Born Strong is built with athletics in mind. The goal was to make the perfect typeface for sports teams, college football, athletic wear and everything in between. The font family supports a wide range of languages and is available in many different weights.

Based on the handwriting of Alberto Corradine, Manuel Corradine's father.

Dynamic, strong and athletic. Promethian brings fire to your designs.

Joyvrie is inspired by the rather characterful lettering to be seen on a local grocer’s blackboard. It’s lettering in the style of beautifully clear, yet individualistic, hand printing. We’re pleased to report that this particular rather splendid grocer, does not succumb to the ‘Grocer’s apostrophe’ either…

NerdishHex is a hexagonal distortion of NewNerdish that I thought was rather interesting.

LinkeHand Pro was based on the handwriting of Oliver Linke. Due to its rather compact appearance with short ascenders and descenders LinkeHand can be used with rather tight line spacing. Both Regular and Bold come with Small Caps and a multitude of special ligatures to make LinkeHand look really manually written.

React is modern athletic display block font family. It's timeless shapes and features will give you an instant athletic feel to your project. React features both chamfered corners and rounded giving it a unique approach. These fonts are perfect for sports logos, branding, posters, apparel design, magazine headlines, labels and so much more.

While there can be similar handwriting styles out there, no two handwritings are exactly the same. I like to think that I have the same handwriting style as my father, but I had never seen him write with lowercase letters, only in all capitals, except when signing his name on something in cursive. I recently came across a letter my father had written long ago to a friend. It was returned to sender, yet he kept it intact. The letter primarily thanked his friend for his hospitality when my father unexpectedly dropped in for a visit while traveling. I was so taken by the handwriting, that I decided to make it into a font, not only to remember my father, but also to forever preserve his handwriting. Generous Hospitality not only taps into the character of the person the letter was written to, it also reflects the personality of my father. If you are looking for a masculine handwriting type style for your designs, I think this font could be a nice fit.

Helmut Matheis originally designed Slogan for the Ludwig and Mayer type foundry in Frankfurt, Germany. Slogan is an informal script of medium weight, with some variation in color. Its caps are flowing and the lowercase letters are close fitting. A lighter, more upright companion was designed by Helmut Matheis as well; its design is named Charme.

Greene and Hollins of Wolverhampton were a rather smart gentleman’s outfitter, much frequented by my late grandfather and altogether redolent (in memory and actuality) of a bygone age of retail service and respect. I believe they’re out of business now, but we’re rather pleased to offer them this very small if rather random memorial. Greene and Hollins is a set of seven display typefaces, with uniform metrics, which can be overlaid to create multi-coloured ‘engraved’ effects. Also ideal to recreate traditional sign-writing, garment labels, signage and anything else where a period flare is required.

A light hearted unicase typeface inspired by the titling of the 1977 Pink Panther cartoon, Therapeutic Pink.

Began is square and round, athletic and unapologetic. It may be just what you are looking for.

Patented in 1867, this face adds peaks and shadows to the Egyptian form so popular at the time.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Fat Kitty Kat is a hand made, rather bouncy and happy font. It was thought up, drawn and vectorized during an unusually long rainy period in a small Porto hotel room. Kitty Kat's glyphs are rather rough, but legible and fun to use. The font comes with extensive language support and a full range of alternates for the lower case letters.

Adelanto JNL is a wood type revival featuring a condensed sans serif face with chamfered [rather than rounded] corners.

Printy Things JNL gathers together another collection of dingbats, border elements, embellishments and other images from vintage source material.

PixelZoo gathers over 70 animal species turned into pixels. They are wild and domestic animals, mixing mammals, fishes and birds.

Based on the letterforms of Matheis' Contact, this font was completely redrawn, digitized and extended to include Central European glyphs.

Turtle Font is a special reptilica Font for all Turtle Fans. It is dedicated to my two little Panther-Turtles

Quilted Butterfly is a rather elegant, yet messy font. It has some interesting glyphs and comes with all the accents.

A rather light humorous font that can be used for many purposes. Updated in 2022 to add further bold versions

Aderyn is a hand drawn, elegant font with a light touch to it. Aderyn is soft and sleek, but also comes in bolder styles to give a little extra oomph to your designs. Aderyn is Welsh for 'bird', a language I meant to master, but never took beyond 'good morning', 'bird' and 'cat'. I know, it's pathetic… Aderyn comes in 12 styles, all of which have kerning, stylistic and contextual alternates for both lower and upper case letters. It even has a smiley!

Pimpit is a funny rounded font, but above all it is the less athletic and amphetamine-breathing style of Pimpit's family.

Hey Buffalo is a rather unique handwriting script with 55 very beautiful ligatures, as well as several alternatives in the lowercase.