After the Second World War, the Ionic style replaced Modern Face as the favored typeface for newsprint. A couple decades later, it was in turn replaced by the next generation of newspaper fonts, a mix of Old Face, Transitional and Modern Face forms. Rotation was designed by Arthur Ritzel and presented by Stempel/Linotype in 1971 and named for the rotation newsprint machine for which is was particularly suited. The font displays the influence of Old Face design and gives newsprint a feeling of lightness and elegance.

Motto is a beautiful Art Deco font in the tradition of the Italian Futurismo of the early 20th Century. Please Note: Combining Bicolor A and B you will create astounding multicolored pieces of typography. To achieve the two-tone effect shown in the samples, you need to use an application that supports layers such as Adobe Illustrator, Adobe InDesign, Adobe PhotoShop, CorelDRAW or Quark.

Gotto, the playful Sans-serif font with an italic twist and multilingual support. Perfect for logos that want to stand out from the crowd. Let Gotto bring some fun and personality to your next design project! Features : - Gotto Family Font - Multilingual support, US Roman, Latin 1 Support --- This Font Support Language: Afrikaans, Albanian,Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, ManxMorisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu, Thank you for purchasing premium fonts from Attype Studio. Follow and explore our work on Pinterest & Instagram. If you have any question, don’t hesitate to contact us. Hope you enjoy with our font! Attype Studio

A very cute cursive font! Porto is a beautiful script ~ its unique linework creates a distinctive look. Porto is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

This typeface was inspired by the font Pabst Heavy, designed by Chauncey Hawley Griffith in 1928 for Linotype. Because of its formal characteristics, recalls the popular Cooper Black and probably was the reaction of Linotype to counter the popularity of this font distributed by the "American Type Founders" was acquired. It's a heavy typeface, ideal for headlines or for use in creating logos, rounded shapes and gestures evoke dynamism and make it perfect to highlight specific words or phrases.

The softening of edges in the Shabby Chic aesthetic are markers of age, warmth, authenticity and use. The charming style popular with Bohemians and artisans has a soft, relaxed and romantic feeling. Resistenza used their highly successful monolinear script Mina as the basis to explore how to recreate the spirit and charm of the Shabby Chic design style in a typeface. Drawn by hand with dry brush pen for rustic warmth and distressed edges. Shabby Chic has long connections between letters creating a visual rhythm that echoes the form and pace of gentle waves lapping at a seashore. Each character has an expressive touch, OpenType enabled alternates, for character combinations, initial and final forms allow effortless customisation, flair and a realistic handwritten-sign appearance. (The alternates are accessible by turning on 'Stylistic Alternates' and 'Ligatures' buttons on in Photoshop's Character panel, or via any software with a glyphs panel, e.g. Adobe, Quark...etc) Introduce some rustic romance to your font library. Shabby Chic is perfect for cards, invitations, labels and logos where you want to convey intimate, friendly, warm and genuine sentiment.

Masterfully designed to become an elegant, this font has the potential to bring each of your creative ideas to the highest level. Come with Cyrillic and Greek regular, italic script with different style combine with ligatures and special alternative glyphs so you can create a lot with layouts and compositions. Lofty Chic brings a touch of luxury and bespoke custom typography to logos, websites, social media quotes, wedding branding, and more. Feature Cyrillic and Greek Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative ligature Feel free to drop us a message any time and follow my shop for upcoming updates. Hope you enjoy it.

Introducing "Chop Crap" - a lively and humorous handwritten font that combines boldness with a playful twist. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Mina Chic is fresh, elegant and sexy. She was raised by the french riviera sun, loves watching Nouvelle Vague films and adores french pop divas from the 60´s. She wants to be a star! Mina Chicis a new version of one of our most popular scripts,Mina. We added some expansion on the strokes reminding of a pointed nib pen writing and kept the long connections and smooth swashes to preserve the elegance and simplicity of that classic style. This typeface contains 515 glyphs, swashes, ligatures, alternates, final forms and initial forms and offers a wide range of flexibility with its many Opentype features! Mina Chic Extra has an extra thicker strokes who gives more weight to Mina.

Chic Cat is a cool and uniquely designed decorative font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Wrecked Ship is a serif display font, inspired by broken and old iron. Wrecked Ship will perfect design for poster, cover, tittle, merchandise and many more

An offbeat typeface inspired by the titling of the 1969 Pink Panther cartoon starring the Aardvark, "Technology, Phooey". It contains an alternate H and T, as well as a handful of ligature swap outs for doubles like EE OO SS TT, etc.

Get that vintage sign lettering look with Orange Whip.

a naive fancy font inspired in metal paperclips

Kustomtype’s “Integra Chic” font is a sans serif font family with a regular & oblique version. It contains all upper & lower cases. The “Integra Chic” family is coordinated into letterforms, metrics, and weights to work better together. Why still looking for old school types for your posters, advertising, text, design, artwork, headtext, editoral design, magazines, etc... “To banish imperfection is to destroy expression, to check exertion, to paralyze vitality.” John Ruskin

Kustomtype’s “Chick Chalk” font is a sans serif font family with a regular & oblique version. It contains all upper & lower cases. The “Chick Chalk” family is coordinated into letterforms, metrics, and weights to work better together. Why still looking for old school types for your posters, advertising, text, design, artwork, headtext, editoral design, magazines, etc... ‘Chic Chalk is Perfectly Imperfect’

Order a platter of sizzling Pork Chop, a sans serif from Font Kitchen. Rounded squared contours and horizontal terminals give this serif typeface a futuristic feel, while still remaining readable at smaller sizes. 10 weights are available with obliques, weighing in at 20 styles, each fresh cut and farm-raised. This font family is served with sides of expansive ligatures, kerning pairs, stylistic alternates, proportional and tabular figures, and versatile fractions. Pork Chop is a great way to add a calculated, futuristic, yet still approachable feel to your next project.

The La Chic family comes loaded with an extended character set of 575 glyphs covering a range of languages and alternate versions of letterforms for display use. La Chic's Ligature feature comes with the standard fi and fl ligatures, as well as ff, ffi and ffl ligatures. La Chic Pro's Stylistic Alternates feature adds a little more flair to the mix with mildly flourished Capitals, scripted so that when typeset in all caps, only the first Capital will be flourished to preserve readability and avoid unsightly collisions. La Chic Pro's Stylistic Alternates feature also includes automatic Initial & Final lowercase letterforms that will automatically swap to avoid any letter collisions as you type. La Chic's Swash Alternates feature takes the flair even further with elegantly flourishing Capitals, also scripted so that when typeset in all caps, only the first Capital will be flourished to preserve readability and avoid unsightly collisions. The complete lowercase is also substituted for a flourishing lowercase set. By enabling BOTH the Stylistic Alternates and Swashes features, automatic Initial & Final lowercase letterforms that will automatically swap to avoid any letter collisions as you type including the flourishing swashes lowercase. But there's still more style and flair yet. All features have Special Titling Swap-Out Ligatures for the following words "and", "of", "at", "from", "by", "and the" when typed in Parenthesis (whether typeset in Capitals or lowercase). All features also include a small batch of Special Long Flourish characters enabled by typing an underscore after each letter (IE: H_, L_, t_ ,and w_). And there's STILL MORE. 51 additional letters not blended into any of the Opentype features are accessible by way of a Glyph map in compatible programs and/or system options to customize your La Chic designs even further.

One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

A brush font that keeps its legibility without sacrificing its free-spirit. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, and menus.

Christmas Chic is a joyful, festive, and fun slab serif font. It is ideal for Holiday-themed greeting cards and for any crafting project. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

A wrecked, monospaced font containing ligatures for double letters, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

This pale face -- a Byronic offering from the disaffected youth section of our library -- will provide that slightly sad, sunken eyed feeling most closely associated with Doc Martins, heavy crosses and clothes as black as the blaquest heart... so if you're looking for tragic tramp stamp typography, we think our tattoo parlor maid to wear font will provide just the right amount of Goth Chic.

Hip Hip Yay is a fun and quirky display color font capable of taking any product out of the ordinary! Use it on bold and bright creations such as banners, posters, covers, titles, magazines, etc.

Tomato Ketchup is a bold vintage style serif font with a nonchalant charm and sturdy confidence in. Tomato Ketchup has a recognizable flavor and a reminiscence of familiar warm nostalgic feeling. The font is equipped with Contextual, Swash, Stylistic and Titling alternates as well as Discretionary Ligatures and even more extra alternates. Tomato Ketchup is a great typeface for contemporary graphic design with that certain feeling of familiarity and friendliness.

Tomatoes Cake is a Cute Handbrushed Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

ITC Portago was designed by Luis Siquot, who admits to a tendency toward unusual typefaces that can be read in text yet also work well in display settings. ITC Portago is a robust alphabet of caps and slightly smaller caps. It is a stencil face, based on the lettering on crates and luggage. Siquot says that his intention drawing Portago was to obtain a neutral, classical, very condensed grotesque stencil shape that is readable in text sizes, showing at the same time the 'movement' produced by the nicked edges. And of course the more obvious rough effect in headline sizes." At small sizes, Portago is best set with slightly looser letterspacing, as capital combinations usually do. Portago includes numerals in both full and small caps proportions.