Afternoon Tea is inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring published in 1938. The striking features are the elegant balance between thick and thin strokes (demonstrating its obvious ink pen influence) while maintaining a sturdy presence which is ideal for titles and headings. Afternoon Tea is caps only.

Named after its place of birth, Brunswick (Melbourne, Australia), this black display face builds upon the rich heritage of Cooper Black whilst minimizing the more cartoon-like aspects of the original and basing it on a very sturdy broad serif. With its solidity responding well to tight kerning, Brunswick Black features not only small caps but also petite caps.

This delightful semiscript is based on an offering from a 1930s specimen book from the Mergenthaler Linotype Company, originally called, simply, "Card Italic". Elegant without being stuffy, it is equally “at home” announcing anything from formal occasions to casual get-togethers. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Love story is a display hairline typeface for use in big sizes and short texts. It’s inspired by different kinds of love and specially designed for Valentine’s day. Its soft curves and sweet style give it a lovely personality. Designed by Luciano Vergara and his wife Guisela Mendoza who has been studying ornaments since 2007 and has done her best for each project. You can see in her dingbats specially Printa and Abel designed for generate patterns. Now she integrated her passion to the ornament in a clean set which includes dingbats, ornaments and patterns. Luciano Vergara has designed very strong fonts with a particular work in the lines study and close to the geometry since 2005, getting a structure style, you can see in his fonts specially Regia and Kahlo. Now he integrated his study of lines, in a hairline font delicate, continuous and beautiful. In this story both designers have been merged their worlds creating a gorgeous product. This is a romantic type story, a love story.

Duct tape is one of the most versatile adhesive materials known today. From fixing the bumper of your car that keeps falling off, to creating a sturdy wallet. From alternative wrapping to sticking a friend to the wall, Duct tape is there. And it will stay there. It will stick to anything and hold for a very darn long time too! The cloth-backed tape was invented some time during World War II, and also proved itself useful as a base material for lettering. VLNL Duct was originally designed by DBXL as a logo for temporary Amsterdam restaurant BAUT. DBXL imagined an owner taping the name on the window of his shop using Duct tape. The font was used for all communication of the restaurant. Duct is a sturdy, rough all-caps typeface that will stick to anything.

The Dava typeface is the result of almost two years of self-study. Dava is a screen sans serif font that is small but fun. His family is small and has fine, regular, bold, fine slant, regular slant, and slanted bold weights.

CS are the initials of Carsten Strinkau, a young German graphic and type designer who studied in Hamburg. CS Fuzzy Logic combines coincidence and logic. The individual glyphs of Fuzzy Logic are almost dissolved but keep its sharpness and readability in texts.

CS are the initials of Carsten Strinkau, a young German graphic and type designer who studied in Hamburg. CS Courthand is based on 16 hundred century English monks handwriting. Text in CS Courthand looks like a pattern, like a text-carpet, but still readable.

Like the study of Kremlinology, this font is an interpretation of Soviet culture for Western audiences. Based on a vintage Russian poster but not in the original Cyrillic, it is an attempt to capture the feel of the era if not the actual characters.

Since 1997, The Washington Post’s iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill Pichotta, and Dyana Weissman expanded the family with more refined Display and Condensed styles for use in larger sizes. Originally called Postoni, the fonts were renamed in honor of The Post’s founder, Stilson Hutchins

Frusta is an earnest family of slab-serifs softened by tapered serifs and slightly squared curves that give it a warmth often absent in other slabs. Monoline and with a geometric foundation, this three-weight family includes true italics that can be their own headline face. The airy, yet sturdy construction makes this perfect for small text, infographics, and headlines of all sizes.

Miller, designed by Matthew Carter, is a “Scotch Roman,” a class of sturdy, general purpose types of Scottish origin, widely used in the US in the last century, but neglected since & overdue for revival. Miller is faithful to the Scotch style though not to any one historical example — and authentic in having both roman & italic small caps, a feature of the originals.

Squat may be vertically challenged but hey, even the vertically challenged need love too! And you know what? Squat is worth much more than Diddley Squat! It gets the tough jobs done in half the vertical space with its sturdy, low profile. Randy Newman may not care for it, but Squat shows that short fonts got plenty of reason to live! So there.

Coupler is a sturdy text face with low contrast, airy counters, and a strong baseline for smaller sizes and extended reading. Lightly bracketed serifs and pleasantly conspicuous italics temper Coupler’s formal demeanor—well suited for financial reports, news magazines, catalogs, academic journals, and any instructional setting. Four weights with italics and advanced typographical support provide design flexibility in any layout.

MMM is a sturdy Typeface, the design is based on a old Soap-Powder advertisement. MMM is very useful for headings and/or logotypes. André Toet his 17th Font Caps, Lowercase. With Numbers, Glyphs and the normal Punctuation. Use this Font well, it’s made with the greatest care. Concept/Art Direction: André Toet © 2017 - Design: André Toet / Jasper Terra

Barrage Display Font Barrage presents a modern take on typeface design, merging cheerful boldness with artistic touches. Each letter is meticulously shaped, striking a balance between confidence and elegance. The box-like lines provide a sturdy foundation, while the subtle curves add a delightful creative flair. With its lively boldness and delicate lines, Barrage conveys courage and a positive personality.

Another unmistakable Koziupa/Paul production, Ricotta has very little baby fat for a sturdy brush script. What movement it shows is effective and integral to its expression, which is at once compact, lush and eye-catching. Ricotta, and its subtle details in just the right places, should feel at home among the bright and cheerful colors of dairy product and pizza packaging.

Monem is the word for the smallest significance-carrying part of a language. I thought that was a good name for a clean, straightforward Sans typeface. Monem is very sturdy and usable for lots of occasions. I am using this font myself for those of my clients that want to convey a clean unobtrusive image. Your very restrained Gert Wiescher

Dallas Print Shop is a refined display collection of five styles and eight fonts. The fonts are designed to act together. They not only work great in pairs, all together, or even alone. Dallas Print Shop Sans is a sturdy Sans with soft edges and two weights - Regular and Heavy Dallas Print Shop Serif is a sturdy Serif with straight forms and just slightly rounded corners. Serif has three weights: Regular, Heavy and Inline which is same as Heavy but with ornate inlines. Dallas Print Shop Brush is a Brush Script with soft and bold classic script forms. Brush is equipped with Standard Ligatures and Stylistic Alternates. Dallas Print Shop Pen is a flashy Monoline Script with a clear character. Pen is equipped with Contextual and Swash Alternates. Dallas Print Shop Script is a curly upright Script with a feminine character. Script is equipped with Standard Ligatures and Swash Alternates. Enjoy!

Kiosk is a prominent display typeface pair. It is a sturdy condensed sans serif and an eloquent brush script. In addition there are textured “print” versions of them both. Kiosk fonts work as a pair or as themselves. Sans is great for sturdy headlines, menu titles, packaging or any such, the bigger the better. Script is great as a logotype, used for quotes, magazines, packaging and branding. Textured versions are the same fonts with a rugged outline and with a “stamp” texture inside the letters. Kiosk Script is equipped with several OpenType features. It has Contextual Alternates and Standard Ligatures that are automatically help to keep the connections smooth. They’re both automatically on. In addition it has Swash, Stylistic and Titling Alternates and even more alternates for some characters. The font is PUA encoded and you can access alternate characters from OpenType controls or manually from Character or Glyphs window.

Based on the text on architect's plans. The designer asked friends and relatives for the plans for their house extensions, and he studied plans in the public library, then blended the best features of all the characters he could find. Architect was designed originally in 1999.

Moneta is an elegant transitional serif with high contrast. Its morphology is based on the study of traditional broad-edge pen script. It comes in 4 different weights (Light, Regular, Bold and Black) and has variable features. Designed by Santi Rey and launched on January 2020.

P22 Mercian is a Roman font with distinctively angled stub serifs. Comparatively even in weight and color. Designed for continuous text setting.

Nala Junior is a chubby, fun and charming display font. Its simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas. If you have any queries, questions, or issues please don't hesitate to contact us direct. Download within a few clicks and use across a huge range of programs including Photoshop, InDesign, Illustrator, and Microsoft Word as well as many more.

Calanda is a forceful, sturdy and dynamic slab serif with distinctly shaped characters. The Calanda family consists of 16 styles and comes in OpenType format with extended language support. Calanda is very well suited for ambitious typography. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Maria is bold and heavy sans serif font with happy and sweet touch. It is certainly chubby, but in some ways it is also pointed. So PAG Maria is polished and friendly font.

"Back Wild" is a bold and chubby graffiti font that includes swash characters. Fonts with these attributes generally feature bold and wide letterforms, often with playful and rounded elements. Swash characters add decorative and stylish touches to the font, If you have any specific questions or if there's anything specific you'd like to know or discuss about graffiti fonts or design, feel free to ask!

ITC Mendoza is a serif typeface with old style characteristics. A generous x-height and a lack of contrast between thick and thin strokes, gives the ITC Mendoza Roman font family good legibility and provides a sturdiness which enables the face to withstand low resolution output and less than ideal printing conditions. It is ideal for continuous text use, particularly in small point sizes.

Faustian is a modern study and different take on classic historical black letter styles, geometric in its construction, giving a very modern clean look whilst its historical influences shine through. coming in 3 weights with a host of opentype features including old style figure, alternate characters and more

Shirah 25 started as a freehand study, while experimenting with ink and new nibs. Later on, when David decided to have a digital version, he drew it merely with the tablet, trying to keep the spirit of the ink and the nib. Shirah 25 is an OpenType/TTF Unicode font.

Tomato Ketchup is a bold vintage style serif font with a nonchalant charm and sturdy confidence in. Tomato Ketchup has a recognizable flavor and a reminiscence of familiar warm nostalgic feeling. The font is equipped with Contextual, Swash, Stylistic and Titling alternates as well as Discretionary Ligatures and even more extra alternates. Tomato Ketchup is a great typeface for contemporary graphic design with that certain feeling of familiarity and friendliness.

MisterMustard is a chubby art deco style font, not thin or elegant, but plump and jolly. The font is available in two styles regular and italic. While it was designed to be playful, this font has both an uppercase and a lower case, so it works for practically everything (maybe not a headstone or obituary). It’s loaded with extra foreign glyphs so it gives you plenty of options. Buy. Install. Enjoy.

I love learning new words. I stumbled upon the term Gingerline after I named an older font Gamboge. Like Gamboge, Gingerline is a name for a shade of orange - the color of ripe kumquats to be precise. Didn’t know that! Gingerline font is a handmade calligraphy font; nice and even, thick and thin and quite elegant if I may say so. Comes with an abundance of diacritics as well.

Rummy, the stout, scrappy font inspired by sports branding and 1940s film, has grown up and is ready to take on new responsibilities. The result: Rummy Tall. Still powerful, precise, and packed with personality, Rummy Tall's added height brings with it even more versatile charm. Track Rummy Tall tightly for a sturdy foundation, or give Rummy Tall some breathing room for an unexpected air of nobility. Reach new heights!

Santini began as an experiment in mixing historical art deco, art nouveau, arts and crafts, and to a lesser extent Bauhaus sources. Surprised at the pleasant outcome of the experiment, we expanded it to become three weights, and included some alternates within the fonts themselves. Santini is an excellent choice for art- and architecture-related design, where the message needs to be conveyed in a clear yet sturdy and modern fashion.

Introducing the majestic "Kingstone Sans" a typeface that exudes power, elegance, and timeless appeal. With its commanding presence and exquisite details, this font is designed to make a bold statement in your designs. Let the "Kingstone Sans " reign over your projects and elevate them to new heights of sophistication. Its sturdy serifs and balanced letterforms exude a sense of authority, making it ideal for prestigious branding, editorial designs, and luxury packaging.

Temper Wide is an extended neogrotesque slab with unbracketed serifs and square dots. Its hard-working letterforms and industrial heritage make for a no-nonsense look, well suited to editorial design and advertising. It provides an energetic backdrop for fashion and accessories, whether on-product, in campaigns, or branding. Horizon’s the limit! This sturdy font family will be by your side. A neutral, unembellished typeface, ready to make an impact.

Spring Market is a farmhouse-style serif font. One of my first-ever releases, it was lovingly hand-drawn and inspired by the countryside of Upstate South Carolina. Spring Market Rustic Farmhouse Serif Font has the perfect amount of rusticity and refinement for your next project. I recommend this font for logos, invitations, and your next home decor project that needs that shabby chic touch! Spring Market features European language support!

For decades - until the advent of affordable computer-generated signage - die-cut display letters were used for many applications. Stores, theaters, schools, charities and religious organizations would have their local sign shop design attractive posters and show cards utilizing these sturdy cardboard letters and numbers, giving a three-dimensional effect to the message. Sign Department JNL recreates one of the many styles of letters available at the time.

Quickly Brown Bold Script Font This font describes about fun, bold, chubby, wide and easy to use. Quickly Brown inspired from Doodle and Junk Food. FEATURES - All Capital Bold - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Quickly Brown works great in any craft, logotype, magazine, quotes, social media and any projects that need all about Bold taste. Enjoy using! Thanks. HIRO.std