Released by Intertype in the 1930’s, Vogue was a geometric sans serif rival to Futura and Kabel. Vogue had many unique quirks such as its distinctive G, that striking Q with a vertical tail, and many others. Almost ninety years later there has been no decent digital revival of this wonderful typeface... until now. Intervogue brings this classic to life in the modern age. Seven weights complete with true obliques and an alternate cut give Intervogue the versatility to be a true workhorse.

Released by Intertype in the 1930’s, Vogue, was a geometric sans serif rival to Futura and Kabel. Vogue had many unique quirks like its distinct G, that striking Q with a vertical tail, and many others. Almost ninety years later there has been no decent digital revival of this wonderful typeface... until now. Intervogue Soft brings this classic to life in the modern age. Seven weights complete with true obliques and an alternate cut give Intervogue Soft the versatility to be a true workhorse.

One day shortly after Christmas 2004, the art-director of Vogue Moscow called me. Would I maybe make a Cyrillic version of my Bodoni Classic Text typeface? Well, since I had been thinking about doing it since a long time, this was the perfect reason to finally do it. It was not an easy venture, since I do not have the faintest idea of Russian but, together with those nice people in Russia and a fellow helpful type designer in Kiev, I managed. I did an enormous amount of kerning, thanks to the help of the Moscow Vogue office. Here the fonts are now for all of you: five text cuts, plus one standard roman cut that has no Cyrillic letters but an extra set of medieval numbers. At Vogue they are happy with the fonts, even though I did not quite adhere to Bodoni's originals in this case. Nastarowje (or whatever you say in Russia), Gert Wiescher

One of my all time favourite movies is Baz Luhrmann’s Moulin Rouge. In it, there’s a brief scene where the proprietor of the Moulin Rouge (Harold Zidler) signs away the deeds to the establishment. The actual signing of his signature is what motivated me to create this script font. Although it’s not an exact replica of the character’s hand, I like to think that it has the same crisp immediacy of the original. With its consistent oblique slant, narrow and long ascenders and descenders, and the occasional blobbing of letters, the overall effect, gives the appearance of a correspondence penned by lamplight while a storm rages outside.

Welcome to the cosmic dance of typography with Groove Galaxy, a captivating and thrilling rounded vintage typeface that swirls you into a time warp of retro charm reminiscent of the beloved 1970s. Just like stars twinkling in the night sky, each letter of Groove Galaxy emanates a mesmerizing aura, pulling you into a captivating journey through the groovy days of the past.

Drunk Cowboy is a bouncy version of the popular Old West type style, inspired by hand-made signage in Paducah, Kentucky. The strokes are loopy and loose. The exaggerated terminals give this font a loud, boisterous presence. Drunk Cowboy is a brutish rogue that emanates the fierce independence of Rio as played by Marlon Brando in One Eyed Jacks, but it is most like Paul Newman's Butch Cassidy—a mischievous wise-cracker. And there's gold worth mining for in this font. Dig deep enough and you'll find swash characters and special ligatures, like Th, ST, CT, NT and other popular letter combinations found in the Cowboy dialect.

The British Vogue commissioned this typeface for their magazine re-design in 2001. After studying the originals of Morris Fuller Benton and the existing versions, this font was designed with all new thin weights. Just when the family was finished, Vogue informed that they had decided to use American Typewriter instead. Bastards. But here is a true classic typeface with a facelift. The pun intended. Tee Franklin has seven weights with obliques, the Heavy being just slightly heavier than the existing versions from Adobe and ITC, and moving down to totally new Ultra Light, using Luc(as) de Groot's formula to keep the weights optically correct. The glyphs are the same as the Morris Fuller Benton's original from 1902, except for the upper case Q, which was re-designed with a loop in the counter for added differentiation.

Valecia is a calligraphic script font that presents exquisite vogue characters, a form of classic ornamental copper script infused with a modern touch. It has been intricately designed with 715 glyphs to convey a stylish and elegant flair. Valecia possesses an alluring quality characterized by refinement, cleanliness, femininity, sensuality, glamour, simplicity, and remarkable readability due to the abundance of lavish letter connections.

A playful, casual take on round nib pen lettering was spotted amongst some online scans from an old lettering book. The free-form and stylized shapes of the letters and numbers are reminiscent of old-time show cards, movie titles and signage in vogue around the early 1900s through the 1920s. Fancy Show Card JNL is available in both regular and oblique versions.

This is the cutest font in the galaxy. It's neat yet adorable! Use it for posters, note-taking, or even cute logo designs. Your imagination is the limit.

Introducing Black Crown - Modern Blackletter Font Black Crown is a modern blackletter font inspired by royal-classic aesthetic which inspired by modern and sophisticated touch. It provides the no-end possibilities and alternatives to craft a design with bold yet elegant style. Black Crown perfectly suits any vogue or luxurious occasion. Black Crown is better used for product packaging, label, t-shirt, or any projects seeking for a touch of elegant modern blackletter. FEATURES – Stylistic Alternates – Ligatures – Uppercase and Lowercase letters – Numbering and Punctuations – Works on PC or Mac – Simple Installation – PUA Encoded Characters – Easily accessible without additional design software. – Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word – Multilingual Support for 68 languages including Afrikaans, Albanian, Basque, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Spanish, Swahili, Swedish, and Zulu Hope you Like it. Thank you for your purchase!

In 1937, Morris Fuller Benton designed Empire, titling capitals that became the headline style for Vogue magazine. In 1989, David Berlow revived it for Publish magazine, adding an italic and a lowercase, both unavailable in the original. He revisited Empire in 1994 with Kelly Ehrgott Milligan, adding two heavier weights, small caps, and an elegant set of Art Deco–flavored oldstyle figures, ultimately expanding it to a seven-part series; FB 1989–94

Lining up on the start line is Resistenza’s DreamTeam! This fit font’s long limbs, nimble movement and shifting weight make the multiline-display (inspired by bestseller Afrobeat ) perfect to grab attention on signage, print advertising and editorial applications like book covers. DreamTeam’s distinctive forms also make it ideal for branding applications and obviously with its directional movement and the suggested speed DreamTeam’s 4 styles would be DreamSolutions on athleisure apparel and clothing lines. Check out also “Voguing” & “Afrobeat”

Draw is a type family designed by Carlos Fabian Camargo G. Draw emphasizes the abundance of useful features to design messages with artistic purposes, spontaneous and vernacular, usually dressed in imaginative ideals to compose words, apparently drawn freehand. Draw is intended to be used in the context of graphic design as vogue, restaurants, weddings, art, clothing or imaginative supports where crafts and romance predominates. Draw contains professional typographic OpenType strategies to grant special character content: ligatures, swash and more.

SVAXTICA is a modern font like a maze with a galaxy theme. This font is all caps font. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Bintang means Star in Bahasa Indonesia. Bintang font is a hand drawn, computer enhanced font. It is all caps, but upper and lower case differ and can be freely interchanged. Use Bintang for your product packaging, book covers, posters and magazines. Befitting a star, Bintang comes with a galaxy of diacritics.

A font drawn in a rounded rectangle looks modern – if we do not mind that it was in vogue mainly in the 80s of the last century and was created in the fifties, when various Italian designers noticed that the outline of a glass TV screen is actually the letter “o“. Since then, this progressive idea has undergone many improvements, which can be summarized in the notion of “popular-scientific typographic revival”. The present incarnation called “Superscience” has the advantage of having extreme variations and nicely simplified letters, as well as the usual repertoire of OTF functions and playful variations.

Star Cursive is a connected letter script which is full of stars! Float with the stars, drifting through the galaxy! Use this star font whenever sparkle, glamour or a touch of the stars is needed. Star Cursive is extended, containing the full West European diacritics and a full set of ligatures, making it suitable for multilingual environments and publications.

For many decades, the fashion magazine “Vogue” featured superbly illustrated covers before photography became more commonplace. During the 1930s and 1940s those illustrations were accompanied by many creative styles of hand lettering for its monthly issues. The January, 1930 cover had the magazine’s name lettered in an Art Deco geometric monoline, which became the inspiration for Vagary JNL, which is available in both regular and oblique versions. A vagary [in a simple sense] is when something or someone changes in an erratic or unexpected way (as the wind’s direction or in a person’s mood or whim)… and thus seemed the fitting name for this type style.

Roadline is a professional display font collection of Streamline style for lettering, a style of lettering that was much in vogue from the 30 to the 60. Roadline aligns all your characters on a horizontal baseline and allows headlines or logos into three wide variables. Besides its connectors allow you to create variations ranging from elegant classics to radicals or creative situations, adapting to all target tones of voice message, it brings Roadline a series of pre-programmed parts in Opentype links for easy use and enable very creative and unexpected combinations. For its decorative character this typeface is very useful for headlines and logo creation. Relive the golden years of the brands with Roadline.

Sregs Serif Display Family A Serif family inspired by popular 1960s-80s typography. Combined with modern nuances that are much in vogue in now days. Reflexive serifs with soft transitions make the letters easy to read and recognize. Its 7 weight with 2 style (Standard and Italic) variations provide several options that will help you find the ideal typographic feel for your project. Made for use in branding projects, large-scale printing such as billboards, signboards, titles, headlines, writing on short paragraphs, books title, page titles, taglines, websites, apps, logos, etc. Several Alternatives letters can be used to create a variety of design style or to make changed some letter in text.

Someday, a long time from now, in a galaxy not so very far away, you'll find yourself Suddenly transported to the nether-realms of Elsewhere, bathed in the light of the mystic moons of Meanwhile... While you're waiting for that day, check out this font by John "JG" Roshell. It may not provide you with the same transcendental experience, but JG assures us that it really is the next best thing.

Skyfire is a Sans Serif font inspired by digital interfaces, spaceships, and galaxies, embodying cosmic adventure and progress. Its sleek design is perfect for branding and tech projects, promising a future full of possibilities. Ideal for space-related work, it immerses viewers in a universe of wonders. With Skyfire, each stroke is a cosmic journey, merging imagination with design. A guiding light for bold projects, it leads to new horizons and innovates in typography.

Take a deep breath and tink in a deep and extrange galaxy where texts and signs are extrange for a first human look, with unrecognocible letters standing alone but readables all togheter... this font plays around this idea. Thin lines and simply curvatures define this rare group of characteres, ready to be used to challenge the capacity of adaptation and recognition of readable signs of the human brain. Are you ready to take the trip? Find it out!

Dorriss girls were the dancing troop at the Moulin Rouge. I had the idea for this font while trying to come up with an alternative to beveling. I thought it would be interesting to create this sort of stepped effect as I've never really seen this treatment on a font before. Then my need to create chaos shows up again with Doriss Girls informal. A hand drawn take on the forms. This seemed like it would appear on an old art nouveau poster by the great Toulouse Lautrec, so there you have the genesis of this font. I've been somewhat compelled by the letterforms so I may expand and create a more normal version of this font someday with a range of weights. That would be the bees knees.

Attention all Space Marines! The battle for legibility in the galaxy is over! Introducing Battlemaze—the font that will help you obliterate any enemy with its heavy techno headline design. Inspired by the legendary Japanese industrial logo designs and fused with the futuristic 1980s computer printer fonts, Battlemaze is the ultimate weapon in your typography arsenal. With its tightly folded line treatment, this font is built to withstand the most intense space battles. Whether you’re fighting on a distant planet or defending your ship from alien invaders, Battlemaze will never let you down. And if you’re looking for an added advantage, check out its ligatures—the “B” flips when it comes before a “J” period, or comma. So gear up, Space Marines! It’s time to unleash the power of Battlemaze and conquer the galaxy with its angled “A” and “V” glyphs. Trust us, your enemies won’t know what hit them! Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.