228 search results (0.008 seconds)
  1. Wavy - Unknown license
  2. Tschichold by Présence Typo, $36.00
    The first photo-typesetting machine in operation, the Uhertype, was introduced in 1925. It was a combination of manual phototypesetting machine and make-up machine. The machine’s typefaces were designed by Jan Tschichold. The patents on Uhertype were bought up at the time to prevent the invention of filmsetting spreading. Jan Tschichold has been very influenced by Gill Sans (1928) for this humanistic sans serif drawn in 1933/36 for Uhertype.
  3. Zombie - Unknown license
  4. PeaceNow Basic - Unknown license
  5. AntiMatter KG - Unknown license
  6. Jeepney - Unknown license
  7. Ol' 54 - Unknown license
  8. GF Ordner Normal - Unknown license
  9. GF Ordner Inverted - Unknown license
  10. Shadowed Serif - Unknown license
  11. White Bold - Unknown license
  12. Pleasantly Plump - Unknown license
  13. GF Vienna heavy - Unknown license
  14. Dungeon - Unknown license
  15. Comment
    Pea Jane In A Hurry is a font that truly captures the essence of spontaneity and movement. Created by Fonts For Peas, this typeface stands out for its hand-drawn, casual style that appears to have be...
  16. ALIENS GT - Unknown license
  17. So Nouveau JNL by Jeff Levine, $29.00
    Three of the four letters of the name “Jane” on the cover of a vintage piece of sheet music inspired So Nouveau JNL. The free-form swoops emulating the pen lettering of the early 1900s adds a nostalgic charm to this typeface.
  18. Deutsch Gothic - Unknown license
  19. GF Krater - Unknown license
  20. Far Away, So Close - Unknown license
  21. GF Fuffiger - Unknown license
  22. GF Gesetz - Unknown license
  23. GF Halda Smashed - Unknown license
  24. GF Halda Normal - Unknown license
  25. GF Hubert Caps - Unknown license
  26. Systematic J - Unknown license
  27. Twentytwelve Serif C by ABSTRKT, $50.00
    Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
  28. Twentytwelve Slab N by ABSTRKT, $50.00
    Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
  29. Twentytwelve Serif N by ABSTRKT, $50.00
    Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
  30. Twentytwelve Sans C by ABSTRKT, $50.00
    Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
  31. Twentytwelve Sans N by ABSTRKT, $50.00
    Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
  32. Twentytwelve Sans G by ABSTRKT, $50.00
    Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
  33. Twentytwelve Sans R by ABSTRKT, $50.00
    Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).
  34. New Land Contour - Unknown license
  35. Saskia Pro by RMU, $30.00
    A tribute to Jan Tschichold. His hot-metal font Saskia was released in 1931 by Schelter & Giesecke. This elegant italic font was finally redrawn, extended and digitized for present-day use.
  36. Futura Black by Bitstream, $39.99
    Josef Albers drew a stencil sanserif form at the Bauhaus in 1923 (published in 1926); Paul Renner and the Bauer design office made a similar design into a typeface in 1929, and rather confusingly included it in the Futura series. Many websites erroneously attribute the stencil design to Josef Albers, but there is no evidence that the two met or collaborated on Futura Black. In 1929 Josef Albers and Jan Tschichold corresponded on the “Transito” typeface (another very similar stencil typeface, while Paul Renner was working with Jan Tschichold.
  37. Lutetia Nova by RMU, $45.00
    Jan van Krimpen’s famous Lutetia, released at the late 1920s, revived by a complete fresh design. To get access to all ligatures in both styles, it is recommended to activate Discretionary Ligatures too.
  38. Squizzlie - Unknown license
  39. Stoopid - Unknown license
  40. ZeroDegrees - Unknown license
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