Block-style typefaces make excellent sports-themed fonts, and Stadium JNL is no exception-- but this lettering style is also filled with nostalgia for decades past. Modeled from one of the many classic designs found in the Speedball® Lettering Textbook, this style of alphabet was quite popular in signage of the 1920s and 1930s. Stadium JNL fills the bill either way-- a font that is just as much at home on a gridiron or baseball diamond, or as lettering for a garage, warehouse or attention-getting ad copy.

ITC Golden Cockerel font is based on designs created by Eric Gill in 1929 for the Gold Cockerel Press in England. These elegant and meticulously crafted typefaces were inspired by and modeled on Gill's skills of stone carving, calligraphy and wood engraving. The typeface family includes ITC Golden Cockerel Roman, Italic, Titling, and Initials and Ornaments.

The Book of Kells is a handwritten Irish text which dates back to the 8th century. Kris Holmes and Janice Prescott digitalized some letters from this book and some from a Grotesk font in the style of Frutiger. A computer filled in the blanks and the designers then gave the font its finishing touches by hand.

Health Warning! Coconuts are not that healthy!! I always thought that coconuts were the new quinoa, but apparently they’re not that good for you. They are furry balls of saturated fat, sugar and calories, so don’t go all out with your coconut eating habits! Of course, eating a bit of coconut now and then will not kill you, so enjoy! Coconut Punch is a handmade didone-ish font. Nice and rounded and full of saturated brush strokes. Comes with all the diacritics you need too!

Pizza is a font fusion of our Saloon Girl and Mi Casa font families. Our new Pizza font will look great for headlines in your new restaurant menu as well as the sign out front. Pizza offers different levels of ornamentation to choose from to best suit your design needs. Pizza Margherita is a solid black version for plain text. Fill fonts are also available, however, you'll need an application that works in layers to take advantage of the Pizza fill fonts. Fill fonts in the Pizza font family are not meant to be used as a stand alone font, please use the Pizza Margherita font if you need a solid black weight. Pizza is a trademark of FontMesa LLC, initial release December 6-2021

Set it large... I dare you! 100pt+ is definitely encouraged with this face. White Wolf was created to fill the void for condensed sharp wedge serif fonts. Taking inspiration from other hybrid fonts such as FF Dog, FF Vortex and HI Halfway House, I wanted to create a font that would offer something different for artists looking for a condensed font that has a lot of character. Use it for titles, subtitles, logos, posters, signs and pair it with some heavy wood types or slab serifs and you will be pleased with the attitude White Wolf will bring to your project!

Ozonos is a brand & design font to make your products look more bold and elegant. Rounded, Elegant, Minimalist & Bold Font that goes smoothly with any font, especially script fonts. The bold design of the font emphasizes your product, brand design and will surely satisfy your clients. The complete font set will surely bring a chic design touch to your website, the font is designed so easily be read & bring the bold effect to any kind of design. Kufic Studio is a platform that provides professional and high quality designs & fonts to fill the gap that has been missing in the market.

My kids asked me what killed the dinosaurs. I told them it probably was a meteor strike off the coast of Yucatán in Mexico. So, when I made this font, that little talk about the meteor hitting earth came to mind and a font name was born! Meteor strike is a slightly slanted brush font. It was made with my Chinese ink and a cheap brush (like most of my brush fonts). Meteor Strike comes with an attitude and a cheeky grin. It will sure leave a lasting impact on your designs!

Introducing! Imagine Forest Font! a casual and charming brush font. Indigo Forest is very suitable to fill your design needs such as, branding, social media, merch, ads, book title, packaging, etc. Imagine Forest includes 2 fonts : - Imagine Forest: The main font with Uppercase, Lowercase, Number, Punctuation, and also multilingual support. - Imagine Forest Alt: Besides you can access alternative characters from the main font through the opentype feature, you can also install this alternative fonts. Indigo Forest Alt font will give you other options for a character, which of course will add a natural impression. Imagine Forest also has a some of ligatures that will enhance the natural impression. Thatís it! Please do let me know what you think, feel free to comment if there are issues or queries. Enjoy the Font, Thank You!

VANILA is a cute outline and very cheerful display font. Filled with ALL CAPS with cute and funny shapes, Inspired by freestyle graffiti writing, Add this lovely and dynamic font to any of your creative ideas related to school or kids, snacks and events. You will love the results. VANILA is perfect for birthday cards, kids invitations, quotes, branding, or just for fun for your art.

An imperfectly charming handwritten font, "Hopeless Romantic Society", is here to liven up your design works. This carefree ligature-filled handwritten typeface was influenced by writings that were sloppily produced by hand. With these 55 ligatures, your designs will have that extra layer of authenticity. Whether you're looking to create a playful logo or send a handwritten letter, this typeface is the way to go.

Anglaise was designed for display and it likes to be big and present, filling the width of a whole spread. The repetition of vertical black and white space holds the typeface together and the contrasting straight and round shapes add the personality... for even more... use the OpenType features, and Anglaise will start merging and building new characters for you to play around with... Enjoy!

Comply Slab is inspired by action and extreme sports, Comply gets it's name from the well known skate trick the “No Comply”. This type family doesn't mess about! With 9 weights from thin to black, Comply Slab will give you some great options to use. This font family will “kill it” in both print and digital, in headlines for editorial, posters, banners, websites, apparel, packaging, logos or magazines just to name a few. If you want to make a statement that gets the message across in a slick way with some cool looking glyphs Comply Slab is the font! There is an alternate R and S so you can choose to go with the cool default sharp glyphs or swap them for a more traditional chamfered corner version. Each of the 9 weights has an italic version to add even more action.

Mercado is a versatile stencil font family with 3 styles and 3 weights of each style. I was inspired by local boutique supermarkets to create a stencil font family with both upper and lowercase as well as a large international characterset. Mercado Regular can be used at small point sizes without the stencil gaps filling in. It also makes a bold statement when used large. Mercado Display with it's precision slices is best used large, or in any design solution where the tight gaps will not become filled in. Mercado Sans is a quirky and strong sans serif based on the bones of the stencil version.

Bay Tavern is the first weathered version of our Tavern font that's based on Algerian. With three weights, open faced and outline versions to choose from you're sure to find the right style for your new project, restaurant menu, logo, t-shirt design or Pirate costume party. Bay Tavern includes all the same alternates as our regular Tavern font family. While our original Tavern font has been increased to include five weights additional weights for Bay Tavern will have to wait for now, adding the notched cut in's were all done by hand which causes a lot of cramping so a long break is needed before creating the extra weights. The Fill fonts in the Bay Tavern family are meant to be used with Bay Tavern Open fonts, if you're using Bay Tavern Open then select Bay Tavern Fill, if you're using Bay Tavern Open L then select Bay Tavern Fill L, if you're using Bay Tavern Open S then select Bay Tavern Fill S, if you're using Bay Tavern Open SL then select Bay Tavern Fill SL, the same rule goes for the Open X version.

CA Kometo is an oblique headline typeface that consists of two styles, “Regular” (the Shadow) and “Fill”. Kometo has come to save the world. A superhero typeface featuring the super powers “shadow” and “imperfection”. It comes to save you from a world of boredom. Join Kometo and experience the fun of stacking fonts! Write something with “Fill”, copy paste it to another layer and switch to “Regular“. Maybe you will want to give it a little offset? Or you can also try to use the “Fill” style for body text, but do so at your own risk, spacing and kerning is optimized for the use with the “Regular“ style, so don't be too harsh if the results looks more vivid than text normally does. The character set is well built, supporting Western and Central European languages.

It’s cherry season, so I bought 2 kilos of cherries at the local cherry farm. The cherries I bought had been in a cooling cell, so they were quite cold. As I was eating them, the name for this new font popped up! Chilly Cherry is a handmade serif. It’s a little wobbly, a little off-center, but it will surely put a smile on the cherry lips of your customers.

Align Vertical Mono has an innovator construction which gives to the designer the ability to align the letters creating beautiful patterns on the page. It was design by the Tyner (typography Designer) Pedro Mascarenhas to fill a gap in type design. With Align Mono Family type will be the leading role of the design. The final result of the art work depends of the choices designer makes for each glyph.

This font is for gamers, game titles, for science fiction books and movies. Like hexagons fill and take space, in this font we attempted to employ hexagonal spatial typography. Sometimes it requires more rapid stroke direction change than in traditional typography. The same for Starfighter and for space quests – the competition and adventure will often require quick and sudden change of direction to succeed and survive. Have fun!

Bayside Tavern is a weathered version of our Tavern Alt font family. With its straight sides Bayside Tavern fits better in tight spaces and reads better at smaller point sizes than the regular Bay Tavern version. With three weights, open faced and outline versions to choose from you're sure to find the right style for your new project, restaurant menu, logo, t-shirt design or Pirate costume party. While our original Tavern Alt font has been increased to include five weights additional weights for Bay Tavern will have to wait for now, adding the notched cut in's were all done by hand which causes a lot of cramping so a long break is needed before creating the extra weights. The Fill fonts in the Bayside Tavern family are meant to be layered behind the Bayside Open fonts, if you're using Bayside Open select Bayside Fill, if you're using Bayside Open L select Bayside Fill L, if you're using Bayside Open S select Bayside Fill S and so on.

Main Street is a revival of the old font Soutache, the original version of this decorative alphabet was created in 1873 by Julius Herriet, a type designer active during the period marked by the Western expansion. Main Street with its split serifs and ornate scrollwork reflects the romantic splendor of the old west from fancy garb and Cowboy Saddles to Ice Cream Parlors and painted window signage. Main Street goes one step further by creating a base fill font which can be placed behind the regular Main Street font giving this font more of an inline appearance. You will need an application that allows layering of your fonts in order to take advantage of FontMesa Fill fonts.

Stencil Round Ends, is just that, a stencil typeface with rounded terminations to each line rather than the squared terminations found in your typical stencil font. This design was developed while designing a typeface for engraving. The end mill tools used to engrave a font are round, thus the lines will all end with a rounded edge. While designing the engraving font I also designed this font to make sure that the single line version will have the desired aesthetic. Unlike many stencil fonts that have a limited range of glyphs I made this to contain the majority of letters, accents, ligatures, and mathematic symbols commonly used in most latin based languages.

An original design. A memorial typeface by Pat for her mother, Alys, who was tragically killed.

Will Carter, well known in connection with his private press in Cambridge, has combined the skills of a calligrapher with a practical knowledge of printing. His mastery of pen-drawn letterforms was put to practical use in the design of Klang. Klang is a slightly inclined and calligraphically shaped sans serif with short ascenders and descenders. The Klang font is useful for informal applications, such as invitations, greetings cards and posters, but can also be used in advertising.

PGF Business inspired by script used on maps, spencerian aka "Business Script" and manual and confident signature strokes. Organized in 5 individual styles, for making it easier to use, and gathered all at one in a bigger unique file called "PGF Bussiness Full" where you will find way much more options, but requires a more advance editing skill to use. Accompained with a useful set of Dingbats and a set of complementary Ornaments to enhance more versatile typographic compositions.

Hey there! I'm happy to introduce to you my new ethnic-based font. Hurray! It was long and hard work because every glyph is unique. I sketched each letter of the font. Each letter is uniquely designed and has nordic folk art in the background. What you will get: Filled and Regular styles Icons and patterns font Uppercase (lowercase glyphs are same) Numbers and symbols Multilingual support Please feel free to request to add characters you need: kaer.pro@gmail.com

Hickory is the revival of an old unnamed font dating back to 1852 and was sold through a few different type foundries including Bruce, MacKellar Smiths & Jordan and James Conner's Sons. By the year 1900 this font disappeared from the major type foundries, now with the digital age of type we're proud to revive this old classic font that hasn't been used in over one hundred years. The original font was only available as an uppercase with punctuation and an ampersand. Today the character set has been updated to include a new lowercase, numbers and accented characters for Eastern, Central and Western European countries. Three fill fonts have been created for the Hickory font making it easier for you to add different colors, textures and patterns to the letters. You will need an application that works in layers such as Adobe Photoshop or Illustrator in order to use the fill fonts, some fill fonts may look good as a stand alone font, the Hickory fill fonts however do not look good used apart from the Hickory main font. I hope you enjoy this old font as much as I did making it.

Seconda Round is a contemporary, legible, and versatile typeface. It is the round companion of Seconda. Unlike Seconda Soft, which has moderate rounding — the edges of Seconda Round’s characters are fully rounded. The Seconda Round family has been enriched by a collection of Outline and Shadow fonts, each with its own Fill font. Combine an Outline or Shadow font with its Fill font in an application that uses layers, to create a two-color version of the Outline or Shadow font. Seconda Round has 32 styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. The Outline, Shadow, and Fill fonts are not suitable for small size texts. The Fill fonts are only to be used in combination with their Outline or Shadow font. Seconda Round can be combined with any other member of the Seconda superfamily, extending the wealth of design options the Seconda superfamily offers. Seconda Round is well suited for graphic design, editorial design, and corporate identity design. Seconda Round’s Outline and Shadow fonts will add flair to any design project. For more information about Seconda Round, download the PDF Specimen Manual.

Toulouse is a city of culture. It has long nurtured literature, music, dance, theater and concerts. It is therefore an entirely appropriate name for an elegant and classical french-style font. Toulouse, the font, is classically calligraphic with a sharp-edged look to the character terminus that speaks of skilled penmanship. Careful attention has been paid to the weights of the vertical strokes, keeping them consistent with the pen angle, and enhancing the faithfulness of this font to the period style. Toulouse will be very useful wherever an ambience of measured elegance is required. It will enhance the appearance of advertisements, wedding and other invitations, as well as menus, headlines and posters. It contains a full character set and is professionally letter-spaced and kerned.

Dense and strong, this family is inspired by the lettering on the poster of a short expressionist play by the astonishing and highly skilled Austrian painter, printmaker and writer Oskar Kokoschka in 1909. If the typeface itself is already deeply vigorous, the font programming makes it shine, making great use of OpenType features. Contextual Alternates will cycle alternate glyphs, providing a more realistic handlettered feel. Ligatures will not only trigger special glyphs, but also build new combinations through a smart kerning adjustment. And yet there are also some stylistic alternates to add that extra-twist. The family counts with a nice textured version, also an oblique and a very handy assortment of extras, making this family an impressive toolbox for expressive designs.

Linotype Mega is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The fun schrift of German designer Till F. Teenck is available in three weights whose names are word plays in themselves. Mega in (which we hope the font will be) contains relatively light, somewhat irregularly-drawn characters which look as though they were printed by hand and the characters are set rather far apart from each other. This weight is good for short and middle length texts in point sizes of 10 and larger. Mega normal is anything but. The characters are the outline forms of Mega in and their larger width reduces the distance between them. This weight is generally a headline font. Mega out is a very heavy weight and is the filled-in version of Mega normal. The characters flow into each other and look almost like silhouettes. The reduced legibility makes this font suitable exclusively for headlines in larger point sizes.

YOU WILL OBEY ALL OUR COMMANDS! YOU WILL OBEY INSTANTLY! YOU WILL OBEY WITHOUT QUESTION! OBEY! OBEY! OBEY! OBEY! OBEY! OBEY! YOU WILL BUY THIS FONT OR YOU WILL BE EXTERMINATED! Features Four fonts (Regular, Italic, Bold & Bold Italic) with alternate uppercase characters.

Dynasty is an extensive and versatile family that exploration and modernisation of the typographic quirks associated with the 'American Gothic' type school (in much the same way as English Grotesque was an exploration of Gill/Johnston idea-space) and adds chamfered elements to dots and tails to emphasise and extend the early machine-made aesthetic. Elegantly clean and readable at headline and small text settings, where (as with all fonts in small sizes) the introduction of tracking will improve legibility.

Since the release of Wood Bonnet Grotesque No.4 the font became popular for packaging and adverts. But the font styles were limited to one worn and one clean font in a medium weight only. Bonnet Grotesque Nr [Narrow] will fill this gap. It’s based on Wood Bonnet Grotesque No.4 but slightly modernized with sharp corners. Some letters need more space now – so tracking is not the same. The Medium family style shares the same weight as the wood font version.

MB Empire is a font that like MB vintage has its roots in early 20th century design, It has a distinctly english feel with its style references to the classic Gill Sans. It has a very traditional look whilst still maintaining its own modernist individuality. It comes in six weights with italics and has extended language support. With many opentype features including oldstlye & lining figures, automatic fractions and more its a font family that will work for almost any application.

Popsmart means "smart or skilled in a superficial, self-righteous or annoying way" - but when I was young in the 1980ies, it was a positive thing to be popsmart. At least in Denmark! :) Anyway, I find this font to be smart in a positive way: It has a bouncy appearance ( with help from the Contextual Alternates, the font cycles the 6 different versions of each letter!) and a "go-ahead-and-type-anything-and-it-will-end-up-looking-good" kinda vibe.

Hand drawn narrow typeface designed for one of our books. You can layer different styles over the background style to achieve lots of colorful effects. Use just one style to get a single color letter or set the shadow and fill over the background style to get a full, three color mode. Mr Happy has upper and lowercase characters with up to three alternate glyphs. Build in OpenType Contextual Alternates feature will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand.

Colette is an inky handwritten script font designed to be easy to read and easy to use. Colette includes alternates and OpenType ligatures such as double letters or alternates glyphs that you can use to improve your designs and make them look natural and friendly. We also designed a Filled version (you can mix Colette and Colette Filled to give you more design options) and an Inside version (To do so, you can simply superimpose the layers with a compatible software like Photoshop, the weight above and the inside below, then choose a color for each). You could perfectly combine Colette with other S&C Type’s fonts, such as Naïve or The Hand for example. Just click on our foundry name to check them out! We hope you will enjoy our work. Merci beaucoup!

Say hello to Glary Tropic, the top choice for stunning, tropical-inspired designs. With boldness and strength imbued in every accent, this font brings a bold touch that immediately steals the show. Glary Tropic's bold style brings strong and eye-catching design elements. Filled with a fun tropical feel, each letter creates a fresh, vibrant atmosphere, perfect for projects that require exceptional visual appeal. This font is designed to provide maximum clarity and impact. With a strong tropical theme, Glary Tropic will be the perfect choice for posters, announcements, branding designs, or other creative projects that require a fresh and dynamic touch. Enhance your creativity and create unforgettable designs with Glary Tropic. With strength and uniqueness in every accent, this font will be an undeniable choice to take your design projects to the next level.