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  1. Eleme S Sans HBold - Unknown license
  2. PL Torino by Monotype, $29.99
    PL Torino Outline was designed by Ed Benguiat in 1960 after Alessandro ButtiÆs 1908 typeface, Torino.
  3. Open Range by FontMesa, $20.00
    Open Range is a new font design based on an old classics sans serif font from the 1800s. Some may say that this font looks like a western version of the more modern Benguiat but samples of lettering from the 1800s show a similar design to Benguiat and may have been the inspiration for that font.
  4. Shorelines Script Bold - Personal use only
  5. DIST Inking Bold - Unknown license
  6. D3 Biscuitism Bold - Unknown license
  7. Goulong Bold Outline - Unknown license
  8. DDD Pipe Bold - Unknown license
  9. Ashby Extra Bold - Unknown license
  10. D3 Euronism Bold - Unknown license
  11. Monday Bold (sRB) - Unknown license
  12. Spylord Bold Expanded - Unknown license
  13. Phat Grunge Bold - Unknown license
  14. D3 LiteBitMapism Bold - Unknown license
  15. Pecot Outline Bold - Unknown license
  16. BN Pinky Bold - Unknown license
  17. Walkway Condensed Bold - Unknown license
  18. Walkway Oblique Bold - Unknown license
  19. D3 Honeycombism Bold - Unknown license
  20. Yukon Tech Bold - Unknown license
  21. Samson Bold Oblique - Unknown license
  22. Bagad Bold Tryout - Unknown license
  23. GF Matilda bold - Unknown license
  24. Spylord Bold Italic - Unknown license
  25. Rowling Stone Bold - Unknown license
  26. Walkway UltraCondensed Bold - Unknown license
  27. Walkway Expand Bold - Unknown license
  28. Walkway Bold RevOblique - Unknown license
  29. Walkway UltraExpand Bold - Unknown license
  30. Hog Bold - HMK - Unknown license
  31. Chizzler Bold Outline - Unknown license
  32. Earth's Mightiest Bold - Unknown license
  33. PsychedelicSmoke Cn Bold - Unknown license
  34. Wyld Stallyns Bold - Unknown license
  35. Bionic Type Bold - Unknown license
  36. Anahita Extra Bold by Naghi Naghachian, $95.00
    Anahita ExtraBold is designed by Naghi Naghashian. This Headline Font is developed on the basis of specific research and analysis on Arabic characters and definition of their structure. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design. Anahita supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Anahita Font is available in ExtraBold. This font is designed to be used as advertising and newspaper headlines. Anahita design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. Anahita is not based on any pre-digital typefaces. It is not a revival. Rather, its forms were created with today's technology in mind. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Anahita's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Anahita was developed for multiple languages and writing conventions. E The highest degree of geometric clarity and the necessary amount of calligraphic references. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.
  37. Sainted Extra Bold by Wooden Type Fonts, $15.00
    Extra Bold Serif
  38. Stymie Extra Bold by Wooden Type Fonts, $15.00
    Extra Bold serif, ideal for large display.
  39. Montague Script Bold by Stephen Rapp, $59.00
    Montague Script Bold is a beefed up version of the 2009 Type Directors Club Award winning Montague Script. The added weight makes it more ideal for display purposes like book titling, packaging, and headlines. Like the original award winning version, it features an energetic rhythm with loads of swashes and ligatures. Having its origin in fine sable brush lettering done on smooth vellum paper, both versions are ideal for greeting card and invitation text. There are beginning, ending, and alternate versions for almost every letter.
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