Inspired by the hand lettered opening credits for “(The Many Loves of) Dobie Gillis” – a teen-oriented televisioncomedy that ran from 1959 to 1963 on CBS - Teenagers JNL is available in both regular and oblique versions.

I really like the UK and I quite enjoy the British slang. Off Yer Trolley is one such expression. It means ‘behaving in an unusual way or doing something silly’. It just popped in my head when I was looking for a name for this rather silly font. Off Yer Trolley is a handmade cartoon or kids font. As the name implies, this font certainly behaves in an unusual way and you can use it for something silly as well!

This font was drawn with a round marker and is very bubbly and girly.

The Joanna® Nova design, by Monotype Studio designer Ben Jones, is an extensive update to Eric Gill’s original Joanna typefaces and brings this much admired – but underused – slab serif typeface into the 21st century. Joanna Nova features 18 fonts – more than twice as many as the original Joanna – with a wide range of weights including thin and ultra black, which were not available in the original design. Every glyph has been redrawn using a variety of reference sources, including Gill’s original sketches and the copper patterns used in Joanna’s initial production. When Jones set out to design Joanna Nova, he saw that the ‘real Joanna’ was not immediately evident. “Some of Gill’s original drawings have a sloped ‘M’; there is also a ‘K’ and ‘R’ with a curled leg and a letter ‘d’ without the flat bottom,” he explained. “Is this Joanna? Or is it the version used to print Gill’s Essay on Typography? Or is it the digital version with which most people are surely more familiar than any other version? Ultimately, I think, none of these and all of these were ‘Joanna’ because, as with any typeface, it is more the idea or concept behind the typeface that makes it what it is. My approach was to create a version of Joanna that appears in your mind when you think of Joanna.” Jones noted that one of the most distinguishing aspects of Joanna is the italics; and that, for reasons unknown, many of the characters in the current versions are much more condensed than those in the hand-set fonts of metal type., The newer designs being almost unusable at small sizes. The italics in Joanna Nova have been reworked to be more legible and closer to their original widths. Joanna Nova expands the original Joanna in several ways that open up new typographic possibilities, These additions include several new weights, support for Greek and Cyrillic scripts, small caps for all scripts in both upright and italic styles, several numeral options and a host of context-sensitive ligatures. The Joanna Nova typeface family is part of the new Eric Gill Series, drawing on Monotype's heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.

The English stone carver, artist, and typographer Eric Gill conceived the Joanna typeface as a personal design for use in books printed at his Joanna Press."" Gill saw his press work there as a continuation of the British Arts and Crafts Movement, pioneered in the 19th Century by William Morris. Joanna is notable for its almost vertical ""upright"" italics, and the unusally small size of its italic characters. Joanna is versatile and extremely legible. The letterforms are a bit narrow, so the face is very economic as well. A lot of text may be packed densely together onto a page with Joanna. Joanna mixes very well with other typefaces designed by Eric Gill; especially Gill Sans.

Presentation JNL is built on the letterforms of Gilbert JNL (which in turn was modeled after Eric Gill's classic sanserif design).

ITC Forkbeard is the work of British designer Michael Gills and named after a famous Viking warrior. Gills was inspired by the work of Victor Hammer as well as a lesser known uncial style called Andromaque. Distinguishing characteristics of ITC Forkbeard are its geometric overtones and its distinct capital and lower case letterforms.

This downloadable font has silly written all over it. Its versatile style makes it useful for all sorts of absurd or comical themes.

The swooshy swirls of the uppercase paired with the simple lowercase creates a very useful title font. Romantic and girly but still perfectly legible.

Justine, while a playful, swirly, girly font is a complete font with the full character set. It was inspired by the handwriting of Justine Childs.

ARTypes Initiales ombrées transcribed from 84-pt letters made by Gillé fils in 1828, descended to Deberny & Peignot.

A more legible version of Janda Love & Rain, these decorative capitals are paired with neat lowercase letters that give you a girly flair with maximum legibility.

Eric Gill’s personal version of the Lapidary letterform. Perpetua® font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Tattoos

Overbold is an unapologetic display typeface inspired by an illustration in Eric Gill's Essay on Typography (p.51), in which he demonstrates �how not to make letters�. In particular, he shows that increasing the weight of the downstroke in a serif �A� without structural adjustments yields an absurd, �overbold� result. I found the letter so charming that I decided to blatantly disregard Gill's wisdom and draw an entire overbold typeface. Here is the result. I'm not sorry.

Tire Swing BB is lighthearted without being silly. It's whimsical without being cliche. It's a body copy font, or great for headers, and includes lots of European characters.

Drawn very small with a brush-tipped felt pen, Messcara has qualities of freedom, toughness, with a few girly loops thrown in for good measure. A true handwriting workhorse.

Need something VERY silly for your headlines and still keep the legibility?! Then Sillyheads could be your no. 1 choice! Sillyheads has got that funny, weird, cute, crazy look!

Out from a turn-of-the-century cartoon, Pennywhistle evokes the silly symphonies and merry melodies of an earlier age, while playing footloose and fancy free for a modern age.

CookieNookie is a silly but cute font, great for your scrapbook pages or where you want a unique handwritten look. Leave lots of leading...the ascenders and descenders are long!

Ever seen a monkey with pants? Probably would look silly, and that's excactly how this font looks! A jumpy, weird and funny font - unpredictable and ready for ounzes of fun!

I was working on an unrelated job with curls and wondered how I could apply them to a font. Well, here it is, all pair-kerned. A little silly but fun.

Is a unique font, Sanwich sans is made with a messy character arrangement and an expanded width to get a silly and playful impression, suitable for use in casual themed graphic designs.

CurlyQ new from Rae Kaiser and Outside the Line. A curly, swirly, girly kind of font. A delightful headline font for your next garden party or note to the kids from the tooth fairy.

Intense Eve is a crunchy, girly font with jumpy letters. Romantic indeed, and comes with extra heart swashes to jazz up your text! You will need to use OpenType supporting applications to use the autoligatures

Porcupine Pickle - a weird font with a weird name. It is loose, it is girly, it is fun. It has an uneven baseline, yet is very easy to read. It comes with all the accents. Yay!