The Alien Argonaut typeface is an emaciated typeface made from the lettering of beings that have lived amongst us for centuries, evolving with humankind. Study your environment, all is not what it seems. Use this typeface to try and blend into their world within ours. Purchase Alien Argonaut today, for knowing the roots of others may help you learn to live in harmony with them.

Foundry Origin has an elemental quality hinting at its ‘Egyptian’ roots. Developed out of the desire to create a serif typeface with a difference, Foundry Origin's elegant design and versatile family of weights, with lyrical cursive italic, generous x-height and classical proportions, make it ideal for editorial and information design. A quiet design with a big presence, tipped to become a modern classic.

HySans has its roots in contemporary typefaces with humanist touches. HySans is designed to fit digital screen from desktop to portable devices. It is strongly legible from headline to body copy with a high x-height design which helps the lowercase feel as imposing as it’s all caps counterpart. HySans is available in Five weights with 3 packages. Generously use it everyday, for everything.

Discover TOMO Reply, a typeface that breaks the mold, offering a fresh perspective in the realm of sans-serif fonts. Reply seamlessly blends early 20th-century roots with contemporary flair. Ideal for modern graphic design applications, from editorial masterpieces to dynamic web designs. Reply offers an unorthodox yet harmonious font family that stands out in the corporate and digital realms. Experience the fresh perspective!

A long-set aside Art Deco typeface design begun (but not completed) may or not have been from a vintage source, but its roots go well back into Art Deco lettering. Taking the existing letters and thickening their weights, removing the counters and ending up with a completely new, solid alphabet design resulted in Deco Redux JNL, which is available in both regular and oblique versions.

The roots of Nouveau Handlettered JNL go back to the sheet music cover for the 1917 song "(Someday) Somebody's Gonna Get You". This simple style of sans serif titling has the casual, imperfect charm of the pen and ink lettering so prevalent in the decades before metal type and other technical advancements made the craft almost obsolete. The typeface is available in both regular and oblique versions.

Magedon Font is a cool alternative for you to easily create a logo for your Underground band or whatever. Using alternate front and ending letters brings the font to life, It comes with a basic character set and a small group of symbols and signs often used in the extreme music sector – the classics of Death- and Blackmetal like pentagram drops, roots, spikes and more.

Joane Pro is a new typeface based on Joane (2018). This project has its roots in French typography from the 16th century, Dutch models from the 17th century, and English typography from the 18th century. The result is a high-contrast typeface with sharp features which provides an organic texture. Joane Pro is a contemporary typeface with 79 styles that work in display and small sizes.

Bronzino’s roots lie in the Arts and Crafts movement, and in the traditions of letterpress printed fine quality books. It’s ideal for legible headings which have just that hint of charm and difference outside of the normal and mundane. It’s formal enough to go anywhere yet it has a spirit of fun, it brings a world of bygone care and quality to the modern age.

Designed in 2020 Molekyl is a modern neo grotesque family that consists of 6 weights. Rooted in simplicity Molekyl is workhorse typeface that suits many applications. The geometric details and subtleties also makes it a great fit for a clean, sharp and technical impression. The typeface has 420 glyphs (supporting many languages), arrows and opentype features such as kerning, f-ligatures, stylistic alternatives and tabular figures.

Umbertone is a modern sans serif with roots in classic hardcover book design and the Art Nouveau movement. It takes the inventiveness of the early 20th century designers and brings it a century forward with some unique letterforms and a collection of subtle but elegant ligatures. Excellent for typographic book cover concepts, and also great for high-end branding for luxury and fashion products.

Inspired by the classic German Antiqua style, Gilhaus is a totally original modern serif rooted in iconic history and built for modern projects including branding, web and digital apps, large format printing, and more. While subtle serifs and soft edges bring in an element of warmth and approachability, Gilhaus is balanced out by the bold angular strokes and high contrast letterforms typically found in classic Antiqua typography.

Ovallique shares roots with its looser cousin Beachbuoy. But don't mistake Ovallique's casual parentage for hand me down genes. Ovallique is the well-tailored relation, with limousine and driver at the ready. Dom Casual meets Dom Perignon for supper at the revolving restaurant. OK, so the wallpaper is slightly faded. Ovallique's x-height makes it legible even after apéritifs. It's kitschy slumming for the streamlined set!

Roughwell Family is a rough hand-drawn display font with a retro stamp character. As a result, carefully crafted styles develop. The imperfections keep it casual but it is still legible. It can be easily matched to an incredibly wide range of projects, so give it a try and see how it boosts your creative ideas! It's ideal for headlines, flyers, posters, greeting cards, product packaging, book covers, printed quotes, logotype, and album covers, among other applications.

Presidio is a stylized version of the hand-lettered calligraphy typical of the Mission era of early California. This lettering was often unique to an individual hand, but the characters shared a common style, and had their roots in the Middle Ages when monks and scholars copied whole books one letter at a time. "Presidio" replicates this style with subtle variations in each character, giving the font its authentic charm.

A robust, mono-weight typeface with gently rounded slab serifs, Mr. Porter harkens back to celebrated roots in late 17th Century England. Not for the meek or faint-of-heart, it lends a nutty, chocolaty, toffee flavor to both a stout and pale variety, with lots of malty goodness. Rich and full-flavored with notes of coffee, licorice and molasses, it promises delightful pairings for an infinite variety of typographic solutions.

This reinterpretation of Caslon Rounded showcases one of the early attempts of type foundries to create a novelty ‘rounded’ typeface for general use. While the lettering might easily convey a more modern look of 1960s or 1970s pop typography, its roots definitely lay in the later part of the 19th Century and the heyday of wood type design. Wood Rounded JNL is available in both regular and oblique versions.

Linotype Indus is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designed by P.H. Hashin from India, Indus finds its historical roots in inscriptions found on ancient Indian graves. Thus Indus has a unique look and is versatile in point sizes from middle to headline. The font combines well with sans serif and slab serif typefaces.

Kantarell is a calligraphic sans-serif typeface rooted in the traditions of Roman square capitals. In all-caps Kantarell has a very grotesque look to it, while in small x-height letters sustains it's ortodox form. The family available in single style and works best in headline and display settings. Typeface supports: Latin characters with diacritical marks; Cyrillic charecters (Ukrainian, Russian); Variety of symbols for use in commerce.

Join us on a journey to explore the world of Neutral Sans, delving into its historical roots, evolutionary path, and contemporary applications. Whether you are a designer in search of the perfect typeface for your next project or someone with a keen interest in the subtleties of typographic design, our exploration of Neutral Sans promises to be an illuminating adventure into the heart of timeless and neutral typography.

Makeads, a typeface exuding subtle authority, brings a touch of seriousness to the creative palette. Rooted in the foundations of Bauhaus aesthetics, this font effortlessly balances boldness and sophistication. The supertight kerning and unique texture contrast strike an air of balance between formal and casual, making it an ideal choice for projects that demand a touch of gravitas. Makeads is the silent powerhouse that commands attention without raising its voice.

Dive into a realm where retro meets mystique with the Mystice Times font. Channeling the enchanting ambiance of 80s thriller movies, this serif typeface echoes tales of mystery wrapped in professionalism. Its characters, though rooted in the cinematic charm of yesteryears, are tinged with an unpredictable, slightly eccentric flair. Yet, there's an undeniable allure in its design - a suave nod to 70s funk, blending seamlessly with 80s charisma.

Hillshort is a font type brush with additional fonts as the outline and solid that you can adjust the color to make this font look more perfect. Hillshort is ideal for urban design, logos, apparel,T-shirt,Hoodie, graffiti,quotes, product packaging, or anything which needs a typographic turbo-boost. Hillshort features comes with All Caps Uppercase & Lowercase, Numeral, Punctuation, Stylistic/Alternate Characters, and also Support Multi Language. if you have any Question please Message Me. Thank you ERGIBI STUDIO

A modern sports font with classic roots. Jawbreak's three distinct styles and alternate cuts makes it incredibly versatile and perfect for logotypes, sports branding, posters, apparel design, magazine headlines, labels and so much more. Jawbreak features a full Adobe Latin 1 character set, with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

With Dreadnought I go back to my roots: one of my very first fonts was a scary brush typeface called Face Your Fears - a very popular typeface with horror lovers, thrill seekers and gangsta rappers. Dreadnought was created using a stiff brush and some very high quality paint on textured paper. The result is a lively, scary and very legible font. Use it for your movie, book or album: you won't be disappointed!

Mestiza is a type family with a living past, which combines its ancient roots with the handmade and the contemporary in a spirited mix that evokes elegance and strength. Thanks to its sharp terminals and high contrast, Mestiza acquires a unique personality. It is ideal for headlines and branding projects. Mestiza has 12 variants, six Roman plus Italics including Small Caps, Old-Style numbers, Superiors, Inferiors, Contextual and Discretionary ligatures, Symbols, and some Alternates.

Grand Central JNL is named for the most luxurious train depot in the nation—Grand Central Station in New York City. This multi-line Art Deco font is reminiscent of all of the glitz and glamour associated with Manhattan in the 1930s and 1940s. Modeled from Jeff Levine's Parkitecture JNL, its roots go back to the popular typeface best known as Eagle—a lettering design most associated with the NRA posters of the Depression era.

Typeface Wesna was created as a reflection of the current state of design whose starting point is rooted in the letterings from the Slovenian posters from the interwar period. Bold strokes, condensed letterforms, sharp stroke joints and unique features are combined in the typeface. Wesna preserves the Slovenian typography heritage and establishes the connection between the past and the present through new digital formation. Available in 3 weights, italics in Latin & Cyrillic.

Castagna is a contemporary calligraphic font with classical roots. It is carefully designed, with a special emphasis on the connection of the letters, with high ascenders to give rise to the ornaments of the different letters. There is a special search for high readability. Castagna includes a wide selection of stylistic sets, contextual and stylistic alternates, initial forms, swashes, and ligatures to preserve the qualities of handwriting, in order to accommodate various design aesthetics.

Finally, a serious alternative to that other comic font. After years of mocking the font that shall not be named, I decided to create an alternative. I wanted to keep the fun feel and the comic book roots, but have a more polished look. The result? JollyGood, a complete font family, with great language support, a big range of weights and styles, and a friendly look. Check out the other members of the JollyGood family

Loophole is a visually striking display typeface in 3 weights (Light, Regular & Bold), its DNA firmly rooted in the Cyclic Sans family which makes the perfect foil to this somewhat decorative font styling. The Loophole name is quite simply based on the ubiquitous hole motif, which is strategically deployed on each character across the 3 font styles. Each font contains an extended Latin character set covering Western & Central Europe, the Baltic States & Turkey.

Rooted Rooted in 1960s Brit modernism and infused with a fresh, contemporary spirit, FS Elliot is a future-proof, workhorse sans serif, well-suited to any assignment. Open and harmonious, its clear, fluid shapes lend words a distinctive and optimistic bounce. Britishness FS Elliot came out of a desire to create something squarely in the British modernist tradition, drawing on influences such as Design Research Unit’s portfolio of type for famous British brands and products, and Margaret Calvert and Jock Kinneir’s work on the British road sign system. Nick Job took the openness and simplicity of that style and injected warmth and wide appeal, coming up with a highly practical, multi-purpose family of faces. Enduring appeal “The great thing about having an eye on the future,” says designer Nick Job, “is that most of it is unknown. It’s what encourages us to take risks. And it leaves an uncertainty which, I believe, gives the best work its enduring appeal.” FS Elliot is available in a Pro version with full language support and a full range of Roman, Cyrillic and Greek weights.

Rooted Rooted in 1960s Brit modernism and infused with a fresh, contemporary spirit, FS Elliot is a future-proof, workhorse sans serif, well-suited to any assignment. Open and harmonious, its clear, fluid shapes lend words a distinctive and optimistic bounce. Britishness FS Elliot came out of a desire to create something squarely in the British modernist tradition, drawing on influences such as Design Research Unit’s portfolio of type for famous British brands and products, and Margaret Calvert and Jock Kinneir’s work on the British road sign system. Nick Job took the openness and simplicity of that style and injected warmth and wide appeal, coming up with a highly practical, multi-purpose family of faces. Enduring appeal “The great thing about having an eye on the future,” says designer Nick Job, “is that most of it is unknown. It’s what encourages us to take risks. And it leaves an uncertainty which, I believe, gives the best work its enduring appeal.” FS Elliot is available in a Pro version with full language support and a full range of Roman, Cyrillic and Greek weights.

Brigston Calligraphy is a calligraphic font with a modern style and an elegant touch, inspired by Italian women's handwriting and ancient manuscripts. Carefully designed to work together in harmony making it perfect for wedding favors, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires modern, formal or extravagant. Try Calligraphy Desired, enjoy the wealth of OpenType features and let its elegant fun and excitement make you happy and boost your creativity! You can use this font very easily.

STONES is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, STONES is guaranteed to deliver an unapologetically loud & fast-paced message; ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost. What you get : Numeral and Punctuation International Language Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. Thank you for your purchase! Hope you enjoy with our font!

Malibu was designed for ITC by Alan Meeks in 1992 and is a font with distinctive calligraphic roots. Pronounced stroke contrast and a marked leaning to the right give the font its energetic, lively image. The letters look almost as though cut from paper, their outer contours angular and pointed against a background. Flowing and demure, Malibu works well for both short texts and headlines. For best results, the lower case letters should be set close together.

Designed as a companion to its roman namesake, Aragon Sans is a novel approach to the humanist sans serif. Using the underlying blueprint of true and trusted 16th century forms, its humanism is deeply rooted in fine typographic tradition. By also using the same idea as its roman counterpart, where the stems gradually thicken as they go higher, it becomes a unique breed of sans serif, conservative, and legible in small text, and attractively modern in titling setting.

Utilize the elegance of Art Nouveau in modern form with Lotus Grove. Lotus Grove is a high-contrast serif typeface with deep roots in Art Nouveau aesthetics. In contrast to its archetypal models, Lotus Grove boasts a clean-cut and smooth design, perfectly suited for modern requirements. It is a fancy typeface that suits any kind of display use. Lotus Grove is equipped with Stylistic Alternates for letters G, E, K, R, S, T and ampersand.

Chank created Zsazsa Galore as a fresh alternative to Mister Frisky, another jerky, hypercaffeinated interpretation of the traditional roman alphabet. The difference this time is that the new font has no descenders. Every letter comes to rest hard on the baseline. It sits there firmly rooted with branches wiggling around in the air. It was released as the Chank Font of the Month in October 1999 and it was named after Zsa Zsa Gabor because she is beautiful.

The roots of Rockport BF run deep. 19th century woodtypes, display gothics of the 40s and 50s, are inspiration for this distinctive font style. Its OpenType programming features automatic fractions, stylistic sets and alternates for a, b, q, r, t, u, y, M, N, U, Y, and dollar symbol. Tempered by somewhat humanistic elements, these condensed, geometrically-structured letterforms bring a strong but friendly presence to posters, logos, bookjackets, signage headlines, and many other typographic environments.