Festivo Font Family is a handmade layered font which includes several textures, shadows. Different font types can be created using various combinations of Festivo Fonts and colors. All fonts of Festivo letters are created as hand-drawn design based on F.L. NO:8 Font's Letters. The fonts No:16, No:17 and No:19 have the same metric and kerning structure than the other Festivo Fonts except No:18. So each one of these 3 fonts are a layer. But they can also be use as wide spaced fonts. No:18 is specific with its metric and kerning structure which was formed by No:17 but No:18 is its bold version. It was designed as a supplemental font. The fonts No:12 and No:15 can be used as shadows. This font family also includes a few ornaments. For your convenience, the files of the fonts were termed by their numbers. The various possibilities of the Festivo Font Family allows you to create a lot of great works such as posters, magazines, printings, t-shirts etc.

Schuss News Poster ist the very heavy headline font (titling/display/poster) of Schuss News. (No italic, no additional figures, no tabular figures, no small Caps, slyghtly different heights as the other font of the Schuss superfamily (Sans, Slab, News and Serif). The character set is different to the other styles. It is not developed for small text sizes.)

Schuss Sans CG Poster 1 upright OTF Font Latin extended, Cyrillic and Greek. Specially developed for headline poster display sizes. A Sans Black Headline-Font in addition to the Schuss superfamily. The heights are optimized for big sizes, different to the text fonts of the Superfamily Schuss. The character set is slightly different to the non poster styles too. No italic, no additional figures, no tabular figures, no small Caps. But with maximum manual kerning. Ligatures: fi, fl, ff, ffi, ffl. No special OpenType features.

This is a family of "Gothic" types from the Monotype Design Studio. The faces named "Gothic No. 1 through 4" were produced by Compugraphic. Gothic No. 1 is a condensed, late 19th century American-style sans serif typeface. Gothic No. 2 and Gothic No. 3 are based on the Metro #2 series, designed by W.A. Dwiggins for Mergenthaler Linotype during the 1920s and 30s. Gothic No. 4 looks vaguely like Gothic number one, but is heavier and smaller on the body. Gothic Extra Light Extended is a very light and wide design.

Schuss Sans CG Poster Extrabold 1 upright OTF Font Latin extended, Cyrillic and Greek. Specially developed for headline poster display sizes. A Sans Serif Extrabold Headline-Font in addition to the Schuss superfamily. The heights are optimized for big sizes, different to the text fonts of the Superfamily Schuss. The character set is slightly different to the non poster styles too, but comparable to Schuss Sans CG Poster Black. No italic, no additional figures, no tabular figures, no small Caps. But with maximum manual kerning. Ligatures: fi, fl, ff, ffi, ffl. No special OpenType features.

Kowalski2 is a decorative, serif, hand-drawn font. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. The inspiration came from the beautiful font Desire designed by Charles Borges de Oliveira. Kowalski2 Pro is the most complete style, it contains all the alternates and ligatures. To get the alternate glyph just add "+“, ”=" or "*" before the letter in any OpenType savvy application or manually select the characters from Glyph Palette. Kowalski2 Basic has the basic character set with 345 glyphs and no alternates. Kowalski2 A, Kowalski2 B and Kowalski2 C have less glyphs than the Pro one, they only contain some selected alternates and ligatures. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Museum Fournier is inspired by a set of Rococo capitals designed by Pierre Simon Fournier le Jeune circa 1760. The matrices are part of a set imported to Sweden by J.P. Lindh in 1818 from Breitkopf & Härtel in Leipzig, Germany. They are now in the Nordiska Museum in Stockholm. Type designer Torbjörn Olsson has expanded the original 31 lead matrices in the collection to 55 characters. Please note that the font contains capitals only, no lower case letters and no figures either. Museum Fournier is an OpenType creation, for both PC and Mac. Swedish type foundry T4 premiere new fonts every month. Museum Fournier is our ninth introduction. Museum Fournier is part of the growing Museum type family. Museum also includes three different border fonts, an ornament font with some of Granjon's arabesques and Museum Tertia Cursive, an exquisite 1700's typeface with modern additions.

Sick to death of buying an entire dingbat font just for the ONE symbol you really want? Are you a closet Goth? Do you think Halloween should be a national holiday? If so, then you need Crania, the all skull font. No poorly drawn bats, no gay pumpkins, no goofy looking Frankenstein monsters or grinning mummies, no lame-ass puns carved into headstones... JUST SKULLS. Crania contains 52 different skulls and a PDF guide so you know what the hell you're doing.

If you are looking for some wild extreme grunge this is it. No holds barred this is some bad stuff. Let your imagination go there is no stopping here.

Imagine shaping letterforms and messages from dough or chewed gum. This is Chewbrio in essence; No straight lines, no closed shapes and no sharp corners. Chewbrio is a fresh take on stencil. Four sets of all basic characters make for a very large number of combinations, and a hoard of ligatures will further your ability to surprise. Designed by Hans Samuelson in 2023.

It’s here! Look no further! LD Twylight. You don't have to be a fan to see that LD Twylight could make spooky Halloween party invitations or great additions to scrapbooking projects. No Question!

Abagail Jackson is a wild-looking face that was one of my early designs. I had no particular use in mind when I designed it and I no longer remember what inspired this whimsical font.

Tonsure is a script with no logic.

Inspired by an old house font of an anthroposophical hospital in Germany, this font was created: coarse, irregular, with corners and edges. In nature there are no right angles, no symmetries, no evenness: and so is this font. Tis is not a fine font, Like a woodcut this font roars: Look at me, I am here! Ideal for posters, leaflets, posters, billboards. Designed by Joachim Frank (Germany) in 2021

Sister Frisky jumps up and down and drinks a lot of coffee. There are no two parallel lines in this font, and no right angles. Here's a flashy, dancing, retro script with an sharp edge and clear wit!

Hulk mad. Hulk so mad, Hulk broke font. Puny Comicraft no like mashed up font! Hulk no care. Hulk like to talk like Hulk has mouth full of marbles. Hulk smash! Get FightingWords and Hulk promise not punch your lights out.

Hobo font was designed in 1910 by Morris Fuller Benton for American Type Founders. This unusual Art Nouveau-inspired design contains no straight lines and no descenders. It imparts a friendliness to display work such as invitations, menus, signage, and packaging.

The name Old Style No. 7 comes from a time when foundries released a variety of typefaces under one name. Linotype produced Old Style No. 7, which was based on an early 1870s typeface from the Bruce Typefoundry, which had based its design on a type from the Scottish foundry Miller and Richards. Old Style No. 7 is a reliable text type that is serviceable for both books and shorter copy demands, such as magazines.

ฟอนต์ นมัสการ แบบอักษรได้แรงบันดาลใจจากเขียนตัวอักษรวิจิตรด้วยปากกาหัวตัด ที่มีองศาในการเดินเส้นที่ 45 องศา เลยเอาตัวเลข 45 องศามาใข้ในการออกแบบ สังเกตได้จากการจบเส้น เช่น "r" ปลายตัดที่ 45 องศา แบบอักษรมีความเปรียบต่างสูง เหมาะกับการใช้เป็นผาดหัว ข้อความสั่นๆ หรือ Quote มี 9 น้ำหนัก ทั้งตัวตรงและตัวเอียงรวมเป็น 18 สไตล์ -- Namaskarn Font inspired by flat calligraphy pen, with at 45 degrees when holding the pen, so the number 45 degrees was used in the design for example "r" at the terminal cut at 45 degrees. The font has a high contrast. Suitable for use as a headline, sub-headline or quote, comes in 9 weights, upright and italic for a total of 18 styles.

BLOCK CAPITALS is a square, geometric, small caps display face that avoids fashionable foibles and exudes the neutral, unpretentious functionality of time-honoured block lettering. The family has three widths (Narrow, Normal and Wide), and the Bold weights are loosely based on well-used squared nets – 3x5, 4x5 and 5x5. However, the typeface escapes its grid origins whenever necessary with slightly modulated stroke weights, sensitive spacing and careful kerning. The aim is to retain the strength and simplicity of strictly geometric characters while introducing barely perceptible refinements that add elegance and usability. That said, letters and numbers line up horizontally without overlapping the capline or baseline, even the tail of the Q does not descend below the Baseline. Diacritics are modesty proportioned, accented characters extending no farther than necessary, allowing the leading on multiple lines of text to be kept to a minimum.

Gummy Candies is a playful and childish display font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! Having no Caps letters.