Hangtime Rad and Extra were designed with surf posters in mind, a subject close to my heart as an avid sailboarder and surfer. Its slightly raked (3 degrees) yet vertical appearance makes for compact setting with extreme impact. Hangtime exhibits some quirky terminal features, its shortened upstrokes are balanced by the lengthened strokes of others providing unusually consistent spacing. Best applied to display situations but is readable at text sizes.

RNS Pictografica Cocina (Kitchen, culinary arts and food related font) it is comprised of 230 glyphs, it's based on a modular structure of a minimal thickness on lines and round corners, making a clean visually drawing, give importance to the surround white for improve contrast. The font is better used on a big white canvas for achieve visual focus. And in great sizes for more impact, however the font is legible even at small sizes.

This font is inspired by the compact, high-impact design aesthetic of the 1990s in Chile, which was defined by the use of very heavy fonts to create eye-catching graphic pieces. With this idea in mind, Zennat Pro was born, a “semi-slab serif” that takes advantage of OpenType features which rotate in alternate characters to best fit the design. Zennat pro comes in 10 weights, and is ideal for magazine design, motion graphics, trademarks, logos, posters, etc. ...

Comalle is an organic typeface that rescues some elements of handwritten script, but its stroke does not necessarily answer to a literal calligraphy structure. So Comalle could produce a powerful impact on the page, it was designed with thicker strokes than its counter forms. The objective is that the black of the letter fills the page and causes a fastest visual impact than typographies that balance blacks and whites. One of the most important tasks of the Comalle design was to think of how to handle the unequal percentages of blacks and whites in the typeface. The peculiar thing, is that the precision work of the letter does not make the blacks, but the whites; this is the reason why in one first instance it was very valid to start off designing in a very gross way, nevertheless, the majority energies are put in the details of the design of counter space. From the drained filling concept of forms Comalle was born, a typeface that pretends to enchant with its delicate counter space design and to impact with the heavy outlines which compose its form.