Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Einhorn is a peculiar typeface. Difficult to classify, this upright, bold, script-like semi serif typeface was designed in 1980 by Alan Meeks. Meeks was inspired by the art nouveau period, and may have been trying to liven up the design scene. In 1980, typefaces like Helvetica and Univers were ubiquitous, and the digital revolution was still years away. Experimental faces like Einhorn helped fill the gap for creative designers looking for untraditional choices in which to set headlines and advertising work. The merit of pioneer display faces like Einhorn have never lessened; Einhorn still sets a mean display text, and works great in logos and other corporate ID solutions.

Kinghorn 105 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary look. It's intended mainly as a display font, but it's even strokes mean it remains legible even at smaller sizes. It's also available with some character variations as Kinghorn 205.

Kinghorn 205 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary look. It's intended mainly as a display font, but it's even strokes mean it remains legible even at smaller sizes. It's also available with some character variations as Kinghorn 105.