Beat Street is a strong display font inspired by the world of car racing, suitable for racing-themed projects such as magazines, games, logos branding, and much more! Fall in love with its incredible style, and use it to create spectacular designs! This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Goat & Qalvigo is a stylish and distinct serif font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

The font evokes a blocky and sketchy feel.

Presenting the 🐈‍⬛🌙🎃 The Beat Ghost Halloween Typeface 🐁🌙🎃 by alitdesign. The Beat Ghost Halloween Typeface is designed for the needs of design concepts themed about Halloween and events in October and November. The Beat Ghost Halloween Typeface has a horror character with a character shaped like distortion character, making the horror Halloween themed design concept even better and unique. 🐁🌙The Beat Ghost Halloween Typeface also gets a bonus character of 150 Halloween-themed illustrations that make creating designs even easier. Simply by downloading The Mouse Moon Halloween Typeface, creating a Halloween themed design is very quick and easy. The Mouse Moon Halloween Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with halloween and dark concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Aphrodite Slim Pro is not just a lighter version of its sister Aphrodite Pro. Aphrodite Slim Pro has duplicated the quantity of characters of its partner, and that means more than 500 new glyphs, reaching a total of more than 1000. More delicate and meticulous, Aphrodite Slim Pro is once more a new typography with deep calligraphic ideals: We immersed ourselves into the world of each calligraphy ductus and each calligraphy masters by studying from decoration to lettering books. This was the key for the logic of Aphrodite Slim’s behavior. The new concept of Aphrodite Slim Pro was to join diverse styles of calligraphy in one in order to achieve an autonomous expressiveness, in fact, this is what calligraphy aims to, and we agreed to bring those ideals to the world of typography: It is justifiable to be inspired in hundred-year-old calligraphies, but it is even better if the results you obtain have a plus. A personal plus. During the creation process we were wondering whether it was possible to mix certain strokes of such rigid styles as uncial, (Li·n’s favourite style), with strokes of the copperplate, (Sav’s favourite style), and also to take and mix cualities of cancelleresca cursiva, formata and moderna; finally giving our creation a roman-transition italic look. So Aphrodite Slim takes ideals and aspects from those formal styles, following its own logic though, and emphasizing the fact of being a decorative typography. Calligraphy masters of our past are who we are in debt with. They are the cause we have lovely letters now. They have been spontaneous at the moment of creation, what differs from the type-designers of nowadays, whose spontaneity is more limited. Digital faces that we are used to see these days are a result of long hours of optical adjustments, grids, macros and inspirations of other existing typography, but without personal contributions. Aphrodite Slim wants to refute this. Its mission is to rescue de spontaneity of the artesanal lettering in order to obtain unique words; those which only calligraphy masters of our past or lettering artists of our present could give us. We have worked hard to achieve this, making Aphrodite the most universal font we could: It was necessary to study the most common words, focalizing more in the ones referring to “sensitivity”, of four of the most spoken languages in the world. Aphrodite Slim has an enormous quantity of decorative characters and special ligatures for phrases and words in English, French, Spanish and German. (See English, Français, Español, Deutsch PDF in the gallery section). We promise there is no existing type that decorates/ligates glyphs and words like Aphrodite Slim does: It is the first time a font like this really considers its purpose. -The way glyphs are ligated is insane- : Aphrodite Slim rescues some ideals of persons like Jan van den Velde (Italian cancilleresca writing of XVI Century) who understands ascenders and descenders as possibilities to beautify the lines of writing with curved strokes that seem to be dancing above and below of the words. This master also creates ascenders and descenders even where they are not necessary, on letters that do not actually need them: Aphrodite Slim takes this ideal. The font counts with a wide range of glyphs that seem not to be satisfied with its more primitive form and prefer to extreme their parts to be decorative. It also existed masters of calligraphy like José de Casanova of XVII Century, who, with a magnificant skill and a really personal mark, had the particularity of ligating words that were actually separated with spaces. This is another innovative feature in Aphrodite Slim. An investigation of the most common beginnings and endings words of the English language was done. Having that feature activated (discretionary ligatures), common words will start to ligate or to be decorated even when they are separated by spaces. Impossible to forget Francesco Periccioli of XVII Century and our experience us designers to face with works of him: His letters, that today are included in the group of cancellerescas modernas, have been a direct inspiration to the oldstyle figures and historical forms variables in Aphrodite Slim. Giovanni Antonio Tagliente (XVI Century) and his particular way of making tails and diagonals longer than usual, qualities that our creation reflects too. Finally, our adventures in Biblioteca Nacional and Barrio San Telmo, Buenos Aires, were essential for us to make Aphrodite Slim more complete and interesting: Sav did an excellent work when studying how the decorative miscellanea and swirls of early XX century were. She also investigated what particularities made those roman titling characters look antique so she could rescue some ideals for the oldstyle figures and historical forms variables. This also leaded her to create the ornaments variable in Aphrodite Slim. We are really proud of presenting Aphrodite Slim Pro, a typography that was the result of days and nights of working hard, because we do love what we do; and we are glad we are living in a present that gives us the possibility to spread this kind of art, because that is the way we consider our job: Aphrodite Slim Pro is Art. Hope you can appreciate the enormous work this type has. Features. Aphrodite Slim Pro is the most complete variable. It includes more than 1000 glyphs. Thanks to the Open-Type programming, it counts with a easy way to change/alternate glyphs if the application in which the font is used supports this. The variables contained in Aphrodite Slim Pro are also offered separately. Aphrodite Slim Text: It is the variable for lines and paragraphs. Thus it is the least ornamental and the most accurate to achieve a satisfying legibility. It has the Standard Ligatures feature in order to improve the possible conflicts some glyphs could have by others. Aphrodite Slim Contextual: It is the one that makes emphasis in decorating. It has the particularity of ligating/decorating words of common use in English, French, Spanish and German. It also has the quality of ligating common beginnings and endings of the common words in English. Aphrodite Slim Stylistic: With similar features of Slim Contextual. It includes a set of decorative numbers for a display use. Aphrodite Slim Swash: This one has special beginnings and endings to decorate words. Aphrodite Slim Endings: It makes words look as a signature. Aphrodite Slim Historical: It adds an antique look to the written word. It also has the special historical ligature function. Aphrodite Slim Titling: This one is the most decorative. Its copperplate inspired ornaments give words a special color, in order to handle the quantity of decoration, it comes with the standard ligature feature, which has the most common ligatures plus others that make decorative swirls not to be conflictive. Aphrodite Slim Ornaments: A set of 52 ornaments. Aphrodite Slim Pro includes all this features plus the Stylistic Set 1; Stylistic Set 2 and the possibility of Slashed Zero. We recommend you to check out the gallery in order to see all these features in action.

Askan Slim has the same design features as Askan , cap-height, x-height, descenders and ascenders. It is a moderately condensed version of Askan and works superbly as an addition to Askan or as independently for space saving applications. It is the perfect complement of the Askan family. Like Askan, Askan Slim consists of 18 styles and is well equipped for advanced typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Check out the new Lust Pro & Lust Pro Didone to see how the series has grown and evolved. Confident and versatile, Lust is an exercise in indulgence—an attempt to create something over the top and vastly useful. If Lust Slim seems both new and familiar, that’s because it is. The series unapologetically channels Herb Lubalin, but produced with a deliberate, contemporary twist. There is an intentional slyness infused in the letterforms—the extreme thick and thin lines flow effortlessly without becoming gratuitous. It’s always just enough, not too much. What makes the type series so appealing? The curves. When asked to describe the letterforms, most people unwittingly allude to the human form, using adjectives usually reserved for describing physical traits… creating all-too-familiar comparisons. Summerour has grown to accept this as unavoidable and reasonable given his acknowledgement of its influences and has provided nuances within the letterforms to accentuate that. Intended to be set large, the typeface has both Standard (Lust, Lust Didone and a single unified Italic) and Display variants making it perfect for editorial use and a flexible solution for any display need.

This font is stylish, clean, clear, firm and still looks luxurious. Slim Pro is a fine and all round sans serif font. No matter the topic, this font will be a genuine asset to your fonts’ library, as it has the potential to elevate any creation. Slim Pro is a modern and futuristic sans serif font. The combination of futuristic and geometric elements renders a modern design.

Introducing, Crescent Slim, A sophisticated ligature serif from us. This typeface has been made carefully to make sure its premium quality and luxury feel. The ligatures makes this typeface unique and stands out rather than the regular serif font, very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Magie Slim is a handwritten font with a strong informal and expressive character to use together with Magie. It has the peculiarity of being able to combine uppercase and lowercase letters in the same word or in capital letters. It has OpenType features such as stylistic and contextual alternates, swashes, ligatures, initial and terminal forms, up to seven stylistic sets per letter (in uppercase and lowercase). We also include catchwords and ornaments. Imagine the amount of combinations you might do giving your text freshness and naturalness without equal!
 Magie Slim has a Central European language support to fit your design. This font looks beautiful on wedding invitations, greeting cards, logos, posters, labels, t-shirt designs, logos, business cards and is perfect for use in ink or watercolor works, fashion, magazines, packaging and food menus, children's books and whatever your imagination contains!
Magie Slim was created to give a more youthful, expressive and casual look to your project!

The typeface of Quan Slim is based on the successful Quan font family by font foundry Typesketchbook. Font designer Chatnarong Jingsuphatada created Quan Slim as a condensed version to Quan. Both type families consist of eight weights plus obliques and additional rounded versions. Quan Slim’s typeface has a clean and modern sans serif appearance. This modern geometric font is very legible and can be used for headlines as well as small and long text.

Slim Kim is the sister font of Julienne. It mixes perfectly with Julienn. So whenever you need an especially slim serif font this is it! Slim Kim has very spiky serifs, so I did not want to make an extra-slim version. Enjoy this spiky font, your Gert Wiescher.

Have you ever seen lettering that you can connect with but have no clue where you've seen it before? It strikes a chord with certain feelings but you don't know why. Slim Pickens was inspired by the lobby card and poster titling from the 1949 Doris Day film "My Dream is Yours", and keys into the look and feel of vintage handwritten film poster titling. Something about that era in film made it easy to tie visuals with getting swept up in all sorts of emotions, good and bad. A narrow font, full of life and wonderfully hand-drawn, Slim Pickens is an accent font you'll want to have in your font collection for those tight fits, so buy it today and fill in the gaps of your designs with a little nostalgia!

I recently walked part of the South West Coast Path in the UK. A couple of days in the hike, I came across a small cafe and I decided to have an oat latte (I am lactose intolerant). Since it was early in the morning, the breakfast menu was out and one of the items I noticed was ‘Overnight Oats’. I normally cook my oats with some lactose free milk and water, but apparently you can soak them overnight, add fruit and nuts and eat it like that. I tried it, it’s ok, but I think I prefer the cooked version. Overnight Oats is a bit of an odd font: it is very higgledy piggledy, yet legible and unique. If you want something out of the ordinary, then this may be your font!

The art of paper folding in dingbat form. The uppercase alphabet is made up of origami animals and the lowercase offers those shapes decorated in traditional origami paper patterns. Full patterns, flowers, and partial foldings fill out the symbols and numbers.

AstroBats is a fun set of ornaments with a 'Retro Sci-Fi' theme. Think of those 1950s Japanese tinplate robots, think ray guns, think spaceships! Have fun!

Bat Boo is a cool and spooky display font. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Bat Liar is a spectacular decorative font with a Sharpness style and like a wings of bat for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, Movie Tittle, designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Bat Ghost is a Halloween decorative font. Add it to your Halloween crafts, horror movie posters, t-shirts and other about Halloween.

The Bix Bats symbol family was developed in 2003 by Argentinean designer Victor Garcia to complement his display text font Bix Plain. Bix Bats contains four different symbol fonts. Most of the characters in these fonts have their lower halves reversed out. Typing a line of text in these symbol fonts, or mixing these symbol fonts with Bix Plain, will create a very interesting text effect: the bottom half of your lines of text will be reversed out, on top of a colored bar. Bix Bats Arrows contains numerous possible arrow combinations, from archery references to the American recycling symbol. Bix Bats Funny includes all of the symbols needed for a party, from beer steins to bunny rabbits! Bix Bats Shiny has enough starbursts to light up a night sky, and in Bix Bats Wired you will find all of the technological accessories needed to be in the now. All four fonts are included in the Take Type 5 collection from Linotype GmbH."

Hello! Introducing a bold serif font — Maggie Sims. It's a decorative shape bold typeface with lot's of extra characters. Available ligatures and alternative letters helps to create an original lettering compositions. Please make sure that OpenType features are supported & enabled in your software. Maggie Sims Font has a multilingual support (check out a screenshot with available letters and signs). Thank you and wish you a peaceful sky!

A piece of hand lettered sheet music from the era of the "Roaring Twenties" served as a model for Raccoon Coat JNL. It was a time of Prohibition, bathtub gin, flappers and college boys decked out in beanies and raccoon coats. College pennants, ukuleles and "23 Skidoo" were all part of the youth culture during this period; which gave us such dances at the Charleston, the Black Bottom and the Lindy Hop.

Here's an unusual take on the classic Tuscan face of the 1880s. The unusual finials lend a slightly spooky feel to the face, hence its current name. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Boot Camp JNL has the same roots as Jeff Levine's Condensed Stencil JNL, as they were both modeled from a set of vintage brass interlocking stencils made by the Stafford Manufacturing Company. The previous font was drawn from limited examples of the stencils seen in an online photograph, so a number of the basic characters had to be improvised. Since then, a nearly complete set was obtained and the alphabet and numerals are truer to the original design. Additionally, both Regular and Oblique versions of Boot Camp JNL are available.

Beat Poet JNL is a throwback to the late 50s and early 60s when Beatniks hung out at coffee houses to listen to poetry and folk songs and live the Bohemian lifestyle of the Pre-Hippie generation.

We, GalaStudio (Lilia & Galina) represent the SlimOne Normal font from our MELTING FONTS collection. On typing in Google the words "to slim" you can see immediately that the most in demand on the subject is: "to slim in one month", "to slim tips", "to slim - what should I do". We are obsessed with the idea to lose weight. It means now to become more healthy, more fashionable, self-confident and successful. Font as an important element of environmental design reflects contemporary reality. We want to respond to this challenge in our font design. Thus, in our GalaStudio the MELTING FONTS series was born. The fonts of the SlimOne family have a concept of disappearing graphic elements. The letters of these fonts look like melting, dissolving into the space. INCLUDED: GS_SlimOne_Normal.otf GS_SlimOne_Normal.ttf Numbers, additional glyphs & basic punctuation are included. PERFECT FOR: using in books titles, textbooks, notebooks, different brochures and advertising, especially for kids, home-ware design, packaging design; magazines, posters and flyers titles; logos design, books design, fashion design, slogans etc. :) Multilingual support included for the languages based on Latin alphabet.