A melting member of the Fantasma Lanky font group It's a font family that includes 16 members covering Latin, Baltic, Turkish and Greek languages (Latin 1, Latin 2: Eastern Europe, Greek, Turkish, Baltic)

Includes: Western European, Central European, Baltic, Turkish, Romanian sets

The ''Fantasma lanky'' is StratosMFonts' first font project. The ''Fantasma lanky'' style is a sans typeface with a sense of script and a dramatic touch. It's a font family that includes 24 members from Thin to ExtraBlack covering Latin, Baltic, Turkish and Greek languages (Latin 1, Latin 2: Eastern Europe, Greek, Turkish, Baltic)

Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Walter Tiemann’s elegant display font brought to life again and carefully extended with Baltic, Turkish and Central European character sets.

Numbskull contains an expanded character set including: Central, Eastern and Western European languages, The Baltic, Cyrillic, Esperanto, Greek and Turkish.

A bit Circus ... a bit Showbiz ... a bit Western ... but completely FANCY Includes: Western European, Central European, Baltic & Turkish sets

Walter Brudi's elegant shadowed display font brought to life again and carefully extended with Baltic, Turkish and Central European character sets.

Goniec is a heavy, graffiti inspired font. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish language.

Businessland is script family that combines elegant and rough look of the characters. Contains 372 glyphs including codepage support for Eastern Europe and Baltic countries.

Seriffi Morgan is a paper-tasting serif typeface, just what you need. It supports West and Central European languages as well as Baltic, Turkish and Romanian.

Funny Book Sans includes these codepages: 1252 Latin 1; 1250 Latin 2: Eastern Europe; 1251 Cyrillic; 1253 Greek; 1254 Turkish; 1255 Hebrew; 1257 Windows Baltic; 1258 Windows Vietnamese.

In 1935 Schriftguss Dresden released Arno Drescher’s famous titling font Helion. This font was brought to life again and carefully extended with Baltic, Turkish and Central European character sets.

Skurier is a hand-drawn font inspired by monospaced fonts like Courier. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Inspired by Demeter’s Geperle Fournier, Baroque Pearl is a highly ornate display font of the same style which was carefully extended with Baltic, Turkish and Central European character sets.

Alph Deco is an artistic font designed to satisfy devoted friends of art deco. It supports West and Central European tongues as well as Baltic, Turkish and Romanian languages.

Live long and prosper. Barnhart Brothers and Spindler. 1884. Originally named Vulcan. Enough said. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Athletico is a layered type family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The Collegium is a font family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

A modern sans-serif, Atria is pinched at the junction of certain strokes, providing a distinctive appearance and aiding screen definition at small sizes. The glyphs cover Baltic languages and Cyrillic.

Revers is a rough, grunge slab serif based on newspaper headlines from the 1950s. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Tygodnik is a font inspired by the logo of the Polish magazine Tygodnik Powszechny. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

What else is there to say? Children's wooden blocks inspired this playful face. Use and enjoy! Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Antidotum is a hand-made letterpress font with two different sets of capital letters. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Stencimilla is a distressed stencil typeface with two different sets of capital letters - no lowercase. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Here's something you don't see every day—Italian Art Deco woodtype. It's suave but unsophisicated, an unpretentious charmer. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Another Speedball pen alphabet from master draftsman Ross George, this face is bold and lively. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A simple stylistic device gives this clean, bold sans serif face a slightly spooky feeling. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Plain and simple, here's a faithful reproduction of the Advocate font for IBM Selectric typewriters from the 1960s. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Blackstock has a distressed alternate for every capital letter, consecutive characters are controlled with the OpenType Ligature feature. Blackstock Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

Athletico Clean is a clean version of Athletico font, inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Another William H. Page classic, Gothic Dotted, provided the pattern for this bold and brassy typeface. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

London's Reed and Fox 1874 specimen book featured two faces, Viennese and Corinthian, combined here in one elegant decorative face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

No mystery here—it's a larrupin' good lighter version of the original Whiz-Bang Woodtype goody, Dime Box. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A typeface from the 1883 MacKellar, Smiths and Jordan specimen book, called Roundhead, offered the pattern for this rollicking headline face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A long-lost gem from Herbert Thannhaeuser named "Buik" provided the inspiration for this classic Deco-era face. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This commanding typeface is based on Welling Black, a Fotostar offering from the 1970s. Equally well suited for headlines and subheads. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.