Algarabía Display was created for titles or to highlight a particular text. It includes a set of accented capitals and accented lowercases, almost one hundred ligatures, entry and exit capitals, symbols, punctuation and numerals, and almost 50 different kinds of dingbats. It is a typeface to have fun.

Neoro is an Art Deco condensed display typeface with an emphasis on its legibility to work as a “workhorse” typeface. Neoro is developed with the intention to be used in almost all media and sizes. By combining the characteristics of an Art deco type with an emphasis with it’s legibility, this typeface is versatile in almost all medias you can think of! Magazines, body text, captions, headlines, display, albums and almost any media you can think of! *This font includes letters, numbers, multi-language, and all essential marks needed.

Jennie in a box - a very well flowing scriptfont that's appealing for almost any task.

A Handdrawn typeface that can be used to create almost all types of design projects.

Pure, rounded and eclectic, almost abstracted letterforms. A monoline typeface with a soft, organic edge.

Another font by Hilde Rikken (age 10) with crazy serifs and almost every special sign.

Piepie is very heavy typeface for titlings and captions. OpenType Format (.otf) with 461 glyphs! Super mini ascenders and descenders! Ultra big x-height! Fatty weight yet Sharpy sharp detail! Bring it on Retina display! OpenType alternates for K, R and Y! Mac Roman ✓ Windows 1252 ✓ Adobe Latin 1 ✓ Adobe Latin 2 Almost all Adobe Latin 3 Almost all

This is almost a necessity if you are doing reproductions of mid-19th century posters and playbills.

Crack open another coconut! With Bamboo, you can almost hear the waves and feel the warm tropical island breeze.

Smeethe manages to look almost out of focus while being slightly degraded and distorted, but has a smoothed outline.

Based in Manuel Corradine's handwriting, Mucura is a very spontaneous font. It could be used in almost any informal project.

Based in Manuel Corradine's handwriting, Zape is a very spontaneous font. It could be used in almost any informal project.

Hand-lettered font, based on the designer's own handwriting. Perfect for indy comics or for lending almost anything a personal touch.

Hi! Introducing a simple minimalistic font named "One Thin Line". Because almost all letters and characters are made of one line.

Axplat is the first in a family of grunge, deconstructed, messed-up type faces. It has Euro and almost all the special characters.

Use your imagination. Butter Bold Brush Script is a fun universal font that will work with almost anything you want it to do!

This is the 'dark' version of our font PaperCut Almond. It has all of its openings closed to enhance the effect of handcut lettering.

Ruman is a display typeface suitable for logotypes and posters. It’s a very simple origami font and short words look almost like abstract pictures.

Subyep is a unique bitmap font with subtle serif and has almost a neoromantic/gothic look. The best size to use it is 17 pt.

Lydian is Warren Chappell’s almost calligraphic sanserif, designed for ATF in 1938. Lydian Cursive, done by Chappell in 1940, is much freer and more calligraphic.

Aeon is a 6-weight family and can be use in almost every graphic design application; it's great for minimal design, logos, posters, and magazines.

Modeled after an image of an almost complete set of Latin Condensed wood type, Cattle Trail JNL is available in both regular and oblique versions.

Step into the future with my Reminders font! The letters swirl and turn around and into each other with its almost 700 ligatures - that's crazy!!!

This typeface was developed by Roland John Goulsbra in 1995. Almost like the printing of a child, the irregular forms of Agrafie make a unique impression.

George Brian designed the Souvenir Gothic font family. Souvenir Gothic is based on the original serif design of Souvenir. Strokes are flared to almost undetectable serifs.

Spiegel Sans combines the shapes and proportions of an American-style gothic – the ultimate industrial typeface – with subtle diagonal stress and almost imperceptible traces of handwriting.

With lively Stylistic Alternates in capital letters, the Saxophone font family is a metaphorical equivalent of the instrument, which can be used in almost all music genres.

This style was actually inspired by some old stock certificates Tom had collected. It’s a very versatile font and allows for some horizontal stretching. Fits almost any space.

Stazin is a display high-contrasted font comes with single-weight. Stazin supports many Latin based languages and Arabic language with almost 900 glyphs that covers many OpenType features.

Lydian is Warren Chappell’s almost calligraphic sanserif, designed for ATF in 1938. Lydian Cursive, done by Chappell in 1940, is much freer and more calligraphic. Life is a journey.

Start with the basic shapes that almost every design program has. That is, the square is like a finished material. Can be arranged, rotated to get the desired typeface easily.

KD Diagona is a display, geometrical face with 45 degree diagonal cut. Letter spacing along with almost 4000 kerning pairs were designed to match the diagonal progression of the font.

ZOMBA! It's a retro-horror typeface that speak for itself. Ideal for big and strong messages. Kids gonna love it. Carefully hand crafted, includes almost all latin languages and cyrillic!

Smack, from American designer Jill Bell, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and are accompanied by fine dots which almost look like accidental drops of ink on the paper. Smack is an illustrative font with unmistakable handwriting character and is perfect for cartoons, comics and anything else which is not supposed to take life too seriously.

DrivEddie was an attempt to create a rough, hand-drawn typeface that was quirky but easily readable. It has a few serifs so it is almost but not quite san serif. All vertical stems are curved. For almost 25 years DrivEddie was a one-font family and one-font families often have limited applications. In 2020 I returned to this typeface to increase its possible uses by adding five new styles: italic, semibold, semibold-italic, bold, and bold-italic. I also corrected mistakes and added characters.

Sierra is an antiqua with a high x-height and generous, open counters. Many curves of the letters are almost right angles, which was particularly suited to the Digiset machines from Dr. Ing. Rudolf Hell, Kiel. The forms of Sierra with their flowing stroke contrast and half serifs have a calligraphic touch, which is especially highlighted in the italic weights. This is a graceful text type and its bold weights look almost like woodcuts. Sierra is an excellent choice for both texts and headlines.

This script has almost no historic roots. It is named after hajdamakas, Ukrainian guerilla fighters from past times. It is lively and somehow saucily forms the vibrant lines of a text.

Haldane is an Art Nouveau 'punctuated' (i.e. not joined) script, ideal for certificates, calligraphic lettering and signage. Stroke width vary from almost hairline to extremely wide. Great fun for every application!

Modern antiqua (Victorian, Scotch Roman) «Dodo», 2008–2019. Named so as a portmanteau of Bodoni – Didot. XIX-th century fonts, especially Victorian antiquas, were almost excluded from the modern use by their XX-th century's descendants. And these new books had lost too much of their former beauty, elegance. Their old noble spirit. This project, «Dodo» was started in 2008 year as the first then modern revival for the Old Imperial Russian book scotch antiqua, used 120–170 years ago in almost every printed book. Still keeping the spirit of the Steam æra.

Here's a Morris line; a traditional and legible font in small sizes, but almost abstract in big sizes. Named after my son Morris and it's got nothing to do with a certain musical...