The bold round point pen lettering on the cover of the 1934 sheet music for “New England in the Rain” was the model and inspiration for Poster Pen JNL, which is available in both regular and oblique versions.

Roundpoint Pen JNL is based on instructional lettering found in an old Speedball® Pen textbook. The effect of a round nib pen letter evokes the charm of the 1920s or 1930s.

Inspired by calligraphy style combined with modern taste. This is very thin, slim, spontaneity, clean and look wild. Lemans Pen Script includes full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation, ligatures. All lowercase letters include beginning and ending swashes. Lemans Pen Script support accent letters of Central Europa, Western (À Â Æ È Ë ã ä æ è...). Thank you!

Mother Hen is an offbeat comic latin typestyle full of quirkiness and bounce. Inspired by the 1965 Looney Tunes cartoon titled “Highway Runnery”, this typeface has all of the spunk of its source. The end result, a lively tribute to its origin, easy to read and fun to look at, a perfect typeface for childrens' books, advertisements, and playful designs!

The inspiration for this exuberant exercise in penmanship was found in Frank H. Atkinson's A Show at Sho-Cards: Comprehensive, Complete, Concise, published in 1918, executed with the then-state-of-the-art Payzant Reservoir Pen. It retains its quaint charm, even after almost a century. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Many alphabet style examples from the Speedball Textbook on pen lettering have offered amateurs and professionals a source of inspiration since its first publication in 1915. A 1940s edition presented a simple sans serif design rendered with the style ‘B’ round nib pen point, and has been recreated as the digital type face Pen Sans Rounded JNL, which is available in both regular and oblique versions.

The 1938 sheet music for "(The Dwarves Marching Song) Heigh-Ho" from Walt Disney's "Snow White" had the part of the title in parenthesis hand lettered with a round nib ink pen. This lettering became the inspiration for Pen Work JNL, and is available in both regular and oblique versions.

JY&A’s most distinctive calligraphic font, Yan Series 333 is usable at all resolutions and remains legible. Even though it has a strong calligraphic influence, the Yan Series is ideal for text settings that have to appear special. Designed by Jack Yan, the family was developed between 1987 and 1993. Yan studied the effect of a nylon-tip, rather than steel-nib, pen on paper.

YinYangMessages contains two sets of letters, those on the upper-case keys that fit on the left side of a yin-yang symbol and those on the lower-case keys that fit on the left side of a yin-yang symbol. One can alternate the two sets manually but the OpenType contextual alternatives feature does this automatically in any program that supports this feature. The family contains two fonts. In one the filled half is on the left and in the other the filled half is on the right. The slash and backspace keys contain blank halves of the symbol, which are useful for completing words with an odd number of letters. The two styles can be used in layers. YinYangMessages is a fun and playful family that every once in a while may be the ideal typeface for some unusual situation.

The rounded hand lettering for the circa-1920s sheet music title "I'm On My Way Back Home" inspired the font design for Lettering Pen JNL.

Ten Ton Truck is a heavy, but very legible font. Works very well with massive text, as well as headlines and such.

Pen Gothic JNL emulates lettering made with a round nib lettering pen, and is loosely based on some text found on the popular 1918 song "Ja-Da". The font is available in regular and oblique versions.

Gens De Baton is based on a charming lower case alphabet that appeared in the Almanach des Enfants pour 1886 (Paris 1886) under the heading “Amusing Grammar Lessons.” Gens De Baton means simply “Stick People.” The unknown designer turned the bare letter forms into drawings of people for the enjoyment of the children for whom the almanac was intended. The letter forms themselves were based on the French Romain du Roi (King’s Roman), except for the ‘g’ and the ‘j’ -- which were based on Baskerville. The letters ‘w’ and ‘y’ were not included, as they are seldom seen in French. We have left the letters somewhat rough, as they appeared in the Almanach des Enfants , resisting the temptation to clean up all the lines and render them with digital perfection. We have used our HiH Firmin Didot to supply an upper case and auxiliary characters, as Didot was originally a modified version of Romain du Roi. It is interesting to observe the contrast between the polished look of the Didot upper case and the rough, hand-drawn look of the lower case. Purchasers of this font have our permission to use it for the amusement of adults as well as children. We recommend setting Gens De Baton at 24 points or larger.

Pen & Ink is a quirky hand-drawn font. Inspired by notetaking and classroom doodles, this font has a friendly and approachable feel that perfectly compliments artwork and social media. Mix and match uppercase and lowercase letters throughout each word to get a truly hand-drawn feel. There are also 33 swash and icon extras.

La Carte Pen is a paper textured version of the popular La Carte font. Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but easy-to-read script that sets as well in body copy as it does in headlines.

Service Men JNL is a collection of twenty-six service industry-related messages carried by a courier. Each image is offered facing left and facing right. A blank message panel is available on both the period and comma keys for adding special text. The classic 1940s-era artwork adds a nostalgic touch to these simple reminders.

Hand lettering found across the sheet music cover of 1931's "Bend Down, Sister" [from the Eddie Cantor film "Palmy Days"] covered a couple of varying Art Deco styles; both made with a round-tipped pen nib. Deco Pen JNL combines the best of both styles into one design that's available in both regular and oblique versions.

Ye Benjamin is a smooth italic typeface, that will spread style and good vibes everywhere you put him. The crystallization of the letters shape was through seeking an iconic look, that would be a useful branding tool.

Yes Dear is a hopefully humorous acknowledgement that men and women communicate differently — one of those Mars-Venus things. Women tend to talk about their feelings. Men hide in the cave. It sounds funny, but it can have serious consequences in people’s lives and their relationships. T. D. Jakes deals with the subject effectively in his DVD, He-Motions. We guys need to find our way out of the cave. Our women need to recognize what is going on and gently help us emerge from the cave. Men and women were certainly never meant to be identical, but it would be useful if we could learn to communicate our feelings in more healthy and effective ways. Yes Dear has a full character set, including accented caps. Two empty frames are provided at positions 135 & 137. The Gallery includes a PDF file showing some text and the full character set and a JPG looking out from the cave. A lot going on outside the cave. Be sure and take a look.

Yes Margo is an unique handwritten font. It has sweet and lovely touch. Yes Margo is perfect for many design purposes, just try on your creative project and it will be cool :)

Slab-serif typeface, with pulsating and flexible forms, which gives the font its humanistic character. Ye Carbon crystallized into its forms in search for graphic language that would represent a sense of matter, of letters written by hand. The delicate finishes at the edges of the letters, and the flexibility of the of shapes, gives a feeling of matter, and bring the font to life. Ye Carbon will be a wonderful tool for variety of uses, thanks to its neat nature, and its forms in motion vibe, a rare and winning combination.

Yes Script says Yes! Yes Script is a bold connected brush script inspired by the typography of the late 60s and 70s. Yes Script is not an anachronistic vintage type -due to it’s clean features and straight edges it’s more of a contemporary design suitable for branding, packaging, magazines and so on from digital to print. Yes Script is equipped with Contextual Alternates and Standard Ligatures that are automatically on and help to keep the flow of the font natural and connections between letters smooth. In addition there’s Swash, Titling Alternates and two packs of Stylistic Sets. Access the alternates in any OpenType savvy software or seek the Character Palette for even more alternates. Stylistic Set 3 is packed with 24 swooshes and ornaments set in letters a-x. Yes Script is PUA encoded so you can access the alternates in any software.

Sans-serif, with clean and fresh Character. "Ye Paradigma" has been established in order to keep its forms as simple as possible - without losing the unique character of each letter, and without simplifying too much. The process was gradual, like the ripening of a sauce that leaves it to be reduced to strengthen flavors, so the letters ripened while reducing unnecessary details, until the taste became more concentrated and uniform. The result is a clean, fresh, remarkably useful 24 fonts typeface, with a clear and stable graphic language.

To obtain maximum pleasure in working with Hangulatin, please use the typeface as follows: 1 Open an OpenType-savvy program 2 Select the "Hangulatin“ typeface. 3 Copy the following test text into your document: HEL LO WORLD ! THE QUICK BROWN FOX JUMPS O VER THE LA ZY DOG . If this fails to bring about the desired result, please make sure that you are using an OpenType-savvy program and that usage of the OpenType features is activated in that program. Standard graphic programs are suited to that purpose. The same applies to Microsoft Word starting from the 2010 version upwards.To have fun and success with your new typeface, please write all words in the format shown in the sample text, i.e. all syllables need to be written in capital letters and separated from one another using spacecharacters (for single letters leave 2 spaces). If, however, a desired syllable is not to be substituted, proceed as follows: Please check + to see whether it is a word from the English language; + whether the word has been spelled correctly; + whether the word has been subdivided into syllables correctly; + whether the syllable has been terminated with a space character (allow 2 spaces for single letters).

Inspired by the hand lettered phrase “the pen is mightier than the sword” in a 1923 promotional blurb for Speedball lettering pens, Pen Nib Western JNL recreates the decorative style of this vintage artistic gem in both regular and oblique versions.

The title on the cover of Street & Smith’s “Wild West Weekly” for Jan. 27, 1934 made for an interesting contrast in terms. Here was a pulp magazine dedicated to stories of the Old West, but its title was hand lettered in an extra bold, squared shape style using a round pen nib – not exactly an alphabet that represented cowboys and desperados… This aside, this type style made for a good digital font revival, and it is now available as Bold Pen Lettering JNL in both regular and oblique versions.

Tsanger Yunhei was designed and published by Tsanger. Tsanger Yunhei contains 8 styles and family package options. The designer has made unique treatment on the shape and structure of the pen, based on the Chinese calligraphy style and writing, which makes it easier to identify under the same size of the font and group reading effect better. Tsanger Yunhei is more in line with the aesthetic habits of Chinese characters getting the reading an easy task. This font adopts GB 2312—1980 standard, with a total of 6763 Chinese characters, matching Latin letters, Greek letters, Hiragana, Katakana, Russian Cyrillic letters, etc.

To blend a handwritten style with a graphical aesthetic, Monotype designers paid attention to the balance between the two, hence harmoniously combine their qualities like a mix of tradition and modern. M Felt Pen references the unified stroke thickness and rounded terminals of rounded Heiti typefaces, imitating the fluidity of marker writing. The linked strokes are vivid and suggest the presence of the human hand.

The idea started with the 1934 sheet music of “Mazurka Amabile”. Its hand drawn title had most of the letters rendered in a rectangular shape [‘square’ in the sign trade] that featured rounded corners and terminals made by the shape of the lettering pen nib. A few letters were rounder in design than others, so those were scrapped in favor of a more consistent character shape throughout the font. Pen Nib Square JNL is available in both regular and oblique versions.

If you're regularly compelled to scrawl fiery French poetry, declare independence, or design indie folk albums, then Chris Watson's romantic Steel Pen typeface is for you. With old-school edge and spirited opentype alternates, it's as gallant as type gets.

Chalkboard or crayon-style handwriting with great legibility.

To blend a handwritten style with a graphical aesthetic, Monotype designers paid attention to the balance between the two, hence harmoniously combine their qualities like a mix of tradition and modern. M Felt Pen references the unified stroke thickness and rounded terminals of rounded Heiti typefaces, imitating the fluidity of marker writing. The linked strokes are vivid and suggest the presence of the human hand.

The 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews offered a number of examples of then-modern lettering styles for sign painters and show card writers. A bold display alphabet made with a round lettering nib is now available as Show Card Pen JNL, in both regular and oblique versions.

The hand lettered title on the cover of the 1938 sheet music for “If It Rains – Who Cares” featured a condensed Art Deco typeface made with a round nib pen. The square shaped characters with rounded corners were a perfect subject for a digital font revival, and are now available as Dip Pen Deco JNL, in both regular and oblique versions.