Lindum is a classically-proportioned Roman font that is almost a sans serif, the serifs appearing only on the upper part of the letterform. The lowercase features a large x-height and very short descenders.

Clark Hairline is a sans serif with calligraphic touch, it is part of a large Type System still in production. The main idea is to create a sans serif for use as a text face.

Based on hand-lettered poster styles of the twenties and thirties, Charleston evokes a mood of flapper-era nostalgia. Ideal font to suggest the period of fashionable bobbed hairstyles, short(ish) hemlines and baggy pants.

Conqueror Slab consists of 12 faces and is part of the Conqueror superfamily. The font is intended for headings and logos. Conqueror Slab — an intermediate link between the sharp Conqueror Display and quiet Conqueror Sans.

Broadwindsor is part of the "Staunton Script Family" of fonts designed by Ted Staunton for his historic novel. The Broadwindsor font is a neatly written script with capitals and lower case in a close relationship.

Aetherline is a captivating vintage monoline script font that gracefully marries the nostalgia of the past with the sleekness of modern design. With its carefully crafted, unbroken strokes, Aetherline evokes the essence of classic handwriting.

Hs Alwajd is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Kufi fatmic where horizontal parts are equal than vertical ones. It is a new style based on HS Almajd but without swirling round forms terminating in ball. The font is based on Kufi Fatmic calligraphy along with some derived ideas of decorative fonts, maintaining the beauty of the Arabic font and its fixed rates. Undoubtedly, the insertion of curved ornament in some parts adds more beauty and fascinating diversity in the flow line between sharp, soft and curved parts. This font supports Arabic, Persian, Pashtu, Kurdish Sorani, Kurdish Kirmanji and Urdu, consisting only one weight which can add to the library of Arabic Kufic fonts contemporary models that meet with the purposes of various designs for all purposes and all tastes.

Osmica is a font family heavier than the sum of its parts. It supports 111 languages, features a total of 309 glyphs and includes an outlined, inlined and italicized version for each of the 5 weights.

ID Monotrap is a display monospace typeface, specifically designed with equal width for each letter across the glyphs set. With mono weight, maintaining consistent stroke thickness throughout its parts, giving it a distinct and modern aesthetic.

Vespalogy - Fonts with a vintage touch reminiscent of past designs, making your design needs look unique and classic style. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

Brothery - Fonts with a vintage touch reminiscent of past designs, making your design needs look unique and classic style. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

Too Much Information JNL is a dingbat font consisting of old-fashioned wall and door plates that can be used as part of a larger illustration or actually scaled up to print out helpful informational signs.

Linotype Zensur is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font was created by French designer Gérarld Alexandre and contains one weight. The characters look as though parts of each of them were censored or removed, leaving just enough left over to know what was meant. The basic forms of this font are sans serif and the rounded corners give it an almost soft character. Linotype Zensur is a distinctive typeface which is especially good for headlines in larger point sizes.

He’s been mixing one part artist and one part barbarian since 2005. Brutal, ruthless, cutthroat, he moves through the concrete jungle, unsheathing his, um, sword, taking what he wants without care or remorse. He follows no rules. He is the URBAN BARBARIAN. The Spoils of Battle Await Him! Is he Conan? Roger ‘Mad Men’ Sterling? No, he’s Dan Panosian. Artist. Author. Lover of fine women, drinker of fine scotch, drawer of fine pictures. This is his fine font. Well, one of them. See the families related to Urban Barbarian: Dan Panosian Features: Two fonts: all-uppercase GIANT and upper/lowercase DWARF.

Good Song is a cursive font based on the USA's teaching script. It can be written in Carolinian, Sioux, Oʼodham, Southern Athabaskan, Hawaiian, and Samoan from USA. It can also be written in Dutch, Maltese, Aymara, Mapuche, Rapa Nui, and other languages. This font family is cute. The style is wide and rounded. It has wide and open loops. The strokes are drawn with a round cap tool, with no contrast. It is cursive and connected. The form is upright. It is easy to read in the USA. Part H has capitals with High starts. Part L has capitals with low starts.

My son Sam turned 12 and all of a sudden he cares for his hairdo. It needs to be just so, not too long, not too short, with a lot of gel to hold it in place. ;-) He just had a haircut when I was creating this font, so now you know where the Haircut part comes from. The Holistic part is something that sort of sounded ok. Holistic Haircut is a nice, handmade display font. It comes with wider and narrower glyphs for the upper and lower case AND a set of alternates that likes to party with the rest.

Malmö Sans was born from the preconception that geometry is neutral, and neutral fonts have a wide application window. No ornaments, no quirks – just clean. Design process: establishing the main proportions, grids and library of geometric shapes. However, people are not math, people are not built from grids. We are irregular, not always logical, and, foremost, we are human. So: humanisation – define parts and areas, and make the needed adjustments to shapes and forms, although being mathematically correct. Basically, changing it into something that pleases the eye. Much effort has been made to achieve equal parts minimalism, aesthetics and legibility.

Tattooflash Fingers is a special Font for Finger-Tattooing. The Glyphs come in 3 Sizes for short fingers, normal fingers and long fingers. The Font is made for the little Space on a Human Finger. You can make your own Tattooflash! To Color your Tattooflash take the PART version!. After Install the Fonts you can use the part-version in Photoshop or better in Affinity Photo or Affinity Designer to color your Flash. Use the Swashes to make your tattoo flash better, make your own TattooDesign! You are a Tattooartist? This Fonts are made for YOU!

Koufiya is designed by Nadine Chahine in 2003 as part of her MA project at the University of Reading, UK and later released by Linotype in 2007. It is the first typeface to include a matching Arabic and Latin designed by the same designer at the same time with the intention of creating a harmonious balance between the two scripts. The Arabic part is based on the Early Kufi style popular in the 7th to 10th century AD. It is characterized by a strong horizontal baseline, horizontal stacking order, clear and open counters, and a general open feeling. Though based on the earliest styles on Arabic manuscript, the design paradoxically appears quite modern and fresh. The Latin part of Koufiya recalls a Dutch influence in its shallow top arches and rather squarish proportions. Both Arabic and Latin parts have been carefully designed to maintain the same optical size, weight, and rhythm. However, no sacrifices were made to make them appear closer to each other. They are designed so that they work well together on the printed page, and to make sure that the two scripts are harmonious when they are mixed together even if within the same paragraph. The font includes support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Gidglet is a serif font highlighting the height differences of the letters’ thick and thin parts, and has elegant, clear letters. Little hooks and lines on the letter edges show classical, traditional nuances to your designs. Moreover, the thick and thin letter parts are clearly seen in a high contrast serif font. The thin letter lines show elegant characteristics, while the thick ones express firm, clear nuances. Such high contrasts between the thick and thin parts add dimensions and prominence to the designs. As a result, such a font is perfectly applicable for designs with formal, elegant, professional impressions in big text sizes in order for the beauty and the contrasts of such thick and thin parts to be clearly seen. In addition, you may enjoy the available features here as well. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Gidglet fits best for various design projects, such as brandings, quotes, invitations, name cards, greeting cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing

Cortland JNL was modeled [in part] from lettering spotted in the opening credits of Columbia Pictures 1945 Batman® serial. The classic clean lines of the Art Deco lettering used were perfect for translating into digital format.

A type between letter and number. Cypherals' fresh typeface is a mix-up of number parts and lines that reveal to be letters. So who is to say that numbers and letters don't have much in common?

Sharquefin is a round, constructed display face, which contains shark fin-like elements that rise out from part of its letterforms. Gary Tennant, a designer from the UK, designed Sharquefin especially for fun uses, like party flyers.

Chloe is a very dramatic script with high contrast between the up- and down-strokes. It is not really useful for long copy, but very good at short captions or as a decorative part of your layout.

Catalyst is an attempt at increasing the economy of print while retaining optimal legibility through type design. This type family does so through subtle and intentional OpenType features, as well as referencing successful past attempts throughout history.

SysFalso™ is the calligraphic version of the font family Sys™ Designed to be part of the corporate image of YU SpA, an insurance brokerage firm, in order to archieve a more casual and fun communication.

Lots of Fall fun, many Halloween icons... black cat, haunted house, witch hat, ghost, scary masks, pumpkins, bat, BOO! and more. Plus back to school icons... bus, pencil, flashcards, paste, leaves and an apple for the teacher.

Monogram font provides a striking effect, giving your monogram or business logo a custom-designed look. A bordered font includes a choice of components to project your own individuality. The parts align automatically as you press the keys.

This typeface was developed as a part of identity system for Turbota, center of social rehabilitation for disabled children in Ukraine. With soft ends, traditional structure and asymmetric serifs it works well in both playful and official contexts.

Equinox is the work of British designer Vince Whitlock. This lighthearted typeface is extremely versatile due in part to its array of alternative characters. Equinox should be set with tight letter and word spacing for maximum visual impact.

Part of the first typeface release package from ITC in 1970, Busorama melds Art Deco and 70s flower-power into a delightful sans serif design. Designed by Tom Carnase, this three-weight sans serif family still turns heads.

Ross, named after Harold Ross, is also available as part of the Algonquin Collection at a special price. Six font families inspired by the great wits of the Algonquin Round Table. Buy all six and get two free!

Novita is a new something. This font is a new very elegant – extremely slanted – joining script with long ascenders and descenders. It is the fiancée of Novido which is the more elaborate male part of this font pair.

Parker, named after Dorothy Parker, is also available as part of the Algonquin Collection at a special price. Six font families inspired by the great wits of the Algonquin Round Table. Buy all six and get two free!

Nyack is a built-from-scratch sans serif font with both inline and solid versions. There's a touch of Art Deco to its design for a touch of past elegance, but its use is not limited to retro projects.

Hallway inspired from vintage script combined with modern style, suite for adventure or classic feeling sport, sign painting, labeling, suitable for logo, product names packages, labels, old fashioned coffee shops, bars and everything with specific characteristics of past times.