Cantey is a wide sans display font. With high contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Cantey font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Cantey font. Cheers, Maulana Creative

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

Pantsy Fance is a fun, yet structured typeface. It means business, but doesn't forget the frills. I use this lettering often on greeting card envelopes and the title section of my class notes. It is great for titling, labels, logos, and signs. This font fully supports the following languages: Bosnian, Bulgarian, Croatian, Czech, Danish, Dutch, English, Estonian, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Spanish, Swedish, Turkish, Ukrainian. If your language is not listed, or if I've missed a character in a language I claim to support, please contact me! I will be happy to add characters as needed, and will consider supporting more languages if there is interest.

Introducing Mantra Rimba Font: Where Nature's Magic Meets Readability, inspired by the beauty that surrounds us. While it's inspired by nature's whimsy, we haven't forgotten the basics. This font ensures your message is clear, making it perfect for a wide range of creative projects. Whether you're designing invitations, logos, social media graphics, posters, or stickers, let "Mantra Rimba Font" be your creative muse. It adapts flawlessly to any canvas.

Canari – Modern Calligraphy Fonts Canari, modern calligraphy font is of great interest to all graphic designers and die-hard fans of handwriting. Canari comes with 105 extravagant ligatures, so you can give your work the personal touch it deserves. It is great for expressive projects such as using it for a logo design, wedding invitation design, social media headers, product packaging, and much more! If you are looking for a condensed font that is perfect for use as social media headers or logos then Canari would definitely be the perfect choice for you. Just take a look at this example above and you will definitely fall in love with this font! Canari features: A full set of upper & lowercase characters Numbers & punctuation 105 Extravagant ligatures Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Proudly present Mrs. Santhi, a fancy Signature Font. This font is very unique. I designed it for you who want something different from the others. It is perfect for branding, photography, invitations, quotes, watermarks, advertisements, product designs, labels, and much more! I created 194 ligatures to keep this font look natural: aa ab ah ak al am an at ant all amm ann att bh bt cc ch ct dd eb ee ek em en et enn ent ett ff gh hh ii ib ik in it inn int itt ix ixx kh ll mm mt nt nn oo oh on ob ok ol oll om ot ont ott oot onn ox oxx ph pt and more as you can see on the presentation pictures. Mrs. Santhi also features punctuations and multilingual support. Hope you love it!

Introducing our newest cute serif typeface, Barongko Pastry, a decorative font. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

An entirely strange, illogical and inconsistent font packed with inappropriate curlicues and appendages “translated and composed” from a few words on a crumbling fragment of Victorian sheet music. It was developed to form the logotype and display text of a manifesto for a creative collective working as artists, researchers, producers and agents.

Looking for a typeface that’s as unique as your personality? Look no further than Sui Generis, the rounded square sans-serif that’s unlike any other. With its technical letterforms and boxy curves, Sui Generis has an industrial character that’s all its own. It’s the kind of typeface that demands attention, without ever feeling pushy or obnoxious. In fact, its understated charm is part of what makes it so special. But don’t let its quirky personality fool you—Sui Generis is as practical as it is unique. With four weights, two widths, italics, and an outline style, it’s incredibly versatile and perfect for any project that requires a touch of character. So if you’re tired of bland, run-of-the-mill typefaces that all look the same, give Sui Generis a try. Its square letterforms and distinctive voice will make your design stand out from the crowd, and leave a lasting impression on anyone who sees it. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

Galerie 2 has a narrower styling and less contrast than its sister family but incorporates the same unique characteristics as Galerie within its elegant proportions. The close genetic proximity to Galerie enables dual deployment in text and artwork, each family complimenting the other in combinations of headings and copy. Galerie 2, like the full width Galerie volume, comes in 4 weights from Thin to Bold.

Creme Pastry Is A Modern Display Character Inspired By Stylish and Cheek Style. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

If we look up the definition of the word "grotesque", we find the following: "Odd or unnatural in shape, appearance, or character; fantastically ugly or absurd; bizarre." Following this definition, the design for Anti aims to create an un-compromised version of a grotesque sans-serif – where decorative details live in balance with brutalist shapes. The result is an alphabet with a slightly modernist feeling and an eccentric touch, that work wonders at small sizes. The typeface comes with four weights – light to bold – and features a character set supporting Central and Eastern European as well as Western European languages.

Patri is an original type LGtypes, modern with style that recalls the belle epoque, combines a wide and a thin line, elegantly finished.

Hello Everybody, I just want to introduce my new twin cute fonts in one. These are "Angry & Hungry". As the preview images, This font comes with funny, cute taste. These fonts can be used in everything your requirement. What's include : - Angry & Hungry otf - Angry &Hungry Shadow otf - Angry & Hungry Script otf - Angry & Hungry Script Shadow otf If any question, please contact me. Happy Designs, Haksen

Font designed for lettering dialogue baloons in comic books.

Introducing ANGRY BRUSH - a very bitter display brush font made for all your resentful ramblings. Available only in upper case (shout mode) and with 17 different unique variations of every single character so it always looks fresh, with no duplicated letters in sight. You can either manually choose your preferred character, or let the contextual alternates rotate through each stylistic set whilst you type.

Praying Mantis is a typeface designed by Tomass Gavars. The design was inspired by the praying mantis insect. The shapes of the mantis head, forelegs and body are represented in each glyph. Each font consists of 226 characters - including numbers and punctuation. Praying Mantis has Latin character set support.

Santy Ehisa is a Stylish Script Font with Handwritten Style. The Santy Ehisa font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Experience refined design with La Qatrie, a display font that boasts an elegant look and a touch of luxury, setting a new standard for sophistication in typography. Perfect for those needing a touch of elegance, classy, stylish, beautiful bold type, and modernity for their design. Complete with ligatures alternates regular hollow icon kerning multilingual support

Angry Monkey is a vintage layered font. Contains 5 typography styles, uppercase and lowercase letters, and basic punctuation for each style. Well suited for headings, corporate identity, as well as the creation of various printed and digital products. The font is designed in the playful style of an angry monkey. The archive contains a bonus accompanying graphics for the design of T-shirts and other products.

A little ditty from France circa the 1940s called "J'ai Rêvé Dans Tes Bras" (which loosely translated means "I've Dreamed in Your Arms") offered up its title hand lettered in an interesting Art Deco sans. This formed the basis for French Pastry JNL, a tasty typographical tidbit further preserving the wide choice of lettering styles hand-crafted for popular sheet music of past decades.

In the 1960 edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” you’ll find a bold, hand lettered Art Deco sans serif typeface designed by Welo with a decidedly 1930s-1940s look. This is now available as Pastry Shop JNL, in both regular and oblique versions.

Anti Grotesk is a personal and internal fight. It tries to build elements capable of building personality, message, and introspection through their own shapes. How to escape from trends being part of them, how to design not establishing commercial and economical interests. Why you started designing and why are you designing today, are some of the concepts that build the universe of Anti Grotesk.

Anti Gravity is a cute and funny handwritten font. It’s simple and playful style makes this design incredibly versatile, fitting a wide variety of creative ideas.

The hand lettered titles and credits from the 1958 war film “The Young Lions” command your attention with a bold block slab serif type style. This design has been digitally recreated as No Entry JNL, which is available in both regular and oblique versions.

The 1912 American Specimen Book of Type Styles from ATF featured a quaint little offering called "Tabard", whose antique charm was enhanced by several rather quirky alternate characters. This version tosses out the standard characters and keeps the quirks in the works: the result is warm, engaging, slightly mischievous and a whole lot of fun. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

The typeface Anti Atom is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz as a political statement #antiatom #atomkraftneindanke The display font based on the original Anti Atom Sonne from Anne Lund. Thanks to Stefan Bergmeier for the Input. 4 font-styles (Sun, Cap, Mirror, Outline) with 375 glyphs (Adobe Latin 2) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for or #SMILE for as OpenType-Feature dlig) and stylistic alternates (3 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Anti Atom ■ Font Styles: 4 (Sun, Cap, Mirror, Outline) + Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 374 glyphs (Adobe Latin 2) incl. 100+ icons (decorative extras like arrows, dingbats, emojis, symbols) ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Anti Valentine’s Day is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. This font is PUA encoded which means you can access all glyphs and swashes with ease!

A Tompouce (also know as Tompoes) is a typical Dutch pastry. It consists of a thick layer of pastry cream, sandwiched between two layers of puff pastry. It usually comes with pink icing, except on the king’s birthday, when the icing is orange. Tompouce is also a very nice connected script, with a lot of curly letters, some double letter ligatures and all the diacritics you can throw a pastry at. If it is an elegant, yet fun connected script you’re looking for, well… Tompouce may just be what you need!

Comicraft just want Puny Humans to leave Comicraft alone... Why soldiers shoot at Comicraft? PAH! Bullets do not hurt Comicraft... Bullets only make Comicraft Angry... and when Comicraft angry... COMICRAFT SMASH!

Comicraft just want Puny Humans to leave Comicraft alone... Why soldiers shoot at Comicraft? PAH! Bullets do not hurt Comicraft... Bullets only make Comicraft Angry... and when Comicraft angry... COMICRAFT SMASH!

A truly organized storage section is only complete with properly and neatly organized labels. This font is perfect for that. It is legible and professional enough to use in an office setting. It is also perfect for use in the home for example organizing a home or a pantry.