1,203 search results (0.024 seconds)
  1. 84 Rock! - Personal use only
  2. Ubicada - Personal use only
  3. Angelique Rose - Personal use only
  4. Zabatana Poster - 100% free
  5. Hawaii Killer - Personal use only
  6. Chelsea Studio by Scriptorium, $18.00
    Chelsea Studio is based on hand lettering from architectural sketches by Charles Rennie Mackintosh.
  7. Tabarra Black - Personal use only
  8. Tabarra Shadow - Personal use only
  9. Qebab Shadow FFP - Personal use only
  10. Tabardo - Personal use only
  11. Indulta SemiSerif - Personal use only
  12. Monserga FFP - Personal use only
  13. Disoluta - Personal use only
  14. Matchbox by K-Type, $20.00
    Display font for pixel lovers - mad for right angles and hard edges? Constructivists ate my bitmaps.
  15. Gaban - Personal use only
  16. Deslucida - Personal use only
  17. PlasterCaster - Unknown license
  18. AgencyGothic - Unknown license
  19. Rita Anne by Happy Heart Fonts, $29.99
    A font I made in celebration of hard working, dedicated women who sacrifice to help others all over the world.
  20. Merchantry by Bushwick Happy Hour, $20.00
    Merchantry is a hard-working display font inspired by vintage signage you might find in local supermarkets of days gone by.
  21. RabbitEars - Unknown license
  22. HardTimes Roman by Wiescher Design, $39.50
    HardTimes has been hard work, designing a handmade typeface must always have the right balance between rough and smooth, specially with this Times-like face. It has the big European glyph-set, so that it can be used all over the continent I come from. I gave this font extensive kerning. Times are too hard for boring typefaces, so try this one for a change. -Your hardworking type designer, Gert Wiescher
  23. Soft Biscotti by Kitchen Table Type Foundry, $16.00
    I just love biscotti; they’re one of my favourite cookies! I thought they were all rock hard and half-moon shaped, but I found out that there’s a ‘soft’ variety as well, mainly aimed at young children who may have trouble munching on the hard cookies. Soft Biscotti is a handmade, all caps font. It comes with extensive language support and a set of alternates for the lower case letters.
  24. Valimo by Fenotype, $19.00
    Valimo RMX is a destroyed hard-to-read typeface. It's suitable for creating text "textures" where you don't necessarily need any actual content.
  25. Nicolas Cochin by Linotype, $40.99
    Georges Peignot designed the font Nicolas Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715-1790) although its style had little to do with that of the copper artist. Nicholas Cochin is a freer variation of another Peignot font, Cochin, a bit more balanced and elegant.
  26. FourJuly by Ingrimayne Type, $7.95
    FourJuly contains three patriotic fonts that might be fun to use in July. They are also very hard to read, but perhaps not as hard as the somewhat similar letters in the fonts of FlagDay. FourJuly A has square, blocky letters with star interiors. FourJuly G and FourJuly H add diagonal stripes. FourJuly G and FourJuly H can be layered on top of FourJuly A to create bicolored letters. See the example here.
  27. Jolgoria in Town - Personal use only
  28. Lucemita - Personal use only
  29. Rotola TH Pro by Elsner+Flake, $40.00
    Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.
  30. VELVET - Unknown license
  31. Nuclear Standard by Zang-O-Fonts, $25.00
    Strong, hard lines inspired the name of this font, based on the "nuclear standard" set by the U.S. and the Soviets during the cold war.
  32. Judlebug by Atlantic Fonts, $26.00
    Confident, endearing and youthful, Judlebug is brimming with personality that’s hard to deny. Now available in 3 weights, Judlebug is ready to light things up!
  33. Paola by astype, $24.00
    Paola is a redesigned, new interpretation of a typeface from Carl Rudolf Pohl. OpenType features: Central European faces Ligatures & contextual alternates Proportional & mediaeval numerals Fractions
  34. heartfont - Unknown license
  35. Loyal Fame - Personal use only
  36. Fraught by Morganismi, $12.00
    Fraught is a rough tough stencil font for hard use. Feel the touch of cracked concrete, rusty iron and undressed board. Fraught supports most European languages.
  37. Rennie Mackintosh by CRMFontCo, $35.00
    The Classic Charles Rennie Mackintosh Font. Created in 1993, the timeless beauty of Charles Rennie Mackintosh’s letterforms is now available at MyFonts for the first time. Often imitated, but never bettered, this font has been used in various projects all over the globe, enjoying the limelight of Hollywood when it was requested for use in Sam Raimi’s second “Spider Man” adventure. A form of this font has subsequently been used for the TV series “An American Horror Story”.
  38. Larrikin by HeadFirst, $17.99
    The distressed letterforms hark back to early printing process using hand carved wood cut letters. The typeface is available in 6 weight with both Rough & Solid variations.
  39. TWT Pavane by Three Islands Press, $29.00
    TWT Pavane is based on the calligraphy of Art Nouveau designer Rudolph Koch. Chelsea Studio is based on hand lettering from architectural sketches by Charles Rennie Mackintosh.
  40. Rotulona Hand - Personal use only
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