Free money is an organic-looking display font. It was inspired by gig poster art, alternative comics and b-grade movies.

Don't be afraid to taste something sugar free - most times you will be surprised how good it tastes! My Sugar Free font may not look as very much at first glance - but play around with the Regular and Italic versions (and notice the 4 different versions of each letter, that automatically cycles as you type!) and you will see how lively the font is!

Sultan Free, designed by Sultan Maktari in 2005, is a freestyle Ruqaa and a winner in Linotype’s first Arabic Typeface Design Competition. The design is open, calligraphic, and very dynamic. This makes it suitable for large display sizes, especially in the area of advertising, while still functioning well as a text face. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

A Sans serif design that follows a continental style with design characteristics that combine condensed and open counters. The lowercase has tall ascenders. Family includes common capitals and alternate lowercase characters. FreeZone requires subjective display kerning and compensation.

The Fred family is based on the casual hand lettering of Fred G. Cooper: cover artist, cartoonist, and letterer for Life magazine in the 1920s and '30s. His relaxed style captures the flavor of the Roaring Twenties, and the digital font was developed for use in the credits and title cards for a 1920s-style silent movie, The Call of Cthulhu. In an effort to keep the hand-lettered look, the OpenType font has numerous discretionary ligatures and contextual alternates, along with fleurons and ornaments.

Introducing Dree - typeface - 6 serif and display fonts Dree is creative and minimal typeface loaded with 6 fonts and multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Serif and Display Alternate Italics Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a pleasant mix of rather unobtrusive capitals with more vivid lowercase letters, giving text a lively appearance. Bree is clearly influenced by handwriting. As such, some of its most characteristic features are the single-story ‘a’, the cursive ‘e’, the outstroke curves of ‘v’ and ‘w’, the flourished ‘Q’, and the fluid shapes of ‘g’, ‘y’, and ‘z’. Alternates of these letters are available when a more neutral look is desired. Bree has a touch of cheekiness, a wide stance for each character, and an extra-large x-height. All this adds up to a big personality, so even when set in small text there is no skimming past the words Bree voices. In 2019, the Bree font family got a huge update. A few shapes were updated or added (the ‘k’ and German capital ‘ß’), two entirely new weights were added (Book and Book Italic), and spacing was perfected. More than that, Vietnamese support was added to Bree Latin, and the Bree Greek and Bree Cyrillic scripts were designed from scratch to parallel the Latin’s tone. Additionally, Bree was designed in variable font format for those who want complete control over the font’s appearance while simultaneously saving digital weight in the form of kilobytes and megabytes. Bree is in the perfect position for the next digital revolution. The complete Bree font family, along with our entire catalogue, has been optimised for today’s varied screen uses. Bree has been chosen for such wide-ranging uses as Breast Cancer Awareness Month in the US, the branding for the country of Peru, and numerous layouts including mobile apps, magazines, newspapers, and books. Awards – Tipos Latinos exhibition 2008 – Several best-of-the-year typeface lists of 2008 MyFonts Top 10 Fonts of 2008 Smashing Magazine: 60 Brilliant Typefaces For Corporate Design https://www.smashingmagazine.com/2008/03/60-brilliant-typefaces-for-corporate-design/ Die besten Schriften 2008 http://www.fontwerk.com/619/die-besten-schriften-2008/ – Selected for Typographica’s Best Typefaces of 2008 – Won Bronze for Original Typeface in the 2009 European Design Awards

Let's Hoop is a simple, bold, and fun display font. Its informal style and casual vibe will make this font a go-to choice for each of the creations that require a relaxed touch. This font contains 194 glyphs, supporting 66 languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu, and more. So what's included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You

Let’s Sparkle is a brand-new handwritten font that will be perfect for books, wedding invitations, greeting cards, logos, posters, or anything else that needs a fun and happy look!

Let's Study the font is this handcrafted font, with bold and round style which is very beautiful to use as a design font of choice for your project, its unique character will make this font design look very natural, there are some additions that let you make your creation more real, suitable for all designs, posters, magazines, covers, invitations, media stories, social media, novels, story books and many more, this font will support your feelings when you want to express something cheerful or enthusiastic about learning

Kermel serif is a hand made font ideal for your graphic project. Usage recommendations: Title, short text, children's book, poster, book cover, brochure, label, magazine

A burger and a shake - the classic companions! Mix those two and you get the Burger Shake - it may not sound very delicious, but the thought of mixing two nice things is great...or something! :) Anyway, the Burger Shake font is about having fun in a legible way. The letters are slightly uneven and rough here and there, and has this nice handmade organic feeling. I've added 5 slightly different versions of each letter, and they automatically cycle as you type!

Meet Urgent Burger, a font inspired by paper cut styles. "Urgent Burger" is not just about looks; it's also designed with the science of typography in mind. Each letter is crafted for exceptional readability and legibility. So, your message always shines through. Whether you're designing a whimsical birthday card, a captivating logo, or a funky poster, "Urgent Burger" adapts effortlessly to any project. With multiple weights and styles, you have the creative freedom to play around and explore endless possibilities.

Shampoerna Betoel is an elegant and classic blackletter font. Fall in love with its incredibly versatile style and use it to create spectacular designs! Shampoerna Betoel Typeface includes a full set of character A-Z, as well as multi-lingual support, currency figures, numerals, and punctuation. What's Included : Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡

A complete figurative alphabet was published by one Peter Flotner (ca. 1485-1546) in 1534. In Flotner’s alphabet, naked or nearly-naked figures are posed singly or disposed in pairs to form the various letters. Unlike de Grassi’s alphabet, we find only human figures here, no other animals. And unlike Tory’s illustrations, these letters seem an end in themselves, rather than the means of demonstrating a design strategy. Flotner’s alphabet was imitated by other engravers. The letters G and N are reproduced from an alphabet published by one Martin Weygel in Bavaria in 1560. Peter Flötner , c.1485-1546, German medalist and artisan, possibly Swiss by birth. He was active in decorative sculpture, wood carving, and other crafts, making medals and plaques and furnishing designs of classical motifs for silversmiths. He was in Nuremberg by 1522 and did most of his work there, although he made two trips to Italy. Flötner is now regarded as a pioneer of the German Renaissance. His Kunstbuch was published in 1549. In the Metropolitan Museum are five of his bronze plaques illustrating biblical episodes. A stylistical tip : Use this caps with SchneiderBuchDeutsch, as shown in the banners above, to create a perfect historiated layout.

Queens Burger is a Quirky Handwritten Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Say hello to Chieezy Burger! Yes, this font is tasty, created especially for food branding and food advertising. Inspired by visualization of tasty burgers, crunchy chips, and cheerful emotion of the people who enjoy foods, drawn become the playful alphabet, with natural strokes. Chieezy Burger is available in 4 styles: Regular, Distressed, Outline, and Shadow. You can make a playful typographic design without losing a delicious impression from the whole design. You can use the font individually or combine them as well. This layered font is also complete with OpenType features and multilingual support. PUA Encoded, so you can access the special characters without special application. Thank you for visiting, stay healthy!

Verger Junior is a serif font designed for editorial design, books, and magazines. But not constrained by anything but your fantastic imagination! Verger Junior is a part of the Verger Font Family. Junior is a moderate redesign with a ... specifik Ten-version for small text (footnotes, picture texts etc.) slightly narrower width a more conventional italic style new swash family Don't let its classic look fool you. It’s a working horse!

The font Verger Book is the little brother of Verger . It’s a sturdy serif antiqua and your companion in legible and solid typographic design. Verger Book has several expressive and distinctive styles, especially in the design of its italic versions.

Burger Honren is a beautiful collection of fonts, consisting of scripts, monolines and serifs. In this collection you will see fonts in various styles. With their help, many options open up for you to create your projects, both in vintage and modern styles. The script fonts in this collection provide both charisma and charm, crafted with care and complemented by alternatives and strokes. Serif comes in 10 styles and it is possible to choose the required style for your design. This font is PUA encoded which means you can access all the glyphs and sweeps easily!

Burges Elbow - Playful Font In 2 Styles Created with the idea of bringing happiness and joy to any project, Burges Elbow is a perfect choice for those who want to add a touch of playfulness to their design. To use Burges Elbow to its full potential, it would be great for designs aimed towards children such as book covers, posters, and flyers. Its playful and quirky nature would also make it a great choice for branding aimed at a younger audience or products that want to add a sense of fun and whimsy. Burges Elbow comes with a variety of features, including uppercase and lowercase characters, opentype alternates and ligatures, and support for multiple languages. These features allow for a wide range of creative possibilities and make it easy to use in various projects. Included in the zip package are three different file types: OTF, TTF, and WOFF, which can be used in any design software that supports font installation. With these different file types, you can use Burges Elbow on any platform or device, making it a versatile choice for any project. Add a touch of fun and playfulness to your design with Burges Elbow. Its cute and whimsical nature will surely make your design stand out and bring a smile to anyone's face. In summary, Burges Elbow is a playful font in 2 styles that is perfect for designs aimed at children or those looking to add a sense of fun and whimsy to their branding. With its various features and file types, Burges Elbow is a versatile choice that can be used in any design project.

The Bentele-Unziale letters are transcribed from letters drawn by Prof. Ernst Bentele which are displayed in Hoffmanns Schriftatlas (1952). The size of the original is matched when set at 84 pt.

The inspiration behind the design of the Verger typeface family (serif & sans version) comes from the classic Golden Type, which was originally crafted by William Morris. Although Verger is inspired by this classic typeface, it has several modern, expressive and distinctive styles of its own, especially in the design of its italic versions. This is the sans version of Verger .

Eight tons of Meat-eating TYRANNOSAURUS REX vs. one Vegetarian BRONTOSAUR? CRUNCHTIME!

TT Barrels useful links: Specimen PDF | Graphic presentation | Customization options TT Barrels is an elegant scotch style modern serif with strong industrial accents in its design. The TT Barrels project was born from a fictional technical assignment in which we tried to combine the technological effectiveness of industrial production used in engineering and the restrictions imposed by it with a beautiful scotch style serif. We decided to create a typeface that could be used to press letters on the metal body of a car, all while the typeface being elegant, and possessing sophisticated details that are typical of the classic text fonts of the late 19th and early 20th centuries. In the process of designing and sketching, we reconsidered certain aspects and abandoned some of the requirements imposed by the technology of metal letter pressing, for example, from the extensive application of visual compensators, the decreased strokes contrast, and the hyperdeformation of individual letter elements to preserve a more pronounced rhythm of these elements. First of all, we wanted both to maintain the ease of reading for the entire text array and follow the rules of aesthetics of each letter in the typeface, while still leaving some influence of industrialism. In the end, this influence is best manifested in serifs, which are quite massive and have a technologically exaggerated wedge shape. TT Barrels consists of 12 fonts: Light, Regular, DemiBold, Bold, Extrabold, Black and the corresponding Italics. Each outline consists of more than 750 glyphs and includes small capitals, ligatures (for Latin and Cyrillic alphabets), stylistic alternates, old-style figures, and many other useful features. FOLLOW US: Instagram | Facebook | Website TT Barrels OpenType features: ordn, c2sc, smcp, case, frac, sinf, sups, numr, dnom, tnum, onum, lnum, pnum, dlig, liga, calt, salt (ss01). TT Barrels language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

An assortment of 42 expertly-drawn decorative vector panels in the form of a single font. Inspired by early 1900's artist J.M. Bergling. Each letter generates a different design.

This quirky little gem was patterned after single-stroke handlettering originally crafted by John M. Bergling, whose peregrinations through pulchritudinous penmanship also provided the inspiration for Erehwon Roman NF. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

A comprehensive set of initials (usually referred to as Uncials, Lombardic Initials, or Lombards) of the French variety, adapted from Bergling, J.M. (1918), Art Alphabets and Lettering (Second Edition), Chicago: Blakely-Oswald Printing Company. The font contains over one hundred glyphs, including character outlines for two-color layering. Suitable to accompany most Gothic (especially Textura and Rotunda) and many Roman typefaces, or to be displayed as drop caps or in full titles and headings. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Initials “Bergling A” Font Page.

Berling is an old style typeface based on the classical Venetian model used by Aldus Manutius at the end of the fifteenth century. Berling was first cut by the Berling foundry in 1951 with further weights released in 1958. The Berling font family is intended primarily for setting text in books~ journals and magazines.

The productivity of the Berlingska Stilgjuteriet was made possible by the development of modern typeface art in Sweden in the 1950s. The typeface Berling was designed by Karl-Erik Forsberg for the Berlingska Stilgjuteriet in Lund. It belongs to the modern text typefaces and like most of these markedly shows the influece of the Neorenaissance. Berling Antiqua appeared in 1951 with a matching italic and by 1959, it was expanded to include five weights. Linotype offers Berling in four of them, roman and bold with their respective italics. In 2004 the Swedish publisher Verbum commissioned a complete redesign of Berling for the 21st century. Linotype assisted the designers of this new typeface, which came to be called Berling Nova.