JY Décennie Express was developed as a sans serif workhorse complement to JY Décennie. The basic roman design shares characteristics, and in some cases, characters (e, o, and others) with the serif version, making JY Décennie Express work particularly well with its progenitor. The design is friendly and approachable, as opposed to stark (the effect one usually has with Helvetica and other over-used typefaces). On closer inspection, straight lines blend into curves on the outlines: the characters are in fact complex but appear simple.

Classic retro sans with some modern looks. Contrast vertical and horizontal lines in Bold style and elegant and airy Light style. This font has no lowercase letters, only the small caps which makes it very suitable for Headers, Logotypes, sub-headers, etc. This family has a French mid-century spirit with the alternate underlined O, inherent in that time, ligatures for L-pairs and T-pairs letters and some decorative alternates for A, C, H, J, O, Q, and U letters. The Le Bonjour has three widths: Bold, Regular and Light. Four styles for Bold and Regular: Clear, Offset Decor Line, Pressed and Stroke. And two styles for Light: Clear and Stroke. (the light style is too narrow for Offset decor and Press styles)

Bonjour! Embryotic is a mystical display font. This font was carefully crafted and inspired by world top fashion brand. In general, it creates a luxurious and elegant look in design. Coming to you with 90+ luxury alternate to create a perfectly mystical, beautiful, classy, elegant design. Use this font for your fashion brand, resort, cosmetics, invitations, wedding, branding, packaging, magazines, boutique, social media, restaurant, spa, greeting cards, headers, headline and many more. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 B.4 h.3 etc. so you don't need special software. To get results like the preview just type E.4mb.2ryot.3ic

The raw emotional energy of German Expressionism is evident in this font, based on Judith Type, designed by C. H. Kleukens in 1923. This version takes its name from the Biblical character who lost his head to the original font’s namesake. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

From the great Schelter & Giesecke collection, Dante Alighieri is a splendid companion to Aldo Manuzio. With its rather condensed characters it makes an ideal body text font even for narrow columns. Dante Alighieri comes with the historical long s and swash letters of H and T. It can be used for all major West and Central European languages.

This typeface appeared in the William H. Page Woodtype specimen book as Gothic Tuscan Condensed Reversed—quite a mouthful. Banner elements appear in the brace and bracket positions, and reversed spaces can be found in the underscore and bar positions. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Coda Pro is a simple but decorative and controlled sans serif design. Coda literally means ‘tail’ (Italian, from latin cauda) and refers to the way the letters h, m and n stretch below the writing line towards the end of a sentence or before a final stop. Coda Pro is an elegant and contemporary font suited for display purposes.

Our font (circa 1895) of this old wood type was made by Hamilton of Two Rivers, Wisconsin, but we have been told that another identical font was made earlier by W. H. Page, Greeneville, Connecticut. Hamilton became the final home of many of the old wood type patterns as the early companies went out of business.

Here's a great old face from the H. W. Caslon foundry in London; a real workhorse. The lowercase is eminently readable, so you can set entire paragraphs to good effect. We don't recommend it for setting all caps, but we did take time to kern it well; so you won't get a jumble of ovelapping letters if you do.

A fine, fat Deco face named Ludlow Stygian provided the basis for this delightful typeface. Although generally formal in character, the font shows a hint of playfulness in the distinctive “humpback” h and n characters. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

French Clarendon was an extremely popular wood type font. Characters are heavy and condensed with bracketed serifs, which measure approximately 1/4 to 1/3 the height of the letter. Dozens of decorative wood type designs have been created based on French Clarendon. It was marketed as a wood letter by William H. Page & Company in 1865.

A very condensed 19th century Tuscan style wood type design with a full character set with ligatures. This design was first shown by Wm H Page Co in 1859 and this is the first digital version of this font to include a lowercase and extended European character set. This is a font best used at large sizes.

How to use The Rorschach dingbat: q,w,e,r,t,y,u,i,o,p create the start of an inkblot a,s,d,f,g,h,j,k,l create a middle, you can use any number of middle-elements z,x,c,v,b,n,m create the ending. Your Rorschach is now finished, get analysing!

Olivera has Stylistic standard, Stylistic Initial, Stylistic Teminal and ligatures and includes uppercase and lowercase letters, numbers and punctuation marks. Multilingual Support OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. A total of 462 Glyphs: Ligatures: Ju Ct ff Cl all gh of ck tt ut nt ak ll pp il rt it ot st at rr om mm ar ss as or ox ow on tt ut ut Ct st at ot rt it Cl Swashes access: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 7 alternative sets access: a b c d e f g h i j k l m n o p q r s t u v w x y z

The first Antique Olive fonts were produced by the French type foundry Olive, in 1962-1966 and designed by poster designer Roger Excoffon (1910-1983). All Excoffons fonts are flamboyant, elegant and highly stylistic. They include the Banco, Mistral, and Calypso fonts. Antique Olive was launched to rival Helvetica and Univers, but the shapes it took were totally refreshing. Antique Olive is probably the most striking Sans Serif since Futura and Gill, and more refined than either. It is perfect for posters and display material as it works well in larger sizes.

I have always been frustrated when looking for a bold condensed face. The choices were the usual? Helvetica Bold Condensed, Univers Bold Condensed or Alternate Gothic #2... all rather dated. I was looking for a really unique, clean, uncluttered sans serif face, so I decided to design one. I have since adapted it to many logo designs. So, in my terms and conditions, I decided to permit the modification of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.

In the advertising industry, I was often asked to supply the art directors with ideas for a san serif type design that was not the standard Helvetica or Univers. They wanted a fresh new approach, something with generous proportion, like Avant Garde perhaps, but not as uniform in proportions. A font that would lend itself well to wide and long columns of text with lots of leading. So, I rolled up my sleeves and designed a font that meet all their criteria. Contax is the new 'Univers' for the 21st century.

Nuber Next is a modern geometric sans influenced by the popular neo-grotesques of the 1950s including Helvetica and Univers. Carefully remastered from the original Nuber type family to improve letter shape, overall uniformity and introduce a flexible width system capable of handling a wider variety of typographic applications. Details include 750 characters per font, nine weights and five widths with matching italics. Opentype features include seven variations of numerals, fractions, case-sensitive forms, stylistic alternates, ligatures, extended monetary symbols and language support covering Cyrillic, Western, South and Central Europe.

Magnadens is a typography with thick, stylish lines that can be particularly suitable for headlines, posters and logos. The main peculiarity of this typography are the slightly arched stems on the edges, which gives it a solid base while maintaining a certain elegance. Some glyphs like the "h" and the alternative "n" or "m" bring a medieval connotation while remaining modern.

Stradivarius, sometimes known as Symphonie was designed by Hungarian born Imre Reiner (1900-1987). Reiner was not only a type designer, he was a fine artist. He enjoyed sculpture, painting, graphic and industrial design. In 1921, F. H. Ernst Schneidler, (Schneidler Initials) introduced Reiner to type design. Stradivarius was designed and first released by the Bauer Type Foundry in 1938.

The typeface was designed at the Polygraphmash type design bureau in 1951-53 by Lev Malanov, Elena Tsaregorodtseva et al. Based on Cyrillic version of Excelsior, 1931, of Mergenthaler Linotype, by Chauncey H. Griffith. Excelcior Cyrillic was developed in 1936 in Moscow by Professor Michael Shchelkunov, Nikolay Kudryashev et al. A low-contrast text face of the Ionic – "Legibility" group.

Farquharson is an all-caps display face, adapted from an early American woodtype, and designed especially for use in the book Charlie Farquharson’s Unyverse. The complete family consists of two fonts: a regular version and a stencil version. Alternate versions with slightly elongated feet are provided for A, H, K, M, N and R. Very eccentric, it is best used in small doses.

Arcadian was first produced in wood type around 1870 by William H. Page & Company. It is a semi-ornamented face based on a French Clarendon, with dots added to the median and the tops and bottoms of the letters. It has a distinctly “Old West” feel, and was likely used to add a little pizzazz to advertising and broadsides of the time.

Hi, i want to introduce my newest font Kiti Cuties. Kiti Cuties is a playful sans serif font, Kiti Cuties is a allcaps font with 4 variations letter in lowercase e,h,o,u that makes your design looks more cheerfull. Kiti cuties is made to help you create a kids and fun theme design such as birthday card, baby shower card, greeting card and many more.

The Bitstream version of Englische Schreibschrift by H. Berthold, 1970–72. An unconnected copperplate script of the English nineteenth-century fashion, so-called Spencerian. Based on pressure pointed quill calligraphy. Unlike other copperplate scripts, the letters in this face do not link up. For use in advertising and display typography in relatively small sizes. Cyrillic version was developed at ParaType in 2000 by Vladimir Yefimov.

Unger Script is a script design which is obviously based on H. Matheis' Slogan typeface designed for Ludwig & Mayer in 1957. This very expressive script design is defined by its widely swinging upper case and its quite narrowly designed lower case characters. Ralph M. Unger redrew and digitized this font exclusively for profonts in 2001. His work is based on artwork taken from old font catalogues.

Hadron is a fusion of gothic black letter and foundational letter forms. It has a heavy flat pen influence but is combined with more modern letter forms for increased legibility over that offered by black letter fonts. Unlike most black letter fonts, Hadron can be set all caps using the first level of caps. A basic design kernel based on the caps “O” and “H” was created first. These letter forms consist of an interplay between curves and straight lines with abrupt transitions and also possess some of the geometric crispness of a modern sans serif. The rest of the Hadron font was developed around this “O” and “H” kernel. This font could be used for any application requiring a formal black letter or foundational lettering look. Hadron could also be used for invitations, brochures and posters. The first level of caps and lower case is basic enough to set a large body of text. It could also be set all caps at that level.

Envisage is a distinctive new grotesk design by Alex Kaczun. Characterized by distinct details throughout as particularly visable in the capitals A, H and N. There is a more organic and natural feel to the overall design as in the sutle curves introduced in many of the lower case letter forms, specifically the a, h, m and n. And, especially evident in the warm overall curves within the l‘case g. In addition, incorporating flexibility in form and function, Alex has also included alternate letter forms in this OpenType font; allowing the graphic designer a choice in the overall look and feel. Envisage has impact and zeal. It's a wonderful choice for a distinctively unique headline treatment, and works equally well in text in a large range of point sizes. Use this friendlier sans serif as an alternate to Futura and Gill Sans. We think you will like what you see. The large Pro font character set supports most Central European and many Eastern European languages.

Since 2005, I have repeatedly attempted to create a neutral-looking grotesque with a humanistic character. I wanted a pleasant, soft typeface. The typeface should appear similar to Helvetica or Univers, but with more open shapes and therefore better readability. The features are deliberately reserved with 4 gradations plus italics. The onum feature for Old Style Figures contains additional alternative letters such as a looped g. The italics have a swash feature with some decorative shapes. As a sans serif, HGB Bacco does not appear to be technically constructed, but has a friendly, open character and is also suitable for longer texts.

Whenever I see clippings on TV of demonstrations, protesting against this or that, with people holding up signs, I am surprised about the signs being professionally printed or plotted in Helvetica or Futura condensed. I've even seen signs in Zapfino! That doesn't really cut it, it doesn't look much like a real protest. So I decided to give the protesting world a real good font for the occasion. In German a Revolte is an uprising, I thought that was a good name for the font. Hasta la victoria siempre from your revolutionary type designer Gert Wiescher.

Peter started as a sketch in the static sans-serif tradition of Helvetica®. Then slight references to the calligraphic origin of type were added, giving it a more distinct character. This neo-grotesque sans has rational and clear basic letterforms, while in its details it unfolds attributes of humanist type. As a neo-grotesque sans it claims a very modest design, yet being a bit wider than its relatives and offering the warmth of humanist drafts. The early sketch grew to a type family of 18 fonts and now supports 700+ glyphs with pro opentype features.

Here's a retooling of the Art Deco classic Novel Gothic, designed by Morris Fuller Benton and Charles H. Becker for American Type Founders in 1929. We've added a little sparkle to this classic with a reflected-highlight treatment, to help create attractive and commanding headlines. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

Cursivo Saxonio is a typeface inspired in the famous book The Case of Charles Dexter Ward, by H P Lovecraft. It shows better than I get with my studies the authentic "Insularis" or "Cursivo Saxonio" handlettering of the VIII and XI centuries used by some people in Britain. The text on the accompanying poster reads: “Corwinus necandus est. Cadaver aq(ua) forti dissolvendum, nec aliq(ui)d retinendum. Tace ut potes”

Of the many lettering gurus who published chapbooks on handlettering during its heyday, one of the most prolific was H. C. Martin. This quirky poster face was offered in one of his many Idea Books, and it remains as fresh and frolicsome today, some seventy years later, as when it first appeared. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Eden Light, originally designed by the American type designer Robert H. Middleton in 1934, was commissioned by Publish magazine for a redesign in 1990. When I found a specimen of Eden Bold a couple years later, I decided to digitize it also. Subsequently, I created a Medium weight. Very squared and compact with thin slab serifs, Eden includes support of all European languages that use the Latin alphabet.

The inspiration for this exuberant exercise in penmanship was found in Frank H. Atkinson's A Show at Sho-Cards: Comprehensive, Complete, Concise, published in 1918, executed with the then-state-of-the-art Payzant Reservoir Pen. It retains its quaint charm, even after almost a century. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

German type designer H. A. Simon created this script FontFont in 1996. The family contains 3 weights: Regular, Condensed, and Bold and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, poster and billboards as well as software and gaming. FF Market provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures.

Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.