When you hear that name, you likely ask yourself, ‘why?!’ I did too, but the number of requests could not be ignored. Once I finally decided to move forward with it, the only way to solve the offering would be to adhere to the same theme of indulgence, I planned for the same number of optical weights AND Italics. Yeah, italic stencils… ok, why not? It’s not a new concept. One thing to note and a creative liberty I assumed during the design. Lust Stencil would not be just a redaction or removal of stress to produce a quick stencil. To do that, would just be a cheap solution. Strokes had to resolve themselves correctly and/or uniquely to the concept of the stencil format. And, it had to be heftier. For it it to look correctly, it needed about 8% additional mass to the strokes for it to retain the effervescent flow of the curves and the resolute scalloped lachrymals. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine. It would have taken even longer if not for font engineer and designer, Potch Auacherdkul. Thanks Potch.

LORCAN MIST is a powerful super modern editorial unicase font with vintage vibes, designed with love and care for amazing projects. It's great for social media, headlines, large-format print, editorial, branding, posters, fashion designs and websites — it's designed not to take too much attention but at the same time be a powerful accent. It's mysterious, elegant and sexy.

Lisa is an elegant script family in the tradition of early Italian type designers like Bodoni. I added counter strokes and floral embellishments to the font. Lisa comes in three variations: the beautiful Lisa Bella, the flowery Lisa Fiore and the extra swinging Lisa Piu (which means more in Italian). Enjoy! Your elegant script designer Gert Wiescher

Lost Wind - a beautiful and elegant hand drawn font - will emphasize your individuality in any project. This font also contains alternates lowercase and ligatures which gives you the opportunity to diversify your design. You can use this font to create a logo or for your businesses, branding, t-shirts, book covers, stationery, marketing, blogs, magazines, and more.

Lust Sans is the penultimate exploration of producing a high-contrast sans wholly influenced by its bracketed ancestor. The aspect of this endeavor I enjoyed the most was finding sneaky ways to infuse warmth and whimsy into the letterforms when you least expect it. The result, however, is subtle and uniquely balances against Lust and Lust Didone without becoming cold and overbearing. To accomplish this, Lust Sans has 6 weights. What I found during development was, based on any setting where Lust or Lust Didone were in the same layout, the amount of contrast shown with Lust Sans needed to be adjusted. Expanding the weight offering, produces opportunities for Lust Sans to modulate the rhythm of the layout comfortably while keeping contrast—this is even more obvious with the Italics. I love those. You will too. If you don’t, you do not have a soul. Not sorry. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

This font was drawn by the artist, Lisa Congdon. Design23 and Lisa Congdon have formed an amazing type partnership... Lisa draws her beautiful fonts for her series, 365 Days of Hand Lettering and Design23 programs and edits the series, bringing it to life!

Last Beyond is stylish signature font made with a modern and elegant touch to give your any project to a unique design. This font is perfect for your creative ideas, both formal and informal. It has a modern style with a touch of creative ideas that is very suitable to be applied anywhere that requires creative ideas such as invitation cards, letterheads, website logos, social media, banners, advertisements, brochures, packaging products, leather products, and any product that requires writing. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Hope you enjoy with our font!

Lost Souls is intended to represent something old, retro and innovative at the same time.

Are you a game developer, retro enthusiast or lover of pixel art? Ever had trouble tracking down an 8-bit display font that's classy, coherent and truly complete? This type enthusiast and veteran pixel artist once had the same problem, and cut no corners to solve it. Lost Arcade features four styles, a myriad of special characters, broad language support and an accompanying symbol font with 64 pixel art symbols. For the purists out there, each square is proportional to its neighbor.

Last Bastion is a strong, resolute serif typeface. The original inspiration came from the idea of an impenetrable medieval fortress that has stood the test of time and defended generations of hardened soldiers. Large stone towers and fortifications are reflected in the font's bold stems. The sans serif font offers a more modern and clean look, while the Gothic font shows the typeface's darker side. All three fonts include alternates for all letters and numbers in both caps and small caps. Last Bastion lends itself to branding, billboards, signage and industry to name a few. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

Casual and Elegant. Liet Display© is an upright italic that plays with formality by subtly exploring the spaces between serif, sans-serif and italic styles. I recommend Liet Display© for post-apocalyptic packaging, branding, and editorial design. Dominic

Lust Didone’s character set was expanded as well during the redraw and update, the Italics were separated and reimagined anew from the universal italics in the original offering. Lust Didone also includes the new Fine optical size with complementing Italics for each size as well. And, yes, more swashes. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

"Mist Tropic" blends groovy retro vibes with tropical coolness. This serif font elevates branding, logos, and merchandise with a timeless, vintage charm. Dive in, and let "Mist Tropic" transform your designs. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Alternates & Ligatures. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks!

Lisa is an elegant script family in the tradition of early Italian type designers like Bodoni. I added counter strokes and floral embellishments to the font. Lisa comes in three variations: the beautiful Lisa Bella, the flowery Lisa Fiore and the extra swinging Lisa Piu (which means more in Italian). Enjoy! Your elegant script designer Gert Wiescher

Paradise Lost is a 1667 poem by John Milton which mostly concerns the Biblical story of the Fall of Man, Eve's temptation by the devil and the expulsion of Adam and Eve from Eden. It's quite a hefty read, as the poem consists of ten books with over 10.000 lines of verse. Needless to say, I didn't read it all. But, it did give me inspiration for a font, which I called Paradise Lost. It's a good name, even though there is nothing Biblical about this font. Paradise Lost was created (pun intended) using a broken bamboo satay skewer and Chinese ink. It is all caps, but upper and lower case differ and like to mingle. I also included several ligatures for double lower case letters (aa, ee, jj, kk, etc.). Paradise Lost comes with an eternity of diacritics.

Lost Signal is a two-style display that's absolutely perfect for editorial headlines. Her bold and characterful figure makes her perfect for posters, extreme sports, automotive and magazine covers. Reserved for upper and lower case in each style, featuring fl and fi ligatures, this calm and bold typeface is a content creator's best friend. Including: Uppercase, Lowercase. Numbers, Punctuation & Symbols. Diacritic for Multilingual Support

Last Dance: Redux - The 80s Feel-Good Script Font - Updated! Welcome to Last Dance: Redux, a new and improved version of my popular brush-script font inspired by 80s movie posters, VHS covers and Friday nights at the video store! This hand-drawn script aims to capture the feel-good vibes of movie blockbusters that won our teenage imaginations, while serving as the go-to font for recreating this unique and nostalgic period. The original Last Dance font features a gritty, hand-drawn texture that looks equally at home on an aerobics competition poster or steamy urban thriller - making great titles that look distinctly cinematic. Last Dance: Redux takes that original design and strips it back to it’s bare essentials resulting in a clean, uniform look that improves letter flow and readability. It’s also much lighter on system resources making it the preferred choice when using extensively across print and web projects. Both versions come with upper and lowercase characters along with punctuation, numerals and language support, plus two full sets of alternatives and a selection of underlines. Check out the visuals to see it in action!

Do It Yourself JNL was modeled after self-adhesive vinyl letters and numbers manufactured by Duro Art Industries of Chicago - formerly the Duro Decal Company. The hand-drawn look of the original lettering was retained by Jeff Levine to stay true to the design, and the rectangles that border each glyph represent the pieces of self-adhesive vinyl onto which the characters were silk screened. Limited character set.

Luckily, I am not allergic to waffles - but a guy named Ethan Tremblay is...and if you know the story about that guy, you know the name of this font is from! What can I say? A handmade font full of quirkiness and a rough outline. Comes in both Regular (outline) and Solid. Use both versions as they are, or combine them. I've added 4 different versions of each lowercase letter and multilingual support!

NINE TO FIVE is A Modern Font. The Font comes with Ligature Set (110 more Ligature Style) Good to use for covering your Project, like Branding, Your Logos, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - 110 more Ligature SET inumocca type

Strenght To Strenght is distinctive handwriting and encapsulates the essence of street style. It gives every design project an urban vibe with its rugged and raw characteristics. This font is the perfect choice for people looking for a strong and influential typeface inspired by the rebellious spirit of street culture and graffiti. This font is designed to be versatile, making it suitable for a wide range of creative projects. Whether you're working on a skateboard deck design, a streetwear stuff, or a poster for an underground event, this font will infuse your work with urban attitude and a raw, handcrafted feel. The uppercase characters in Thrasher Head are bold and impactful, while the lowercase letters exhibit a slightly more refined style, providing a balanced mix of legibility and street-inspired aesthetics. This typeface is perfect for an poster event, movie title, streetwear stuff, magazine layout, fashion brand, quotes, or simply as a stylish text overlay to any background image.

Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies... the characters known only as ToBeContinued. Will our heroes survive? Will justice prevail? Will the forces of good defeat the forces of darkness...? To Be Continued...

Farm to Market is a rustic all caps serif font family from Brittney Murphy Design. Featuring a Regular, Bold, and Fancy version with 435+ glyphs in each. The Farm to Market Font Family supports most Latin based languages and has several ligatures and alternates. Great for crafts or decor with a country farmhouse feel! :)

One of the more popular pupils in the Comicraft Academy of Lettering Arts, Dash Decent, has been working on his penmanship, thanks to a grant from those lovely learning specialists at Brainzy and Education.com. Developing learning games for Pre K, K and 1st grade, Brainzy requested a font that was fun and clean to help children learn to print. Dash to School is an all new revision and expansion of the Dash Decent family and features fun bold/heavy/outline and drop shadow weights for display, guidelines and dashed lines to assist learning and understanding and a healthy dose of decency! Dash Decent has graduated 1st Grade and with Dash to School’s help, so can you! See the families related to Dash To School: Dash Decent Features: Nine fonts (Regular, Bold, Heavy, Outline, Shadow, Guides, GuidesDashed & GuidesSolid) with upper and lowercase alphabets.

Dream To Berich is a Bold vintage style serif font with strong character and soft features. modern and classic serif font with a clear and bold look. It’s a very versatile font that works great in large. Its comes with two style regular and italic / slant, Dream To Berich was built with openType features, stylistic Alternate and Ligature makes your project will be awesome!! Perfect for editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Zero To Hero is a bold handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable, and ultimately, incredibly versatile. Zero To Hero will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is supporting Multi-Languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. You will get : Zero To Hero OTF Thank you