The most common Hebrew typeface, based on Sefaradic tradition, used in most newspapers and publications. The main Hebrew typeface of the 20th century, designed in 1908 and was published by Berthold in 1924. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme Font files were re-generated to get better online screen display, as well as refined OpenType features as kerning glyph substitution.

3D Cocoro is a rounded textured font. 3D Cocoro is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

The Poltrone typefaces family was inspired by the public inscriptions of the 19th century and was designed to be used for titling, headlines, etc.

The Azoe font family is cute unique handwriting. Azoe features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications.

Circus Minimus Pulex typeface honours the memory of gone flea circus veterans. The icons present the little artists and their equipment to the great public.

The Azola font family is elegant, hand lettered & charming. Azola features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications.

Get that Disney look with this downloadable "Small World" font. It's ideal for journaling and titles for theme park scrapbooking or wording for other creative publications.

Add a touch of flair with this one-of-a-kind TrueType font. It gives a handwritten appeal to scrapbook journaling, greeting cards, and creative publications.

This rollicking romp through the alphabet is based on an offering from the irrepressible M. Draim, seen in La Lettre dans le Décor & la Publicité Modernes, published by Monrocq Frères of Paris in 1932. Its animated and friendly demeanor will add personality to any headline it graces. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

It is indeed a beautiful serif font that exudes luxury and exclusivity. Its elegant and refined design makes it a popular choice for high-end branding, editorial design, and fashion publications. I completely agree with you! Quamoclit's unique style and exquisite details make it a perfect fit for any project that requires a touch of sophistication and elegance. It is no wonder that it has become a go-to choice for luxury brands and high-end publications.

At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.

Super Hand is a handwriting font. It includes the full West European diacritics and a full set of ligatures, making it suitable for multilingual environments and publications.

Okaycat presents "Hiew". Hiew is a connected font with serif, some bold personality making your message clear. Includes European accents and extra characters to meet publication needs.

Mister Earl, released by Bitstream in 1991, was designed by Jennifer Maestre. Inspiration came from a page in a ‘how-to’ book published in the 1930s. Later versions of Extra Light, Light and Bold were added by Jim Lyles, with the help of Wally Petty. Mister Earl is named in honor of Earl Biscoe, a Bitstream designer who retired in the mid-1980s because of illness. In the winter of 1994–1995, Richard Stetler accidentally left a copy of Mister Earl outside his Alaska home... In the spring, amazed to discover the unfortunate font was still just about alive, he decided to release the result to a wider public as Snow Cap.

France 1727, the book Le chemin Royal de la Croix is published. Centuries later the historical publication comes into the hands of Josep Patau, who uses its printed pages as a reference for a new digital typeface. Previously created for printing, those shapes adapt now to the screen and show the sophistication and authenticity of true Garalde types. Frenchute is a multipurpose typeface with 3 optical sizes. All the shapes were modified to cover different typographic needs. The diagonal axis and the moderate stroke contrast are taken further in the italics letterforms, where the design is far more expressive. The character set includes decorative forms and italic capitals with swashes, so the text looks prettier.

PlatformOne is a 10 font family consisting of 5 weights with italics. A clean geometric font with precise corners inspired by commuter travel on Britain's public transport networks.

Alf Becker was a talented sign writer and a prolific contributor of unique alphabets to Signs of the Times magazine. More than one hundred of his designs were showcased in monthly installments with each new issue of the publication. One in particular is a casual, free form sans serif design which has been recreated digitally as Casual Signage JNL, and is available in both regular and oblique versions. Thanks to Tod Swormstedt of ST Publications for providing the reference material for this font.

Amongst the pages of a 1946 foreign publication entitled "100 Alphabets Publicitaires" ("100 Advertising Alphabets") is the casual brush stroke sans that was the design basis for Relaxation JNL.

The Arco Web font sets a friendly mood with casual artistic flair. Arco Web features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications.

Okay Berry is a connected script with naturally beautiful handwritten style. Okay Berry is extended, containing is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Download this cool "Jubilation" font when you want to express a happy feeling. Its curly, handwritten character is perfect for light-hearted scrapbook pages, journaling, greeting cards, and other publications.

Lynda is a post-modern, monoline rounded sans ideal for club flyers, music covers and fashion publications. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

Dress up your handmade greeting cards, newsletters, programs, scrapbook journaling, and other desktop publications with this vintage style true type font. It gives a Bohemian feel to your paper creations.

Right Hand is a legible naturally written script. Tidy pen writing with a casual slant. Right Hand is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Download this cool font when you've got friendship on your mind. Its thick wavy lines and slightly uneven character are perfect for light-hearted scrapbook pages, journaling, greeting cards, and other publications.

Meksa is sleek, minimal & very clean. This wide typeface is perfect for bold headers, impact text, or logo design. Meksa is multilingual, appropriate for international publications. Includes Cyrillic, West European diacritics & ligatures.

A very cute cursive font! Porto is a beautiful script ~ its unique linework creates a distinctive look. Porto is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.