Handsome, adventurous, legible and elegant, this script has the feel of practical handwriting from past centuries. Aquiline is based on a cursive italic style influenced by the 16th century European writing masters. The Aquiline design team turned to Ludovico degli Arrighi, the great 16th century writing master, for period ideas on how to improve, strengthen and add grace to the font. Aquiline has strokes and gestures that seem very like the writing of Arrighi and Mercator, such as the flamboyant balloon of a flourish on the cap A; the graceful flourishes on the cap B, D, and L; and the compact lowercase with tall ascenders. Aquiline has a strong personality and is historically correct.

Introducing Quilin Serif - latin and cyrullic Quilin is luxury, vintage typeface loaded with alternate glyphs, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes. Quilin is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Alternate glyphs Ligatures Multilingual support Cyrillic support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Amiline Handwritten Signature Font Amiline Handwritten Signature Font is a Signature Handwriting Font script that makes with natural line handwriting. This font is suitable for any branding of your design needs, wedding invitation, romantic project, studio brand, logo, invitations, social media posts, clothing, invitation, poster, cafe/resto sign and others. Features; - Uppercase, Lowercase, Number, and Punctuation - Standart and Special Ligatures - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ etc. Hope you enjoy our font and this font is useful for your projects!

A Modern Luxury Font that we created special for elegant branding needs, with extra ligature and alternates in unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more classy and modern. And specially for Calista font, We prepared any ligatures, and any alternate characters to help you create unlimited variations for your creative needs. Guilin Modern Luxury Font Family ready with: Any options to get creative variations (combination of Alternate and Ligatures) Ready 4 Weights (Thin, Regular, Thin Italic, Italic) Preview as a inspirations that you can do with Guilin font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Auline is Modern Luxury Serif Font is a well-balanced contemporary font with a fancy, unique, and versatile Luxury serif, font that you can combine to get any variations and unique shapes easily just in seconds with choose alternates of them. What's Included: Character set A-Z Normal & Italic Style Numerals & Punctuation Accented Characters (West Europe) Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

A Qilin is a mythical hooved creature, looking a bit like a cow with a lion's head, reptilian scales and deer antlers. The Qilin features in Chinese lore, where it is often associated with good luck and prosperity. Qilin font is a rather messy typeface, created with a steel pen and Chinese ink. It might not be a classy font, but it will bring the buyer good luck! ;-)

These beautifully designed initials were created by talented American designer Steven Albert. Aquitaine looks best when the more straightforward characters are used to set words and the decorative alternatives are used to provide exciting initialling complements. A unique style with subtle historical and religious overtones.

Proudly Presenting, Guthen Jaqueline A Stylish Siganture Font Guthen Jaqueline is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Guthen Jaqueline also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

I like Ravens. In fact, I like them so much that I have a tattoo of a Haida raven! Ravenheart was more or less modelled on my Qilin font, but it is completely different. It is scary and inky, but it has a certain flair as well. A bit mystical, a bit evil, but I am sure you’ll find many uses for it. Comes with a fluttering of diacritics.

Atonement is a splattery, scratchy font. I made it with a steel nibbed pen, a brush and some Chinese ink. I based it on my fonts Ravenheart, Qilin and American Grunge - mostly because I really like them. Of course, all of these fonts are influenced by the work of the great Ralph Steadman - someone I greatly admire. Atonement comes with ligatures for double letter combinations and a stash of diacritics.

I needed a name with ‘brush’ in it and most have already been taken, so I did a little digging and found out that Purshia tridentata, a flowering plant native to the mountainous areas of western North America is called bitterbrush. It is also known as antelope brush, quinine brush and buckbrush - but I settled on Bitterbrush. There’s nothing bitter about Bitterbrush. It is actually a very sweet hand brushed font. It comes with ligatures for double letter combinations and a truck load of diacritics. And (something I am very proud of): it supports the Vietnamese language!

Auchentaller was inspired by a travel poster by Josef Maria Auchentaller in 1906. To our knowledge, it was never cast in type. Grado lies on the northern Adriatic, between Venice and Trieste. At one time the port for the important Roman town of Aquileia. With the decline of the Roman Empire, the upper Adriatic region came under the rule of the Visigoths, the Ostrogoths, the Byzantines, the Lombards, the Franks, the Germans, the Venetians and finally, in 1796, the Austrian Hapsburgs. So it remained until the dissolution of the Austro-Hungarian Monarchy in 1919, following World War I, when the seaport of Trieste was awarded to Italy. With Trieste came Montefalcone, Aquileia and Grado. The area was marked by years of political tension between Italy and Yugoslavia, exemplified by the d'Annunzio expedition to capture Fiume (Rijeka) in September, 1919. Some basic discussion of the period from 1919 to 1939 may be found in Seton-Watson’s Eastern Europe Between The Wars (Cambridge 1945) and Rothschild’s East Central Europe Between The Two World Wars (Seattle 1974). In 1965 I was traveling by train from Venice to Vienna. Crossing the Alps, the train stopped for customs inspection at the rural Italian-Austrian border, just above Slovenia. We were warned not to get off the train because there were still shooting skirmishes in the area. Through all this, Grado remained literally an island of tranquility, connected to the mainland by a only causeway and lines on a map. Auchentaller not only painted the beach scene at Grado, he moved there, living out the rest of his life in this comfortable little island town. His travel illustration contains the text from which the design of our font Auchentaller is drawn. The text translates: "Seaside resort : Grado / Austrian coastal land". Please see our gallery images to see a map locating Grado, as well as Auchentaller’s painting of the resort. Auchentaller is a monoline all-cap font, light and open in design , with a lot of typically art nouveau letter forms. Included in our font are a number of ligatures. As is frequently seen in designs by German speakers, the umlaut is embedded in the O & U below the tops of the letters. This approach led to two whimsies: a happy umlauted O and a sad umlauted U. This font has a clean, crisp look that is very appealing and very distinctive. Auchentaller ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Add glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 336 glyphs. 2. Added OpenType GSUB layout features: pnum, liga, salt & ornm. 3. Added 116 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. Revised ‘J’. 6. Minor refinements to various glyph outlines. 7. Inclusion of both tabular & proportional numbers. 8. Inclusion of both standard acute and Polish kreska with choice of alternate accented glyphs for c,n,r,s & z. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.