Chaweng is a coastal region on Ko Samui, an island in the Golf of Thailand, about 20 miles off the mainland. The design of Chaweng is based on some 'Latinese' characters Peter Rosenfeld detected while celebrating Chinese New Years Eve with people from Thailand and China on the beach of Chaweng. Ralph M. Unger took on the idea and developed a completely new typeface, very beautiful, very 'Latinese'. Chaweng obviously shows some of the typical characteristics of Chinese ideograms, still keeping a high level of legibility. To add something really special, Unger digitized the Chinese signs of the zodiac which change annually, on the occasion of the Chinese New Years Eve.Chaweng is perfect for signs and small texts, e.g. for any Asian restaurant and shops, menues, displays, China towns etc.

Another design inspired by Chinese characters, but with a somewhat less obvious treatment than many.

M Sung Gold PRC is a modulated style Simplified Chinese typeface. Modulated font designs have apparent thick-thin contrast at the strokes, and often include special design characteristics at entry, finial and transitional points of the strokes. Modulated Simplified Chinese font design category includes traditional Song, Ming or Fang Song style typefaces which are popular for continuous reading.

M Smart PRC is a modulated style Simplified Chinese typeface. Modulated font designs have apparent thick-thin contrast at the strokes, and often include special design characteristics at entry, finial and transitional points of the strokes. Modulated Simplified Chinese font design category includes traditional Song, Ming or Fang Song style typefaces which are popular for continuous reading.

M Smart HK is a modulated style Traditional Chinese typeface. Modulated font designs have apparent thick-thin contrast at the strokes, and often include special design characteristics at entry, finial and transitional points of the strokes. Modulated Traditional Chinese font design category includes traditional Song, Ming or Fang Song style typefaces which are popular for continuous reading.

I was listening to some old Smashing Pumpkins albums when I created this font. The name comes from a song called *** You (An Ode To No One). Runaround Kid is a hand painted typeface. I used Chinese ink and a cheap Chinese brush to create the inky look. Comes with double-letter ligatures and a whole bunch of diacritics.

M Gothic Gold HK is a modulated style Traditional Chinese typeface. Modulated font designs have apparent thick-thin contrast at the strokes, and often include special design characteristics at entry, finial and transitional points of the strokes. Modulated Traditional Chinese font design category includes traditional Song, Ming or Fang Song style typefaces which are popular for continuous reading.

M Sung Gold HK is a modulated style Traditional Chinese typeface. Modulated font designs have apparent thick-thin contrast at the strokes, and often include special design characteristics at entry, finial and transitional points of the strokes. Modulated Traditional Chinese font design category includes traditional Song, Ming or Fang Song style typefaces which are popular for continuous reading.

M Gothic Gold PRC is a modulated style Simplified Chinese typeface. Modulated font designs have apparent thick-thin contrast at the strokes, and often include special design characteristics at entry, finial and transitional points of the strokes. Modulated Simplified Chinese font design category includes traditional Song, Ming or Fang Song style typefaces which are popular for continuous reading.

Tsanger Yunhei was designed and published by Tsanger. Tsanger Yunhei contains 8 styles and family package options. The designer has made unique treatment on the shape and structure of the pen, based on the Chinese calligraphy style and writing, which makes it easier to identify under the same size of the font and group reading effect better. Tsanger Yunhei is more in line with the aesthetic habits of Chinese characters getting the reading an easy task. This font adopts GB 2312—1980 standard, with a total of 6763 Chinese characters, matching Latin letters, Greek letters, Hiragana, Katakana, Russian Cyrillic letters, etc.

M Curvy’s design breaks the mould of traditional Chinese characters to construct a brand new style. Referencing a traditional Chinese calligraphic style that is written with the brush suspended in mid-air, the flow between strokes within each character is free and smooth in this typeface. With an even stroke density. M Curvy is legible, gentle, yet stable, combining tradition and innovation.

M Curvy’s design breaks the mould of traditional Chinese characters to construct a brand new style. Referencing a traditional Chinese calligraphic style that is written with the brush suspended in mid-air, the flow between strokes within each character is free and smooth in this typeface. With an even stroke density. M Curvy is legible, gentle, yet stable, combining tradition and innovation.

This pearl by Kevin King was the best faux chinese font I've ever come over, and now it can be used for setting themed text and menus in many more languages! :) Kevin King says: "I have said before you know - I can if I want to (Stamp! Scowl!). Cod Chinese of the worst kind, I wanted a "Chinese" font for a project and couldn't find what I wanted. I painted this font with a Chinese brush and imported the resultant mess - it's been a while since I did any Chinese calligraphy - add that to the fact that I don't read or speak Chinese..." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Brain Squeeze is a nice, fat, messy brush font. I made it with one of my late father in law’s prized Chinese brushes and my Chinese ink. If you look through my library, you will notice that I make a lot of fonts using these tools! Brain Squeeze will squeeze your Cabeza for some extra creativity, so what are you waiting for? Use it and have fun!

Orkhon inscriptions (Orkhon inscriptions, Orkhon inscriptions, Khöshöö Tsaidam monuments (also known as Khoshoo Tsaidam, Koshu-Tsaidam or Höshöö Caidam) or Kul Tigin steles (simplified Chinese: 阙特勤碑; traditional Chinese: 闕特勤碑; pinyin: Què tèqín bēi )) They are two monumental installations written by the Göktürks in the Old Turkic alphabet in the Orkhon Valley in Mongolia at the beginning of the 8th century. They were erected in honor of two Turkish princes Kül Tigin and his brother Bilge Kagan. Both Chinese and Old Turkish inscriptions describe the legendary origins of the Turks, the golden age of their history, their subjugation by the Chinese and their liberation by İlteriş Kağan. According to one source, the inscriptions contain "rhythmic and parallel passages" similar to those of epics. In the Old Turkish Alphabet, 38 letters are accepted academically and this pattern is generally used in the books. But there are more than 38 letters in this alphabet, these special letters are included in this font.

Simple - The Bilingual Font. The process of Simple began with the usual alphabets followed by a series of icons and soon it was an avalanche of Chinese characters. The pool of proposed Chinese characters were loosely determined by the needs of a lunar calender. In a nutshell, Simple is a single-weight, minimal, grid-based Sans-serif display. Prudent with details and sturdy in form, the geometrically-driven structure marks the foundation of a cross-cultural assortment of Latin alphabets, Chinese characters and thematic icons. After months of extensive typesetting, Simple is also realized to be well-catered for use in graphical information design in games and tournaments, logotypes, advertisements and headlines. http://www.behance.net/gallery/Simple/847905

The display typeface that is based on the shapes of traditional Chinese hieroglyphic characters. Designing the font for imitations in the Chinese style the author nevertheless demonstrates serious attitude and thoroughness using the table of keys of the regular Kaishu script. As a result the font looks stylistically authentic and genuine. The typeface was designed by Aleksandra Egorova, the young type designer from St. Petersburg, and released by ParaType in 2008 .

A Qilin is a mythical hooved creature, looking a bit like a cow with a lion's head, reptilian scales and deer antlers. The Qilin features in Chinese lore, where it is often associated with good luck and prosperity. Qilin font is a rather messy typeface, created with a steel pen and Chinese ink. It might not be a classy font, but it will bring the buyer good luck! ;-)

Fluid is an elegant decorative typeface, a contemporary approach of Chinese calligraphy. As if a robot was holding a brush, practicing its digital "Qi".

Every exit is an entry somewhere else. It’s a quote by British playwright Tom Stoppard and I really like it! Exit strategy is a rough brush font, which I made using Chinese ink (where would I be without my Chinese ink??) and the new batch of French paper I bought. Use this font to highlight all that is important, stick it on posters, slap it on book covers - it will definitely do the trick!

Hello, Happy to share our new fonts "Dragons Gravity" is a display font mix with a chinese color, consept like a dragons shape. It is ideal for Chinese gift, cards or invitation, film layout motorcycle, branding, quote, more product designs with your best styled. Features : Uppercase and lowercase Numbers Punctuation Multilingual Accent What you get : Dragons Gravity. OTF If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Bayu Suwirya

In May of this year, I went to Japan with my (then 11 year old) son Sam. It was his dream to visit Japan, probably because of my tall tales, stemming from the time I was a tour guide! Sam really wanted to try all kinds of Japanese delicacies and one day, when walking around Tokyo, we came across a little stall selling Taiyaki. Taiyaki are fish-shaped waffle/cakes with a red bean or sweet potato filling. They are really delicious! This nice ‘oriental looking’ font was made with a broken popsicle stick and Chinese ink. You are now wondering why I always use Chinese ink and not Japanese ink. Well, I have a stash of the Chinese stuff and it’ll last me a lifetime!

Chinese characters have simplifed and more complex, "traditional" variants. Zenith imagines what an un-simplified, traditional version of the Latin alphabet might have looked like.

Mr Dum Dum was designed for our game – Ba Ba Dum. In Ba Ba Dum players can learn words in different languages, so we needed a typeface that can support not only all latin characters but also Cyrillic, Greek and two Japanese syllabaries – Hiragana and Katakana. Eventually we wanted to add Chinese support so we designed 1314 Simplified Chinese characters – just enough to cover all words available in Ba Ba Dum plus necessary logograms to translate the games UI.

For many centuries, Chinese cut paper designs have been in common use. Floral Ornaments was inspired by these floral cut paper designs and contains a selection of 114 ornaments.

The M XiangHe Hei Traditional Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. M XiangHe Hei TC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei TC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Traditional Chinese. The M XiangHe Hei TC fonts have over 19,000 glyphs, and support the BIG5/HKHCS and CP950 character sets for Traditional Chinese.

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. M XiangHe Hei SC features Neue Frutiger for its Latin glyphs, and works harmoniously Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and Seol Sans (Korean). M XiangHe Hei SC is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese. The M XiangHe Hei SC Std fonts have over 8,000 glyphs, and support the GB2312 character set for Simplified Chinese.

TaiQin is inspired by Chinese calligraphy to design both English and Thai typefaces. It offers 4 basic weights and a variable font. In addition, I have also designed alternatives for certain Thai glyphs.

Art of Japanese Calligraphy is a Kanji font. This is a collaboration with experienced calligrapher, Shigeru Nomura. Developed directly from the hand-written Kanji (Japanese/Chinese Characters). Perfect for anywhere authentic Kanji is needed.

Ascender™ Uni is a proportionally spaced comprehensive Unicode-compatible font with support for the Unicode Standard, v2.1 (supporting most major code pages and character sets in modern use). Ascender Uni is a 39MB TrueType (TTF) font with approximately 53,000 glyphs. The Latin and related glyphs (designed by Steve Matteson) are Sans Serif, with Gothic ideographs drawn in Japanese style, and complementary styles for other scripts. There are also versions of Ascender Uni that provide localized support for Korean, Simplified Chinese and Traditional Chinese. OpenType layout support is included for Arabic (initial, medial, final, isolate, and required ligature forms, as well as basic mark positioning), and vertical writing for CJK locales (consisting mostly of Latin, symbol, punctuation, and kana glyph variants). Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish), Chinese, Japanese, Korean, Thai, Vietnamese, Hebrew, Arabic. NOTE: Not all applications provide complete support for all the glyphs in this Unicode font.

Radical Brush is a rather radical font: I made it with a really wild brush and Chinese Ink. I’d probably use it for revolutionary posters, packaging design for extreme products or for R-rated movie posters.

My wife was watching ‘Memoirs Of A Geisha’ the other day, and I am going to take my son Sam to see Japan in May this year, so when I started drawing out the glyphs for this font, the name was already chosen! Tokyo Geisha is a handmade brush font. I made it with Chinese ink and one of the Chinese brushes my late father in law gave me. Tokyo Geisha is a font with speed and a certain flamboyance. It comes with extensive language support and a cool .notdef glyph. I am sure you will put it to good use! Arigato Kozaimasu!

At the very least, you'll need this for the Chinese New Year celebration. This was designed in the year of the monkey, and includes all the usual accents for Western European languages. Caps have tassels, lowercase have no tassels.