Based on the 60-point Amati designed by Georg Trump and issued by C. E. Weber (Stuttgart) in 1953.

Inspired by H. Trafton's Quick, released by Bauer in 1933, Parfum is an elegant script font for many purposes.

A freely drawn heading face prepared in 1912 by Lucian Bernhard for Bauer. The typeface enjoys a vogue in Europe.

Dorsal is a display typeface that is based on a rare bit of lettering from a 1910 German lettering book.

Based upon Emil Rudolf Weiss’ Fraktur, first released in 1913, Emilia Fraktur was redrawn and extended not only with its engraved initial caps but also with various ornaments and border elements. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures. The quickest way to the long s is by typing the integral sign.

Here's a handy collection of 72 type adornments gleaned from American Type Foundry catalogs from 1913 to 1934, featuring little treasures from some of the early twentieth century's most respected designers, including Will Bradley, Frederic Goudy and George Trenholm. Among the goodies are fleurons, pilcrows, guidons, bishops fingers, mortised initial frames and several other useful elements to dress up your documents.

Based on the Keystone Type Foundry design, circa 1919. The l/c ‘g’ appears as an alternate character in our font.

Max Salzmann’s blackletter font released by Schelter & Giesecke in 1912 revived and spiced up with some beautiful filling and framing ornaments.