Honey Bee is a type family developed over the course of 2020. Consisting of two sub-families that share the same DNA of two opposing styles. Honey Bee Serif is a transitional modern serif with some reference to fundamental letterforms. Honey Bee Sans is a low contrast semi-geometric sans serif with bold rounded letterforms. These typefaces were made in unison, designed for perfect font pairing for a variety of projects and intensions. It’s design is ideal for small and large scale, with the distinct characters of the Sans family and funky headlines or titles with the stylistic Serif Italic. Super legible and a variety of characters allow for multi-lingual use.

Introducing Hell O Win by forberas, This font born to be a Halloween Project. But still can be made as a display font, and still suit your other fun project. Your review and response are most welcome.

Eclectic PixelWeb is a collection of three sizes of popular web icons in the pixel aesthetic. With 80+ icons designed for creating e-commerce, navigation, and interface designs. Use it as a starting point in your favorite vector program, or use the icons as is - they are optimized for sizes at 20 point and will work in Flash and other web graphics programs. Shopping carts, directional arrows, buttons galore! It's like a pinata in font format, surprises for everyone! This font includes: a new and search buttons, home, security, email, search, and a host of other icons and images to make designing your next website a breeze!. Available in Mac and PC formats, in TrueType, PostScript and OpenType formats.

The Wedding Signature is a Natural handwriting modern script calligraphy font. full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols It is perfect for branding, wedding invites and cards.

NCL NOSTALGIC WEDDING is romantic wedding script font. It is unique handwritten script font with lots of swash variants. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! It was purposely crafted to be used in large point sizes, although it doesn’t lose its magic in small point sizes. It is perfect for wedding or romantic event, headline, billboard, magazines, website, titles, poster, branding, t-shirt design, and logos. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. With this beautiful font, absolutely you can make your project stand out from the rest. See the previews above to get some inspiration on how to use them. FEATURES Contains 478 Glyphs Uppercase, Lowercase & Numeral Punctuation, Symbol & Currencies 70 Stylistic Set 1-4 48 Swash Variants Support for 87 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu.

Wedding Doodles Too is the follow-up font to the popular Wedding Doodles. This font gives you all you need to make your own invitations, announcements, RSVP cards, save your date cards and thank you notes. Font includes 3 sets of hand-lettered words… save our date, thank you and RSVP. Just add a wedding cake, flowers, top hat, wedding bell, heart or flower and you are done. Check out Wedding Doodles, you may need both.

Art Week JNL is a wider variant of the lettering style used on many WPA (Works Progress Administration) posters for the arts in the Depression-era 1930s. Wider than the version used for Concert Series JNL, it also features an ‘A’ with a rounded top rather than the flat, square version.

Tall, masculine, French-inspired handwriting.

The Wes Wilson font is an all capitals typeface inspired by the pioneer of 1960s psychedelic poster design, the Californian artist Wes Wilson. A key influence on the letterforms is the work of Austrian Secessionist, Alfred Roller, but this font, like Wilson’s own lettering is more freeform and playful.

This cute bunting style font includes extras like a cupcake, anchor, and a fleur de lis. Use the ( ) { } [ ] to make end pieces and join them with the underscore __.

The sheet music cover of Lew Brown and Albert Von Tilzer's 1917 wartime song "Au Revoir, But Not Goodbye (Soldier Boy)" had its title hand-lettered in a condensed sans serif design with the influence of Art Nouveau styling. This has now been re-drawn digitally as See You Later JNL.

George Ryan’s font of typographic ornaments and borders, available as a free download from Galápagos.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Thomas Nagel and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Nagel and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F EI Dee Cons one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype. Nagel designed nine of these himself."

Introducing " We Are Allstar - Trio Playfull Fonts " We Are Allstar a Handwritten Display Font With 3 Style (Regular,Outline and Shadow) You Can Mix And Match for Your Awesome Project This fonts is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more. FEATURES : Uppercase & Lowercase Number & Punctuation More than 251 of glyphs Multilingual Language PUA Encode 27 Ligatures Alternate 7 OpenType features were detected in the font (aalt dlig frac liga ordn salt sups kern) Support for 67 languages detected The alternative characters were divided into several Open Type features can be accessed by using Open Type savy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Check my other Font here : https://gilarstudio.com/ Thanks and happy designing :-)

We Are Happy is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a personal and realistic feel to your designs.

We Love Mom is a fabulous, elegant, and modern display font that’ll engage your audience and make your branding stand out. This stylish font can be used for a host of different content needs and projects. Perfect for social media branding projects, fashion designs, printed quotes, or even as a stylish text overlay to any background image and many more! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Today We Escape has got rugged edges and a slightly worn surface without overdoing it. The letters are ALL CAPS, but upper and lower case are different. Today we escape comes with substitution characters for double letters!

Design We Like is a collection of objects: the objects that made history! All the objects are drawn very accurately.

This typeface is extrapolated from the ‘We the People’ calligraphy of the handwritten US Constitution Preamble which employed a style based on German Text and Square Text exemplars from George Bickham’s penmanship copy-books, the most celebrated being The Universal Penman published in 1743. The original Constitution document was transcribed onto parchment by Jacob Shallus, a Pennsylvania Assistant Clerk, over a weekend in 1787. Shallus’s biographer, Arthur Plotnik (The Man Behind the Quill, 1987), notes that he was paid $30, a modest monthly wage at the time. He also suggests that the calligraphic headings, ‘We the People’ and ‘Article’, may have been inserted by Shallus’s 14 year old trainee son, Francis, “The manner in which the ‘Article’ headings are squeezed into the space Shallus allowed for them suggests a second hand—and perhaps not a very experienced one.” The unconventional backslant of the headings would seem to support this contention, and at the end of the document there is perhaps a novice’s inconsistency in the structure of the letter n between that used for ‘done’ and those used for ‘In Witness’. However, one has to admire the elegant swagger of the wavy t, h and l which the K-Type font extends to the b, f and k. Also, the simpler, Schwabacher-style W, an enlarged version of the lowercase w, is a little less flamboyant than the capital W from the German and Square texts in Bickham’s manuals. For designers using OpenType-aware applications, the typeface includes some Alternates, including a Bickham-style W, the letters t, h and n with added flourishes, two simpler forms of the A, and a few roman numerals for numbering articles. Also some ornamental flourishes and a round middle dot/decimal point. Punctuation marks are drawn in square, calligraphic style, but an alternative round period/full stop, for use with currency and numerals, is available at the period centered position (though placed on the baseline), accessed by Shift Option 9 on a Mac, or Alt 0183 on Windows. The full phrase, ‘We the People’, has been placed at the trademark keystroke and can be accessed by Option 2 (or Shift Option 2) on a Mac, or Alt 0153 on Windows. For designers who find the backslant awkward or unpleasant, the licensed typeface also includes two additional fonts which have a vertical aspect that may be more conducive to graphic design layouts. ‘We The People Upright’ and ‘We The People Upright Bold’ both retain the distinctive style, and the heavier weight is only slightly emboldened, just enough to add some punch.

Icon font for web and offline.

We Love Nature Leaves is an extensive and versatile collection of foliage illustrations. This font consists of 52 highly detailed drawings of twigs and leaves which can be used on their own or in combination with the other illustrations in the ‘We Love Nature’ font collection. All illustrations are drawn by hand and of the highest quality.

We Love Nature Forest is inspired by long walks in the woods and features decorative wintery pine needles, fir branches and cones. Perfect for designing your seasonal cards. It consists of 52 highly detailed, hand drawn illustrations. The illustrations can be used on their own to create beautiful designs, or in combination with other illustrations in the We Love Nature font collection.

We Love Nature is a picture font consisting of 52 high quality, hand drawn illustrations with clean outlines and a minimum of vector points. The contemporary stem flower illustrations can used on their own or combined to create striking illustrations.

A beautiful new addition to our We Love Nature flower font collection. We Love Nature Blooms consists of 52 highly detailed drawings of buds and blooms which can be used on their own or in combination with the other illustrations in the ‘We Love Nature’ font collection. All illustrations are drawn by hand and of the highest quality.

Allow me to introduce you to Meloche—a typeface that embodies the charm and elegance of the late 19th century. Meloche is not just any sans-serif typeface, it’s a one-of-a-kind grotesque typeface that draws inspiration from the hand-painted French signs of yesteryear. Meloche comes in seven weights and obliques, offering you the freedom to choose the perfect weight for your design needs. It also boasts of numeric ordinals, fractions, old-style numerals, and a simple Q—all possible thanks to its OpenType capabilities. Meloche offers you access to twenty weight-matched fleur-de-lis symbols in OpenType-savvy applications. Simply input the shortcodes [fleur1] [fleur2] [fleur3], and you can add a touch of French royalty to your designs. With Meloche, you can add a vintage French flavor to your message, evoking a sense of nostalgia and history. Let your designs transport your audience to the romantic streets of Paris. If you’re looking to add a touch of history and charm to your designs, Meloche is the perfect typeface for you. Its unique design and advanced OpenType capabilities make it an ideal choice for any project that requires a touch of Parisian elegance. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

We Love Nature Stems Two is a picture font consisting of 52 all new high quality, hand drawn illustrations with clean outlines and a minimum of vector points. Due to the overwhelming success of our flower font We Love Nature Stems, we have created this brand new set of original illustrations. We loved creating these beautiful new flowers and hope that you will love designing with them. Enjoy!

The new font “The Best We Could Do” was created by artist and author Thi Bui who used the font in the graphic novel by the same name. The font is brush-script handwriting font which displays human personality rendered with bold confident strokes full of passion and expression. Chank’s work on this font captured Bui’s distinctive textual style and also saved her a ton of headache and time in inking. A debut memoir that tells the story of one family’s journey from their war-torn home in Vietnam in the 1970s to their new lives in America, the autobiographical book is lauded for its heart-breaking exploration of identity, family, and home. Bui ties her modern life with the multi-generational experiences of her family, weaving together the emotional threads of their relationships to find clarity in her current day. “The Best We Could Do” graphic novel is published by Abrams ComicArts and is available wherever fine books are sold.

We Love Nature Summer Flowers is a picture font inspired by a late summer visit to an organic flower farm in the south of England. The farm specializes in growing local seasonal flowers for lovely bouquets and arrangements. This picture font features 52 hand-drawn illustrations inspired by these flowers. The contemporary flower illustrations can used on their own or in combination with the other illustrations in the We Love Nature font collection to create striking designs.